When I was in high school, one of my uncles asked me if I had a boyfriend. It was a typical question that many of our parents or relatives ask at this rather awkward period of our lives. The conversation remained a playful exchange until my uncle got really stern and told me this: “Before you get into a relationship with someone, make sure they have an ID.” At the time I thought that remark to be rather odd, and didn’t know what to make of it. I dismissed it with the thought that maybe he was under the influence or maybe it was just a recommendation that adults give based on their personal bias such as “make sure they are God-fearing.”
I never thought much about national identification cards until it was time to get my own. I had never heard of any odd stories around securing this document, the legal evidence of initiation into adulthood. My cousins and older friends before me had had a fairly easy time, so I never imagined that it would be an experience that would change my life forever, or one that I would be writing about five years later.
On the morning I went to apply for my ID, my mother, a very organized person, had prepared a folder containing the documents that were required by law. We went to the chief’s office – a walking distance – chatting and laughing as she teased me about what “adulthood” meant. We got there and there were a few young people, so I went in, oblivious of what would happen. My mom seemed a bit nervous but I was very excited. I was thinking of all the things I would be able to do; drive, travel alone, go out dancing, drink… She gave me the documents and I went into the application room, not knowing that I would come out a different person.
My father had died in 2007, seven years before I applied for my ID. I was aware that one of the requirements for the application process was copies of your parents’ identification cards and my birth certificate. The folder had a copy of my mom’s ID and my birth certificate. My father’s ID was not there because he didn’t have one.
When the chief asked me about my father’s documents and his ethnicity, I didn’t know what to say, because I was unprepared for any kind of interrogation. Actually, I didn’t even think that I was going to interact with the chief in any way. I had expected to be given forms, fill them, have my biometrics taken and go home in time for lunch, with my interim ID in hand. I called my mom into the room and had to witness her saying that my father never got an ID after decades of applying, because he was a Nubian and somewhere along the way, he gave up. In that moment I was being exposed to this kind of alternate existence that had not been a part of my reality but would affect how I saw everything from then on. For so many years, my mother had hoped that by the time I was applying for this document, that things would have changed and that I wouldn’t have to go through the humiliation that she witnessed my father go through for so long. She tried to explain the situation to the chief, but he dismissed her by saying “all foreign tribes must be vetted…huyu itabidi vetting.” (She will have to be vetted). The walk home was silent and heavy. My mother was teary and I was quiet.
Nubians were brought to Kenya from Sudan in the early 1890s to serve as soldiers in the British army under the Kings African Rifles, first during the building of the Uganda railway and second, in the First and Second World Wars. The British denied the Nubians the freedom to return back to Sudan after demobilization, and then categorized them as aliens, a label that has since been perpetuated by consecutive post-independence governments. Because they weren’t allowed to go back to Sudan, the British allocated the land that covers present-day Kibera to the community to settle on, but their status as “aliens” has meant that there can never be any legal documentation to show that the land in Kibra is, to my generation, Nubian ancestral land. This, in turn means that the state can and has refused to legitimize the rights of Nubians, keeping them in a permanent state of stagnation, which benefits powerful elites.
My father was Nubian. This label didn’t mean much to me in the sense that I never thought that being Nubian would shape my lived experience in any significant way. I just thought I was just a child, a person, a Kenyan. Outside of my grandmother’s house, this Nubian identity was basically an inconsequential part of who I was. Growing up I just found it strange, fascinating and finally tiring when people would ask me if Nubians were Kenyans, having never heard people asking Kikuyus or Kambas whether they were Kenyans. With my limited view of the world I just thought it was a game of popularity, like how we had the popular guys in school, who everyone knew, and the ones who were not so popular, but were still part of the school and still enjoyed the structural providences. So, Nubians, like the Mbeere and the Pemba, were just few in number and perhaps not well known, and my assumption was, even though these groups of people lacked social capital and recognition, they very much enjoyed all the rights that all other Kenyans enjoyed.
I did not know what vetting was or what it entailed in this case, and frankly, I had never heard of it. The chief had given us a piece of paper, on it, a list of documents that I was to produce to prove I was Kenyan enough for an ID. The list absurdly demanded that I bring; copies of my grandparents’ (dad’s parents) identification cards, my father’s death certificate, primary school and high school transcripts, my immunization card, and most surprising of all, a copy of the ID of our building’s caretaker, accompanied by a signed note saying that he knew me and that I was resident in the building I claimed to live in, for an extended period of time. There was also mention of appearing before a ‘council of elders’ and paying a fee to a magistrate.
By then, I had figured out that what I was being subjected to was not standard procedure, but an act of institutionalized discrimination. I had been asking my friends about their experiences, and they all seemed to have flawless experiences. Most of them praised the government for “making the process easy.” On the other hand, my Nubian cousins weren’t even trying to get IDs. They already knew that hurdles were too great.
To the government, it was clear that Nubians were not human, because to be human is to belong. “At the age of 18, your life as a Kenyan stops” one Nubian youth from Kibra lamented. “It is only when you apply for an ID card that you realize you have been living a lie. This country does not want you, and the years you have spent here are all a farce.” Without an ID, one cannot register their sim card, therefore access to M-Pesa or any other form of mobile banking is impossible. One cannot vote, cannot access government buildings, cannot obtain a passport, cannot apply for jobs, higher education or even acquire a driver’s license. It is so absurd, to the extent that without an ID, one cannot legally die, which is what happened to my father. He does not have a death certificate because he did not have an ID. The state neither recognized his life nor his death. In the eyes of the state he never existed. To me, this is what statelessness truly means. The right to live and the right to die and the right to belong are taken away, without being granted in the first place.
Proving my humanity
Nubian youth today go to great lengths to get a chance to even apply for their identification cards. Many lie about belonging to other tribes, mostly the “popular ones,” many save up in order to afford to bribe officials in the many different offices they will likely have to go through. All this because the Kenyan state gets to play a game of the politics of exclusion and inclusion, who is “in” and who is “out”, but these acts have real implications to real people whose lives begin to be defined, first, by statelessness before they can claim to be anything else.
I have a great uncle, who by several untruths, social connections and stubbornness, was able to obtain an ID many years ago. His single ID caters to every official need that people in the family may have. Any dealings with the Kenyan government and he’s your guy. People depend on his vote to speak for many. Many M-Pesa transactions go through him. He takes people’s children to school; his bank account is basically communal. So this uncle’s details are the ones outlined on my father’s burial permit. The one legal document that bears my father’s names is his burial permit, written in my living uncle’s name, with my uncle’s ID number.
Back to my application for an ID. On the day that I returned to the chief’s office, I wasn’t hopeful. I wasn’t excited. I was dreading the humiliation of having to prove the only nationality I knew, in front of many people. I went with all the documents that had been demanded for the vetting process, except the death certificate which didn’t exist, and my grandparents’ IDs which also didn’t exist. Standing there, being talked down upon and ridiculed, all I could think of, strangely, was the caretaker. I had spent the week chasing him all over the estate. Once I explained the reason why I needed his help, he became too busy, an act he put up in order to get a bribe out of my mother and I. Being a heavy drinker, he always asked for “pesa ya kachupa”. I always said I didn’t have the money. Then he would get angry and tell me to look for him the next day. This went on for a couple of days until he finally gave me his ID which I photocopied and the next day he wrote a brief note, signed it and I attached it to the copy of the ID. The day I was going back to the chief, I met him at the gate, sober, telling me that he knew the chief. I didn’t know what that meant, but I saw my mum giving him a 200/- shilling note. Standing in front of the chief, I now knew what he meant. He could unravel this whole process just by his word of mouth. I felt so small and dispensable, like my life was hanging in the hands of these men who had more citizenship than me.
The chief sent me home, and as I was walking back, I was trying to think of all my family members; maybe I have lawyer cousin that I didn’t know about? I needed a lawyer, and I knew legal fees were expensive. See, the chief said the documents were insufficient to prove anything. The caretaker’s note was there, my mum even managed to find my immunization card, all my transcripts up to my final year of high school were there, but he said that the documents that were missing were the most important. So he advised that I seek the services of a lawyer in which I would swear an affidavit that my father died not being a citizen of Kenya, and that I was aware of this and was ready and willing to take the ID using my mother’s details only. This was to me, a protest to my protest. Here I was, trying my best to prove that I belonged, holding on to everything I knew about myself, but being told that I am not who I know I am, my life being unraveled, in an embarrassing and truly heartbreaking manner.
When I was turning 10, a year before my father died, my mom threw a birthday party for me. Till this day, even in the pictures, I have tears in my eyes because my dad couldn’t make it. I wanted him there so bad. He was my dad. Here I was, at 18, being asked to erase his existence in order to exist myself. I couldn’t process it. I just couldn’t. I always want him to be with me, and my country was asking me to wish away someone that I was part of who I was because of the favor of belonging; of legally obtaining the Kenyan identity.
My mum wanted me to get the process done as soon as possible, because like any mother, she wanted to see my life moving. You don’t realize how hot Nairobi is during the dry months until you have to walk up and down Argwings Kodhek Road looking for an affordable lawyer. Luckily my mum remembered one of her friends from church who was a lawyer. She got his number from his wife; we called him up and were able to locate his office just before 3pm. We explained everything, and while he was baffled, he prepared the affidavit and I signed it soon after. I was soon back home but I was wondering if all those feelings were worth the trouble of trying to be a Kenyan.
I have heard stories of Nubians today only being allowed to apply for IDs on Tuesday and Thursday from 9am -1pm on each day, with only three government officials serving thousands of young and old Nubians. Other people from other tribes can apply on any day at any time that falls within the business hours. My father’s mother has been sick for decades. She had a growth in her abdomen that requires very specialized and expensive care. She doesn’t have an ID, therefore she can’t access insurance services. She knows she is in pain because she doesn’t possess any form of proof of citizenship. Hearing about this time that has been set aside for Nubians to apply for identification cards excites her, and she is happy at the prospect of more of her people being recognized as Kenyans and participating in society. She does not know that this process is just an extension of the injustice orchestrated by the oppressor, because the person who denies you your humanity cannot turn around and give it to you in small doses at their own convenience and by their rules. It is false and inhumane for a part of the population to be made to feel like their access to human rights is a favor and the little attention they are given, a privilege.
Where life stops
Like other Nubians, my uncle, the youngest of four sons, married outside of the Nubian tribe, hoping that this would mean that his children would have better chances of legal belonging. Creating a situation where people would rather marry outside of their tribe so that their children may have a chance of legally existing, is by design, ethnic and cultural genocide. My uncle was in a relationship with a woman from a different tribe, with whom he had a child and lived together. The girl was hiding her relationship from her family because of fear of their disapproval. Unfortunately, one way or another, her family found out and they forcefully removed her from my uncle’s home and took her, and the child, back home. Their reasons were that they had heard that Nubians are lazy; they sit around all day, without jobs and at the risk of deportation because they are not Kenyans.
A couple of years ago, another of my uncles, a father of three sons, was suddenly left by the mother of his children. She was frustrated by his lack of a steady income. She left him with the children, and we received word that she was married elsewhere. He would die two years after, because of lack of access to proper healthcare. He died still waiting for his ID application to be approved so that he could apply for insurance.
My uncles’ stories are testimonies of real life consequences of the evils of the state. This lack of legal identification affects more than just the one individual seeking the document. Many Nubian people are not able to provide for their families. They are left feeling that they are not doing right by their spouses, their children, and themselves. The situations that Nubians find themselves in are locked in by helplessness and despair. It is not my uncles’ faults that they are not able to even have the opportunity to have steady sources of income. When I see Nubian men, young and old, seating around their houses, playing draughts, I see men whose ability to affirm themselves has been taken away. So they carry their politics in their bodies. They talk to exist, to pass the time and fill the void of uncertainty. They talk, therefore they are. When I see my uncles, I don’t see ‘lazy, unmotivated’ people, which is a dominant narrative about the Nubian people. This stereotype is, behind the scenes, advanced by the difficulties faced in obtaining identification. When you don’t legally exist, legally love, legally die, when you don’t legally belong anywhere, it is easy for narratives about you to be formed and advanced by the people who belong. They have the voice, you don’t.
On the day that I was to pick up my ID, I was nervous about being turned away. It had been a couple of weeks of back and forth. After the humiliating vetting process where one man on the council tried to get me to sing the national anthem in Kiswahili, I just knew if I had to go through one more hurdle, I’d weep and probably just give up on the process all together. As I was standing in line, I thought about how I was being forced to basically denounce my father in order to be a ‘real Kenyan’. I wondered if that was the price I had to pay, and if any of it was worth it.
When I got home, I showed off the new shiny plastic proof that I was a human being worthy of being seen and heard to my mum, my cousins and my aunties. They were very happy. Getting this little thing was such an achievement and they all congratulated me for “keeping steady”, “staying strong” and “doing all it takes.” An outsider listening in might have genuinely thought that I was participating in a vigorous Olympic activity. And isn’t that absurd? I was just trying to drive and drink and party, and perhaps vote. It’s absurd. Every time I look at my ID card I feel like I am looking at the absurdity of it all. I hate being in situations where I am asked to ‘show ID’. It’s traumatic because it’s a symbol of the humiliation and the pain, and it hurts even more thinking of all the young Nubians who do not have the loopholes that I had, like having a mother of different ethnicity, or having gone to a national school which somehow made my transcripts more credible.
My grandmother is very happy that I was able to get an ID. She says that I should thank God for my mother, that I should be happy that I can participate in society, legally marry and legally die. When I go to visit her in Kibra, I pass the mosque at the corner, the children playing in a small open field next to a pile of garbage, the old men seated outside seemingly staring at nothing, the young men playing draughts next to the women painting beautiful henna patterns on each other. Sometimes I am unable to figure out if the glint in my eyes is my tears, or the glare from the shiny new apartments being put up by private developers, shiny like my new ID. I am lost to the realities of this place, Kibra, where people exist but not really, where nobody in the real Kenya knows the young men seated outside playing draughts are waiting for casual labour here and there, and the old men are seated in silence because there is nothing left to say, they have been talking about the same things for generations. My grandmother’s house is no longer a place where I excitedly go eat ngurusa and spicy beef while listening to taarab and her long stories. Now, it is a place where “real” life stops and everything happens day to day, because there is no security in thinking of the future. The future is a luxury left for ‘real’ Kenyans.
I have lecturers who, when I talk about Nubians in class, will still ask me where “these people” are from. There are adult Kenyans that don’t know the existence of Nubians in Kenya. During the census, we are grouped as “other.” Sometimes with my generation, when I say I’m Nubian, it is taken as a celebration of “blackness” and “authentic Africanness” because the word does not resonate as an ethnicity but as a label used to celebrate dark skin, kinky hair and non-European features. With my mum’s side of the family, my Nubian-ness is seen as the latent threat that may erupt one day and deny me opportunities that would have been accessible to me had my mother fallen in love with a person from the “right” tribe. On my dad’s side, my Nubian-ness is the thing I rejected, so much that I denounced my father’s involvement in my life – his entire existence – and took an ID claiming to only be my mother’s tribe. For me, it is the arrow in my heart. It does not pierce, it will not come out. I can feel it there, a constant reminder of a feeling I want but don’t know how to get, a feeling that I have but can’t seem to get rid of. It is my baptism by fire, my lens through which the world began to make sense through pain and contradictions.
To belong, and claim identity, in the Nubian Kenyan context, is to have privilege. It means that because you belong, you have the luxury to dream, to hope, to love. It means that you can participate in conversations around higher education, politics, health care, insurance, life, death. It means that the justice process is accessible, it means that you can live naturally as a human being, able to fully participate in choice, building community and that the possibility of dignity is a reality that is available. My uncle’s main concern that I end up in a romantic relationship with a person who has a national identification card was his way of taking care of me. It was his way of saying that he wanted me to have a chance at hope, at dreaming, at living as a person free of the complexities and humiliation of alienation.
Our Grandmother’s Miniskirt: A People’s History Through Photographs and Stories
8 min read. It was the women of that time that intrigued me most and I was watching their lives with the impatient envy of a child. I wanted to grow up and wear those cat-eye glasses and cute kitten heels, burn my hair straight, drink Babycham and laugh like they did, with a hand full of bangles held out at just the right angle.
Over the past few weeks, I’ve been inviting people to share photos of their mothers, grandmothers and aunties looking stylish in the fashion of the 1960s, 1970s and 1980s. The idea, which we are calling “Our Grandmother’s Miniskirt”, is simple enough, crowdsource photographs from Kenyan homes of women dressed in the style of that era; the photographs will be accompanied by reflections, essays, short stories or poems. The aim is to capture a history of ordinary people and to share this history through physical exhibitions, an online archived exhibition, and a coffee table book. I see the project as a celebration of Kenyan women and gives a snap shot of the emergence of the modern Kenyan woman.
By the time we staged the first mini-exhibition with a selection of 27 photographs submitted by people from around the country, I had come to understand that projects are not easy in that they all require planning and careful execution, even if they excite people. Getting people to send their scanned photographs from precious family albums has been challenging. The project goes into the intimate spaces of families and asks them to override their tendency towards privacy and share their lives with strangers. Of course this was always going to be a trial. It was not surprising that although the daughters or granddaughters were enthusiastic to participate in the project, their mothers and grandmothers — the subjects of the photos — sometimes refused to allow them to share these images. But I’m glad the images are trickling in.
Implementing the project over the last few months has helped me see its possibilities and expanded its scope in so many ways. Most important I am now looking for photographs before the 1960s and of Kenyan women wearing a variety of dress and hairstyles. The secret to the power of the project has furthermore revealed itself in the act of crowdsourcing. This approach has allowed people to connect and own the project, much more than if the photos were purchased from a media source.
My Childhood: 1960s and 1970s
The photographs have unleashed a collage of memories for me. I was a child in the 1960s and the 1970s watching Nairobi slowly emerge from its colonial yoke and my parents seemed to be at the centre of it all. They were amongst that group of Africans who were literally stepping into the shoes left by our colonial powers. My late father’s (William Ndala Wamalwa) career developed quickly and after only two or three years in government service, he stopped driving himself and moved to the senior government ranks.
But it was the women of that time that intrigued me most and I was watching their lives with the impatient envy of a child. I wanted to grow up and wear those cat-eye glasses and cute kitten heels, burn my hair straight, drink Babycham and laugh like they did, with a hand full of bangles held out at just the right angle. But most of all I wanted to wear those glamorous clothes that I saw women wear to parties and dinners – there seemed to be a party or dinner every other weekend! Miniskirts, bell-bottom trouser suits, halter tops, maxi dresses, stilettoes, kitten heels. I wanted to dance to the very dangerous James Brown, the elegant Supremes, the cool Fadhili William, the revolutionary Miriam Makeba, and the handsome Harry Belafonte. I thought all these musicians were my parents’ friends. Imagine my shock when I grew up enough to understand that these were distant celebrities.
For African women, hair means everything. Women spend large sums of money on our hair and even more woman-hours on styling it. Braiding can take eight hours. Typically a myriad of products are used on African hair, from oils, pomades, sprays, gels, dyes, treatments, conditioners and shampoos. How seriously do African women take their hair? Well in the days when we still had plastic bag around, Kenyan women could be seen risking their reputations by wearing plastic bags on their heads in broad daylight, to stop their hair from getting wet during an unexpected downpour.
But when it comes to hair, there was a simpler time. In the early 1960s, hair straightening was not yet fashionable and chemical relaxers had not yet arrived in the country. Kenyan women still wore their natural hair and fashioned it using African hairstyle traditions that involved elaborate cornrows, braids and plaiting. Saturday was the day when hair was dressed, typically with the help of skilled friends or relatives. Hair salons were still a faraway concept and the hair industry was a rudimentary affair and not the billion shilling industry of today.
In our home, many Saturdays found Aunty Truphena dressing my mother’s hair. Aunty Truphena was not my mother’s sister. But she and my mother were closer than sisters. They came from one of the smallest of the eighteen Luyhia sub-tribes, the Abanyala ba Ndombi, who are located in Navakholo division, north of Kakamega forest, in western Kenya. At that time, not many people seemed to have made it out of my Bunyala and it was rare to meet a Mnyala in Nairobi.
Sometimes Aunty Truphena straightened my mother’s hair using a hot comb heated on a charcoal jiko. She divided the wet hai,r drenched it in liquid coconut oil, and burnt it straight with the hot comb. Next she rolled the hair onto pink rollers and pinned it down. I wondered how she had learnt to dress hair like that. Her own hair was forever hidden under the flowered scarf that she always wore.
Nigerians Come to Town
The late 1960s were marked by an influx of Nigerians who came with their loud laughter, outsized personalities and strange food. They were mostly Igbos who had fled to Kenya as refugees from the Biafran War (1967-1970), but there was nothing “refugee pathetic” about them. In fact they came and took over our live,s adding flavour and passion like I had never experienced. I remember the names of one family in particular: Chief Jerome Oputa Udoji, his wife Mrs. Uzoamaka Udoji (Aunty Uzo) and their three children Scholastica, Osita Paul and Peter Ebelechukwu. The photograph of my mother below was taken at that time, and it was Aunty Uzo who made me realise just how beautiful my mother was, when she loudly exclaimed that my mother looked like Miss Kenya.
Mrs Rose Nanjala Wamalwa (Sitawa Namwalie’s mother) as an executive secretary at the Ford Foundation in Nairobi, Kenya (early 1970s). Photo Credit: Studio One.
Aunty Uzo was a force of nature. She and the other Nigerian women introduced me to a different way of being African. They were militant in taking on any vestigial racism that still had the temerity to cling on and even fight back, so soon after Kenya’s Independence. Aunty Uzo often regaled us with stories of the many battles she fought when white people dared to assert their colonial-era privilege. For us Kenyans, would so often acquiesce to everyday racism from the British, but not a Nigerian and definitely not Aunty Uzo. She fought with the priests at St. Mary’s school in Lavington where her sons were enrolled and she fought when white people tried to jump queues in banks or supermarkets and she argued with African waiters who tried to ignore her in restaurants. She was strong and assertive, always encouraging Kenyans not to be cowed by white people.
There were days when Aunty Uzo took over our kitchen and taught my mother how to cook Nigerian food, subjecting us to strange new flavours and aromas. Every so often our kitchen was overwhelmed by the strong smell of a dried fish imported direct from Nigeria which was even more pungent than our sivambala catfish dried in the hot sun of western Kenya. I learnt that Nigerians waste very little, cooking all parts of the goat,:the skin, meat, innards and hooves. The one dish that really tested my rather narrow palate as a child was a soup that combined beef, fish and chicken which Nigerians seemed to particularly love. When the war in Nigeria ended, our Nigerian friends left, leaving us changed for ever. But soon their place was taken by Ugandans fleeing the abuses of Idi Amin who began his rule in 1971, but that is a story for another day.
About the Exhibition
These photographs have triggered so many memories for me and it is my hope that they will do the same for all who see them. They document the social history of ordinary people in Kenya. I’ve learned that the past can be another country, sometimes a more interesting country than the narrow ideas that populate the present. I shared the premise of “Our Grandmother’s Miniskirt” with a young man, Basil Ibrahim who taught me the word hagiographic when he wrote the following in an email about the project;
“…a particularly interesting deviation from the hagiographic custom of The Great Men model of history-making…It is a model for bringing the archive to life, using memory, popular culture…in an experiment to provoke us to think about the implications the past has on the future we want.” (17 August 2019)
What he meant was that we tend to make saints of certain “great men” of the past (hagiography means the making of a saint), while ignoring the stories of ordinary people, who lived through those times. I hope that this project will correct that tendency towards hagiography.
When arranged chronologically, the photographs begin with one from1945 of a woman named Gatoro Ndugi M’Chabari, dressed in the traditional dress of the Tharaka ethnic community. The type of dress she wears was worn by married women. The unmarried ladies had their breasts left uncovered. The photograph was submitted by Mr Simon Mitambo, Gatoro’s nephew and shows her in what can only be described as a brief miniskirt. The photo was taken in Meru town in 1945, after entertaining the then colonial governor of Meru. In discussing her traditional dress, Gatoro Ndugi M’Chabari — who is over 90 years old — had the following to say: “Although we looked almost naked in miniskirts, there were no cases of sexual harassment.”
Gatoro Ndugi M’Chabari, from the Tharaka ethnic community. 1945, Photograph submitted by Mr Simon Mitambo.
In another story entitled, “The Village Woman and Son, Bound for England” John Sibi-Okumu pays tribute to his mother Maria Ajiambo, wa Agostino Munika nende Sarah Mbaye (the names of her parents.) She was also addressed as Naliali, her clan name from the Samia of Western Kenya. John estimates that she was born in 1936.
Maria Ajiambo wa Agostino Munika nende Sarah Mbaye, mother of John Sibi-Okumu. The photograph was taken in 1958 at Noble Studio in Nairobi when John, her first born son, was four years of age.
John’s story of his mother reveals many intriguing circumstances, first being that his mother was born on a sisal estate in Juja, Kalimoni, where his grandfather worked as a nyapara or ‘overseer.’ John notes that Tom Mboya was born in similar circumstances, showing the country had already started to change with people migrating from their homes and making new homes in different parts of the country.
Rosalie Kere wearing a “Stiff” skirt and her “Beehive” hairstyle (1961). Photograph submitted by Caroline Kere.
Caroline Kere shared the photographs of her mother Rosalie Kere – the first photo above – who had the distinction of being a poster girl for soap called “Nakasero” and “Lux” in the early 1960s. Caroline’s tribute story to her mother has the intriguing title, “The Amazing Story of How my Father Found my Mother”. Her mother and father’s story is such an improbable romance story worthy of a blockbuster Nollywood film, that you can read for yourself at the exhibition, the online archive or in the coffee table book that is to come.
What follows is an exhibition of selected photographs.
Grace Ntini, from Narok County. The photograph was taken in Nairobi in 1969. Grace was 24 years old and worked for Avis Rent-A-Car Company. The photograph was submitted by Grace’s sister-in-law, Rosemary Mesopirr.
Rosemary Mesopirr, who was 14 years old and a primary school pupil in the rural areas of Narok County. This photograph was taken in Mombasa in 1974. This was the first time she travelled to the Kenyan coast to visit her father who was a civil servant then. It was her first time to board a bus.
My Stylish Mother
By Doris Rutere
My mother Cecilia Kanyoe was a copy typist at Marimanti Rural Training Centre back in 1975. She was always detailed and careful in her choice of office wear. In this photograph she is wearing closed toe heels and has broken her suit with a turtleneck that matches her head gear, a chain and a wrist watch. I think they present a level of sophistication making her refined and chic. Next to her is Esther Muthoni, who was my mother’s friend. In the picture, she wears a wide belt on her cute mini-dress to create contrast while matching her head gear partly with her shoes.
Both women are quite careful in how they let their hands rest on their thighs.
Joyce Akoth, pregnant with her fifth born in 1973. This picture was taken in the early 1970s when Joyce worked as a teacher and before joining the Ministry of Public Works. The photograph of Joyce Akoth was submitted by her daughter Esther Adiambo.
Nancy Wanjiku Kimani , the photo was taken outside Kijabe Nursing Institute, where she was undergoing training as a nurse in Kijabe Town (1969). The photograph was submitted by her daughter Ruth Kimani.
A Letter to Stella Nyanzi: “You Teach Us to Lay Blame Exactly Where It Belongs”
6 min read. Too often we are willing to believe that if we are calm enough, if we are silent enough, polite enough, eloquent enough, poised enough, then the tyrants will listen. We believe that if we are ‘’well mannered’’ then we will be heard. You remind us that this is deception.
My sister Nyanzi,
I used to think tyranny means one-party rule, one media station and army garrisons everywhere. Now I know tyranny also means that who we love, how we live, how we die and even the speed of our death is chosen for us by people that never have to face us, by people that have learned not to fear our wrath or our collective pain. You have taught me this, because both of us live under tyrannies. As I write this, you are in Luzira Maximum Security Prison contending with the tyrannies of the prison authorities, the judicial system, the police, Makerere University, Museveni and his state and personal machinery. We live under multiple tyrannies at once, some more immediate than others, all of them intent on silencing us.
I am writing this from Kenya. I am writing from a country reeling through an economic recession that the state’s press statements will never admit exists. A manmade recession fueled by the looting that seems to grow more arrogant with each day. As I write this, many Kenyans are dying in public hospitals because there is no medicine or the doctors have not been paid or someone stole the money for the equipment. As I write this, there are young people attending endless seminars on entrepreneurship because they face grim rates of unemployment, this too is manmade disaster. I don’t know how many young men the police have killed today; I don’t know how many women have been sexually abused or killed by a country that just seems to hate its women. There are also the university students who are teargassed and beat up every time they try to march, and the many communities unhumaned by the state. I don’t know how many queer people have been stripped or raped or mocked or told to prove they are human beings today. These are the tyrannies I live under.
We share some of these tyrannies and for this, I call you sister. Allow me to call you Stella.
When you staged your first nude protest at Makerere Institute of Social Research (MISR), several academics gave media interviews to say that they condemned your protest and found it to be ‘’too much’’, they mockingly asked if negotiations had failed for you to go to such lengths. More insultingly, some said while they agreed you had legitimate grievances, you could have been more civil. They seem to think that you should have spoken more sweetly. I laughed when I heard them. You know how tyranny works Stella, how it works especially well in bureaucracies. You know how good bureaucracies are at silencing and ignoring. You and I know that bureaucracies move at exactly the speed dictated by tyranny, no faster and no slower.
It is a maddening thing to realize that even in the hallowed halls of universities, we are ignored and insulted and treated anyhow, as our people say. It is more maddening to know that our emails, our eloquent letters and our pleas will go unheard when tyranny is present, as it was at MISR. Tyranny often wears a nice suit and can be well spoken and well respected. At Makerere, you used the tools at your disposal in defense of yourself. The tools on that day were red paint, cellotape, your body, your voice and camera. Those were the tools available to you. The other important tool in your arsenal, arguably the most potent, is your refusal of respectability.
So often, women are only celebrated when we protest in service of the men in our lives — our brothers, our fathers, anyone but ourselves. I think of all of us who are scared of speaking in our own defense, scared of organizing for our own wellbeing, our reproductive freedom, our sexual freedom, our safety. I think of how we have been intimidated to believe that this is entitlement, as if being entitled is a bad thing. How many of us have swallowed indignity after indignity because the only person being humiliated is us?
Here, I pause, in the middle of my letter to acknowledge and greet you in the movements you come from, the movements that have shaped you and supported you. We know that often people are isolated from their movements in order to make them messiahs. But messiahs always fail because they don’t really exist. I greet you in the name of the #RotAtMISR , #WomensMarchUG , #ThisTaxMustGo , #PeoplePowerMovement and the many offline political actions you have taken. From standing in solidarity with students of Makerere when they protested arbitrary inclusion of fees, to caring for the Arua 33 that were victims of state violence, to dealing with menstrual injustice through the #Pads4GirlsUG movement.
It is from your movements that you have dealt with the effects of Museveni’s tyranny intimately, by seeing how your comrades are brutalized and seeing how relaxed the dictators can be even in the face of impassioned pleas for even a small measure of justice. You have seen your movements forced to wait on the dictator’s time. We all do so much waiting after all. We wait for enough money to take our relatives to decent hospitals and decent schools, we wait for courts to vindicate us and for the churches to speak for justice and for the police to stop killing. On both sides of the Malaba border, we wait. A feminist sister, Mumbi, has written about how we are forced to wait on the state’s time, wait on tyranny’s time, in order to live as human beings. Mumbi considers that one of the ways we can disrupt the state’s time is through the communities we build and how we care for each other.
You have given us another answer to how we can disrupt the state’s time; by abandoning respectability and politeness. After all, the tyrants know exactly what they are doing when they abuse our humanity. From your political actions, your Facebook posts, and your court appearances, we learn to call the tyrants by name and declare their shame to them. I read somewhere that your father died because of the poor healthcare system in Uganda, and in your writing, you lay the responsibility for this on Museveni’s head. Rightfully so. Another feminist sister, Sunshine, says that this is reminiscent of what Fela Kuti did when his mother (and our feminist ancestor) Funmilayo Ransome-Kuti died from injuries she got after the Nigerian police raided Fela’s home. Fela took his mother’s coffin to the army barracks, to Olusegun Obasanjo, who for all intents and purposes had killed Funmilayo. When you call Museveni a pair of buttocks, that is exactly what you are doing, connecting the tragedy of all the deaths and suffering caused by a sick state to the head of the state. Truth telling can start there, by us clearly naming the tyrants and abusers.
For some reason, tyrants hate this. They are shocked at the idea that we might call them what they are: abusers, misogynists, sexists, thieves, robbers, murderers, homophobes. You teach us to lay blame exactly where it belongs, to practice the radical truth telling that refuses to be distracted by bureaucracy. Stella, you say that politeness has been held captive, and the powerful don’t listen anymore, and sometimes we have to say fuck it and then people will listen.
Too often we are willing to believe that if we are calm enough, if we are silent enough, polite enough, eloquent enough, poised enough, then the tyrants will listen. We believe that if we are ‘’well mannered’’ then we will be heard. We think if we bend ourselves enough, the tyrants will feel some pity for us. You remind us that this is deception. Good manners are decided by the powerful, and after all — isn’t it the worst manners to steal and oppress? Yet no one accuses tyrants of having bad manners. No, bad manners are left to be a cross for us to carry to hasten our own silencing, our own internal and final deaths. Respectability protects the comfort of the tyrants. Your political actions show us that when we shed politeness, we can disturb their peace in potent ways.
You, like Audre Lorde, know that our silence will not save us. Not only that, but politeness and niceness cannot save us either. You know that we only get silent to work out our internal convictions and from there, we use whatever tools we have to shout, be it our bodies, our phones, our voices. We shout. We shout because we are being killed either way. Your poetry, court appearances and nude protest are all political actions, asking us what we are still afraid of. What do we gain by protecting the comfort of these tyrants to enjoy their theft, their tyranny unoffended?
Stella, you are a woman who has reached into herself and taken joy, taken brazenness and categorically refused shame. Your body is your manifesto, as you say, and with it, you declare and live your radical queer feminist politics every day. We are affirmed by you.
Some people think you are fearless, others believe you are unashameable, I don’t believe either of them. Even with the best intentions, they are trying to make you iron, invulnerable, and otherworldly. I know different. You are not otherworldly Stella, you are fully human.
In care and love,
A Letter To Stella Nyanzi: The Revolution Lives in You
7 min read. I want, like you, to steadily and surely offend anything that stands in the way of freedom, of liberation, of love, of justice, of truth, of humanity. Let me be rude, let me be all these things, if all they are trying to say is that I am free, unbound.
My sister Nyanzi,
We grew up on folktales and stories that spoke on the value of truth, of clarity, of assertiveness. We read about scheming animals always having to face the consequences of their actions, while those characters that upheld the truth were the examples that we were meant to emulate. Yet, somehow, these stories were supposed to remain suspended in our minds, perhaps as pieces of entertainment. No one wanted a truth teller, especially not a primary school going child. I have gone through most of my life being called rude, difficult, entitled or spoilt, by aunties, by cousins, by teachers, and by neighbors who cautioned their children against associating with me. Most of my life, I thought there was something wrong with how God made me.
Why did my teachers punish me for speaking truth? Why did I go home, my body tender from a caning because I asked the teacher to explain the logic behind making students kneel on gravel? Why did my cousins whisper behind my back, saying that my opinions were rude, that my parents had spoilt me, and that I was too entitled? I questioned a lot, yet I did not see any other way to live. I knew the truth to be good, even when it seemed a heavy weight on my heart. Each one of us owes ourselves the truth. The truth is our duty. It is my duty, a duty that you have taken on and stood by, even when the very ground is threatening to betray you.
I am writing this after returning to Kenya from a visit to Uganda less than 24 hours ago. I thought about you a lot during my stay there. I thought about all the Ugandans who have lived their lives silencing themselves, their truth, their pain, their desires, their ability to want to imagine freedom because of fear, fear not born of themselves, but of tyranny, from the ways in which their society has dealt with ‘rude’ individuals. I saw children going to school, with heavy bags and tender spirits. I thought of all the stories, the theory, the language they are being taught about morality and truth, knowing that they are probably being short-changed. I thought about how they are being taught that truth depends on who holds the power to instill fear.
Are the children being told that truth is silence? Are they being told that truth is folding the pain in their hearts into smiles? Are they being told that truth is accepting state and religious terrorism? Are the children carrying fear in their heavy bags? Are they rushing home to be cautioned against following in the footsteps of Dr. Stella Nyanzi? I thought about your multiple arrests, and how that has been weaponized to further silence, to further disregard, and to further trample on the possibility of individual and collective expression. What do the children think when they see you on television? What do they say about you in their private conversations?
It is no secret that we live in a world that rewards complacency. The systems we live under: economic, social, and political, are so fragile and fickle that they have made us scared of ourselves. Of course, all this is deliberate, to maintain control. We live under the giant lie that we get to choose. We choose which schools our children go to, what we will purchase, how we will spend our time, how we will interact with authority, what and how we teach our children, yet all this exists under tyranny. We have been robbed of our humanity, of our ability to make decisions guided by what aligns with truth, with courage, with kindness. That is why, Stella, the children are being taught politeness, one that will rob them of their ability to speak up in the face of injustice when they are told that they cannot love who they want to love, when they are told that they don’t belong, when they are told that their lives are not precious, when they are lied to over and over, when they are made to wait for their rights, when they are killed, when they are hurt, when their education is used to oppress them, and when their lives become small residues of what freedom might have looked like, when they are reduced to small ‘maybes’ and ‘could have beens.’
That is why many people may be blind to the importance of your protest, which is in effect, a protest to your protest. Is this the tragedy of having a heart constantly pursuing freedom?
When I first read about you, I felt so affirmed that I cried. When I saw you speaking, how you spoke, what you spoke about, I remember feeling small eruptions of heavy joy inside me amidst the pain of seeing how the state responded to you. I prayed for the courage to want, so intently and so intentionally, the kind of truth abiding freedom that oozed from your heart. I prayed that I am brave enough to bare it all in the face of millions of odds stacked against me. I prayed that I may never steer away from a life tied to imagining, wanting and working towards freedom, towards a life unbound by fear. They have used your truth to call you obscene, to call you indecent, to call you lascivious, and to say that you are profane. They say you hold no remorse, but why should you? They call you untamed, rude, vulgar, and reckless; they call you intolerable. In the churches, they are saying that you are sinning against god. In truth, all they are trying to say is that you are free. Unbound. Your spirit can never be contained. They do not have the language for any of this because they speak the language of fear. The voice of truth makes them afraid. Your life is testimony that freedom is possible. Unbounded freedom. Freedom that is safe from tyranny, freedom that tugs on the heart and forces you to run towards the what is right, what is eternal, and what is true.
So let me live a vulgar disrespectful life. Let me be seriously and gloriously profane. Let me be intolerable. Let the people say that no man will marry me. Especially that. Let me be disagreeable. Let me be a sinner. Unapologetically. Let me be ungovernable. Let me be untamed. Let me be unremorseful. Let me be untethered. Let my life insult them. Let me be offensive. Let my freedom live as critical evidence that truth exists, that it always sits sharp and intentional, between my joy and my pain. I am shameless. I am unafraid. I am a manifestation of defiance. Let my life be shaped by defiance and resistance. I want to steadily and surely offend anything that stands in the way of freedom, of liberation, of love, of justice, of truth, of humanity. Let me be rude, let me be all these things, if all they are trying to say is that I am free, unbound. Let my life be grandly disruptive. That’s what I want. Let us all be grandly disruptive, in our small ways, in standing up in our small pockets of possibility. May we be the embodiment of radical rudeness.
Manners always end up on the shelves, next to civility, collecting dust and making the silence louder. This is why the despots love them. This is why we are told to use ‘respectable civil channels,’ when that in itself is an injustice: to be told we will be heard by the very tools which ensure we remain unheard. You live in a country under dictatorship, under tyranny, under evil rule. So do I, so do so many people on this continent. They have arrested our freedoms, kept them locked up. They lie, they steal, and they laugh at us for wanting to live. They deny us belonging, they want to take away everything, our voices, the voices of the children, even before they break.
Stella, they want us to beg them. They want us to lick their feet, grateful for the smelly crumbs. They want us to crawl on our bellies, waiting for permission to sit on our buttocks, then to kneel before them, and then finally, maybe, to stand, when they will it, how they will it, for their benefit. I refuse. Let these tyrants sweat in terror at the mention of your name, let them tremble at the sound of your song, your poetry, your protest, your truth, your prayer, your defiance. Let all the despots shake and fear at the sound of our collective lament. Let peace be least of their experiences. Let them tremble. May they tremble.
I refuse politeness. I dedicate my life to unlearning respectability, because at the end of it all, divine freedom is fearless. It is not neat and pretty and dainty. It is rude, it is vulgar, it is naked, it is wild, it is unashamed, it is raw, it is profane, it is indecent. It is loud. It is demanding and disrespectful. It is you. You are divinely free, and they cannot take that away from you. The entire revolution has already happened inside you, and we get to experience that, from your life, your words, your work, hoping that we can meet you, where you are, in whatever capacity we can. You have taught me that when we are silent, we are more at risk of pain, of suffering, of living lives suspended on insubstantial strings of fear, always waiting on where our next small redemption will come from. You have taught me that the process of truth is rewarding, not in the ways in which the world rewards, but the ways in which the spirit rewards. The process is indeed the shortcut. It is the homage to freedom, to the channels between us and liberation.
So I am writing this to you, and to my 15 year old self, to my 10 year old self, and to the black children who will live after us. I am writing this to myself, before I accepted that I am brazen, before I accepted that nothing is wrong with me, that maybe everyone who called me rude for speaking the truth was just afraid and cowardly, because this world thrives on the fear of people. I am writing this to my sisters, to my mothers, to everyone who has housed silence and shame in their hearts. I am writing this to you, hoping that you can rest in the knowledge that there are so many of us who are holding your spirit, your soul, your heart, your dreams, in our spirits, in our souls, in our hearts, in our dreams, during this time and always. We stand in solidarity with you, with your defiance, and with your dreams of freedom. Your life has affirmed us in so many ways, and knowing that you live an absolutely unapologetic life has sustained the bulk of my ability to imagine freedom. I hope like you, I can show up as my highest, truest self, always. May your words continue to be the fuel that will sustain the fire that will consume all these tyrants, all these despots, all these oppressors, all these dictators.
Thank you for refusing shame, for refusing fear, for embracing love, for embracing the call of truth and freedom. Thank you for always showing up as your full self, thank you for making it possible to for so many of us to imagine other ways of living, of being. Thank you for your poetry, for remaining tender, for remaining you.
In love and solidarity,
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