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Reflections

We Leave Our House to Go Home

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We Leave Our House to Go Home
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Sometime in 2010, I had the idea of writing a poem to explore the trips that my family made several times a year back to our rural home, when I was a child. This desire gave birth to the long narrative poem called “We Leave Our House to Go Home”, which resonated with audiences in Kenya and beyond. Yet the poem is deeply personal and reveals a journey of transformation and becoming, beginning with my family’s move from our rural home to Nairobi, Kenya’s capital city, and my emergence as a city girl. The city girl lives a two-edged status of inevitable alienation from original roots on one hand; and on the other the pioneering opportunist creating a new way of living in a new country. As a consequence my life at times feels like a rapid fire pendulum, quivering in one place, then another, and not making much progress in either direction. But let’s start at the beginning.

According to my parents the late William Ndala Wamalwa and Rose Nanjala (nee Uluma) Wamalwa, in April 1963, my family relocated to Nairobi from Namirama in Kakamega, western Kenya. I was five years old. Four years later, my father announced quite brusquely, with no preamble at all; because-of-course-we-children-should-just-know; that we were going back to our “real home”, back to Namirama. I was then nine years old. Although only a scant four years had elapsed since our leaving, new experiences from the world I now inhabited in Nairobi, had so profoundly reengineered me, my memory of this “real home” had all but disappeared. For me, Namirama was like one of those relatives who comes to you, expecting you to instantly jump into her arms because she developed a strong bond with you, when she saved your life and nursed you back to health after a terrible accident when you were three; and to her horror you don’t recognise her.

That first trip etched itself on my mind, as a consequence of the unbelievable levels of discomfort the family suffered on the road trip home. But this was just the beginning. Over the years we made many trips to this perplexing place I learnt to call home, all reliably uncomfortable. It’s perhaps not surprising I married someone whose “real home” was only two hours away from Nairobi, or that I wrote a long narrative poem about those horrifying experiences. It’s not astonishing it took many years for me to see the beauty of “home”, this green equatorial paradise with rolling hills, rivers and streams, amazing bird life, perpetual rain, the Kakamega Forest, and my relatives.

When I wrote the poem, I thought the experiences of the road trip home were confined to me, and my family, until I shared it. The poem’s first public outing was a reading to a young woman who had grown up in South Africa, but came originally from the Democratic Republic of Congo. I read and read then I stopped, embarrassed that I was boring her with the never-ending words. I looked up ready with my apology only to find rapt attention. No please, don’t stop, she said.

In 2014, I crafted a show of dramatized poetry called “Silence is a Woman” and placed this going-home poem at the end of the production. After one performance, a woman came up to me and whispered, “What about the trees, you can’t leave out the trees!” I was delighted, I knew exactly what she was talking about. Yes, the trees! But I was so surprised, how did she know about the trees? I thought that was just my experience. You see, when I was a child of three, my mother took me, my sister and my baby brother to Kilifi District, on the Kenyan coast, by train, to join my father who had just graduated from Makerere University in Uganda and was now working as a colonial District Officer. As the train moved, I watched trees run, they chased our train, running beside us for a time and then speeding past us, showing off their love for speed. At the end of our journey we found them gathered in a huge welcoming forest at our destination.

Had other people seen the world, this way? It never occurred to me that this was a typical childhood experience – the sight of trees moving past you, and almost with you, as you sit in a car, bus or train. We humans live life in self-contained silos, separate and alone, yet so much of our experiences are exactly the same. So here is the verse crafted from that experience with the trees.

“Trees chase after our car, as we speed home,
Eucalyptus lope with wide steps,
Tall yellow Acacia’s flash past us, in wild chattering gangs,
Ponderous flame trees, dressed in bright orange, plod along, waving their heads from side to side.
The trees are sneaky, when we stop; they stop too,
As soon as we move, they start running again,
They race us and win.
We arrive, and find ourselves in a land of many trees.”

I have since found that although “We Leave Our House to Go Home” is many-layered, it is first a story about the dissonance and dislocation. It is about arriving at your new location and looking quizzically at the place you used to call home, which in turn looks at you and wonders how strange you have become.

An example. After I reached adulthood and my grandmothers and aunties started to die, I created my own tradition of taking with me their old water pots and other vessels after their funerals. It started with Kukhu Jedida Khasandi my mother’s mother who died in 1995 at the age of 75 years. After her funeral I bequeathed to myself her old wooden milking vessel which was about to be thrown away. When Senge Lukalesia Alasi Nangila, my dad’s eldest sister and the eldest daughter of their father, died at 93 years in 2010, I took her old clay water pot. Along with my grandmother’s wooden milking vessel, I now have four clay water pots, which keep me company and remind me of these beloved relatives.

Photo Credit: Wamboi Nasaka Muragori

Senge Lukelesia Alasi Nangila with a cigarette in her mouth. Senge Lukalesia helped inoculate me against the toxic masculinity found in the city with the dictates that limited a woman’s life. She showed me that a woman can do anything she wants, and still smoke, drink whisky and still be loved. Photo Credit: Wamboi Nasaka Muragori

Senge Lukelesia Alasi Nangila with a cigarette in her mouth. Senge Lukalesia helped inoculate me against the toxic masculinity found in the city with the dictates that limited a woman’s life. She showed me that a woman can do anything she wants, and still smoke, drink whisky and still be loved.

But meanwhile I have earned a reputation as that weird Nairobi relative who likes useless old things. My relatives laughed at me and treated me like an eccentric cute poodle, but are now no longer surprised when I ask for a pot. The latest water pot belonged to my Senge Nasambu Akeso who passed away in April 2017 at 95 years. This one is large with a broken mouth. Apparently, I missed the good one by a week when it broke just before her death.

The poem “We Leave Our House to Go Home” is also about how the world occurs to a child versus how it occurs to an adult. The road home from Nairobi starts with a relatively safe section from, Kangemi, to Limuru. At Mai Mahiu the road becomes the “dreaded” or “scenic” escarpment road, (depending on whether you are a child or adult,) as it begins its ascent to Mount Longonot before it starts its descent down to Naivasha town.

Every time we approached the Mai Mahiu section, my emotions churned as my stomach tied itself in knots and I intermittently closed my eyes trying to shut out the many sources of danger that I could see looming around me. The so-called escarpment road was a thin and winding ribbon, perched on top of a cliff on the Great Rift Valley, which had fractured the country many eons ago.

Pots from my Senges: Lukelesia Alasi Nangila the eldest daughter of Ndala (1917 – 2011) , Dina Nanjala (1928 – 2014), Navkembe Salome (1921- 2015), and Nasambu Akeso (1922 - 2017).

Pots from my Senges: Lukelesia Alasi Nangila the eldest daughter of Ndala (1917 – 2011) , Dina Nanjala (1928 – 2014), Navkembe Salome (1921- 2015), and Nasambu Akeso (1922 – 2017). Photo credit: Wamboi Nasaka Muragori

As we drove, the grown-ups ooohed and aaahed at what they claimed were panoramic views of valleys, savannahs, lakes, rivers and mountains spreading all around us. But all I could see was danger. On the right, signs warning of the possibility of falling rocks were written in bold panicked capital letters. “BEWARE OF FALLING ROCKS”. But those weren’t even rocks, most of them were huge boulders imbedded into the side of the steep cliff-side. Just one could smash our car into smithereens. And then there we were, stuck behind a long line of lorries, petrol tankers and buses for miles at a time; crawling at 20 kilometres an hour, making us even easier targets for those falling rocks. What were the warnings for? What exactly were we expected to do if one of those boulders dislodged itself and started to roll down towards our car? Really, who had selected this place to build a road?

Throughout the escarpment phase of our journey, I played a game in which we would only be safe if I did not look down into the wide steep valley. But even this game did not keep visions of our small VW Beetle missing the next turn and flying off to plunge and scatter all eight occupants; five children, two parents and a cousin-maid, onto the waiting jagged rocks and boulders. Our car would not grow wings like the ones in cartoons and swoop back into the air at the last-minute, saving us from destruction.

After that first time, we went to our real home at least two to three times a year, to visit the strangers my parents called our up-country relatives. Real home? More like surreal trip home. And then the 1980’s arrived and brought potholes and deteriorating roads with them. The escarpment road was not spared and soon the valleys became strewn with the carcasses of vehicles that had missed their step. I remember the World Bank stating quite categorically that the 1980’s was a ‘lost decade for Africa’. The continent went backwards rapidly and for me the most visible evidence was in our cracked and deteriorating roads which made the family’s journey back home an even more terrifying prospect.

I wrote “We Leave Our House to Go Home”, in 2010. It came tumbling out of me effortlessly, and full of so many words I thought it would never stop. My plan had been to write the poem in two parts, with the second part, called “Home”. But that mysterious place from whence my poems come has refused to give up the goods; all my “part two” attempts have been stilted, contrived, self-conscious and just not as good as part one.

The old Rift Valley Road. Photo Credit: Wamboi Nasaka Muragori

The old Rift Valley Road. Photo Credit: Wamboi Nasaka Muragori

 

Photo Credit: Wamboi Nasaka Muragori Photograph of my lush garden with sculptures and elephant ear ferns

Photograph of my lush garden with sculptures and elephant ear ferns. Photo Credit: Wamboi Nasaka Muragori

 

 

WE LEAVE OUR HOUSE TO GO HOME!
By Sitawa Namwalie

We start,
We are told we are going home.

What?
We are home.
Is this not home?
This place we live?
This is home!
I have climbed those trees,
Fallen and broken my hand in that ditch,
I have raced my brother and won on that wide green lawn,
I have hunted tadpoles in that pool over there,
You can’t see it now; it only fills up with water when it rains.
Is home not this?

No. 

No?
My father hands me an un-embellished, ‘No’.
My mother gives me a flat ‘No’.
On this, they speak as one.
No.

No?

“This is just a house”, they reply,
“Not even ours!
It is owned by the government.”

Oh! 

We leave our house to go home!

We pack our bags;
Clothes, shoes, Vaseline, toy cars, dolls, books, Monopoly, transistor radio.

We pack more bags;
Sugar, tea leaves, butter, oil, maize meal, cocoa, sausages, bacon; we can still afford these things.

And 8 long loaves of Kumanina bread!
Kumanina?
What a rude word.
Why is it called that?
Does anyone know?

No?

We leave our house to go home!

We get into my dad’s car,
A brand-new VW Beetle.
Five young children, a mum, a dad and a cousin-maid.
We take turns sitting on each other, 

Except Dad of course,
He must drive.

We leave our house to go home!

Limuru!

We children speak up hopefully,
“Are we there yet?”
My father laughs indulgently,
“Hahahaha!”

“No.” 

There’s that un-embellished ‘No’ again!
“Not yet,” he says, his eyes twinkle at me through the rare view mirror,
I’m perplexed.
We have never gone this far in our fun-filled-after-Church-Sunday-drives.
It can’t be much further!
It will be over soon!
Where are we going?

We leave our house to go home.

Kinangop!

30 more kilometres, hope returns.
It bounds back, panting, joyful like a puppy.
“Are we there yet? Are we there yet? Are we there yet? Are we there yet?”
“There I can see it, there!”
“It’s there over that hill. There!” 

“No!”

No?

Mum’s says, “Stop disturbing your father, let him drive.”
Her voice is sharp.
There is no joke in it anymore.
No.
None.
I exhale all my hope.
How far do we have to go to get home?

We leave our house to go home!

We start a steep climb on a narrow road.
Sheer cliffs rise on one side and fall on the other.
Up, up, up we go, through savannah, alpine forest, dry scrub land, wooded dry-lands, white highlands;
Then down, down, down to an equatorial green land that belongs somewhere else.
Not in this dry country Kenya.

We leave our house to go home

Trees chase after our car, as we speed home,
Eucalyptus lope with wide steps,
Tall yellow Acacia’s flash past us, in wild chattering gangs,
Ponderous flame trees, dressed in bright orange, plod along, waving their heads from side to side.
The trees are sneaky, when we stop; they stop too,
As soon as we move, they start running again,
They race us and win.
We arrive and find ourselves in a land of many trees.

We leave our house to go home! 

Don’t think I saw the wonder of the changing landscape,
The backdrop movie, shifting, around us,
Leaving, arriving.
I saw none of it.
No.
My mind echoes city lights.
Nairobi is my jewel.
I ask my father,
“Is there light at home?”

“No!” 

No?
My father laughs again, this time amused,
“Hahahaha!”
His eyes touch mine in the rear-view mirror.
“Electricity does not stretch so far,” he says.
No.
He is, matter-of-fact, “There is no light at home.”

No?
No? My mind reels.
No disco-dancing neon light?
No hanging out at Carnivore on a hot night out?
No chilling with a hoard of hungry girls at night?
No!
No light to bathe me, wash me clean?
There is no light at home?

We leave our house to go home!

Eldoret.

Punctures come thick as rain!
The first is a joyous affair.
We all believe it won’t happen again.
By the third puncture, we all know how to change a tyre, even my kid brother.
First, push the car off the side of the road, onto the verge;
Second, find stones!
To prevent the car from rolling away!
Third, put broken tree branches on the road!
To warn other motorists!
Step four, fix the puncture.

By the 4th and 5th puncture, I am worried,
Home speaks in code.
Maybe home is sending a message in its own crude way.
It does not want us to return.
Home speaks secret words buried in repetition.
It sends a celestial whisper, 

No! Do not return. No! Do not return.
There is nothing left for you here! No!

We leave our house to go home!

Kisii,
Kapsabet,
Kisumu,
Kakamega.

The tarmac road turns to dust,
The car starts to bump, list, sigh, it slows down in protest.
There are no roads here, no.
Just tracks made by cattle, barely visible in the bush.
We reach a river; with a bridge made of old wooden planks and colonial memories. 

This river is not a memory.
An empty long gorge, with wide banks, a bed of rocks and boulders, with the name ‘River Something’ on a sign post.
This is the real thing,
The River Nzoia. 

Yes!

We leave-our house-to go home.

Mumias,
Sivilie,
Chebuyusi,
Navakholo,
Nambacha,
Namirama.

We arrive.
Grandmother ululates; a loud long, piercing sound,
She holds her hands outstretched,
Her body rigid in a rictus of astonishment.
She leads a crowd of women, children, men;
They embrace us,
A tangle of humanity, noise, movement, singing, dancing;
Tears of joy lifted in celebration!

Grandmother stops her singing delight to ask,

“How is Kenya? How is Kenyatta, your president?” 

I understand.
She and I come from different countries,
She doesn’t speak English, we don’t share a president; no wonder she looks foreign.

We leave our house to go home. 

We stand still as Grandmother prays her foreign prayer,
Filled with images of Jews, wandering about for 40 years in deserts,
Crossing the Red Sea, which parts unexpectedly, to create a path.
It is only God who can manage such miracles. Baba!
Like the Israelites in Egypt escaping Pharaoh and returning to the Promised Land,
He has come back, and not empty handed. Baba!
He has prospered, Baba!
Returned. Baba, Jehova Jire!

After 10 years of wandering in the dangerous city lights,
Where men have no souls. Baba!
Where people can disappear without trace, as if consumed by wild beasts. Baba!
He has come back with children,
(Most of whom I have never seen.)
We thank you, Baba.
We thank you, Baba.
Baba! We thank you.
For you have been with him, Baba!
You have smiled on him, Baba!
He comes home with children; a car,
With a car, Baba!
Oh, that my son can find the riches to buy a car…
Like the son of Manyonge,
Like the son of Makokha,
Like the son of Siganga, like my son!

 

And on and on and on, her prayer, sings, and shouts, hums and flows, rises and falls and…
Riswa! PAP!
She ends the prayer with a loud abrupt sound.

I am startled. And wiser.

I learnt a lot from that prayer.

We are Jews from Israel!

We leave our house to go home.

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Sitawa Namwalie was one of the actors of Too Early For Birds- Brazen, playing the character of ‘Cucu’ who narrates Mekatilili wa Menza’s story.

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Reflections

In the Shadow of a Liberation War: Ethiopia, Kenya and the Oromo Quest

The Oromo Liberation Front leadership views Kenya as an important player and believes that peace will come sooner if Kenya steers the talks between the Oromo and Ethiopia.

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In the Shadow of a Liberation War: Ethiopia, Kenya and the Oromo Quest
Photo: Unsplash/Nemuel Sereti
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A Kenyan Journalist was arrested in Addis Ababa in the wake of the assassination of Haacaaluu Hundeessaa, a popular Oromo musician. Yassin Juma was arrested alongside prominent Oromo opposition political figures like Jawar Mohammed, the founder of the Oromo Media Network. Juma was later charged with “incitement and involvement in violence, plotting to create ethnic violence and plotting to kill senior Ethiopian officials”.

A court freed him but the police continued to hold him.

Yassin Juma is perhaps the only Kenyan journalist to show interest in the Oromo liberation movement. In Kenya, both the media and government functionaries view the Oromo Liberation Front (OLF) as a security threat, with journalists rehashing half-baked arguments about what the OLF means in the region’s conflict.

It was Yassin Juma who introduced the Oromo cause to a larger Kenyan audience with his TV documentary, Inside Rebel Territory, 10 years ago. In it we follow Yassin as he goes in search of OLF fighters: “It was a journey that finally yielded [the] faces of one of Africa’s longest albeit low-key rebellions . . . the OLF was for decades a mystery”.

Inside Rebel Territory earned him the respect of the Oromo and the ire of Meles Zenawi’s regime. Five months ago he was invited to Finfinnee Radio’s 5nan Show where he spoke about the state of the media and reflected on his coverage of the Oromo movement.

My reason for being here is to make a follow-up documentary to [. . .] Inside Rebel Territory . . . I am doing a documentary about the rebels I met then, their life now, after Dr Abiy took over [as Ethiopia’s prime minister] . . . how they find life and so forth.

We can already guess what the new Ethiopia looks like. Guracho, who featured in Yassin’s documentary, is now in jail. Falimatu, a woman he had interviewed, may have been killed two or three years ago. He was in Addis Ababa when Haacaaluu Hundeessaa was killed and the country erupted into violence. Ethiopia prefers to hide its face from the roving cameras of the likes of Yassin Juma.

On Finfinne Radio Yassin reveals who he is, how the story he had done on the OLF was almost killed. How he was offered $150,000 by the Zenawi regime to kill it. How he had received threats. How the owners of Nation Media Group had not been happy with that coverage. How it had caused a diplomatic row between Kenya and Ethiopia. How it triggered a series of events that eventually led to his leaving NTV. How since then his life and that of his family has not been very secure: “In 2009 I was almost shot dead twice in front of my house . . . In 2016 I had to move to Uganda for three months for helping to organise Oromo protests in Kenya”. He was officially banned from entering Ethiopia.

Yassin Juma had covered the Oromo Liberation Front at a time when the movement badly needed the coverage. Ethiopia’s notorious media laws, stemming from the US-backed antiterrorism law, had forced its outspoken journalists into prison. That coverage was important on many counts; it came out at a time when the Oromo cause was transitioning from armed rebellion to an ideological youth- and artists-led movement at around the same time that Haacaaluu was breaking onto the music scene. A scroll through Yassin Juma’s Facebook page shows how important a player he had become in the Oromo cause; he is seen posing with Jawar and Haacaaluu and appears in most Oromo events held in post-revolution Ethiopia.

Kenya, Ethiopia and the Oromo question

For Kenya, Ethiopia is a landlocked market of 100 million people, a destination for goods from its ports and, more recently, a partner in the LAPSSET (Lamu Port, South Sudan, Ethiopia Transport) corridor project. In this context, complex stories such as Yassin Juma sought to tell were to Kenya an unwelcome initiative, going against sixty years of close cooperation built around keeping Somalia’s aggression in check. For their part, both the OLF and successive Ethiopian regimes have recognised the strategic importance of Kenya.

As an immediate neighbour, Kenya was important for the Oromo cause—as a refuge for thousands of fleeing Oromos and as transit territory for Oromos escaping oppression at home. Kenya’s importance in the Horn’s geo-politics, it’s appeal as a regional “bastion of peace” and as the regional capital for all manner of international media outlets and posh western think tanks, as well as Kenya’s role in Somalia’s pacification efforts and its shuttle diplomacy in South Sudan’s independence, have fuelled the Oromos’ desire to secure Kenya as an important ally. But how Kenya perceived and portrayed the Oromo struggle spoke volumes about the liberation movement’s international image.

In Kenya, the roots of the OLF rebellion were whitewashed and a truncated history was often told, the Oromo liberation struggle being portrayed as a threat to regional peace. The Kenyan media has reduced the OLF in the Kenyan mindset to illegitimate militias out to destabilise the region. Ethiopian ambassadors have reinforced the local political and media narrative that the Oromo cause is a quest to establish an Oromo super-state stretching all the way to Tana River, a narrative intertwined with other stories about the skirmishes between the Gabra and Borana in Marsabit. The OLF thus became the regional insecurity scapegoat, blamed for the October 1998 Bagalla Massacre in which 140 people were killed in Wajir and the July 2005 Turbi Massacre in Marsabit in which almost 90 people perished, and for the proliferation of arms in the north, for banditry, and even for livestock rustling.

Yet, this conclusion glossed over the complexities at play; the Ethiopian army’s harassment of Kenyans at the border was either ignored or the frequent abductions, killings and harassment of Kenyans by the Ethiopian military were dismissed as being the work of locals.

Following the Turbi Massacre, the OLF’s Dr Fido Ebba said that the OLF’s image was wrongly tainted and that the problem in Marsabit is two-fold, some of the raids are purely tribal. They pit civilian communities against each other over scarce resources and cattle. The rest are diversionary tactics by militias engaged by authorities within Ethiopia’s ruling class. They aim at inciting communities on the Kenyan side and possibly the government into fighting the OLF back.

Ethiopia also issued a similar counter-argument, for example in April 2006, when the OLF was blamed for the killing of two herders in Dukana. Ethiopia’s then acting ambassador to Kenya, Mr Ajebe Ligaba Wolde, insisted that it is the OLF that provokes and incites people along the border with Kenya. “They [OLF] put on Ethiopian soldiers’ uniforms to defame Ethiopia . . . OLF is not only a threat to peace in Ethiopia, but also to Kenya and the whole region. They want to destabilise the region”, said Mr Wolde.

Oromo Liberation Front ideologues and leadership view Kenya as an important player to whom they look with hope, believing that peace will come sooner if Kenya steers the talks between the Oromo and Ethiopia. “If Kenyans mediated between the Ethiopian government and the Oromo they would understand the problems better, just like they did with Sudan and Somalia”, said Dr Fido Ebba.

Ethiopia, which contributed to the liberation of Kenya’s struggle for independence (and was gifted an embassy in appreciation), has enjoyed a long, peaceful diplomatic relationship with Kenya, having signed a defense pact and a treaty of friendship and cooperation in the 1980s. Dr Fido Ebba wishes that the OLF could have its administrative base in Kenya, and not in the US (Washington) as is currently the case. “Our push for liberation would then be coordinated from close proximity”, he says.

Incursions into Kenyan territory by the Ethiopian army in search of the OLF are very common. In 2015 the Ethiopian army crossed into Kenya six times, once even taking over a police station in Illeret, Marsabit. Cross-border massacres—like the March 1997 Kokai Massacre in which 80 people including 19 police officers were killed—have been raised with the Ethiopian regime.

The OLF pointed an accusing finger at the Kenyan government and army, claiming that the Kenyan army has supported the Ethiopian army to wage war against the OLF, that Kenya had broken with several international protocols to abduct and repatriate legitimate Oromo refugees and that Oromo activists have been assassinated by Ethiopian security agents on Kenyan soil.

The decades-long struggle and the fraught relationship between Kenya, the OLF and Ethiopia seemed for a brief moment to be water under the bridge when the Oromo Media Network (OMN) was launched in Nairobi in the wake of the Qeerroo revolution. During the launch, Jawar Mohammed said:

I have come to this place many times before. I had to change my name and look. I am happy that we now can reveal our names and faces to each other. We didn’t plead for this . . . We fought for it . . . We threw those who made us hide our faces in a hole and came out . . . It’s not play that brought us here . . . We lost people like Jatani Ali to arrive here . . . I would like to say thank you to the government of Kenya even though they were not open and fully supportive of our struggle . . . There cannot be liberation for Oromos or for Ethiopia without its neighbours.

Mohammed spoke of how the OMN would lead to the establishment of a bridge between the two countries by bringing the Oromos in Kenya together and by connecting the Oromos in Kenya with the Oromos in Ethiopia through listening to the OMN.

In the constructed narrative, this talk could easily be misconstrued as alluding to the establishment of an Oromia republic stretching into Kenya.

The Oromos of northern Kenya

When Dr Abiy Ahmed became the Ethiopian premier, there were celebrations in Nairobi and in the streets of Isiolo, and a commemoration for all the slain Oromo people was held in Marsabit.

The Marsabit County Woman Representative, Safia Sheikh Adan, organised a memorial day for slain Borana heros and waxed lyrical about the Oromo liberation—Bilisumna—weeping as she recited a poem and read the names of leaders slain through political machinations.

But one name was repeated again and again by Governor Mohammed Ali, by Jawar Mohammed and by the Woman Representative. Mebastion Jatani Ali Tandhu, the former Provincial Governor of Borana Province in Southern Oromia who was assassinated by Ethiopian security agents on 2 July 1992 at Tea Zone Hotel in Nairobi. Jatani Ali Tandhu had been in Kenya to seek political asylum from Zenawi’s Ethiopia. Over the past three decades, he has become an Oromo political liberation martyr and cultural icon, his words revisited in songs and Oromo protest poetry. In commemoration, a message was carried in Kenya’s Daily Nation on the 10th anniversary of his death: “Exactly 10 years since you were brutally murdered by the operatives of Tigre Peoples Revolutionary Front (TPLF)/Ethiopian People’s Revolutionary “Democratic” Front (EPRDF). The course for which you died is still alive”. With Abiy in power, his glory was resurrected and an equestrian statue was installed in the centre of his hometown of Yaballo. New songs were composed in his praise. Jatani Ali Tandhu had been buried in Marsabit and when Abiy came to power, his grave at the Marsabit cemetery was repainted.

It was Safia Sheikh Adan who financed the commemoration day. She spoke about Jattani Ali Tandhu’s contributions and mentioned other prisoners like Jatani Kunu who she said was still being held in an underground prison in Ethiopia. “We have lost many brave and strong people . . . Jatani Ali Tandhu, Galo Wolde, Qala Waqo, Sheikh Hassan, Hussein Sora Agole, Mohammed Halakhe Fayo and Hersi Jatani”.

In her overly sentimental tributes, Safia Sheikh Adan mentioned the names of slain former Kenyan parliamentarians like Guyo Halakhe, Philip Galma and Isacko Umuro. Their assassinations, like that of Daudi Dabasso Wabera (the first African Colonial District Commissioner who was assassinated by the Shifta in 1963), were unrelated to anything Oromo.

But the poem Safia Sheikh Adan recited, her tears and her actions were out of sync with the local politics and current feeling. A few understood her but most people watched her and wondered where her emotions were coming from and her efforts were finally without significance or consequence, dismissed as part of the initial euphoric joy that an Oromo was finally the Ethiopian premier.

Marsabit, music and protest poetry

When popular musician Haacaaluu Hundeessaa was killed on 29 June 2020, our hearts were broken and the sense of grief that engulfed us had a familiar weight. As Ethiopia descended into mourning and chaos, in Marsabit I listened to Haacaaluu’s albums anew. My friend and I paused and replayed certain songs to try to decipher what he meant and our sadness was deepened by the raw honesty of the injustice he described. That this was the soundtrack of a now stolen revolution added to the feeling that Ethiopia was a place of great injustice.

I remembered the image of Haacaaluu bursting onto the music scene about 10 years ago, a skinny boy in oversized shirt and trousers. We spoke about his music and his political education, his 5-year jail term when he was just 17 years old. We revisited the words of the Oromo liberation struggle as if we were reminiscing, as if it was about us. And we said aaaayyyiii, expressing the turmoil in our hearts. But at the end of the day, none of the political pathos and calls to action were about us, and nor were they happening on our doorstep. The deep articulation of the injustice that we listened to was in our own language but that struggle was not ours.

The aftermath of Haacaaluu’s death and the blowback in Oromia leads me to thoughts about what the Oromo struggle means to those of us who have come of age under its shadow.

To grow up in a liminal space like Marsabit is to be in an endless interregnum of something not quite yours. The earliest memory of the Oromo liberation struggle for me dates back to when I was six years old in mid-1990s Marsabit. Back then, a tape of a poet would be shared across the town, and we would listen alongside our parents, picking up words that sounded funny and made no sense to us.

It was hard, then, to link those words to concepts like oppression and injustice. But over the years, the OLF became the subject of whispers in Marsabit. OLF stories circulated in the manner of a secret; tales of disappearances were told, of men whose wives were taken in the night, of people whose lips had been cut off for snitching. The whisper was a mix of many fears, of the Kenyan Special Branch, of District Commissioners who had lists of OLF sympathisers, of the OLF itself, of Ethiopian spies. In Marsabit some of the murders in the town were linked to these fears.

In our home, the land of our grandparents’ past, Ethiopia, was the unspoken and unacknowledged thought. But its music was the future we aspired to; our heartbreak, our love, our longing for elusive dreams were in those lyrics.

Once, my dad came home with a small OLF flag, with the tree in the middle and the star above it. He stuck it up one side of our wall. It was the first symbol of the OLF as something good that was forbidden.

Many years later, I asked my Dad what that flag had meant to him and where he got it from. He had been in a car heading to Nairobi when he met a man who had engaged him in talk, telling him how liberation for the Oromo would benefit us all, how my dad in Kenya had to be conscious too, how the war being fought needed him.

My inquiry was short but in my father’s clipped answers I found an explanation I could relate to. I knew what his words meant and I knew what his silences meant. He had, like me, grown up on the poetry of Oromo oppression and on the songs of their hopeful salvation. Yet this long political induction had never called him to any action.

What did the Oromo of Kenya want for Oromia?

Calls for independence have a liberatory romance about them that is inviting to sympathisers. And nowhere is the Oromo call for liberation, and the reason for this call, and the status of this call, as articulated as it is in the music of the Oromo. The Oromo songs we listened to in Moyale, Marsabit, Isiolo and Nairobi arose from the liberation struggle. They were songs and poetry that articulated Oromo suffering and encouraged resistance. Through the songs, the turmoil and suffering of the Oromo was transmitted to us in Kenya. But in Kenya, we seemed to run away from it all, not learning how to speak of the injustice that followed us.

In Marsabit we carried other stories of Ethiopia in our hearts, stories of an unacknowledged past as we forged new Kenyan identities, stories of the Amharas and how the gabbar system had forced our grandparents out of Ethiopia. Stories of slavery and of Abyssinian expansionism into southern Ethiopia.

We followed the Qeerroo protests keenly and vouched for them. But stolen revolutions break the heart even more. Haacaaluu’s murder was testament to a stolen revolution, an encore to the 1974 Derg, when the army through Mengistu stole another revolution. How many of the men in Marsabit escaped conscription in Ethiopia’s many wars with Eritrea and on its own people? How many had had hopes that their suffering would come to an end before the revolution was stolen from them in 1974, in 1991 and again in 2018?

I sit with a local musician in Marsabit and try to understand the influence of Oromo music on the Borana music produced and consumed in Kenya. How devoid of politics the songs in Kenya seem. I ask, “how come Borana musicians from Kenya haven’t contributed to the Oromo protest tradition?”

He says, “birds from different places speak a different tongue”.

It is a common saying about how things that look similar can be unrelated. In his answer, I understood so much. It is the caged bird that sings better of freedom.

A social-cultural state that defied the Westphalia model did exist in a section of northern Kenya and southern Ethiopia. A cultural state called Oromia did exist but, more than political aspirations, it was language, music, traditional political institutions and contiguous populations that marked its boundaries.

Is the Oromo cause over? Is it legitimate? How has their struggle progressed? Which parties speak for the Oromo? Where are they? What’s happening in Ethiopia? Asking Kenyan Borana/Oromo these questions is asking them far too much. None of these questions have been considered before. Yet somehow, a version of the Oromo pain has been inscribed in the psyche of the Kenyan Oromo through the Oromo music and protest tradition. The revolutionary spirit is appealing but there is no substance beneath the thin veneer of solidarity.

It was thus easy to romanticise the struggle itself. To hung posters of Lemma Megersa in khat shops while not knowing which party speaks for who. Yassin Juma had tried to put a story to this romantic idea of a political rebellion.

The Kenyan government’s choice of silence as a strategy and its hush-hush attitude towards the Oromo or the Ethiopian army’s repeated aggression on the border is just a convenient excuse, as is the simplistic idea peddled by security analysts that Kenyan Oromo also desire an Oromia super-state. It is reading too much into a romantic idea.

I know now that sympathy for—or identification with—the Oromo cause became intertwined with local politics as early as the 1990s, and allegations that local politicians had begun enlisting the services of OLF fighters were rife in Marsabit and that that there was some truth to these allegations.

For the states of the East African region there is a need to understand the Oromo cause and what is happening in Ethiopia. The Oromo call and the Ethiopian regime’s response to it should not be considered inconsequential, for the response is an indicator of how oppression, inclusion and participation of the marginalised are viewed in those states.

The old pattern in the region’s attempts at reform has been to gain one kind of political progress and lose another. To allow for the judiciary to be pseudo-independent but to cut it back when it does its work. Extrajudicial killings, mass arrests, clamping down on the freedom of association and freedom of speech, the arbitrary arrest of journalists, torture and detentions without trial, draconian and controversial laws like the social media tax in Uganda, the controversial hate speech law in Ethiopia, Internet shutdowns in Uganda and Ethiopia, declaration of a state of emergency to suppress legal and peaceful protests, all these speak of identical regional infirmities. For activists, pseudo-revolutionaries and politicians there are lessons here on the pitfalls of revolutionary nationalism in mainstream politics.

For the people of northern Kenya, whether viewed as potential citizens of a future “Oromia” or as relatives of disenfranchised, broken OLF fighters, or as the inhabitants of places invoked in Oromo songs, the sooner Ethiopia addresses the Oromo plight the better for the region. But even as Ethiopia sorts out its politics, the region also needs to formulate the ways in which the armed fighters are going to fit back into the community and not become a security threat by being enlisted to serve Marsabit politics.

In August 2017, four days after Ethiopia lifted its 10-month state of emergency, and as Kenya was in the throes of post-electoral violence, I crossed the border into Ethiopia at Moyale. In southern Ethiopia, in towns like Mega, Yaballo and Soyama, I counted a few T-Shirts adorned with the portraits of gubernatorial contestants in Marsabit. My grand-aunt was very worried that Kenya would burn with her daughter in it. After 10 days of drinking copious amounts of Ethiopian bunna in many towns and even in a restaurant at Akaki Kaliti, a sub-city of Addis Ababa, I returned to Kenya. On the way to Yaballo, political campaign songs about Marsabit’s politics played on the matatu’s stereo.

Back to Yassin Juma

It is in this larger context that Yassin Juma found himself in a prison in Ethiopia. He has since been released and is back in Kenya and we are waiting for his documentary about what Ethiopia is doing to its youth.

Parallels can be drawn between the struggles in Ethiopia and the situation in Kenya, how a minority wields economic and political power, keeping out the majority of citizens by means of elaborate political machinations. Keeping Kenyan youth in check with guns is not any different from the Ethiopian government’s incarceration of its youth and its heavy-handed reaction to dissent.

But there is something markedly different in the civil response in Ethiopia; 10-year-olds are active in the streets of Ambo.

It was important to observe Kenya’s reaction to Yassin Juma’s arrest and his release as this could be a signal to northern Kenya of a change in the government’s attitude towards the killings and assassinations that have been perpetrated in the name of the OLF in Kenya, and that the border regions will finally be treated with the seriousness they deserve.

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Reflections

Policing Black Women’s Hair

The policing of black hair often begins at a very young age, in the most subtle and intimate spaces, long before you get to school.

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Policing Black Women’s Hair
Photo: Unsplash/Leighann Blackwood
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The thickness and texture of my black hair was under constant scrutiny when I was a child. My aunt used to call me bossiekop (from the Afrikaans, meaning bushy head). The kids at school would use terms like Goema hare (candyfloss hair) and kroeskop  (fuzzy head). My cousin would joke: “You can’t even put a comb through your hair.”

Black women’s hair has been big news in South Africa over the last several years. In 2016, protests at South African schools across the country saw brave young women stand up against racist policies in the various ‘codes of conduct’ enforced in their places of learning. The demonstrations at middle class, Model C (former whites-only public) schools like Pretoria Girls High, Sans Souci in Cape Town and Lawson Girls High School in Nelson Mandela Bay – all schools where the students are mostly black and the teachers mostly white – were about much much more than hair, but these protests spoke to our roots as a site of struggle, and a route for resistance.

The policing of black hair often begins at a very young age, in the most subtle and intimate spaces, long before you get to school. I hated when my mother “did” my hair. From a young age I knew the hairdryer wasn’t hot enough and the rollers not tight enough to tame my curls. I knew the brush she was using would never leave me with hair straight enough to flick back, or cut a fringe.

My sister and I would sit between my mothers legs. Her on the couch, us taking turns on the pillow at her feet. Armed with a hairdryer and a brush she would pull and tug at our scalps, trying her best to get it “manageable.” My hair would turn out big. Just big. A huge soft afro that was long enough to tie back for school, but nowhere near “tame” enough to delicately shake off the shoulder.

When my mother was done with my hair I would stand in front of the mirror in the room I shared with my older sister, look at my reflection, and cry. I felt so ugly and so helpless with my afro. I knew that my mother could never make me look like the white women in the shampoo adverts. It was only the aunties at the hairdresser who had all the right tools to “fix” my locks.

I have more memories of the hairdresser down the road than I do of nursery school. I must have been as young as five when the women with the dye-stained apron, hair clips gripped to the bottom of her t-shirt, would stack white plastic chairs at the basin so that my head could reach the sink. My neck would ache in the basin dent, the water would always be either too hot, or too cold and the hairdressers’ vigorous shampoo scrubbing would make me dizzy. The rollers were always too tight, the hair pins would be jabbed into my tender, young scalp and the hour sitting under the hot dryer felt like a lifetime.

No one understands the phrase “pain is beauty” like a young black girl who has just been to the hairdresser. And after all that pain I would indeed feel beautiful. I had long, straight hair that I could leave loose, flick and comb through. But it was temporary. My hair would “last” for a mere two days, more specifically, my hair would “last” until school swimming lessons on a Wednesday.

Throughout primary and high school, the code of conduct stated that hair should be “neat,” and is just one example of the many way these institutions, which have their own roots firmly growing from our colonial history, govern not only children but also parents. The outdated and outright racist rules were something our parents tolerated during term time, but over school holidays our curls were left to grow.

Summer holidays would be spent at my cousins house in Atlantis, about an hour from downtown Cape Town. They had a caravan, a massive garden and a huge swimming pool (our favorite). We would swim until our feet and fingers turned rubbery. Our eyes would turn blood red from the chlorine, and we would lie belly-down on the hot bricks to warm our shaking bodies before jumping back in to the freezing cold water. Those were days of Kreol chips, fizzers and two-rand coins pushed into your palm by an adoring aunty or uncle for a Double O soft drink. Bompies (frozen juice) and sugary bunnylicks (ice lollies) would leave your tongue rainbow green, red or orange. But most importantly, they were days of afros, when parents rarely fought the tangles (there was really no point considering we spent most of our time in the pool) and left our hair to it’s natural state because there was no “code of conduct,” no threat of punishment.

The joy of swimming, and bunnylicks and afros was limited to school holidays. During term time swimming would more often than not be followed by tears. I recall my aunt sitting on the edge of the bath and pulling at my cousin’s long, mousy-brown hair as she sat in a tub of amateur alchemy. Everything from whiskey to egg was sworn by to nourish and soften. Half-used jars and tubs of the latest conditioners, oils and moisturizers would line the windowsill above the bath like ammo, a site of battle between mother, and daughter’s curls, all for the sake of looking “neat.”

My white friends hair always looked neat and they didn’t know the amount of time it took, or the pain I had to endure to get my hair looking like theirs. They would plait each others thin, blonde strands while I looked on with envy. After swimming their hair would dry “perfectly” whereas any form of humidity or moisture was my nemesis. Anything from shower steam to a light mist was enough to provide extreme levels of anxiety about whether my hair would “mince” or “go home.”

By that point my curls were long internalized as a mark of shame, and what I was expressing on the outside had much to do with how my hair was managed within the home and at school. A prime example was weekend family gatherings. You see, in my family, Sunday lunch would always be followed by “Sunday hair” in order to get ready for the week ahead.

As the aunties washed the dishes and the uncles read their newspapers waiting for tea at five (I shake my head thinking about the gender norms enforced through mundane family rituals, but that’s for another time), the cousins (all girls), had our own rituals. Relaxer would be followed by curlers, blow drying and a swirlkouse, which would leave the room hot, and smelling like product and burnt hair.

With the money I earned from my first job, for instance, I bought a large hairdryer, rollers and an assortment of round brushes and as a teenager I saw these tools as allies. It was only at university that I threw them all out.

Reuniting with my curls was less a conscious decision to rebel against the system of whiteness that taught me self-hate, and more about being free from the pain of curlers, the dizzying heat from the hairdryer and the hours spent fighting what naturally grew from my head (I would “blow out” my hair almost three times a week, it would take as long as three hours a time).

But of course you’re not free from the arrogance of whiteness once you’ve taken this route. Since going natural I’ve had numerous instances of my hair being touched, patted and pulled at by strangers (mostly white women), who’ve called it “exotic,” have compared it to a pineapple and referred to it as “surprisingly soft.” Hairdressers tell me that they don’t do “ethnic hair” and an Australian tourist once grabbed onto my curls and said “It’s like a sheep” before turning to her husband to say “go on, touch it, she won’t mind.”

To this very day, my grandfather will pass comments before the Rooibos tea has even been poured “Leila, what’s happening to your hair, why don’t you brush your hair?” Why is black hair such a threat?

Thinking back to those Sunday hair sessions, above the hum of the portable hairdryer, we laughed, we shared secrets, we gossiped, we spent time. Isn’t that the real beauty when it comes to black women’s hair? The ritual between sisters, mothers and daughters, spending time and passing down knowledge. Why were we not styling afros and dreads, why not twists and braids, cornrows and locs?

Every black woman has their own stories about their hair, their curls and societies endless need to tame, manage and straighten whether at school, in the home, or both. But the young black women who used their natural hair as a form of protest this month have clearly stated that they will no longer tolerate the racist frameworks, formal and informal, that teach them self-hate.

This post is from a new partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.

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Reflections

To Be Black in America: One Tuesday Morning With George Floyd

Until America’s Black population is free from the tyranny of a racist and biased system, none of us, in Europe, Asia, Africa, or the Caribbean will ever be free.

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To Be Black in America: One Tuesday Morning With George Floyd
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We were supposed to be dropping seeds. It could have been me instead of George Floyd, trapped, choked, dead and gone. None of it seemed real, much less right.

I thought we’d be out hugging trees by now, but it’s 7 a.m. on a Tuesday morning, months after and we just can’t get it together. It’s like they’re trying to rip your heart out, like they want to destroy that part of you that is divine and God-given. Your ability to love, to feel generosity, kindness, forgiveness and to share it all, loudly, boldly and freely.

But instead, they watch your pain and, not changing, they condemn another generation to the hell you’re living in. It makes you weak, saps your spirit and reeks of pain.

How can they not understand? How can they not see and know what he was feeling or what you’d be feeling?

Pain and more pain.

And the utter horror and grief, because you know, we are better than this. We should be so much further than this, yet here we are.

I thought when I immigrated to the Netherlands, Amsterdam, that it was only white Americans that couldn’t be trusted and I somewhat believed that Europeans were different, that they would move the marker of skin colour from the stratification of human definition. But the reality at present makes me unsure about this world. About them and about us.

I don’t even know about Tuesday mornings anymore because the indifference spreads and I feel the pressure all around me. It is the kind of pressure that brings shame because you know your suffering doesn’t reach them and that brings grief. You know you are at the bottom, at the very rock bottom of love. Your heart amplifies these feelings and the words you hear bring tears to your eyes, welling and then streaming down your cheeks from the never-before-aired footage of the last moment of Mr George Floyd’s life that knocks you to your knees as you try to resolve the purpose of the latest video. And the silence of politicians and world leaders, ignoring a clear public cry for help, burns a hole in your head. Deep is the humiliation and despair triggered by the new reporting, played again and again, ravaging our sensibilities as those who should know better, be better, stand aside unmoved by the sight of Mr Floyd’s demise.

I recall the years given defending the freedom of the Europeans who hold tight to their traditions today and it hurts me to the core.

The Dutch, the French, the Belgians, the Spanish, the Italians, all allies of the United States, have taken a position and their complacency speaks louder than words. My emergency, the Black man’s emergency is just not their concern.

I thought about the past revolutions and wars, and the many concessions that were made so we could at least achieve a semblance of dignity that no government would impose its weight on its own citizens, but nothing was as it should be.

I thought about the early Berlin conference and the scramble for African wealth that would pull apart an entire continent to be exploited and plundered under the guise of colonialism and a new imperialism. I was a fool to believe these same people didn’t know the wickedness of their deeds. They knew.

Imagine a meeting hosted by the Germans, attended by a league of White Europeans, all the nations present, all playing a part. The Dutch, French, Germans, British, Austrians, Belgians, Swedes, Italians, the Portuguese, the Russians, Spanish and the Americans sitting down at the table and agreeing to bring havoc to an entire continent and its people for their own personal interest.

I thought about the thirteen-year-old Jewish girl Ann Frank, hiding from the Nazis with her family in a small room in a house I’ve walked or biked past a million times before. The house today serves as a memorial to the holocaust, a testament to the evil men can do when there is no moral restraint or self-control.

Tourists gather to see the view she had while she waited for someone with a heart to save her and her family. Thank God for the tree she had to look upon while she waited. She waited for months. No one came. She died in a prison camp. Ann Frank’s room and her diary is just something to do, something to talk about over a coffee and a croissant, if it doesn’t move you. It’s only public relations if we keep dying.

I thought about the twenty-seven years I’ve spent in the Netherlands and that surprising turnout (in Amsterdam), in support of George Floyd. On that day, whites and blacks of Amsterdam and the surrounding regions came out in record numbers, risking their health and their safety to stand in solidarity with the Black Lives Matter Protesters in America. The surprising show of support was inspiring and welcomed.

I was inspired standing with so many of my young sisters and brothers on the Dam square and practically moved to tears in the Bijlmer for it’s always been obvious to me, America doesn’t like Black people. And I’ll say it again, America doesn’t like Black people. But that day I felt their energy, thousands of people, white and black people with fists raised in the air saying with one voice,

‘’Black lives matter’’, and I was deeply moved.

The solidarity at both these protests in Amsterdam was inspiring and for a good moment I was proud of the Europeans, all of them except for the political leadership. Not one leader came out to speak against Trump’s anti-Black sentiment like President Reagan did in 1987, when he took a stand for the human rights of German citizens in Berlin. President Ronald Reagan changed the course of history when he delivered a simple, bold message to Russian President Mikhail Gorbachev that would usher in a new era for the German families separated by a wall.

“Mr Gorbachev, tear down this wall.”

Reagan made history on the 12th day of June 1987 at the Brandenburg Gate in Berlin, speaking directly to Russian President Gorbachev because he could imagine a different kind of world, a world without the Berlin Wall, and I was proud to be an American, and proud to be wearing the army green, and proud to be a democratic military presence among the Europeans, even back then.

As a former military intelligence non-commissioned officer, I wanted to overlook the silence from local leaders as mere protocol but with the weeks of civil unrest in America and President Trump’s highhanded response to the protests, the silence coming from European political leaders was deafening, questionable and telling.

How could you not see the pain?

And already I was seeing people moving away from what mattered, from saving Black Lives to fighting over privilege, over monuments that honour confederate soldiers, men who fought to keep Blacks in chains (men who lost the civil war), to fighting to get economies to reopen (when the science advises against it) and fighting to remain simple-minded and elitist, instead of listening to evolve.

“What do you want? The cops to kneel to you Black guys?”

“They want to destroy our monuments, our businesses, our homes, to rewrite our history.”

People are generally poor listeners, but they would listen if leaders provided moral leadership. Destruction, chaos and anger reign, and the US President’s reluctance to denounce the White supremacist groups along with his repeated denial of the serious threat of the COVID-19 virus while the statistics show that the number of people dying is mind boggling—until you see, until you learn that the virus disproportionately affects the homes of the poor, often African American and Latino, communities.

All this should make you sit up and take notice. We should be in a much better place, far from here, from the senseless violence, killings, racial hatred and economic prejudice. But the disease of indifference is worse than any virus, because indifference gets to the newcomers, the ill-informed incapable of understanding the legacy of slavery and the brazen impropriety which resembles hate. I know this because Europeans talk, and many sound like Trump’s MAGA supporters.

But I also know the Dutch like van Gogh knows hands. I know they think they don’t have a role to play. For one like me, who knows Dutch history and the Dutch way, who knows how the provinces of the low country became a state after the Calvinistic protest that would gain them independence from Spain, setting in place the economic structure and belief that would define the Dutch in this modern era.

Out from under the authority of the church, the Dutch turned the once forbidden practice of money lending into a business, pooling their funds and their knowledge of sailing, which happened to coincide with the technological advances of gunpowder and made them a force to reckon with. With the emergence of a banking system and a stock exchange, they entered the business of trafficking Africans across the Atlantic to work and die on plantations in the Caribbean and in the Americas.

This lucrative venture would usher in a period the Dutch remember as the Golden Age (1575-1675). During this period everybody was making money and the first model of the contemporary middle class society was born. Before then there were only two classes of men; the rich and the poor. Two hundred years later in 1885, the Dutch would meet with other European nations and sign an agreement to go back into Africa, this time not just to capture and enslave the people, but to take their land.

President Reagan claimed his moment in history by speaking in a clear, loud voice, “Mr Gorbachev, tear down this wall’’.

To see the Berlin Wall fall two years later in 1989, and the oppressed people running towards freedom, has always been a happy memory for me but today it feels like a slap in the face with a brick. For one like me who remembers traveling to Warsaw, Poland in 1999 and visiting the ghettos, the part of the city where the Jewish population was confined by the Nazis before being sent to the death camps, it is incredibly disheartening. It is also really sad, as a former volunteer soldier who served in four top NATO assignments before being sent to war and then going back to America to the Rodney King beating and the famously disappointing verdict that would set America’s inner cities ablaze.

We should have been much further than we are. How are we going to ever recover from this?

My mind is scrambled, and the tears won’t stop flowing. I had hoped to make it to the grocery store before the crowds. A young Muslim cashier greets me every time, with a big smile. Nothing crazy or romantic—she just found out I was an American and her eyes lit up, as is often the case.

In Europe being an American carries a certain sort of notoriety, a certain sort of celebrity. I get that, but today, I am wondering how she is, how we are going to come back from this, after this, without tears from all sides.

No one was listening to Mr Floyd. Now he’s gone. No playback button on this one. You begin to think crazy, insane thoughts, maybe they can’t see us, maybe it’s true and they really think we don’t feel pain or suffer. But we do, every time that we are excluded, pushed aside, ignored or mocked by the government or in the media or the news.

It gets into the heart, suddenly tears floods your face, because you know your cry falls on deaf ears, so you turn to the only help you know, the one that’s always been there for you.

You turn to her and you pray just maybe the mention of her name strengthens and sustains you behind the weight of doom. Mr Floyd cried out for help in handcuffs for eight minutes and 46 seconds for just one someone to save him and no one came.

But now George Floyd is gone. You want to stop the utter horror and grief but you can’t. You want to distance yourself from the graphic image being broadcast around the world but for some reason, you can’t switch channels. You try to convince yourself that maybe you are too emotional. You didn’t even know the man or his momma. So why all the tears?

Because you know how it feels to be powerless, you know how it feels to want your mother in a difficult or bad situation. You know the centuries’ old abuse. You know the European adventures. You know the freedoms of the Dutch. You know the road it took for you to be here. You know Vermeer’s blue skies, and the Dutch Spirit Jenever. But none of it brings you any relief.

Sunday night, and a new video on my social media page showing a Black male, 29-year-old Jacob Blake, in a dispute with a police officer that ends in another shooting of another Black man.

As I watched the video I prayed it was a fake. I wanted more than anyone to learn that the video was a hoax, sent out to further divide the ill-informed.

One could only have hoped that since the death of George Floyd and the weeks and months of protest that happened on a global scale, every police officer would know that when it came to a show of force, pulling out a gun was just not to be done.

Emotions were already too high.

However, soon after watching the video I would learn over mainstream media that the horrific shooting in Wisconsin was real. A police officer had shot a man seven times in front of three little children who witnessed those seven rounds going into Mr Blake’s back.

While listening to the report, I couldn’t help but think of Dr Martin Luther King Jr’s book, “Why We Can’t Wait”. As he wrote from a Birmingham jail cell back in 1963 about the reason he protested despite the threat of violence directed at him and his followers, Dr King knew that it was time.

Just as Dr King believed, I know that today young Blacks all over the world are watching what’s happening in America, they know America is not living up to its creed, and they just aren’t going to take being treated as second-class citizens anymore.

An ordained minister and Reverend of the Baptist faith, Dr King knew that seeing their uncles, fathers, cousins, brothers dying at the hands of those who were employed to protect them would only incite young Blacks to extremes.

If significant visible gains were not seen and felt in the Black community, America could never trust the freedom it boasts of. Dr King believed America could make real the creed of its nation and all men would be treated equal under the constitution, if only we “commit to live together as brothers or perish as fools”.

This latest shooting of another unarmed Black man joins a long list of others killed for being Black in America, and brings us yet again at to new milestone, not only for Blacks but for Whites as well. We must do all that is in our power to rid this world of racism.

We are on the precipice of change, our humanity is in the balance. We can’t romanticize the systemic racism, or the ill-treatment of Blacks by law enforcement agencies or the call for reparations. We can no longer sit on the sidelines. We must commit to overcoming this evil.

We must have the uncomfortable conversations about the underrepresentation of Black leaders on the work floor, in the boardroom and across the board.

We must begin to look one another in the eye as human beings, regardless of race, class or gender.

Beyond imagining an all-inclusive world, we must all become ambassadors ushering in a new era, a new age and a new way of being.

The age of real partnership, where all life is precious and endowed with certain rights that can’t and must not be denied, including the right of any man to rebel against any authority that doesn’t support his interest.

Until America’s Black population is free from the tyranny of a racist and biased system that allows officials to take Black lives so easily, I tell you none of us, in Europe, Asia, Africa, or the Caribbean will ever be free. For as the Rev Dr Martin Luther King so rightly wrote some fifty years ago, “Injustice anywhere in the world directly effects justice everywhere”.

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