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AFRICA AND THE WORLD CUP: A Beautiful Tragedy

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AFRICA AND THE WORLD CUP: A Beautiful Tragedy
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2nd July 2010. Soccer City, Johannesburg. The score is 1-1 at the 2010 FIFA World Cup quarter-final between Ghana and Uruguay. In the 120th minute, Ghana have a promising free kick at the edge of the box. Some panicked Uruguayan defending, a proper goalmouth melee. Hang on, what’s this? It’s a penalty. Luis Suarez just saved a certain Ghanaian goal. The only problem is he’s not a goalkeeper, but a forward. He is shown a red card for his troubles.

Asamoah Gyan steps up. Could this be the moment an African nation goes to the semi-final, in Africa’s World Cup? Gyan is Ghana’s top scorer at this World Cup, with three goals – two of which were penalties against Serbia and Australia in the group stages. If there was someone you could bet on to have the sangfroid and the cojones to do it, Gyan was that guy.

The weight of a continent’s expectation is on his shoulders. He fires a shot, which cannons off the crossbar. Instead of winning it, he condemns Ghana to a needless penalty shootout which they late go on to lose – John Mensah and Dominic Adiyiah miss for Ghana and Sebastian Abreu hits a cheeky Panenka to send Ghana out of the 2010 FIFA World Cup.

This memory is so vivid because I watched every heart-rending minute of that match, cursing at Suarez- the ready-made pantomime villain who dashed a continent’s hopes; but more so at Asamoah Gyan? How could he miss? Why was he such a choker?

This is the story of Africa and the World Cup as we have always known it. A tale of the valiant underdogs who, like Icarus, flew too near to the sun and paid the price with their naivete. It is also a tale of self-sabotage, incompetence, gulfs in class and institutional racism.

***

The story of African football is about politics.

In 1934, Egypt became the first African country to participate in the World Cup, which was hosted by Italy. They qualified for the sixteen-team tournament by beating Palestine (then under a British mandate) and Turkey (who withdrew from the qualification round). In the World Cup, Egypt lost 4–2 in the first round against Hungary. This was to be the last time an African team participated in the World Cup, until Morocco did so in 1970.

In the 1950s and 1960s, many African nations became independent and naturally, as independent nations, they joined global bodies, like the United Nations, and of course, the Fédération Internationale de Football Association (FIFA), which at the time was dominated by northern European and South American nations. This posed an existential threat– the FIFA Congress operated on the basis of one nation, one vote, irrespective of footballing ability. The Kenyas and Zambias, in the eyes of FIFA, had an equal say in world football, the same as two-time world champions Brazil, Uruguay and Italy.

Paul Darby, in Africa and the ‘World’ Cup: FIFA Politics, Eurocentrism and Resistance published in the International Journal of the History of Sport (Vol. 22, No. 5, September 2005, 883 – 905) observed that the Union of European Football Associations (UEFA)“made several attempts during the late 1950s and early 1960s to introduce a pluralist voting system that would more adequately reflect their self-perceived standing in world football”. When these efforts failed, they chose to assert their dominance in the FIFA World Cup. FIFA’s Executive Committee decreed that to qualify for the 1962 World Cup, Morocco, the winners of the African preliminary round would have to play a further qualifying match against Spain – a match they duly lost. In 1964, they made it worse by marginalising the Asians and Africans by pitting them against each other: the winners of the African zone would play the winners of the Asia/Oceania zone to qualify for future World Cup Finals.

Kwame Nkrumah, the-then Ghanaian president and pan-Africanist, persuaded CAF (Confédération Africaine de Football) to have its members boycott the 1966 World Cup. CAF’s Secretary General, Mourad Fahmy, argued that “the allocation of one World Cup slot to three continents (with more than 65 members)was absurd and did not adequately reflect the prevailing situation in world football.”

In 1974, João Havelange, a Brazilian, ran for the FIFA presidency on a pledge to improve the situation of Asian and African football – by increasing the World Cup final places from sixteen to twenty-four, and by increasing funding to improve infrastructure in African and Asian countries. He won handily, beating the incumbent, Sir Stanley Rous, who was widely resented by African nations for, among other things, supporting the inclusion of South Africa in the FIFA family despite their apartheid policy.

Under Havelange, Africa got two World Cup spots, which later became five under the expanded 32 team format that began in 1998. But it was under his protégé, Joseph ‘Sepp’ Blatter, that the African continent came to the fore. For all his faults, Blatter ensured that the dream of an African country hosting the World Cup became a reality. He backed South Africa over Germany in 2006. He backed it again in 2010. It later emerged that the win was not entirely legitimate; the 2015 indictments of FIFA officials by the United States’ Department of Justice showed that Jack Warner, a FIFA Vice President had accepted $10m from South Africa in 2008. Danny Jordaan, the chairman of the 2010 Local Organising Committee clarified it was not a bribe but a contribution towards the CONCACAF (Confederation of North, Central American and Caribbean Association Football- of which Warner was President at the time) “development fund.”

***

The story of African football is about incompetence.

Zaire’s team, the Leopards, were Africa’s representatives at the 1974 World Cup in West Germany. The reigning African champions had been funded lavishly by the kleptocratic dictator, Mobutu Sese Seko Kuku Ngbendu wa Zabanga; he had given each member of the team a house and a green Volkswagen. Things had looked promising when they lost 2-0 to a Scottish team with the talents of Kenny Dalglish, Billy Bremner and Dennis Law. But it was the next match against Yugoslavia that will live on in infamy.

Before the match, Mobutu, or one of his minions, had assumed that the team’s coach, Blagoje Vidinić, a Yugoslav, of planning to deliberately throw away the game so as to favour his home team, so he was “secluded” from the team for that match. It later transpired that the players had not been paid their allowances – a story that will become all-too familiar – and they were in fact planning to strike before the match. The team lost 9-0 in the second-worst World Cup performance of all time (el Salvador holds the dubious record, losing 10-1 to Hungary in the 1982 World Cup, held in Spain).

Mobutu, predictably, was not amused. He gave the team an ultimatum: don’t bother coming home if you lose by more than four goals to Brazil. That was the Brazil – the defending champions who had thrilled the world with their canary yellow shirts and an exuberant display of swashbuckling football. Zaire creditably lost 3-0, not without its mishaps and led to arguably the most bizarre moment in World Cup history – Mwepu Ilunga rushed out of the wall and hammered the ball away before Rivellino could take the free kick. BBC match commentator, John Motson, termed it, “a bizarre moment of African ignorance.” But that was not the truth; Ilunga later claimed he was wasting time because Mobutu’s threat was all too real. In fact, on the team’s return to Kinshasa, they were briefly detained at the presidential palace for four days while Mobutu decided what to do with them, before he eventually released them. Minus their allowances, of course.

The singularly African spectre of disorganisation always seems to strike at the World Cup. In 2014, the Ghanaian team refused to train and were actually contemplating going on strike before their match against Portugal unless they received their bonuses. It took the personal intervention of President John Mahama Dramani, who ensured that the players received their money – in cash. The players did not trust their officials to bank it for them, so the cash (all $3 million of it) was put on a chartered flight to Brazil and delivered to the players in a police convoy. Later, Ghana’s star midfielders, Kevin-Prince Boateng and Sulley Muntari, who had shone so brightly in 2010, were kicked out of the squad for “vulgar verbal insults.” Cameroon also threatened to go on strike at the same World Cup and duly delivered another bizarre World Cup moment – Alex Song’s bizarre elbow on Croatia’s Mario Mandžukić. Nigeria went on strike and boycotted training too, and despite their woes, they made it to the last 16.

Which begs the question: why always Africa?

Endemic corruption is a way of life in Africa, and this extends to football. The sums of money in football make it a particularly lucrative feeding trough: during the 2011-2014 financial cycle, FIFA gave each member association an extraordinary Financial Assistance Programme (FAP) payment of US $ 1,050,000. Such sums in the hands of local football officials find more convenient uses. A week before the start of the 2018 World Cup, Ghana’s FA President, Kwesi Nyantakyi, was implicated in a corruption expose by Ghanaian journalist Anas. He has since resigned. Aden Range Marwa, a Kenyan assistant referee who was due to officiate at the 2018 World Cup, was also netted in the sting for allegedly taking a bribe of $600.

Poor youth development also plays a key role in Africa’s underperformance at World Cup. This is a direct result of poor investment in coaching and infrastructure. African teams are usually powerhouses at under-17 and under-20 level – Nigeria and Ghana have won FIFA tournaments several times. Football at the Olympic games are considered an under-23 event. Nigeria won the gold in the 1996 Olympics in Atlanta, Cameroon followed suit in Sydney 2000. However, there doesn’t seem to be a clear transition for most of the youngsters into the main national team. Take the 2005 U-20 final between Nigeria and Argentina: only John Obi Mikel can be said to have had a successful career. The Argentine side, on the other hand, had Lionel Messi, Sergio Aguero, Pablo Zabaleta, Ezequiel Garay and Lucas Biglia, who are bona fide global superstars today. Here’s another interesting statistic, Nigeria won the U-17 World Cup, beating Spain in the final. None of the Nigerian players have been capped to date. That Spain side had David de Gea in goal. Only Ghana’s U-20 side of 2009 seems to buck the trend – some of the youngsters formed part of the successful 2010 squad.

Another reason could be the perception that sport should not be taken seriously in Africa; it is usually a means to pass time or a political tool. This is why you can have a whole Sports Principal Secretary claiming that Kenya was ready to host the African Nations Championship (CHAN) because “we had the best hotels and roads, the only thing we lacked were the stadiums.” This attitude is hard to eradicate and shows up at the most inopportune moments. Sven-Goran Eriksson, a former England manager, was appointed as Cote d’Ivoire manager for the 2010 World Cup. Eriksson was appalled by the general disorganisation surrounding the preparations. An hour before a warm-up game in Switzerland, the players had no kit. One of the players couldn’t play because the kitman forgot his boots at the hotel. His captain, Didier Drogba, fresh from winning the Double with Chelsea that season, was not surprised. “Sven, it’s Africa. It’s like this.”

Which brings us to another question: why do African teams always prefer foreign coaches? Most African teams that make it seem to have foreign coaches. Of the African teams participating in the 2018 World Cup – only Tunisia (Nabil Maâloul) and Senegal (Aliou Cisse – captain of the 2002 Senegal side) are local. The perception by our football administrators, is that African coaches do not seem to know what they are doing. Yet, there are instances which prove that, with the right support, local coaches can hold their own. Egypt’s Pharaohs were led to three consecutive African Cup of Nations (AFCON) titles in 2006, 2008 and 2010. Stephen Keshi, the legendary Nigerian defender, won the 2013 AFCON and reached the last 16 of the 2014 World Cup with the Super Eagles. Kenya qualified for the 2004 AFCON under a local coach, Jacob “Ghost” Mulee. Kenya achieved its highest ever FIFA ranking, 68th, under a local coach, Francis Kimanzi. This is another interesting fact for you – to date, no foreign coach has ever won a World Cup.

***

The story of African football is about triumph in the face of adversity.

Some of the most memorable moments in World Cup history have been by African teams. Can you forget Ghana in 2010, who carried Africa’s torch brightly in 2010 in Africa’s World Cup? But before Ghana, there was a Cameroon at Italia ’90 with the iconic Roger Milla celebratory jigs at the corner flag during Italia ’90. Those were the lasting moments of Italia ’90 – neither Paul Gascoigne’s tears nor Toto Schillaci’s prolific form for the home side came anywhere close. François Omam-Biyik’s header at the San Siro against the world champions, Argentina, led by the captain, leader, legend and once-in-a-lifetime genius of Diego Maradona, was the biggest upset in World Cup history. This was bigger than the United States beating England 1-0 in 1950. Much bigger than West Germany beating the Magical Magyars of Hungary in the miracle of Berne. This was an African team, from you know, Africa. Beating Maradona’s Argentina with nine men – two deserved red cards for playing typical “African” football). Roger Milla, all 38 years of him, was summoned by Paul Biya (he’s still President to date) and in true African dictator fashion, ordered to play at that World Cup. Their preparations were shambolic- Cameroon’s training camp was rocked with the usual complaints of allowances not being paid. Their goalkeeper, Joseph-Antoine Bell, was an egomaniacal divisive force.

And yet, they hung on, match by match and were merely a Gary Lineker penalty in extra time from doing the impossible – reaching the semi-final. The Indomitable Lions inspired a whole new generation of footballers, both in Africa and elsewhere – Bell was dropped for the relatively low-maintenance, Thomas N’kono, who had a superb tournament and inspired the legendary Gianluigi Buffon to become a goalkeeper. In fact, Buffon named his son, Thomas, after N’kono.

Do you remember Senegal following an eerily similar script in 2002? The Lions of Teranga, making their first appearance in the World Cup, humbled France – defending World and European champions in Seoul with Pape Bouba Diop scored the scrappiest of goals to cause yet another upset. A Henri Camara golden goal in extra time against Sweden took Senegal to the quarter-final against Turkey, where the Lions too, succumbed to a golden goal. Fate, it seems, had a touch of cruel irony.

***

The story of African football is about hope.

Despite all the challenges that football in Africa faces, never have I been more optimistic about its future. A lot of good things are happening: Nigeria’s 2018 World Cup kit, manufactured by Nike, was sold out within three days of its launch; which goes to show that there is money to be made in the African game if things are done properly. Mohammed Salah, Liverpool’s Egyptian King running down the wing, is one of those you-have-to-see-it-to-believe-it talents. He could potentially be the first African Ballon d’Or winner since George Weah, now President of Liberia.

Gianni Infantino has pledged to expand the World Cup further. The 2026 World Cup, to be held in the United States, Mexico and Canada, will have 48 teams, with Africa having 9 teams and Asia 6 – not a bad start to his presidency. He has also promised to end the culture of corruption at FIFA, but this is to be taken with a pinch of salt – after all, Blatter is still attending the 2018 World Cup as President Vladimir Putin’s guest.

For youth development and a solid technical foundation, we can look to Germany and Belgium for assistance. These two nations rebooted their whole approach to youth development, investing in coaching and better facilities. Germany’s squad which won the 2014 World Cup, demolishing home favourites Brazil 7-1 along the way, was the fruit of careful planning. England have caught the bug a bit too late, but they are catching up. All African countries should follow suit. Maybe we should do one of those benchmarking trips, with actual results.

Finally, we should get more organised and drop the “this is Africa” mentality. Oh, and stop the looting.

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Martin K. Maitha loves getting funky haircuts and tweets about football banter. When he is not too distracted by the latest Spongebob meme, he creates the time to practice law as an advocate of the High Court of Kenya and occasionally write pieces like this one.

Reflections

Our Grandmother’s Miniskirt: A People’s History Through Photographs and Stories

8 min read. It was the women of that time that intrigued me most and I was watching their lives with the impatient envy of a child. I wanted to grow up and wear those cat-eye glasses and cute kitten heels, burn my hair straight, drink Babycham and laugh like they did, with a hand full of bangles held out at just the right angle.

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Over the past few weeks, I’ve been inviting people to share photos of their mothers, grandmothers and aunties looking stylish in the fashion of the 1960s, 1970s and 1980s. The idea, which we are calling “Our Grandmother’s Miniskirt”, is simple enough, crowdsource photographs from Kenyan homes of women dressed in the style of that era; the photographs will be accompanied by reflections, essays, short stories or poems. The aim is to capture a history of ordinary people and to share this history through physical exhibitions, an online archived exhibition, and a coffee table book. I see the project as a celebration of Kenyan women and gives a snap shot of the emergence of the modern Kenyan woman.

By the time we staged the first mini-exhibition with a selection of 27 photographs submitted by people from around the country, I had come to understand that projects are not easy in that they all require planning and careful execution, even if they excite people. Getting people to send their scanned photographs from precious family albums has been challenging. The project goes into the intimate spaces of families and asks them to override their tendency towards privacy and share their lives with strangers. Of course this was always going to be a trial. It was not surprising that although the daughters or granddaughters were enthusiastic to participate in the project, their mothers and grandmothers — the subjects of the photos — sometimes refused to allow them to share these images. But I’m glad the images are trickling in.

Implementing the project over the last few months has helped me see its possibilities and expanded its scope in so many ways. Most important I am now looking for photographs before the 1960s and of Kenyan women wearing a variety of dress and hairstyles. The secret to the power of the project has furthermore revealed itself in the act of crowdsourcing. This approach has allowed people to connect and own the project, much more than if the photos were purchased from a media source.

My Childhood: 1960s and 1970s

The photographs have unleashed a collage of memories for me. I was a child in the 1960s and the 1970s watching Nairobi slowly emerge from its colonial yoke and my parents seemed to be at the centre of it all. They were amongst that group of Africans who were literally stepping into the shoes left by our colonial powers. My late father’s (William Ndala Wamalwa) career developed quickly and after only two or three years in government service, he stopped driving himself and moved to the senior government ranks.

But it was the women of that time that intrigued me most and I was watching their lives with the impatient envy of a child. I wanted to grow up and wear those cat-eye glasses and cute kitten heels, burn my hair straight, drink Babycham and laugh like they did, with a hand full of bangles held out at just the right angle. But most of all I wanted to wear those glamorous clothes that I saw women wear to parties and dinners – there seemed to be a party or dinner every other weekend! Miniskirts, bell-bottom trouser suits, halter tops, maxi dresses, stilettoes, kitten heels. I wanted to dance to the very dangerous James Brown, the elegant Supremes, the cool Fadhili William, the revolutionary Miriam Makeba, and the handsome Harry Belafonte. I thought all these musicians were my parents’ friends. Imagine my shock when I grew up enough to understand that these were distant celebrities.

Burning Hair

For African women, hair means everything. Women spend large sums of money on our hair and even more woman-hours on styling it. Braiding can take eight hours. Typically a myriad of products are used on African hair, from oils, pomades, sprays, gels, dyes, treatments, conditioners and shampoos. How seriously do African women take their hair? Well in the days when we still had plastic bag around, Kenyan women could be seen risking their reputations by wearing plastic bags on their heads in broad daylight, to stop their hair from getting wet during an unexpected downpour.

But when it comes to hair, there was a simpler time. In the early 1960s, hair straightening was not yet fashionable and chemical relaxers had not yet arrived in the country. Kenyan women still wore their natural hair and fashioned it using African hairstyle traditions that involved elaborate cornrows, braids and plaiting. Saturday was the day when hair was dressed, typically with the help of skilled friends or relatives. Hair salons were still a faraway concept and the hair industry was a rudimentary affair and not the billion shilling industry of today.

In our home, many Saturdays found Aunty Truphena dressing my mother’s hair. Aunty Truphena was not my mother’s sister. But she and my mother were closer than sisters. They came from one of the smallest of the eighteen Luyhia sub-tribes, the Abanyala ba Ndombi, who are located in Navakholo division, north of Kakamega forest, in western Kenya. At that time, not many people seemed to have made it out of my Bunyala and it was rare to meet a Mnyala in Nairobi.

Sometimes Aunty Truphena straightened my mother’s hair using a hot comb heated on a charcoal jiko. She divided the wet hai,r drenched it in liquid coconut oil, and burnt it straight with the hot comb. Next she rolled the hair onto pink rollers and pinned it down. I wondered how she had learnt to dress hair like that. Her own hair was forever hidden under the flowered scarf that she always wore.

Nigerians Come to Town

The late 1960s were marked by an influx of Nigerians who came with their loud laughter, outsized personalities and strange food. They were mostly Igbos who had fled to Kenya as refugees from the Biafran War (1967-1970), but there was nothing “refugee pathetic” about them. In fact they came and took over our live,s adding flavour and passion like I had never experienced. I remember the names of one family in particular: Chief Jerome Oputa Udoji[1], his wife Mrs. Uzoamaka Udoji (Aunty Uzo) and their three children Scholastica, Osita Paul and Peter Ebelechukwu. The photograph of my mother below was taken at that time, and it was Aunty Uzo who made me realise just how beautiful my mother was, when she loudly exclaimed that my mother looked like Miss Kenya.

Mrs Rose Nanjala Wamalwa (Sitawa Namwalie’s mother) as an executive secretary at the Ford Foundation in Nairobi, Kenya (early 1970s). Photo Credit: Studio One.

Aunty Uzo was a force of nature. She and the other Nigerian women introduced me to a different way of being African. They were militant in taking on any vestigial racism that still had the temerity to cling on and even fight back, so soon after Kenya’s Independence. Aunty Uzo often regaled us with stories of the many battles she fought when white people dared to assert their colonial-era privilege. For us Kenyans, would so often acquiesce to everyday racism from the British, but not a Nigerian and definitely not Aunty Uzo. She fought with the priests at St. Mary’s school in Lavington where her sons were enrolled and she fought when white people tried to jump queues in banks or supermarkets and she argued with African waiters who tried to ignore her in restaurants. She was strong and assertive, always encouraging Kenyans not to be cowed by white people.

There were days when Aunty Uzo took over our kitchen and taught my mother how to cook Nigerian food, subjecting us to strange new flavours and aromas. Every so often our kitchen was overwhelmed by the strong smell of a dried fish imported direct from Nigeria which was even more pungent than our sivambala catfish dried in the hot sun of western Kenya. I learnt that Nigerians waste very little, cooking all parts of the goat,:the skin, meat, innards and hooves. The one dish that really tested my rather narrow palate as a child was a soup that combined beef, fish and chicken which Nigerians seemed to particularly love. When the war in Nigeria ended, our Nigerian friends left, leaving us changed for ever. But soon their place was taken by Ugandans fleeing the abuses of Idi Amin who began his rule in 1971, but that is a story for another day.

About the Exhibition

These photographs have triggered so many memories for me and it is my hope that they will do the same for all who see them. They document the social history of ordinary people in Kenya. I’ve learned that the past can be another country, sometimes a more interesting country than the narrow ideas that populate the present. I shared the premise of “Our Grandmother’s Miniskirt” with a young man, Basil Ibrahim who taught me the word hagiographic when he wrote the following in an email about the project;

“…a particularly interesting deviation from the hagiographic custom of The Great Men model of history-making…It is a model for bringing the archive to life, using memory, popular culture…in an experiment to provoke us to think about the implications the past has on the future we want.” (17 August 2019)

What he meant was that we tend to make saints of certain “great men” of the past (hagiography means the making of a saint), while ignoring the stories of ordinary people, who lived through those times. I hope that this project will correct that tendency towards hagiography.

When arranged chronologically, the photographs begin with one from1945 of a woman named Gatoro Ndugi M’Chabari, dressed in the traditional dress of the Tharaka ethnic community. The type of dress she wears was worn by married women. The unmarried ladies had their breasts left uncovered. The photograph was submitted by Mr Simon Mitambo, Gatoro’s nephew and shows her in what can only be described as a brief miniskirt. The photo was taken in Meru town in 1945, after entertaining the then colonial governor of Meru. In discussing her traditional dress, Gatoro Ndugi M’Chabari — who is over 90 years old — had the following to say: “Although we looked almost naked in miniskirts, there were no cases of sexual harassment.”


Gatoro Ndugi M’Chabari,
from the Tharaka ethnic community. 1945, Photograph submitted by Mr Simon Mitambo.

In another story entitled, “The Village Woman and Son, Bound for England” John Sibi-Okumu pays tribute to his mother Maria Ajiambo, wa Agostino Munika nende Sarah Mbaye (the names of her parents.) She was also addressed as Naliali, her clan name from the Samia of Western Kenya. John estimates that she was born in 1936.

Maria Ajiambo wa Agostino Munika nende Sarah Mbaye, mother of John Sibi-Okumu. The photograph was taken in 1958 at Noble Studio in Nairobi when John, her first born son, was four years of age.

John’s story of his mother reveals many intriguing circumstances, first being that his mother was born on a sisal estate in Juja, Kalimoni, where his grandfather worked as a nyapara or ‘overseer.’ John notes that Tom Mboya was born in similar circumstances, showing the country had already started to change with people migrating from their homes and making new homes in different parts of the country.

Rosalie Kere wearing a “Stiff” skirt and her “Beehive” hairstyle (1961). Photograph submitted by Caroline Kere.

Caroline Kere shared the photographs of her mother Rosalie Kere – the first photo above – who had the distinction of being a poster girl for soap called “Nakasero” and “Lux” in the early 1960s. Caroline’s tribute story to her mother has the intriguing title, “The Amazing Story of How my Father Found my Mother”. Her mother and father’s story is such an improbable romance story worthy of a blockbuster Nollywood film, that you can read for yourself at the exhibition, the online archive or in the coffee table book that is to come.

What follows is an exhibition of selected photographs.


Grace Ntini, from Narok County. The photograph was taken in Nairobi in 1969. Grace was 24 years old and worked for Avis Rent-A-Car Company. The photograph was submitted by Grace’s sister-in-law, Rosemary Mesopirr.


Rosemary Mesopirr, who
was 14 years old and a primary school pupil in the rural areas of Narok County. This photograph was taken in Mombasa in 1974. This was the first time she travelled to the Kenyan coast to visit her father who was a civil servant then. It was her first time to board a bus.

 

My Stylish Mother
By Doris Rutere

My mother Cecilia Kanyoe was a copy typist at Marimanti Rural Training Centre back in 1975. She was always detailed and careful in her choice of office wear. In this photograph she is wearing closed toe heels and has broken her suit with a turtleneck that matches her head gear, a chain and a wrist watch. I think they present a level of sophistication making her refined and chic. Next to her is Esther Muthoni, who was my mother’s friend. In the picture, she wears a wide belt on her cute mini-dress to create contrast while matching her head gear partly with her shoes. 

Both women are quite careful in how they let their hands rest on their thighs.

 

Joyce Akoth, pregnant with her fifth born in 1973. This picture was taken in the early 1970s when Joyce worked as a teacher and before joining the Ministry of Public Works. The photograph of Joyce Akoth was submitted by her daughter Esther Adiambo.

***


Nancy Wanjiku Kimani , the photo was taken outside Kijabe Nursing Institute, where she was undergoing training as a nurse in Kijabe Town (1969). The photograph was submitted by her daughter Ruth Kimani.

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Reflections

A Letter to Stella Nyanzi: “You Teach Us to Lay Blame Exactly Where It Belongs”

6 min read. Too often we are willing to believe that if we are calm enough, if we are silent enough, polite enough, eloquent enough, poised enough, then the tyrants will listen. We believe that if we are ‘’well mannered’’ then we will be heard. You remind us that this is deception.

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A Letter to Stella Nyanzi: “You Teach Us to Lay Blame Exactly Where It Belongs”
Photo: Facebook/Stella Nyanzi
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My sister Nyanzi,

I used to think tyranny means one-party rule, one media station and army garrisons everywhere. Now I know tyranny also means that who we love, how we live, how we die and even the speed of our death is chosen for us by people that never have to face us, by people that have learned not to fear our wrath or our collective pain. You have taught me this, because both of us live under tyrannies. As I write this, you are in Luzira Maximum Security Prison contending with the tyrannies of the prison authorities, the judicial system, the police, Makerere University, Museveni and his state and personal machinery. We live under multiple tyrannies at once, some more immediate than others, all of them intent on silencing us.

I am writing this from Kenya. I am writing from a country reeling through an economic recession that the state’s press statements will never admit exists. A manmade recession fueled by the looting that seems to grow more arrogant with each day. As I write this, many Kenyans are dying in public hospitals because there is no medicine or the doctors have not been paid or someone stole the money for the equipment. As I write this, there are young people attending endless seminars on entrepreneurship because they face grim rates of unemployment, this too is manmade disaster. I don’t know how many young men the police have killed today; I don’t know how many women have been sexually abused or killed by a country that just seems to hate its women. There are also the university students who are teargassed and beat up every time they try to march, and the many communities unhumaned by the state. I don’t know how many queer people have been stripped or raped or mocked or told to prove they are human beings today. These are the tyrannies I live under.

We share some of these tyrannies and for this, I call you sister. Allow me to call you Stella.

When you staged your first nude protest at Makerere Institute of Social Research (MISR), several academics gave media interviews to say that they condemned your protest and found it to be ‘’too much’’, they mockingly asked if negotiations had failed for you to go to such lengths. More insultingly, some said while they agreed you had legitimate grievances, you could have been more civil. They seem to think that you should have spoken more sweetly. I laughed when I heard them. You know how tyranny works Stella, how it works especially well in bureaucracies. You know how good bureaucracies are at silencing and ignoring. You and I know that bureaucracies move at exactly the speed dictated by tyranny, no faster and no slower.

It is a maddening thing to realize that even in the hallowed halls of universities, we are ignored and insulted and treated anyhow, as our people say. It is more maddening to know that our emails, our eloquent letters and our pleas will go unheard when tyranny is present, as it was at MISR. Tyranny often wears a nice suit and can be well spoken and well respected. At Makerere, you used the tools at your disposal in defense of yourself. The tools on that day were red paint, cellotape, your body, your voice and camera. Those were the tools available to you. The other important tool in your arsenal, arguably the most potent, is your refusal of respectability.

So often, women are only celebrated when we protest in service of the men in our lives — our brothers, our fathers, anyone but ourselves. I think of all of us who are scared of speaking in our own defense, scared of organizing for our own wellbeing, our reproductive freedom, our sexual freedom, our safety. I think of how we have been intimidated to believe that this is entitlement, as if being entitled is a bad thing. How many of us have swallowed indignity after indignity because the only person being humiliated is us?

Here, I pause, in the middle of my letter to acknowledge and greet you in the movements you come from, the movements that have shaped you and supported you. We know that often people are isolated from their movements in order to make them messiahs. But messiahs always fail because they don’t really exist. I greet you in the name of the #RotAtMISR , #WomensMarchUG , #ThisTaxMustGo , #PeoplePowerMovement and the many offline political actions you have taken. From standing in solidarity with students of Makerere when they protested arbitrary inclusion of fees, to caring for the Arua 33 that were victims of state violence, to dealing with menstrual injustice through the #Pads4GirlsUG movement.

It is from your movements that you have dealt with the effects of Museveni’s tyranny intimately, by seeing how your comrades are brutalized and seeing how relaxed the dictators can be even in the face of impassioned pleas for even a small measure of justice. You have seen your movements forced to wait on the dictator’s time. We all do so much waiting after all. We wait for enough money to take our relatives to decent hospitals and decent schools, we wait for courts to vindicate us and for the churches to speak for justice and for the police to stop killing. On both sides of the Malaba border, we wait. A feminist sister, Mumbi, has written about how we are forced to wait on the state’s time, wait on tyranny’s time, in order to live as human beings. Mumbi considers that one of the ways we can disrupt the state’s time is through the communities we build and how we care for each other.

You have given us another answer to how we can disrupt the state’s time; by abandoning respectability and politeness. After all, the tyrants know exactly what they are doing when they abuse our humanity. From your political actions, your Facebook posts, and your court appearances, we learn to call the tyrants by name and declare their shame to them. I read somewhere that your father died because of the poor healthcare system in Uganda, and in your writing, you lay the responsibility for this on Museveni’s head. Rightfully so. Another feminist sister, Sunshine, says that this is reminiscent of what Fela Kuti did when his mother (and our feminist ancestor) Funmilayo Ransome-Kuti died from injuries she got after the Nigerian police raided Fela’s home. Fela took his mother’s coffin to the army barracks, to Olusegun Obasanjo, who for all intents and purposes had killed Funmilayo. When you call Museveni a pair of buttocks, that is exactly what you are doing, connecting the tragedy of all the deaths and suffering caused by a sick state to the head of the state. Truth telling can start there, by us clearly naming the tyrants and abusers.

For some reason, tyrants hate this. They are shocked at the idea that we might call them what they are: abusers, misogynists, sexists, thieves, robbers, murderers, homophobes. You teach us to lay blame exactly where it belongs, to practice the radical truth telling that refuses to be distracted by bureaucracy. Stella, you say that politeness has been held captive, and the powerful don’t listen anymore, and sometimes we have to say fuck it and then people will listen.

Too often we are willing to believe that if we are calm enough, if we are silent enough, polite enough, eloquent enough, poised enough, then the tyrants will listen. We believe that if we are ‘’well mannered’’ then we will be heard. We think if we bend ourselves enough, the tyrants will feel some pity for us. You remind us that this is deception. Good manners are decided by the powerful, and after all — isn’t it the worst manners to steal and oppress? Yet no one accuses tyrants of having bad manners. No, bad manners are left to be a cross for us to carry to hasten our own silencing, our own internal and final deaths. Respectability protects the comfort of the tyrants. Your political actions show us that when we shed politeness, we can disturb their peace in potent ways.

You, like Audre Lorde, know that our silence will not save us. Not only that, but politeness and niceness cannot save us either. You know that we only get silent to work out our internal convictions and from there, we use whatever tools we have to shout, be it our bodies, our phones, our voices. We shout. We shout because we are being killed either way. Your poetry, court appearances and nude protest are all political actions, asking us what we are still afraid of. What do we gain by protecting the comfort of these tyrants to enjoy their theft, their tyranny unoffended?

Stella, you are a woman who has reached into herself and taken joy, taken brazenness and categorically refused shame. Your body is your manifesto, as you say, and with it, you declare and live your radical queer feminist politics every day. We are affirmed by you.

Some people think you are fearless, others believe you are unashameable, I don’t believe either of them. Even with the best intentions, they are trying to make you iron, invulnerable, and otherworldly. I know different. You are not otherworldly Stella, you are fully human.

In care and love,

Karwitha

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Reflections

A Letter To Stella Nyanzi: The Revolution Lives in You

7 min read. I want, like you, to steadily and surely offend anything that stands in the way of freedom, of liberation, of love, of justice, of truth, of humanity. Let me be rude, let me be all these things, if all they are trying to say is that I am free, unbound.

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A Letter To Stella Nyanzi: The Revolution Lives in You
Photo: Flickr/Chapter Four Uganda
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My sister Nyanzi,

We grew up on folktales and stories that spoke on the value of truth, of clarity, of assertiveness. We read about scheming animals always having to face the consequences of their actions, while those characters that upheld the truth were the examples that we were meant to emulate. Yet, somehow, these stories were supposed to remain suspended in our minds, perhaps as pieces of entertainment. No one wanted a truth teller, especially not a primary school going child. I have gone through most of my life being called rude, difficult, entitled or spoilt, by aunties, by cousins, by teachers, and by neighbors who cautioned their children against associating with me. Most of my life, I thought there was something wrong with how God made me.

Why did my teachers punish me for speaking truth? Why did I go home, my body tender from a caning because I asked the teacher to explain the logic behind making students kneel on gravel? Why did my cousins whisper behind my back, saying that my opinions were rude, that my parents had spoilt me, and that I was too entitled? I questioned a lot, yet I did not see any other way to live. I knew the truth to be good, even when it seemed a heavy weight on my heart. Each one of us owes ourselves the truth. The truth is our duty. It is my duty, a duty that you have taken on and stood by, even when the very ground is threatening to betray you.

I am writing this after returning to Kenya from a visit to Uganda less than 24 hours ago. I thought about you a lot during my stay there. I thought about all the Ugandans who have lived their lives silencing themselves, their truth, their pain, their desires, their ability to want to imagine freedom because of fear, fear not born of themselves, but of tyranny, from the ways in which their society has dealt with ‘rude’ individuals. I saw children going to school, with heavy bags and tender spirits. I thought of all the stories, the theory, the language they are being taught about morality and truth, knowing that they are probably being short-changed. I thought about how they are being taught that truth depends on who holds the power to instill fear.

Are the children being told that truth is silence? Are they being told that truth is folding the pain in their hearts into smiles? Are they being told that truth is accepting state and religious terrorism? Are the children carrying fear in their heavy bags? Are they rushing home to be cautioned against following in the footsteps of Dr. Stella Nyanzi? I thought about your multiple arrests, and how that has been weaponized to further silence, to further disregard, and to further trample on the possibility of individual and collective expression. What do the children think when they see you on television? What do they say about you in their private conversations?

It is no secret that we live in a world that rewards complacency. The systems we live under: economic, social, and political, are so fragile and fickle that they have made us scared of ourselves. Of course, all this is deliberate, to maintain control. We live under the giant lie that we get to choose. We choose which schools our children go to, what we will purchase, how we will spend our time, how we will interact with authority, what and how we teach our children, yet all this exists under tyranny. We have been robbed of our humanity, of our ability to make decisions guided by what aligns with truth, with courage, with kindness. That is why, Stella, the children are being taught politeness, one that will rob them of their ability to speak up in the face of injustice when they are told that they cannot love who they want to love, when they are told that they don’t belong, when they are told that their lives are not precious, when they are lied to over and over, when they are made to wait for their rights, when they are killed, when they are hurt, when their education is used to oppress them, and when their lives become small residues of what freedom might have looked like, when they are reduced to small ‘maybes’ and ‘could have beens.’

That is why many people may be blind to the importance of your protest, which is in effect, a protest to your protest. Is this the tragedy of having a heart constantly pursuing freedom?

When I first read about you, I felt so affirmed that I cried. When I saw you speaking, how you spoke, what you spoke about, I remember feeling small eruptions of heavy joy inside me amidst the pain of seeing how the state responded to you. I prayed for the courage to want, so intently and so intentionally, the kind of truth abiding freedom that oozed from your heart. I prayed that I am brave enough to bare it all in the face of millions of odds stacked against me. I prayed that I may never steer away from a life tied to imagining, wanting and working towards freedom, towards a life unbound by fear. They have used your truth to call you obscene, to call you indecent, to call you lascivious, and to say that you are profane. They say you hold no remorse, but why should you? They call you untamed, rude, vulgar, and reckless; they call you intolerable. In the churches, they are saying that you are sinning against god. In truth, all they are trying to say is that you are free. Unbound. Your spirit can never be contained. They do not have the language for any of this because they speak the language of fear. The voice of truth makes them afraid. Your life is testimony that freedom is possible. Unbounded freedom. Freedom that is safe from tyranny, freedom that tugs on the heart and forces you to run towards the what is right, what is eternal, and what is true.

So let me live a vulgar disrespectful life. Let me be seriously and gloriously profane. Let me be intolerable. Let the people say that no man will marry me. Especially that. Let me be disagreeable. Let me be a sinner. Unapologetically. Let me be ungovernable. Let me be untamed. Let me be unremorseful. Let me be untethered. Let my life insult them. Let me be offensive. Let my freedom live as critical evidence that truth exists, that it always sits sharp and intentional, between my joy and my pain. I am shameless. I am unafraid. I am a manifestation of defiance. Let my life be shaped by defiance and resistance. I want to steadily and surely offend anything that stands in the way of freedom, of liberation, of love, of justice, of truth, of humanity. Let me be rude, let me be all these things, if all they are trying to say is that I am free, unbound. Let my life be grandly disruptive. That’s what I want. Let us all be grandly disruptive, in our small ways, in standing up in our small pockets of possibility. May we be the embodiment of radical rudeness.

Manners always end up on the shelves, next to civility, collecting dust and making the silence louder. This is why the despots love them. This is why we are told to use ‘respectable civil channels,’ when that in itself is an injustice: to be told we will be heard by the very tools which ensure we remain unheard. You live in a country under dictatorship, under tyranny, under evil rule. So do I, so do so many people on this continent. They have arrested our freedoms, kept them locked up. They lie, they steal, and they laugh at us for wanting to live. They deny us belonging, they want to take away everything, our voices, the voices of the children, even before they break.

Stella, they want us to beg them. They want us to lick their feet, grateful for the smelly crumbs. They want us to crawl on our bellies, waiting for permission to sit on our buttocks, then to kneel before them, and then finally, maybe, to stand, when they will it, how they will it, for their benefit. I refuse. Let these tyrants sweat in terror at the mention of your name, let them tremble at the sound of your song, your poetry, your protest, your truth, your prayer, your defiance. Let all the despots shake and fear at the sound of our collective lament. Let peace be least of their experiences. Let them tremble. May they tremble.

I refuse politeness. I dedicate my life to unlearning respectability, because at the end of it all, divine freedom is fearless. It is not neat and pretty and dainty. It is rude, it is vulgar, it is naked, it is wild, it is unashamed, it is raw, it is profane, it is indecent. It is loud. It is demanding and disrespectful. It is you. You are divinely free, and they cannot take that away from you. The entire revolution has already happened inside you, and we get to experience that, from your life, your words, your work, hoping that we can meet you, where you are, in whatever capacity we can. You have taught me that when we are silent, we are more at risk of pain, of suffering, of living lives suspended on insubstantial strings of fear, always waiting on where our next small redemption will come from. You have taught me that the process of truth is rewarding, not in the ways in which the world rewards, but the ways in which the spirit rewards. The process is indeed the shortcut. It is the homage to freedom, to the channels between us and liberation.

So I am writing this to you, and to my 15 year old self, to my 10 year old self, and to the black children who will live after us. I am writing this to myself, before I accepted that I am brazen, before I accepted that nothing is wrong with me, that maybe everyone who called me rude for speaking the truth was just afraid and cowardly, because this world thrives on the fear of people. I am writing this to my sisters, to my mothers, to everyone who has housed silence and shame in their hearts. I am writing this to you, hoping that you can rest in the knowledge that there are so many of us who are holding your spirit, your soul, your heart, your dreams, in our spirits, in our souls, in our hearts, in our dreams, during this time and always. We stand in solidarity with you, with your defiance, and with your dreams of freedom. Your life has affirmed us in so many ways, and knowing that you live an absolutely unapologetic life has sustained the bulk of my ability to imagine freedom. I hope like you, I can show up as my highest, truest self, always. May your words continue to be the fuel that will sustain the fire that will consume all these tyrants, all these despots, all these oppressors, all these dictators.

Thank you for refusing shame, for refusing fear, for embracing love, for embracing the call of truth and freedom. Thank you for always showing up as your full self, thank you for making it possible to for so many of us to imagine other ways of living, of being. Thank you for your poetry, for remaining tender, for remaining you.

In love and solidarity,

Kedolwa

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