On March 1, 2018, two weeks after its release, Black Panther movie was approaching a billion dollars in ticket sales. 10 days in, the movie leapt past the $400 million mark in domestic box office in the USA and over $700 million across the world. That is Stars Wars territory but with an All Black Cast to boot in a Marvel feature. This is the movie equivalent to the US Dream Team, at the 1992 Olympics at Barcelona. Never before had a finer group of talented basketballers come together and when they did, they took the world by storm. Black Panther is having its dream team moment as the showcase for black excellence and representation in cinema.
Black Panther is a beautifully shot film. The fictional country Wakanda is rich in detail. The central story is about belonging and heritage. Ryan Coolger, the 31-year-old African American director looks at Africa with a different set of eyes and response to this film in Kenya has been tremendous. A film is big when people pack theatres weekend after weekend and even during the weekdays to experience the magic of the big screen despite our home entertainment movie culture.
Black Panther is a tale told by Africans about a place far away that they call home. In some respects, an African dream inspired by Marcus Garvey’s rallying call to the African diaspora, “ Look to Africa, where a black king shall be crowned for the day of deliverance is at hand”. Ryan Coolger said in a Rolling Stone interview that Black Panther explored what it meant to be African.
From the inside looking out, Black Panther checked some heavily referenced “Poor Africa” stereotypes typical of the outsider perspective. Kenyan writer Binyavanga Wanaina in his popular essay “How To Write About Africa” offered some satirical advice.
“In your text, treat Africa as if it were one country.
Readers will be put off if you don’t mention the light in Africa. And sunsets, the African sunset is a must. It is always big and red. There is always a big sky.
Black Panther gives a lot of prominence to the word tribe to describe the different people of Wakanda. The term tribe was used as a tool in the colonial policy of divide and rule. The enlightened way to describe native micronations in Africa is by their name, the Igbo, the Xhosa, the Turkana, the Shona. It is unnecessary to qualify African ancestry with the word tribe.
The Hollywood attempt at standardizing an African accent has to be resisted. Regional accents serve as a better representation of diversity. Accents can be assigned regionally as say speaking English with a Xhosa inflection. Then of course, every authentic African themed movie must end with a sunset scene and the Black Panther did not disappoint.
Away from the nitpicking, it is easy to forget that Black Panther is a film written for 10-year-olds and an adaptation of a comic character introduced in 1966, the same year that the Black Panther Party for Self Defense was founded in America. The politics of the movie was bound to stir debate on racial dignity and self-determination. This is a picture frothing on the brim in its commitment to celebrate African heritage. A counter superhero story brewed in an African pot. Black Panther has provoked an identity discussion about what it means to be African and it happening between Africans in the continent and in the diaspora. I have gotten swept up by the pages of analysis and reviews, drawn into debates about the representations of race in American cinema and the complexity of a black African identity.
I started going to the cinema in the 80s back when Nairobi had a vibrant movie theatre scenes. The cinema halls Kenya, 20th Century, Nairobi, Odeon, Cameo, Casino were within a 100m radius of each other in downtown Nairobi. They were two drive-in cinemas, Fox Drive on Thika Road and Bellevue Drive-in off Mombasa road. The 80s were rough years. Structural Adjustment Programmes and austerity set off an exodus to the West and with the rise of an authoritarian regime in Kenya, we looked to cinema for that much-needed escape from the frustration of the daily life pounding our parents. There was hardly ever any black representation on the big screen and when black people were shown they were typically in subordinate roles to the white lead. The big movie depictions of Africa were afflicted by Tarzan’s jungle fever. Africa and her people were backdrop props to foreign stories. The big African themed movies of my 80s were “Out of Africa, Gorillas in The Mist, Sheena, Queen of the jungle ( A blonde haired white woman riding a zebra through the savanna). Africa was a vast space where majestic game roamed free, peppered with noble savages and subservient labourers in pressed white khaki uniforms pledging loyalty to the benevolence of their white masters.
The first movie I encountered that challenged this stereotype was “ Coming To America” and it stood apart in the 80s for its leading men Eddie Murphy, Arsenio Hall and James Earl Jones. Coming To America is a romantic comedy about an African prince from the fabulously wealthy kingdom of Zamunda flying across the Atlantic in search of love. The prosperity of the fictional Zamunda kingdom was contrasted with the squalor that characterised the black underclass in Queens, New York. It parodied the African American ignorance of the African experience and introduced the radical idea then of sophisticated Africans appalled by the backwardness of American culture. There was an underlining satirical element to Coming To America. Africa in the Afro American consciousness was a place of poverty and primitive existence but within it existed oases of affluence, prosperity hiding in the open. In the kingdom of Zamunda and Wakanda, a glorious Africa thrived yet its story remained unknown in the Western worlds.
In the 80s, VCRs, video cassette recorders were all the rage and we started getting access to what was then the blaxploitation genre, with it stereotypical crime and violence themes. Spike’s Lee ( Do The Right Thing) and John Singleton’s ( Boyz N The Hood) became my most influential movies in this space and they helped raise awareness of systemic racism in America.
One time, I went to a video hall that screened martial arts and combat movies and settled to watch the legendary Bruce Lee in Enter The Dragon. I remember the crowd cheered when Jim Kelly with his Afro came into the scene as if to say, finally our own black kung fu master. They were hardly any black people in major roles and had no access to African cinema.
From then, I started consciously seeking out Afro conscious characters in the 90s who had multi-dimensional lead roles, among them Wesley Snipes (New Jack City), Denzel Washington (Malcolm X), Will Smith (Men In Black), Samuel Jackson ( A Time To Kill), Laurence Fishburne ( Just Cause), Whoopi Goldberg ( Sarafina) and Angela Basset (Waiting to Exhale).
The excellence of these pioneer cast of black leading men and women were crucial counter-narratives to the childhood images I was exposed to on the big screen of an African race defined by tragedy and backwardness. In the first decade of my life, Nelson Mandela was in jail. Apartheid was alive in South Africa. Steve Biko was brutally murdered in police custody. Samora Machel was assassinated. Thomas Sankara met the same fate within a year. There was civil war and coups in one half of Africa, brutal dictators in the other including Kenya and a devastating drought in Ethiopia. In America is where we sought black excellence. Collin Powell was making history as the first African American Joint Head of Staff, Jesse Jackson was running for President and the Oprah Winfrey show was nationally syndicated. These were our little black spots of brilliance in a world of global excellence that was lily white.
Compare these depictions to the past decade(post-2007), for the African child growing up in the continent. The president of the United States was a black man. The most beautiful woman in the world at least according to the People’s magazine in the world is black. The most recognizable liberation icon, is a black South African. Among America’s top TV hosts is a black South African. The top sports stars, from athletics, through to tennis and formula one are black. A biracial woman born of a black mother is about to marry an English royal. The biggest movie of the time, has an entirely Black cast with multidimensional and strong female characters and is dedicated to a theme of blackness. The dreams of one generation have become the reality of another.
Movies have served as crucibles for the dreams of black excellence. Black Panther is a movie that celebrates dreams and speaks to the power of re-imagining of black heritage in all its shades. At the centre of this black renaissance in American cinema is a cast of strong, dark-skinned African sisters. Which brings me to the influence of Lupita Nyong’o who plays a Wakandan spy and the king’s love interest named Nakia. The strongest appeal for someone born in the 70s of the Black Panther was its African representation. It is this same pride that I felt when Kenyan actors started to be cast in big-budget Hollywood features. Edi Gathegi (Twilight), Benjamin Otieno (Tears of The Sun) and Charles Gitonga Maina (Air Up There).
In 2013, Lupita Nyong’o strut into the global limelight when she won an Oscar for the supporting role, at the 86th Oscars for her performance in 12 Years A Slave. She delivered full bodied tributes to her mentors and crowned it off with the quotable line,
“No matter where you are from, your dreams are valid”.
Indeed, she was living the dream of any actress who cut her teeth in Kenya. In 2009, I met Lupita at the Story Moja literary festival at Impala Club in Nairobi. She was an unknown in the local art scene, save for local prominence of a family name as the daughter of a well-known politician, Professor Anyang Nyong’o’. Lupita was presenting a small documentary, titled “In My Genes” about living with Albinism in Kenya. It was certainly not the biggest thing happening at the festival. She was one among many young Africans hustling hard in an industry that did not give too many breaks. She had previously worked as a production crew member for Fernando Meirelles‘s The Constant Gardener and Mira Nair‘s The Namesake. Lupita was superb as Ayira in the television series Shuga and there was little doubt that she was an exceptional talent with her stand out role in the series. It seemed then, a tall order that a girl of her dark complexion would crack the black ceiling of American cinema. Perhaps, her look was only good for a representation role as the latest exotic African beauty on a fashion runway.
Then came along, Steve MC Queen’s historical drama 12 years A Slave and we say the rest is history. In one moment, Lupita became the first African, Kenyan and Mexican (Afro Mexicans exist) to win an Academy Award. Back home, we argued with movie-loving friends whether Lupita would inherit the curse of black success. The Kenyan public relishes in cutting tall poppies down to size, something that celebrated TV host Jeff Koinange once described as the PHD syndrome, Pull Him or Her Down. When success descends after hard labour, especially the nature that involves international accolades, one is advised to keep their head bowed. You might be big in Hollywood but back in Nairobi, one must not forget their humble beginnings.
Lupita’s body of work in the last 5 years since she won the Academy Awards is impressive. She has had a very good run in Hollywood so far and progressively risen in stature. For the pioneers in the arts like her, she cannot afford to lose focus because the pressure of excellence is not negotiable. It is important to the dreams of millions that she succeeds in line of work.
It is part of the deal with black excellence in the arts and twice as hard for women. Big dreams come bearing huge responsibilities and you can only get used to it. Be prepared to be celebrated and then eviscerated the moment you slip from grace.
Still, the significance of Black Panther is in its representation. Ryan Coolger talks of his own personal dream of representing black people in screens around the world. President of Marvel Studios Kevin Feige said this about Coolger in an Entertainment Weekly interview, “He’s making this movie for his 8-year-old self,”.
The entire Black Panther cast breathes new life into the connections between Africans and African Americans, the coming together of a black Diaspora scattered by forces of imperialism to dream up a counterculture reality, as Wakandans. The African diaspora ensemble includes Lupita from Kenya, Danai Giriria from Zimbabwe, Daniel Kaluuya from Uganda, Florence Kasumba who is German-Ugandan, Winston Duke from Trinidad and Tobago, John Kani and his son Atandwa Kani from South Africa, Letitia Wright born in Guyana and Isaac de Bankolé from Cote d’Ivoire.
Daniel Kaluuya, who plays W’Kabi in the film (and who was born in England to Ugandan parents) talks about coming home to Uganda and getting transformed by the subtle reality of seeing blackness in new light, from the president down to the cleaner. This seemingly simple act of representation has been consistent in inspiring prominent African American personalities for decades. Legendary standup comedian Richard Pryor talked about how a trip to Africa changed his perspective in 1979.
“I went to Kenya, and while I was there something inside of me said, “Look around you, Richard. What do you see? I saw people. African people. I saw people from other countries, too, and they were all kinds of colors, but I didn’t see any “niggers.”
Barack Obama talks about a sense of belonging on his first trip to Kenya in 1987, in his memoirs “Dreams of My Father” upon an encounter with a total stranger at the Jomo Kenyatta International airport who recognized his surname.
“For the first time in my life, I felt the comfort, the firmness of identity that a name might provide, how it could carry an entire history in other people’s memories, so that they might nod and say knowingly, “Oh, you are so and so’s son.” No one here in Kenya would ask how to spell my name, or mangle it with an unfamiliar tongue. My name belonged and so I belonged, drawn into a web of relationships, alliances, and grudges that I did not yet understand.”
But perhaps no one said it more poignantly than Malcolm X after an extensive trip to Africa in 1964,
“I, for one, would like to impress, especially upon those who call themselves leaders, the importance of realizing the direct connection between the struggle of the Afro-American in this country and the struggle of our people all over the world. As long as we think—as one of my good brothers mentioned out of the side of his mouth here a couple of Sundays ago—that we should get Mississippi straightened out before we worry about the Congo, you’ll never get Mississippi straightened out.”
The central question of what it means to be African for Africans dislocated from their roots is what the characters of Black Panther grapple with. The plot line draws out the connection between the struggle for identity, representation and dignity for black people all over the world. It is a movie that challenges its viewers to imagine and rediscover the cultural heritage of black ancestry. It insists on the participation of black people in their own ideas for the future.
What is Wakanda, other than the dreams of Zion while in Babylon, dreams of Canaan while caught in captivity in Egypt or Heaven bound while enduring earthly suffering? Africa is a continent that has consistently stood aside and watched, Bob Marley prophesized, as its dream weavers were killed. The shared story in the birth of modern African nations, is one of stillborn dreams. Africa is in need of dreamers and in Black Panther’s Wakanda, a generation of young Africans is inspired to imagine and color a future on their own terms. That dream of a Pan African utopia must remain valid.
Shule Bora, Bora Shule?
On the second week of January 2019, Form 1 students reported to their various secondary schools. From news reports, a number arrived in high spirits, jovial and excited to be living their dream. But the faces of many more betrayed them – the students seemed tense and glum, their parents deflated and even angry.
Many of these anxiety-ridden parents and children were struggling with the ‘disappointment’ of being ‘called’ to a school that they thought was not up to their standard or expectation.
Most of us grew up with the idea of joining a national school or at least the big name (formerly) provincial schools. Ask any student getting to the end of primary school where they would like to go to high school, and the answers are usually the same; Alliance, Starehe, Kenya High…it’s embedded so deep into our psyche that it seems nowhere else is good enough.
Our children live, breathe and eat ‘Shule Bora’ – a good school – and the disappointment when they don’t make it either due to bogus placements or low scores is heartbreaking. Even a child whose average score is a respectable 340 – 350 out of 500 (a 70% average across all subjects) is pressured by parents, teachers, and society to work harder or they won’t get into a ‘good school.’ We hope against reality that they will make it to a good school, even when their grades throughout primary school suggest that barring a miracle, they won’t make the cut. So we pressure our children with tutoring, promises and threats to get those grades to a 90% average, waking children up at 4am to get cramming, do more test papers, because high marks are the most important thing. Critical thinking is never in the picture. And for those in private school, aren’t we working so hard to pay private school fees to give them the best chance at a big name school?
I have been a tutor, and am not surprised when I see a student confidently give the answer to a certain question not because they understand it, but because they have seen it before in another exam paper. We know, and they know, that questions are always repeated, and this is what will give them that extra mark to get to Mang’u or Maseno. We all want to brag that our child is somewhere renowned.
Aged just 14 years on average, our children get into an exam room and take a test that will determine the course of their lives. If they get into a good school, we assume that the children will have a secured future. The reality of their future as frustrated and unemployed graduates is a hurdle to tackle when they get there, not right now. But what does a ‘good school’ mean? It seems our definition is a national school, with a long history, or that one which consistently performs well during KCSE, which produces many A grades, and facilities are good. Everything else like bullying, mental health, or the politics in the school doesn’t matter as long as ‘ni Shule Bora’.
The rest are ‘Bora Shule’, the type of schools that we have made our children believe are not worth it. Hearing of a student from a ‘school we have never heard of’ top the exams in Form Four is not enough motivation to appease parents to accept schools they have ‘not heard of’. To place their faith in their children’s abilities alone is never a good thing, children need the backing of the big name school, the Shule Bora type, to ensure proper success. We flippantly tend to say “Kama mtoto ni bright, atapita tu wherever they go” or “I know a girl who went to a *small name school* and she came out with an A” to soothe other parents, knowing quite well we ourselves would never take the ‘Bora Shule’ advice, because we know that where one goes in Form One matters. It matters because all the way back to the colonial period, this country has always excluded the majority and privileged a tiny elite. That is why we fight tooth and nail, paying bribes and trampling over each other to secure places for our children in the schools we want. Can you imagine how fat the pockets of many secondary school principals were this past festive season?
Sometimes, Nairobi middle-class parents have a prejudice about a school on account of its distance away from the city. I remember getting my form one acceptance letter and even though it was from an old colonial period national school, I was terrified because the school was not a national school located around Nairobi or at least Central Province. Those around me discouraged me from going there with remarks like “utawezana huko?” and “haki ni mbali.”
Coupled with the fact that I didn’t get my top choice, these remarks fueled my dislike for my chosen school. I arrived in Form One bitter and distraught, and spent my first year hoping for a transfer simply because the school was far from the city, which made it a ‘Bora Shule’ or bad school in my eyes. What a shame, but I didn’t know any better.
Take a moment and consider why we should be cautious over what we deem are good and bad schools. Imagine Child A goes to a ‘good school’ and the parents are happy, excited and proud. She is pleased to be in her dream school, but although they produce many doctors, lawyers, CEOs and engineers, the school has a reputation of hidden bullying. And I’m not talking about that hazing where Form Ones are told to sweet-talk a hockey stick or collect darkness in a cup. The kind of hazing here is so bad that many students develop anxiety, depression and all kinds of psychological disorders that go unaddressed. You hear news that a child has committed suicide, and when you go to the school, it is your own daughter who spent two terms in school dreading each opening day. You as a parent don’t understand how this happened. You all worked so hard to get there. School fees was always paid, shopping was done, your child lacked nothing. The school is renowned, discipline is high, your child was doing fine academically and you were foreseeing another success at the end of high school. Suddenly this tragedy brings your lives to a halt.
Or consider Child B who goes to a ‘bad school’ where their parents spend their time complaining about everything (perhaps justifiably so), from the facilities to the performance. They are constantly looking to transfer their child, and Child B feels worthless and develops low self-esteem because he didn’t get into a better school. They hate themselves, the school, and everyone. Tragedy strikes when Child B starts a fire in his dorm room and innocent students accompany him to his death. As the parents, you are told is how undisciplined your child was but it doesn’t matter now because they are dead and gone. He seemed fine to you. You don’t understand how it happened.
The point is, our reverence for national schools and the few non-national schools that perform well academically is so high that with our children absorbing everything we say about them, they develop the idea that they must go there or else their lives are over. The number of parents I have seen asking strangers online about schools their children have been called to is worrying. The questions are usually about the performance of the school and the location, accompanied by an anxious comment like “Now how is my daughter supposed to go to such a school.” Judgment has already been passed about the school even before they get an answer to the question.
A few years ago, in an effort to increase the number of children going to national schools, the government increased the number of national schools from the original 17 to over 100. When this move was announced, it came with the promise of millions of shillings to upgrade infrastructure. This was supposed to take care of the problem of the cut-throat competition in getting into a national school.
However, the bid to provide each child with a place in secondary school seems to be promoting the ‘Bora Shule’ idea. As long as your child has a place, what more could you want, the government seems to be asking. We have provided more national schools in the counties, what more do you want? We are turning all the Bora Shule into Shule Bora with these new classrooms and new perimeter walls, what more do you want? What is the difference between the old and new national schools, aren’t they both national schools now? In response, parents are saying it’s all right for each child to have a place but you can’t fool us, we still want the Shule Bora. Sticking the name National to a school doesn’t automatically turn it into one. Throwing money at them to improve facilities will not either.
Dear parents, if you are content with the school your son or daughter is in, you need to reflect on how your words influenced where your child is heading. Were you pestering them to make sure they get into that ‘good’ school? Are you certain that they will have a wholesome experience in secondary school or are you satisfied only because of the potential academic success? As you are out there hunting for a Shule Bora for your child for whatever reasons, you need to reflect too. You are searching high and low because you think your child deserves a better school, better than the Bora Shule they have been called to. What do you really know about the school you are fighting so hard to get for them? Or is there no time for that, you will let the kids figure it out later? And dear GoK officials, as you are re-branding schools as national schools, do it as if it was your own child who would be going there. We know you are doing it in a superficial manner because your own children will never set foot there. How shameful!
I Know It Was The Blood
“…in Christ Jesus you who once were far off have been brought near by the blood of Christ. For he is our peace; in his flesh he has… broken down the dividing wall, that is, the hostility between us.” Ephesians 2:13-14
I was a graduate student at Yale when increasingly graphic and disturbing images of unjust deaths of young black men and women began to filter through the news feeds and our social media timelines, and soon the outrage I felt left me with no choice but to take to the streets in protest. I participated in marches and press conferences decrying these unjust deaths at the hands of police who had sworn to serve and protect.
But these deaths also struck a deeper chord for me as a pastor, as I wrestled with the theological consequences of blood spilled on the streets while I stood robed in white in front of a congregation with a cup and cracker on the first Sunday of each month. There, we would joyfully sing words from the spiritual “I know it was the blood for…one day when I was lost, Jesus died on the cross…”
Those songs always took me back to my formative years at Acklin Chapel, our quaint church in rural Berkley, Alabama, where corn or cotton surrounded three sides of the church. It was here where crucial moments in my spiritual formation as a child had taken place, and there was no greater Sunday liturgically than High Day or the first Sunday, where we monthly celebrated the sacrament of Holy Communion. Though our ritual was informed by our C.M.E. liturgy, it was brought to life by our singing of hymns and spirituals that brought together the seasoned saints and anxious adolescents, and bridged the gap between the learned and the illiterate. (The Christian Methodist Episcopal (C.M.E.) Church is a historically African-American denomination within the broader context of Methodism).
I can hear the voice of my great-grandmother who I eulogized at that church sing out with chords that the angels themselves could not reproduce, singing songs like “Down At The Cross Where My Savior Died” and “There Is A Fountain Filled With Blood, Drawn From Immanuel’s Veins”. I hear her words declare with a rhythm that captured the cadence of freedom which could only be learned in the throes of oppression – I know it was the blood, I know it was the blood, one day when I was lost, Jesus died on the cross, and I know it was the blood for me. The church would rock as we reasserted our knowledge of the atoning power of Jesus’ blood.
I took this confidence and declaration with me to college, and even after four years of a faith-shaking experience in religious studies at Vanderbilt University, I may not have been able to say I know it was the blood, but I could still say – I’m pretty sure it was the blood.
However, after a couple of years of theological training at Yale, the best I could say was – I think it was the blood.
My doubts were informed by thinkers like Delores Williams and Walter Rauschenbusch, who had exposed the unfortunate link between violence and notions of salvation. I could only say I think it was the blood because the idea of substitutionary atonement logically centers the most vulnerable to carry crosses for the sins of others. The idea of substitutionary atonement portrays Jesus as an innocent person murdered for the sins and vices of others. It glorifies the death of a blameless victim in the service of guilty offenders. Unfortunately, this logic does not remain on a cross but very often trickles into other relationships, where the powerful guilty can scapegoat their sins on the guiltless vulnerable. This idea, popularized by 11th century thinker Anselm, became exceedingly unconscionable.
Thinking on such things would ordinarily not be a problem, for if we do nothing else in divinity school, we think. However, this was to confront me even more glaringly on my first Sunday at the church I was pastoring, when I heard those same songs that we would sing, but my ears were freshly open to how bloody and violent those songs were. Then as I handed the shot glass of grape juice into withered fingers of senior saints and placed the cup into the hands of smiling children, I heard myself adding to the bloody chorus, declaring, “ The blood of Christ, shed for you.”
The violence of bloodshed seemed unavoidable, but I wondered: must we valorize the cross and bloodshed in this way? The cross represents the state-sponsored execution of a peace-seeking, love-sharing, justice-imagining, revolutionary Jewish preacher from Nazareth named Jesus. How is state-terror against an innocent man turned into something worth singing about joyfully? I grappled with this – and I simply could not find an answer.
But perhaps we can implement a strategy that the author of Ephesians does in our passage, which does not focus on the violence that shed Christ’s blood, but rather views the blood as the aggressor that acts violently against the systems that separate us. Christ through his blood destroyed the wall of separation, abolished the decrees that divide, and at the very cross, killed hostility itself.
My theological training led me to believe that we focus too much on Jesus’ death at the hands of sinful humanity than on his life and ministerial vision. Often we emphasize the blood that Jesus shed in isolation, and forget the work he did to bring people together.
This was no trivial matter for the communities that read the letter to the Ephesians, which circulated among many churches in Asia Minor. This letter was written when there was a demographic shift in the early Christian church, when the movement that had begun primarily among Jewish people had now become a mixed and largely Gentile church.
What threatened that church is what threatens our church today. It is a failure to preserve unity in diversity. For that challenge, the author of Ephesians offers a solution in the blood of Jesus, because it levels the playing field and tears down the walls between us. In the same way that it unites Jews and Gentiles who had differences according to traditions and customs, it can unite us in spite of our differences. If the blood could overcome what separates circumcised Jews from uncircumcised gentiles, certainly it can unite that which separates Baby Boomers from Millennials. Surely, it can overcome underpaid women and employers who see no need to change. It can overcome the barrier between migrant refugees seeking safety and nations of the world that callously shut the door, and certainly I believe it can overcome fanatical followers of Donald Trump and the rest of us sane people!
The passage explains how the blood serves as a call to work to create a new humanity, where we are all one in Christ. And it calls us all to emulate Jesus and do the hard work of growing together into a spiritual dwelling place for God.
What makes this blood so powerful? We can see in v-13 and 14 that the author views the blood and the flesh of Christ interchangeably. Thus the reason why the blood is powerful is because of the flesh – the sarkos – it resided in. The Old Testament in Leviticus declares, “the life of the body is in the blood”. Therefore the blood is filled with power because the life of Jesus was filled with power. To that end, Jesus’ life-blood, his power, was demonstrated more in living, than it was in dying. And therefore Jesus’ blood is capable of bringing together those who are separated because Jesus lived that type of life in the flesh.
I now see that his life-blood flowed when he was born in Bethlehem. It flowed when he stood in solidarity with sinners. It flowed when he embraced the marginalised. It flowed when he preached peace to the prisoners. It flowed when he healed the hands of the hopeless. It flowed when he fearlessly indicted Empire. It is the life he lived that forced him to suffer an improper trial by a jacked-up judicial system. It is this injustice that pressed the precious life-blood out of those veins on Calvary’s hill. But God does not allow separation to have the last word. And so God raised him on the third day, and it flowed again when he delivered the deathblow to death itself, as the Scriptures say.
When we reassess how we view the blood of Jesus, the ritual of communion or the Eucharist becomes a moment for us to recommit ourselves to living the type of peace-seeking, love-sharing, and justice-orienting life that Jesus lived through his life-blood. And as we drink the cup, we can be reminded to pour out ourselves, not so that we can function as somebody else’s doormat, but so that we can militate against the imminent forces of destruction that suggest that the lives of the vulnerable don’t matter. This sacred meal was Jesus’ last one on the earth before his final stand of courageous resistance, and as we emulate Jesus’ struggle to bring God’s reign into the world, it might be our last meal on earth too. But that is no reason to despair, because after the last meal, God has the last word.
The Making of a Fatherless Nation
The Mathare Social Justice Centre (MSJC) office is located off Juja road in Nairobi’s Eastlands. It is situated in a single-storeyed building planted right at the edge of Mathare Valley. The building stands out in contrast to the sea of tightly packed shanty dwellings with rusty brown tin roofs dissected into two parts by the congested Mau Mau road running through the bottom of the valley. Dark grey smoke rises from the valley depths and one catches a glimpse of the murky waters of the Mathare river flowing parallel to the busy throughway. Visitors are primed to see ruins and depravation, but residents speak of its beauty. A Rastafarian man named Jah Driver told me to think of Mathare as a chocolate city, and in a phrase, that captured the essence of Mathare’s complex sensory qualities.
On this Saturday morning, I had joined a group of resident ecological justice activists behind the Mathare Green Movement for a reflection session at the MSJC office. The group comprised of young men in their 20s. The discussion revolved around the colonial roots of Kenya’s environmental segregation policy that rendered low income neighbourhoods like Mathare deprived of tree cover.
In an attempt to share context using my personal experience living in rural Kenya, I started talking about the role of my father in grounding my environmental consciousness. I then picked on one member of the group to share his experience of the same. “ I don’t have a father,” he retorted. His delivery was deadpan. “Never knew him, never met him”. His tone forced me to quickly check my assumptions and I asked around room, “How many of you have fathers living at home? We are in a safe space, just put up your hands.” Hesitantly, starting with a single hand, a third of the room of about 30 people raised their hands, as if ashamed of the privilege of knowing a father. It was a sobering moment.
Wangui Kimari, the participatory action research coordinator for MJSC, described Mathare to me as a “ghetto of women”. The centrality of the mother in Mathare is undisputable, in fact single mothers have sustained Mathare for over eight decades of its existence. It is the mothers who run Mathare, and their sons sing praises to the resilience of their mothers. In the quest for social justice and dignity, Mathare’s mothers continue to lead from the front, determined to keep their boys alive in a social system that normalizes extrajudicial executions of young men in the poorer sections of Nairobi.
There is no shortage of men in Mathare, but rarely do we ever hear any reference to the fathers of Mathare, or any collective of men that is organized around the principle aim of fathering in the manner that distinguishes the mothers of Mathare.
Having a father present through most of my early years was a privilege I took for granted. Not only that – my biological father was a father to many others. Even though he passed on when I was a teenager, he had done enough to shape my outlook. He was a committed to his family, career and life journey, living with absolute purpose in his role as a caregiver and provider. I do not remember a single conversation about what it meant to be a man, or what I had to do to prove I was a man. He just led, kept his word and lived up to his obligations the best he could. During my father’s funeral in 1989, fathering stood out as the true measure of his success – towering above his career accomplishments and material possessions. It is the greatest inheritance he left behind for his six children.
Nearly three decades since his passing, I still have a mental picture of the functions of fatherhood – and it is everything my father embodied. I had assumed this was the norm until I started meeting adults who had never known what it was to have a father who was present; this was by no means limited to neighbourhoods like Mathare. Many, from diverse socio-economic backgrounds, only had the one mama called the baby’s daddy, the sperm donor, or at best their mother’s husband. In 1999, I embarked on a career as a newspaper columnist for the Saturday magazine of the Daily Nation, penning a column titled “Mantalk”, that focused on the subject of evolving African masculinities. I maintained the column for a decade and the topic of responsible fatherhood kept recurring, juxtaposed against the rising prominence of single mother households. I was fixated on the nuclear family as an ideal and it informed many of my biases. The men who did not show up for their children, I dismissed as spineless for failing to grasp the importance of fatherhood. The mothers who insisted on living without a father in their children’s lives were misguided, I concluded.
Even after getting acquainted with scores of people who only knew of absent, emotionally removed, or abusive fathers, I still blamed the victim for allowing themselves to be defined by their past. This was the late 1990s, as powerful external agencies pushed neoliberalism and corporatisation of the local economy across Kenya. During this period, we also witnessed a frontal assault on patriarchy by the third wave of feminism that celebrated individualism and sought to dismantle gender role stereotypes. Men felt under attack, caricatured as beneficiaries of a power structure in society that granted them control over women. The debates on shifting gender roles became a fixture of popular culture and trickled down to the individual level.
My generation, the Xers born between the mid-60s and early 80s had morphed into the first generation of men to be confused about their roles in society. We had been socialised into pre-colonial African culture and religiously assigned gender roles, but many of us found ourselves at odds with the emerging feminist consciousness. Women’s autonomy and participation in the workplace had upset the gender status quo, challenging the patriarchial logics of control and separation by men. The main misunderstanding stemmed from the inability see the patriarchy system as distinct from individuals living within it, and so the issues collapsed into conversations about individual choices and solutions.
The cultural marital obligations gradually succumbed to modern Western ideals of romanticism. Short-lived marriage unions characterised by displays of opulence followed by divorce became common. But the structural issues at play – obscure to many – was that the tough economic conditions post-Structural Adjustment Programmes, meant a significant portion of working-class and even professional men could no longer secure positions of authority based purely on their ability to meet the financial obligations of the family. The perceived crisis of masculinity was blamed on radical feminism driven by the proliferation of women empowerment programmes. In hindsight, it was also the failure of neo-liberalism to deliver jobs for a growing population, mismanagement of the political economy locally and the global financial crisis that all converged to have adverse effects on the family unit, and this exaggerated social constraints.
A culture of checking out and abandoning responsibility became normalised, showing up in the rise of deadbeat fathers. They were no societal consequences for absent fathers in urban individualised spaces. This phenomenon graduated into a full-blown lad culture that continues to arrest grown men into extended adolescence, refusing to live up to the obligations of fatherhood.
Today, we often hear about the frustrations of ‘the boy child’ as a reaction to the empowerment of ‘the girl child’, but little about the crisis of fatherlessness. Worldwide statistics state that the absence of fathers has a profound effect on the psychological development of boys. The question of fatherhood has received extensive attention in North America and Western Europe. Three American presidents – Bill Clinton, George W. Bush and Barack Obama – recognised fatherhood as a serious social problem and addressed it as a matter of policy.
The memoir Dreams of My Father by former US President Barack Obama tackles the search for acceptance and identity that many men seek today. The young Obama traveled from Chicago to his biological father’s village in Nyangoma, Kogelo in search of answers. He would find resolution standing over his father’s grave in tears, overwhelmed by the intensity of the moment. He writes about finally realising who he was at that moment, and how his entire life trajectory, his struggles and birthright, were connected a small plot of earth where his father hailed from. In finding closure, he found emotional release, and vowed to break the cycle of his own past to become a better man.
Obama’s legacy of a post-racial society as America’s first black president failed. Nonetheless, Obama’s most underrated legacy as president has been as father-in-chief. His own experience informed his choices and his exceptionalism is measured in the public devotion and commitment to raising his two daughters in the White House. Obama was not afraid to speak about the issues driving Black America’s alarming fatherhood crisis and became a model father figure embraced by the world.
According to the US Census Bureau, children who grow up without fathers are five times more likely to live in poverty and commit crime, nine times more likely to drop out of school and 20 times more likely to be jailed. They are likely to run away from home, become teenage parents, suffer abuse, drop out of school, use drugs or get divorced. This correlation of absent fathers and youth delinquency does not necessarily imply causation – indeed, racism and structural inequality could explain both family breakdown and the glaring social problems of crime, drug abuse and the like.
Even though these are statistics from the US, that reality lives with us in Kenya. The Kenya Demographic and Health Survey (KDHS) report in 2014 stated that nearly half (45 per cent) of all children in Kenya do not live with both biological parents. The death of father accounts for only 5.3 per cent of households; 22 per cent of children in Kenya live with their mothers while their fathers are alive and live elsewhere.
A widely quoted pan-African study in 2012 by Canadian sociologists Prof Shelly Clark of McGill University and Dana Hamplova from Prague’s Charles University and Institute of Sociology reported a 60 per cent probability of a single motherhood for a Kenyan woman by the age of 45. The factors attributed to birth outside marriage and the break up of the marriage union. Kenya has one of the highest levels of children living without their fathers in the home in Africa. The evidence of this on the incidence of crime, poverty drug abuse, teenage pregnancy and school drop-outs is less clearcut than in the US – a recent World Bank working paper actually showed that poverty was falling fastest in Africa in female-headed households. But this perception certainly provoked conversation on the same – I chronicled all this in the Mantalk column and the discussions it stirred up, both in the newspaper pages and in the wider society.
The trend in the public discourse is to blame the victims, the abandoned children and shame the single mothers who struggle to raise them by weighing them on a morality scale. Fatherhood is still not a social policy issue in Kenya. President Uhuru Kenyatta has taken no public positions on responsible fatherhood . We hear talk about teenage pregnancy and the crisis of single parent homes without putting the spotlight on a father who absconded his responsibility, and how this contributes to recurring social problems. No taskforce has been created to advocate responsible fatherhood and non- profit-organisations disproportionately dwell on women empowerment programmes. The advocacy vacuum has been filled by a growing number church-based men’s programs. The Man Enough programme founded by Nairobi pastor Simon Mbevi is one such programme tackling the contemporary masculinity crisis of identity through mentorship programmes grounded in Christian values. The Kenyan Anglican Men’s Association ( KAMA) is another attempt to spur male leadership in community life in keeping with a biblical mandate.
But the the spread of such programs is often undermined by the credibility of the church leadership, and on a particular view of divine fatherhood that complicates, rather than empowers, responsible earthly fatherhood – and that abets political dysfunction. Kenyan politics has traditionally enjoyed a marriage of convenience with religion. Hiding behind church mandate, savvy politicians exploit the reverence of the father figure in Kenya’s socio-religious psyche for political expendiency. Father is a title used to refer to God in Christian theology, hence God the Father.
In several Kenyan churches, the politician usurps the father figure characterization as the material provider. The colonial missionary fathers arrived as god-ordained and usurped the role of societal fathers. Christian missionaries exercised power over a community of converts and effectively curtailed the influence of existing traditional leadership structure in the Kenyan colony. Monotheists modelled god as the male parent, and therefore the father of the family becomes the divine representative on earth – and the right extends to the paternal ruler of the modern state.
The principle of the Father of the Nation thus exploits Christian metaphors of the All Mighty, All Knowing, God The Father, who rules over his underlings. The political positioning of heads of state as Fathers of a Nation is a tool of statecraft. Nations are founded by a confederation of leaders, but the state can only allow the glorification of the singular, visionary great leader.
Using this same religio-political maneuvering, the Kenyan presidency has made a case for the head of state to be revered as the exalted father of a nation. If Kenya’s first President Jomo Kenyatta was the Father, then Uhuru Kenyatta becomes his begotten son Kamwana. President Moi was Baba wa Taifa ( Father of the Nation) and an entire generation grew up consuming his well-crafted veneer of holiness, and living in complete denial of the contradictions and excesses of his 24 year reign. Former Prime Minister Raila Odinga’s designation as “Baba” reverberates divine destiny with the biblical reference of Joshua’s conquest of Canaan during the 2017 presidential campaigns.
We are socialized to obey our fathers without question, and by the same token, we must obey our leaders who by the order of societal hierarchy become the father of fathers. The citizens must submit to God the father and his earthly representatives – our political fathers – and remain beholden to the sovereign leader in his human form.
In a majority Christian nation of Kenya, the Bible enjoys more social legitmacy than the constitution, and the political godfather who wields Scripture becomes part of the extended narrative of the heavenly revelation. After all, leaders are “chosen by God”. The function of faith, in this context, is not to question the deific authority, and this thinking reinforces the myth of the father (divine, political, and domestic).
In reality, the Fathers of our Nation are more often than not tragic hero figures consumed by hubris, drunk on power, and entrapped by personality flaws. The result is the persistent violence and brutalization of a nation of children who might dare to challenge their legitimacy. The State as the Father in Kenya has effectively been absent and abusive. The figure of fatherhood in our society has been defined by fragility of the masculine head, determined to retain symbolic political power and status at the expense of the family unit.
These tensions at the individual level play out on a national stage in form of leadership at a complete loss with the functions of fatherhood. They demand rights but shun the responsibilities that come with that right. The greed for power without accountability is behind the social, political and economic despondency that marks Kenyan life. Fatherhood is not respected but rather feared as a personifaction of oppression of innocents under their jurisdiction.
The children of this nation have therefore had to come to terms with the father as a fantasy figure surrounded by myth, and are fated to bear the generational burden of the sins committed by their fathers.
The late Myles Munroe, Bahamian evangelist and author, preached that fatherhood is the ultimate work of men. This is a truth that cuts across all spiritual traditions. Our nation can no longer ignore the social dynamite of fatherlessness, and the reconstruction of a broken society rests on the value men place on fathering.
It is time for a national discourse on the value of fatherhood.
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