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Morning yet on Another Day of Indaba

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A response to Panashe Chigumadzi’s essay, “Why I’m No Longer Talking To Nigerians About Race.

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Morning yet on Another Day of Indaba
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Reading Panashe Chigumadzi’s “Why I’m No Longer Talking To Nigerians About Race,” was quite a trip. Halfway through the essay, I was certain that I would join issues with it. Bold, piquant, exacting, yet strangely endearing, the writing staked out a particular challenge to Nigerians who, it seems, have a reputation on social media for not fighting shy of hot-and-heavy gauntlets. Most people have opinions about Nigerians, who have opinions about nearly everything on earth and in outer space, so Chigumadzi’s pinpoint digital pre-indaba was a lucky strike. It immediately elicited a flurry of tweets, replies, and counterreplies, most of them approving. Typically, the impulse-engineered attention did not last.

It is true that a couple of other Nigerians came up for sharp censure in the essay, but none had Ṣóyínká’s standing, or provided enough straw on which to hang the argument.

For me, though, two things stood out in that altogether necessary challenge, and they were obvious in the two tweets I sent in sharing the hot link. First, I felt that the claim that Nigerians lacked sufficient political solidarity with (southern) Africans on the basis of race was debatable (a good thing), and that, second, placing the writer Wolé Ṣóyínká as the exemplary figure of that national lack of empathy could use a more considered appreciation of the writer’s involvements as a political personality.

It is true that a couple of other Nigerians came up for sharp censure in the essay, but none had Ṣóyínká’s standing, or provided enough straw on which to hang the argument. The first issue was the authors’ main beef, and she marshaled many points, some relying on personal observations and others distilled from quite impressive reading. “If it is true,” she wrote, “that we of African descent have grown up in different households, that shape our experiences of the world differently, how do we respond to the pain and yearnings of our sisters?” I imagined addressing this question with a combination of historical details and actual examples of Nigerians’ commitment to racial solidarity that Chigumadzi might have missed. Then, parenthetically, I would add a long paragraph to offer a complex picture of Ṣóyínká’s racial politics, in art and in life.

In the meantime, I hoped someone else, another Nigerian or anyone from anywhere informed about Ṣóyínká’s work, would pick this gauntlet …

Reflecting further on the task, however, it seems to me that building an argument around Ṣóyínká’s politics in relation to the black world, and to southern Africa in particular, is the more productive way to address my two quibbles with the essay. It presents an opportunity to put on record information about African literary culture that is not well-known, much less treasured. The prevalent attitudes among African creative artists, especially those who are socialized in digital culture, do not seem to sufficiently encourage habits that make confident creatures of sensibilities—curiosity, criticism and the eschewal of easy answers. It is to the benefit of Chigumadzi’s readers that they are made aware of the political exactions of writers like Ṣóyínká and others, whether or not such readers are inclined to take literature as vocation. Writers also make our history, after all, and they do so in ways that give us cause for hope, for the most part. And who knows but that refreshing relevant parts of this history can foster (actually rekindle!) the solidarity that the author felt to be lacking.

Writing with Attitude

Chigumadzi wrote that Ṣóyínká “had been so unimpressed and impatient with the Negritude movement spearheaded by the Francophone writers of African descent that he famously dismissed them at the 1962 African Writers’ Conference held at Makerere University, quipping: “A tiger does not proclaim his tigritude, he pounces.” At a conference in Berlin two years later, Ṣóyínká elaborated this: “a tiger does not stand in the forest and say: ‘I am a tiger.’ When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.”” She added, subsequently, that “Ṣóyínká was [not] the only one to critique the Negritude movement. It was just that he was the loudest, and perhaps the most flippant, in his response.”

Readers of Myth, Literature and the African World might recall that Ṣóyínká actually turned to endorsing certain of the principles of Negritude in the following decades, and he is known to have declared that Abibiman, the world of black peoples, was his primary sphere of artistic and political interest.

With the right context, Ṣóyínká’s attitude toward Negritude and toward racial politics in Africa and the world appears as two different, clearly justified, things. Yes, a lot has been written about that “tigritude” statement, and Chigumadzi’s summary was largely accurate. However, her interpretation of that statement as a “flippant” dismissal of Negritude, and thus of racial solidarity, was mistaken.

What Ṣóyínká intended with the statement in Kampala was clear, and as soon as an opportunity for clarification appeared, (during the Berlin conference mentioned in Chigumadzi’s essay), he seized it: “To quote what I said fully, I said ‘A tiger does not proclaim his tigritude, he pounces … The distinction which I was making at this conference (in Kampala, Uganda, 1962) was purely a literary one: I was trying to distinguish between propaganda and true poetic creativity. I was saying in other words that what one expected from poetry was an intrinsic poetic quality, not a mere name-dropping.”

In an unpublished text tracing the history of the tigritude jive, the critic James Gibbs has observed that both the initial statement in Kampala and the clarification in Berlin “did not come out of the blue. Ṣóyínká had toyed with similar ideas and kindred images before. In ‘The Future of West African Writing’ published in The Horn [a magazine at the University of Ibadan], he wrote‘The duiker does not paint ‘duiker’ on his beautiful back to proclaim his duikeritude’. [Y]ou’ll know him by his elegant leap.’” That essay came out in June 1960, two clear years before the Kampala meeting.

Ṣóyínká clearly wanted to take a stand. Here was a young writer taking it to the elders, Leopold Senghor and Aimé Césaire in the main, eager to clear for himself a space from which to speak as an artist with his own mind. And he was hardly the only one. Kampala also provided the stage for the late Christopher Okigbo’s unforgettable declaration that he wrote his poetry only for poets. Such statements are prone to quotations, misquotations, paraphrases and outright decontextualization. These are understandable reactions; they come with the territory, and Ṣóyínká must have issued enough rebuttals to bore himself to exasperated silence, the fate of the verbal magician trying to control the motions of a genie he’d not expected to grow legs as it slid out of the bottle. But silence is not his inclination. On the contrary, he is likelier to downplay his exactions.  At another conference in Sweden in 1967, Ṣóyínká’s self-ironizing remarks about “writers holding up radio stations” elicited criticisms from Ngugi wa Thiong’o and Dennis Brutus, neither of whom was aware that the speaker had recently suffered detention and trial in Nigeria for such daring.

Claims of a lack of racial solidarity are hardly tenable, then, in so far as Ṣóyínká is concerned. In his work and activism, he has one of the strongest records among black writers of the modern era in taking on the racial question.

Readers of Myth, Literature and the African World might recall that Ṣóyínká actually turned to endorsing certain of the principles of Negritude in the following decades, and he is known to have declared that Abibiman, the world of black peoples, was his primary sphere of artistic and political interest. As a work of intellectual accounting, that monograph offered much that Ṣóyínká needed to put before the world concerning his views of the continent’s cultural unity, agreeing with the likes of Cheik Anta Diop and Chancellor Williams where evidence required it, and parting ways with them where necessary. No one who has carefully read the final chapter, “Ideology and the Social Vision,” can pretend to any doubts about where the writer stood on the issues. Ironically, in that book he made such a strong case against racist denigration of African experiences that, in mistaken appraisal of his premise, critics like Kwame Appiah took him to task for daring to speak of an African world!

Claims of a lack of racial solidarity are hardly tenable, then, in so far as Ṣóyínká is concerned. In his work and activism, he has one of the strongest records among black writers of the modern era in taking on the racial question. As the Nigerian poet, Peter Akinlabi tweeted in response to AIAC’s post of Chigumadzi’s essay, The Invention, one of Ṣóyínká’s earliest plays written while he was still a student at Leeds University, was his first foray into the political and human costs of apartheid in South Africa. Around this time, he also joined a cadet corps in Leeds in preparation for a planned invasion of the apartheid enclave, and had close contacts with South African exiles in London (Gibbs, pers. comm.).

His collection of poems, Ogun Abibiman, is a creative deployment of the martial ethos of the deity Ogun in confronting racial subjection on the continent. It made its way into the world in the context of the military alliance against apartheid, spearheaded by the late Samora Machel, the founding president of Mozambique, and was subtitled “an epic poem dedicated to the Fallen of Soweto.” In 1975, with fellow writers Kofi Awonoor and Brutus, he founded the Union of Writers of the African Peoples, UWAP, and used that platform for his literary and political activities for several years. (In Los Angeles in the late 1990s, I hung out with the South African poet, Keorapetse Kgotsitsile (“Bra Willie”), whom Chigumadzi quoted in her essay. He spoke often and lovingly about the letters Ṣóyínká wrote to him inquiring of the activities of South African exiles across the world, and of ways to be of help. Later, in the company of another South African, the writer and political activist Nomboniso Gasa, I tried to tease out further information from Ṣóyínká about that episode, but he demurred, obviously unwilling to overemphasize his roles. At any rate, there are other records of this kind of commitment, including an important disclosure by Ngugi in Detained, his prison memoirs.)

Nigerians Making African History

All of this might come across as so much background information concerning an issue that Chigumadzi proffered only as an example of a contemporary trend among Nigerians who show scant attention to the racial complexities that black people in and outside the continent have to deal with. But it is necessary to know these things to better understand why some or even most Nigerians do not relate to racism the way a South African or a Namibian might do. Against the background of Ṣóyínká’s exemplary championing of the cause of black people everywhere (and he was not the only one to do this even in Nigeria), Nigeria’s own efforts in the political arena appear exceptional but evolving, and the reasons for the trend that Chigumadzi attacked are easier to appreciate.

Historians, anthropologists, literary critics and economic historians have pointed to the roles that different colonial models in west and southern Africa played in fostering ambiguous attitudes toward race or racial issues in the post-independence era. Wild conquest (to use the title of Peter Abrahams’ novel) of broad swathes of eastern and southern African societies brought about material dispossession of land and customary property in Rhodesia in a manner that could not be achieved in, say, Nigeria. Additional environmental factors such as climate and vegetation prevented the establishment of settler colonialism in West Africa, and the creation of apartheid as state policy in South Africa was the culmination of European racist ideologies for which the age of capital was suitable, give or take a few accidents of geography. But as Chigumadzi observed, the fact that Nigerians did not live in a country where racism was state policy does not mean that they cannot relate to the experience of those who did, and still do. That is empathy, a sentiment that humans are expected to extend to others.

She also does the important, detailed job of documenting Nigeria’s role in supporting anti-apartheid movements, groups, and initiatives during the long, dark night of that racist madness. Nigerian school children of my generation not only made monetary contributions to anti-apartheid relief funds, we were also taught something unforgettable: the left-hand corner of the blackboard in classrooms in Western Nigeria remained sacrosanct with the declaration: “Apartheid is a crime against humanity.” This message should not be wiped off the blackboard, under any circumstance. As recently as 2002, there were schools in Ibadan where the legend still spoke clearly, white chalk on a black background.  In all likelihood, former pupils who took this message to heart also paid the ultimate price during the xenophobic violence exploding across South African cities in 2008, and reigniting periodically. What Nigerians viewed as a national duty with respect to the struggles against apartheid also existed in their music, from reggae, pop, to fuji, best exemplified in the career of the late Sonny Okosuns. This duty doubled in importance for the so-called “frontline states” in the mid-1970s, including Angola, Rhodesia (Zimbabwe), Mozambique, and Namibia. Support for liberation movements in the region became the centerpiece of Nigeria’s foreign policy, starting with the formal recognition and declaration of support for the MPLA, the anti-colonial party in Angola.

While different high-level political maneuverings shaped that diplomatic outcome, it is important to add that UWAP, the writers group coordinated by Ṣóyínká, played a major role in making the support for Angola count as more than a choice by the Nigerian government. At a symposium organized by President Senghor of Senegal, in 1976, all the writers and scholars, including the Trinidadian political thinker C. L. R. James, who gathered in the National Assembly in Dakar used the occasion of a plenary session to vote—unanimously—in support of the MPLA. Ṣóyínká and Senghor had since mended fences over the “tigritude” diss, assuming any were considered broken, but he made UWAP stand on principle while Senghor, the generous host, had stated his preference for MPLA’s rivals.

Black Skins White Masks Revisited: Why I Am No Longer Talking to Nigerians About Race

Read also: Black Skins White Masks Revisited: Why I Am No Longer Talking to Nigerians About Race

To understand the evolving history of this political solidarity, readers need to appreciate the progressive character of the political society in Nigeria, a character that does not always coincide with the forms and practices of the Nigerian state or the habits of its citizens, whether highly placed or not. This means that the principal impulse in the nation that Nigerians worked to build, even long before they came to be identified as Nigerians, was for the betterment of human values, and that a primary identity as Africans was fundamental to stabilizing this impulse. There is no space here to explain these claims in detail, or discuss how this progressive politics developed. It should suffice to note, however, that Nigeria came into existence as a modern, black, African nation at a time when the intellectual values of the black world were coming together, from such unusual places as the writings and activities of Edward Blyden, James Johnson, and other forerunners of the nationalists of the 1920s and the 1930s, as well as the contradictions built into the economic antics of Pax Britannica.

At some point in her essay, Chigumadzi quotes Kwame Appiah to the effect that what “race meant to the ’New Africans’ –the generation of African intellectuals of the 1960s educated in the West such as Jomo Kenyatta, Kwame Nkrumah, Kenneth Kaunda and Julius Nyerere – was different to what race meant to “educated blacks in the New World” such as African-American, Afro-Caribbean and Black British people.”

The fact is that between the Pan-Africanist origins of modern Nigerian nationalism and the radical overtures to political struggles in southern Africa, a great variety of symptoms appeared in the body politic that entrenched bourgeois liberalism as the default social mode in the population’s self-apprehension, even though the political outlook could still remain largely progressive

Appiah arrived at this conclusion only in analysis, and a partial one at that. In practice, generations of political activists before Ṣóyínká such as Hezekiah Davies, Nnamdi Azikiwe, Margaret Ekpo, Fúnmiláyọ̀ Ransome-Kútì, and Nkrumah posed the question of anti-colonialism as Africans partly due to their experience of living and studying in the US and England, and partly because even in countries without policies of racial segregation, colonial prejudice often manifested itself in terms of racial hierarchies. Whites got paid more than their African counterparts who held the same or more demanding jobs, and Africans were unable to rise in the professions unless they obtained expensive degrees that were not available in the colonies. What these political figures did when or if they got into power might run counter to those principles, but it would be ahistorical to ignore the situations which shaped their radical politics and the courage with which they responded to those situations.

“At the End of the Small Hours…”

This history does not always inform the way that contemporary Nigerians relate to issues of racism on the continent and in the world at large. The fact is that between the Pan-Africanist origins of modern Nigerian nationalism and the radical overtures to political struggles in southern Africa, a great variety of symptoms appeared in the body politic that entrenched bourgeois liberalism as the default social mode in the population’s self-apprehension, even though the political outlook could still remain largely progressive. Among these symptoms was the fact that the party which came to power after the 1959 elections intensely distrusted radical politics, and exacted heavy penalties from those who professed even a mild form of it within three years of self-government. Moreover, and perhaps as a consequence of the first symptom. a combination of ethnic, religious, class and linguistic differences catalyzed a climate of opportunism that made a fair game of needs considered extraneous in political terms. As examples of Pan-African solidarity, the support for the frontline states in 1975 and the establishment of the Technical Aids Corps (through which Nigerian professional expertise was distributed to African, Caribbean and Pacific countries) both occurred, irony of ironies, under military regimes.

Much later in the essay, Chigumadzi posed another question: “Why are so many of these [Nigerian] writers seemingly so apolitical around race politics and deliberately refuse to understand these basic ethics of solidarity and instead bask in the glory of individuated reward of model minority?” The question became necessary because of the ‘blame-the-victim’ standpoint of a Nigerian entrepreneur like Chika Onyeani, author of a bestselling book in South Africa (Capitalist Nigger), and other newly emergent writers. This question may be related to the main one about lack of empathy, but it is in fact different. It speaks to a particular condition among colonial and postcolonial intellectuals, especially those of African descent everywhere. It is informed, I think, by the opportunisms that go with pursuing an artistic/intellectual career in a world that is run by mostly white capitalists and that rewards those who are unwilling to ask difficult questions about economic and social injustices, or prefer to ask them only of Africans, the way an Onyeani would. It is a form of power grab; the Indian writer Arundhati Roy addresses an aspect of it in her book, Capitalism: A Ghost Story. Whether things would change if that world were to be run by black or brown capitalists is an open question, but we have provisional answers from the way the affairs of Nigeria and South Africa have been managed in the last two decades. Neither country, as far as I can see, places any real worth on the lives of its citizens.  Chigumadzi shows a keen awareness of this problem when she writes of “white racial capitalism and coloniality which is sophisticated enough not to need the presence of white bodies to function.” We can be mindful of the records of British colonialism in Nigeria without thinking to hold Theresa May accountable for the genocidal level of poverty in Nigeria today.

The two questions are ever necessary, and we should be grateful to Chigumadzi for the courage and imagination to raise them. She speaks in a register that is familiar to those who are inclined to form their opinions through soundbites and short reads. Praises on social media of the brilliance of her analyses arrived in lockstep with complaints about the length of the essay. (There are other waters that the essay could have troubled. For example, do contemporary Ghanaians practice a better form of racial solidarity than Nigerians? When prominent politicians such as Ignatius Kutu Acheampong (Ghana), Frederick Chiluba (Zambia) and Alassane Ouattara (Ivory Coast) became victims of the nationality test, any surprises that Zimbabweans living bare lives in South Africa, or Nigerians in Libya, should suffer the fate of blacks in segregation-era Mississippi? But we can hope that such impressions are not lost on informed readers of the essay.) The passion with which Chigumadzi has connected a variety of global-black experiences, through literary and musical references, points to an intellectual sensibility that those interested in their place in the world would do well to cultivate. Chinua Achebe is right: to partisans of African occasions, it is morning yet on creation day.

I suspect that the title of the essay is used tongue-in-cheek. Even with the disposition toward “stanning” “famzing” and surface “bants” among folks on social media there are many people who may be prepared to work their way to genuine awareness if provided with information. This is a responsibility that falls to artists and writers, and they should do it wherever and whenever possible, in spite of the tendency among people on social media to take offense when corrected on points of fact, style or logic. Once at the University of Ibadan, I listened with horror as a student responded to a lecture by a visiting African American professor by dismissing him as a ‘Negro’, not an African! The professor didn’t expect this, in Ibadan of all places, and so did not know how to respond. I issued a quick rejoinder, and after the lecture the person who’d made the offensive comment came up to me to apologize which, I sensed, was genuine.

These attitudes always have to be cultivated, lifelong, vigilant, unapologetic. Like Lewis Nkosi, Maryse Conde, Mongo Beti and Bessie Head, Ṣóyínká appeared early to observers as an unusually gifted writer who displayed these qualities, but always in the guise of a citizen, and of a country that only happened to be Nigeria. A wonderful accident of birth, the gift of history as citizen of two countries scarred by racism, we hope, makes Chigumadzi another exemplary figure. Her essay is a strong sign of that irrevocable commitment to asking difficult questions, without which silence might be taken, falsely, scandalously again, as the response of sentient black people to the manifold conundrums of the world.

 

Editors Note: This essay was originally published in Africa as a Country

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Akin Adesokan is the author of the novel 'Roots in the Sky' and associate professor of comparative literature at Indiana University, Bloomington.

Ideas

Boda Boda Justice

Local and national institutions should move beyond perpetuating harmful narratives about boda boda riders and instead leverage their capacity to contribute towards grassroots processes of protection and justice.

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Boda Boda Justice
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We are all familiar with the idea that we, as people, plan, but those plans can be quickly altered by the animate and ever-moving process of life. On October 5th, I had a pretty straightforward plan for the day, and having an accident that could have taken my life was certainly not part of it. I was jogging along my regular route when, ahead of me, I saw a car turning into a wide driveway at great speed. I instinctively slowed down to allow the car to turn, only to be hit from behind by a motorcycle that had veered off the road.

Thrown into a ditch but fully conscious, I touched my head and felt it to be completely drenched. Before I looked at my hand, I readied myself for the eventuality that it was blood I was feeling, and that this could be my last day alive. To my relief, it was just mud. I slowly moved each part of my body, to find that I had no severe injuries. I picked up my glasses, stood up, and processed that I was, indeed, alive. A crowd quickly grew around me, with people asking me who to call, or whether I wanted go to hospital immediately. Through tears, full of adrenaline and in a state of shock, I insisted that I wanted to go home; I hadn’t jogged far. I got onto one of the many boda bodas that had gathered at the scene, and home I went.

Some 20 minutes later, as I was getting into a car with a family friend to be taken to the hospital, still in a state of shock and disarray, a boda boda rider approached me. He is a rider in the local area, so we were familiar with each other. He happened to have seen me leave for my jog before the accident, and was at the same place as I was being brought back, covered in mud and crying, some ten minutes later. He explained that he had been told what had happened, that he knew who had hit me and that he was willing to participate in a justice process. I won’t go into what I went through both physically and emotional here except to say that I had avoided a neck fracture and wore a brace for a few days to allow a slight injury at the back of my neck to heal. The shock took a few days to wear off, and I remain very aware of the fact that October 5th could have gone very differently.

However, what I learned from this experience is that there is an organized structure within the boda boda community that has the capacity to administer justice at the grassroots level, which the local boda boda rider wanted deployed. The episode highlighted the social, political and economic consequences of the way in which this working-class community is perceived by the wider society, and how Kenyan society could change for the better if these broad-brush and often negative societal perspectives were abandoned.

Several months before the incident, a group of boda boda riders had been recorded violently physically and sexually assaulting a woman whose car had hit one of them along Forest Road. The ensuing aggressive and outraged discourse across social media targeted the boda boda community and its collective culture. Given the nature of the injustice faced by that woman—an incident that I can only imagine would leave a person emotionally impacted long after the assault itself—the uproar, indignation, and anger of Kenyans was not misplaced.

What I learned from this experience is that there is an organized structure within the boda boda community that has the capacity to administer justice at the grassroots level

However, even with my limited experience of the country, I felt uneasy about the state’s knee-jerk reaction which was to take all boda bodas off the road in response to the incident. Firstly, I think that the culture of women being subjected to sexual violence as a result of men, or society in general, experiencing emotions like anger towards who they are and what they do has less to do with who boda boda riders are as people, and more to do with what patriarchy has normalized regarding how women should suffer the consequences when men get emotional.

Secondly, the dogmatic nature of the car drivers vs boda boda riders conversation on Twitter felt unfair. Months before the Forest Road incident, I had been part of a small group of people that had spent hours trying to help a boda boda rider that had been hit and badly injured by a car that had then fled the scene. Bystanders at the scene supported the boda boda riders pursuing the car in question, even though they were aware that he might be subjected to violence if caught.

Thirdly, I just couldn’t see where the post-Forest Road social media discourse was going and I was nervous to wade in with what, in the face of the national outrage, felt like a fickle personal opinion of a guest in the country naively suggesting “not all boda boda riders are…” I kept quietly to myself the thought that this just wasn’t who I had experienced the boda boda community to be. Not being a Swahili speaker, one of the ways in which I navigate new parts of Nairobi, and the country generally, is by locating the nearest boda boda stage if I need to ask for directions or for any other help. I have come to know boda boda riders in a way that the capitalist culture doesn’t allow you to get to know the service providers you engage with on a daily basis. But it would have seemed tone-deaf to contribute this experiences to the discourse at the time, although I was reminded of them again following of the October 5th accident.

Bystanders at the scene supported the boda boda riders pursuing the car in question, even though they were aware that he might be subjected to violence if caught.

Victor* the boda boda rider that approached me on my way to the hospital, is the security officer of the local boda boda riders committee. This is why, when he saw that I had been injured and learned that it was as a result of being hit by a boda boda rider, he made it his personal responsibility to advocate for me in a dialogue involving the police, the owner of the bike, the local boda boda community and the person who had hit me. This process lasted a week before I decided to stop pursuing the case because of the intimidation that Victor was facing from boda boda riders in the area. As the week unfolded, I was not only struck by Victor’s commitment to ensure that I obtained justice, but I was struck by his belief in the system that he was a part of and within which he was a leader, a system that I think many Kenyans don’t know exists, or if they do, aren’t sure of its purpose or its effectiveness. Even though in my case the effectiveness of this system was compromised because of the power relations between the owner of the bike and others in the local area, it has inspired me, time and time again, to see Victor organize and mobilize a grassroots system that he has played a role in creating, for the cause of community-based justice.

A few days after we stopped pursuing the case, Victor and I sat down for an interview. Victor, who is 26 years old, has been a rider in the area for just over two years. Prior to that, Victor had been working in personal and housing security. In his words, it’s because of that experience that he was encouraged to take on the role of security officer and was elected by an overwhelming majority. “First of all, you have to understand, when you see a boda boda rider, you need to know that he is not only standing there for the money. We are keeping an eye on our surroundings in order to keep it secure,” was how Victor began his response to my question about the specifics of his role as a security officer. He went on to explain that “When anything happens regarding boda bodas, a security officer is the first person that is asked, ‘What happened?’ It doesn’t matter if it is 1 am or 3 am in the morning; if there is an incident, I have to wake up and attend to the situation, to understand what happened, who was involved, and what process is required moving forward. If you consider my area, it is part of my job to know every corner of it and be aware of every person operating in my constituency.” Victor explains that each boda boda committee that exists per constituency has a chairperson, security officer, treasurer, and secretary. “As committees, we are known by the NTSA [National Transport and Safety Authority], local police, and local community elders,” he says. People can serve in these positions until they move on, there is no term limit, and, he adds, one does not earn more for taking a leadership position. Sometimes, a person who has received help from a boda boda rider or from the committee will offer compensation in the form of materials such as boots or jackets, or cash. “We also support people financially. If a driver needs to repair his bike because of a hit, or if he needs to pay for damages caused and can’t afford it, we can organize amongst ourselves to support the person affected and be repaid slowly,” Victor explains.

It has inspired me, time and time again, to see Victor organize and mobilize a grassroots system that he has played a role in creating, for the cause of community-based justice.

I asked Victor whether the level of organization that he was describing was present before the Forest Road incident. “After [that incident], measures got much stricter when it comes to registering with the NTSA. It used to be easy. You could talk to someone at any stage and you can start driving. Now it’s much more organized. There was the president’s order that this is the case, but even us, it is something that we took very seriously. You know, it causes you shame when someone from your community harms others.” When I asked Victor why he does this work, and why he pursued my case so vigorously, he shared the following moving reflections: “I didn’t study security or go past Form 2, but this comes from inside of me. I feel very good when I know that everybody in my surroundings is safe and secure. The only reason that I do this is because I care about justice and fairness.” Interestingly, towards the end of our discussion, Victor also described a brief encounter he had had with the recently elected Governor of Nairobi, Johnson Sakaja. “I told him that we need to know each other; he needs to know us guys and we need to know them.”

As an Oromo who is actively engaged in the liberation struggle going on in Ethiopia today, I cannot help but feel a connection between the way Oromo grassroots cultural and political processes and institutions interested in the administration of justice have been misrepresented by the political and economic elites (of all ethnicities), and the way the reality of the boda boda community’s collective life has been similarly unjustly misinterpreted. If local and national institutions could move beyond perpetuating harmful narratives about boda boda riders in order to keep them at the margins of society and use them as political scapegoats when convenient, they could play a productive role in empowering and resourcing this community’s capacity to organise for grassroots justice and projection.

“The only reason that I do this is because I care about justice and fairness.”

Speaking off the record (but giving permission to use this information on the record), Victor told me about a domestic violence dispute that he was able to safely intervene in because of the work he does as a security officer. The victim in question was over 30kms away from Victor’s station, but because he could identify her as a member of his local community whose safety he feels personally responsible for, he took effective action to protect the woman. Even if—like in any institution where power and people are involved—the security institution within the boda boda community is not perfect, it is one of the many ways through which grassroots processes of protection and justice can have a transformative impact where more formalized institutional processes fall short. There is great scope for the latter to be empowered by the former in order to achieve that which I think we all want: to live safely and freely.

*Name has been changed to protect the rider

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Swahili Muslim Practices and Sage Philosophy

In his book Swahili Muslim Publics and the Postcolonial Experience Kai Kresse examines the dynamics of Islamic subjectivity in postcolonial Kenya and the myriad issues relating to the hybridized nature of postcoloniality itself in Africa.

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Indisputably, the Kenyan intellectual tradition is rich, varied and influential. Furthermore, much more is known about its modern intellectual practices than its ancient discursive traditions. Perhaps this is due to the widespread popularity of its contemporary literary artists and public intellectuals. Ngugi wa Thiong’o, Kenya’s foremost novelist and public intellectual exerts an arresting presence over most issues deemed distinctly Kenyan. And this is understandably so, given his remarkable productivity, range and resilience as an author. Ultimately, perhaps much less can be said of his late compatriot, Binyavanga Wainaina, who was an equally influential essayist, unconventional journalist and famed memoirist. Wainaina’s lauded memoir, One day I will write about this place is a lambent, often lushly written but also arguably frustrating personal account of modern-day Kenya. Wainaina was concerned with the transitional or even fragmented phases of the contemporary moment and his confessional role as a self-appointed spokesman on the larger national canvas. He wrote enticingly about the Kenyan urban lingo intriguingly called Sheng but failed to explore momentous historical events such as the anti-colonial Mau Mau rebellion or paradigmatic precolonial life worlds suppressed by the colonial intrusion.

Wainaina also implicitly advanced the view that the contemporary moment was all that counts, that all we needed to know about an undoubtedly complex nation such as Kenya was enshrined in the present. But of course, Kenya has far more to offer intellectually and culturally and this is why accounts such as Kai Kresse’s Swahili Muslim Publics and the Postcolonial Experience (2019) paint a deeper and more nuanced picture of the Kenyan intellectual tradition. Kresse, a German, ZMO Berlin-based anthropologist specializing in East African intellectual and philosophical traditions employs self-reflexive discursive strategies to complicate his positionality and the overall project of anthropology as a discipline. This makes his writings unusually refreshing and intellectually stimulating.

Kresse’s research into Kenyan intellectual formations spans three decades beginning with a work on sage philosophy published in 1997 and continuing to a monograph on philosophizing in Mombasa. In addition, his training as an anthropologist grants him perspectives and insights an ordinary philosopher would not only miss but perhaps would also not fully appreciate.

Kresse’s book is not just a close and intimate examination of the dynamics of Islamic subjectivity in postcolonial Kenya but also speaks to the myriad issues relating to the hybridized nature of postcoloniality itself in Africa.

The Kenyan coastals, marginalized by centuries of external rule either by the Portuguese, the British or by Kenyan upcountry domination, classify their current status as “double periphery”. The coastals claim they are marginalized within the broader Kenyan nation space and also within the specific Muslim configuration of their geographic location.

As such, they are forced to endure a form of silence. This silence and the accompanying encroaching sense of marginality speak volumes when compared, for instance, with the political dominance of the northern Islamic elites in Nigeria, or in the cases of Senegal and Somalia.

In Nigeria, the Hausa/Fulani oligarchy has dominated the country since independence and its overbearing presence is often considered an inevitability or a fait accompli. Minorities such as the Ogoni, Ijaw, Tiv, Nupe and so many other ethnic groups in both southern and northern Nigeria have had to contend with Hausa/Fulani hegemony. From a Nigerian and Senegalese point of view, it is difficult to imagine an Islamic minority in an African context agitating for its own political expression or survival when Islam is considered to be the religious faith of political and military elites. Unfortunately, in Kenya, Muslims constitute a minority and once again, such sociopolitical complexities attest to the hybridized dynamics of postcoloniality in contemporary Africa.

In Kenya, works advocating self-determination such as Regionalism: True Freedom to Save the Coastal People, penned and self-published by an anonymous former education officer, bring to mind the plight of the Ogoni under the inspiring leadership of Ken Saro-Wiwa or the Igbo under Chukwuemeka Odumegwu-Ojukwu during the Biafran/Nigerian crisis between 1967 and 1970.  The sometimes violent contestations between ethnic minorities and majorities to gain political freedom or control are also inflected by a religious coloration. The shifts and eruptions caused by political power are never exactly definitive but move instead like swings of a pendulum according to the imperatives of circumstance and history.

Kresse argues that Swahili Muslim intellectual culture in Kenya is rather well developed. Exclusively Muslim and Swahili communities often overlap, cross-fertilizing intellectual and cultural patterns and crisscrossing one another in a mutually reinforcing way.

The concept and broad understanding of humanness are key to fostering relations of mutuality, therefore affirming the essence and significance of the human. The human, just as in the Southern African concept of ubuntu, is realized in continual social acts of mutual recognition and acceptance. Rather than being an isolated being, or even more radically, a frank social fact, the human, in fact, is a being-in-social process, reinforced and re-enacted in a continuum of social acts and affirmations that lead to mutual recognition, validation and reinforcement. Thus the ultimate goal of the human in existence and by extension, within the community, is to seek the good within oneself, re-living it in everyday life and tangibly creating sociality through a continual implementation of its values.

Kresse eloquently explores the philosophical basis of Swahili Muslim understanding of the human and then delves into the specificities of the intellectual culture  it produced which turns out to be intricate, well-developed and ultimately, profoundly humanizing. It is a pity that continentally or globally, very little is known about this astounding intellectual culture. This culture also bears elements of political subversion, social discontent and self-determination which are expressed in narratives and counter-narratives of poetry (utendi) and radical political commentary.

The human, just as in the Southern African concept of ubuntu, is realized in continual social acts of mutual recognition and acceptance.

Kresse’s latest book, Rethinking Sage Philosophy: Interdisciplinary perspectives on and beyond H. Odera Oruka, co-edited with Oriare Nyarwath (2022), continues his focused exploration of Kenyan historic intellectual formations, this time, the discourse of sage philosophy, a form of re-configured folk philosophy popularized by the late pivotal modern-day Kenyan philosopher,  Henry Odera Oruka. Under the philosophical school known as sage philosophy, a presumably western trained philosopher identifies the invariably illiterate elders of a rural, ethnic community and attempts to collate the folk wisdom and critical reflections of that community regarding life, knowledge and metaphysics, which are then translated and rendered in a metropolitan medium. Perhaps what needs to be tracked are the conceptual and linguistic transitions inherent in these renditions and how they might be contributing to the (un)making of a new philosophical language. Gathering an impressive pool of Kenyan and international scholars, the Kresse co-edited book places sage philosophy at the centre of postcolonial philosophical thought while seeking to eschew the essentializing and frequently polarizing overtones of coloniality.

Once again, a tripartite epistemological structure becomes evident. Ali Mazrui had argued that Africa, and Kenya in particular, is defined by a triple heritage comprising an indigenous African tradition, a Muslim/Mediterranean influence and a Christian/western inheritance. In Kresse’s work, so far, another kind of tripartite discursive formation reveals itself; one marked by an Islamic intellectual history, an indigenous/endogenous philosophical system known as sage philosophy and then a western philosophical idiom and canon through which a folk system of thought is articulated and elaborated. Either consciously or unwittingly, Kresse’s project traces the contours of Kenyan social thought as they unfold within the often overlapping matrixes of Islam, indigeneity and westernity with evident conceptual continuity and singularity.

Exclusively Muslim and Swahili communities often overlap, cross-fertilizing intellectual and cultural patterns and crisscrossing one another in a mutually reinforcing way.

The current trajectory of Kresse’s work tends to shadow contemporary European thinkers such as the late German philosopher, Heinz Kimmerle and Dutch anthropologist/philosopher, Wim van Binsbergen who interrogate questions of interculturality, otherness and marginality—often from a multiplicity of positionalities and perspectives—while also seeking to unbundle the inheritances of their North Atlantic intellectual pedigree.

Kresse’s interest in the philosophical and intellectual traditions of Muslims in Kenya, has succeeded in unearthing systems of thought, social activism and instances of political resistance that complicate Kenya’s supposedly unitary Christian construct of itself.  And then his earlier work on sage philosophy, a largely Kenyan-spawned modern—perhaps Christian-based—philosophy tradition further complicates an already multi-layered national intellectual history and identity.

At the political level, there are also real existential entanglements to consider. Kenya, like any other colonial creation, ought to be viewed as a political and geographical aberration formed on the basis of a largely irrational colonial diktat. But like other postcolonial territorial anomalies-turned-miracles in Africa, it has managed to finesse its numerous irreconcilable differences into the improbable semblance of a nation.

The universe presented in Swahili Muslim Publics and the Postcolonial Experience invariably yields a philosophical and intellectual tradition that has been virtually ignored in current African philosophical discourse. And then, in investigating the ramifications of sage philosophy, Kresse’s work further highlights the significance and impact of a dominant Kenyan philosophical formation. Arguably, Kresse’s attempt to bridge a fundamental epistemological schism by amalgamating a minority Muslim discourse (Swahili intellectual practices) with sage philosophy is certainly a kind of epistemic project a Kenyan would ordinarily find impossible to execute. This is due to the ingrained and perhaps often insurmountable separations caused by fractious internal politics and differences. There is also an implicit epistemic holism in this project of intellectual reconstruction. But how much it serves Kenyans from a practical point of view is another matter entirely.

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Thabo Mbeki and the Quest for an Independent and Prosperous Africa

An interview with former South African president Thabo Mbeki on 19 June 2022 presented an opportunity for Africans within and outside the intellectual community to raise issues around particular developments in South Africa and the continent following the end of apartheid.

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The quest for an independent and prosperous Africa spans several generations, continents, and themes. Notably, from the eighteenth century, people of African descent in Europe, America, the West Indies, and on the continent have been engaged in different variations of the liberation struggle to uphold their humanity, independence, and right to self-determination. After the triumph of the abolitionist movements over the menace of institutionalized slavery, Africa was again saddled with the task of dislodging an imperialist regime that wanted to perpetuate itself on the continent by every means available.

In most of Africa, colonialism produced various forms and levels of exploitation, deprivation, and shame—segregation. This prevalent atmosphere of injustice was to inform the establishment of resistance movements manifested in Pan-African coalitions and nationalist organizations focused on uniting Africans in a movement against the shackles of European imperialism. However, due to the varied nature of the colonial establishment around the continent, the successes of these liberation movements were also not to be attained uniformly. With the collapse of the South African apartheid regime in 1994 representing a close in the chapter of colonial oppression in Africa, the struggle for independence was drawn out in colonies like South Africa, Algeria, and to a lesser degree, Zimbabwe and Namibia, which had substantial settler populations.

After liberation came the task of nation-building. The process of post-independence nation-building has been arduous for most of Africa, a situation emphasized by the frequent occurrence of violent conflicts on the continent. Many of the challenges—such as international sabotage, corruption, marginalization, unemployment, conflict and diseases—identified as impeding growth and development on the continent can be tied to the problem of national cohesion around Africa’s “nation-states”. In the absence of a powerful overriding national sentiment, an array of competing ethnic/sub-national interests within Africa’s national boundaries—a by-product of Africa’s colonial past—has made it difficult for African states to present a united front against threats to their (individual and collective) socio-political and economic wellbeing. Hence, territorialism, ethnicity, racialism, corruption, and nepotism thrive and continue to undermine African efforts at political and economic independence and prosperity.

Former South African president Thabo Mvuyelwa Mbeki has been an avid campaigner for an independent, united, and prosperous Africa for over half a century. Born in South Africa to activist parents, Thabo Mbeki was inclined to join the struggle against the oppressive white minority government in 1955 at the young age of 13. With a passion uncommon among youths of his era (during colonialism), young Thabo became an active member of the youth wing of the African National Congress (ANC), the leading organization protesting the oppressive apartheid regime in South Africa. During his activism years in the ANC, Thabo’s diplomatic skills and commitment to the organization’s objectives gained him some recognition and provided an opportunity for him to serve in very important capacities.

In December 1994, after South Africa’s first elections under universal suffrage, Thabo Mbeki was elected unopposed as the ANC’s deputy president, a position that saw him serving under the nation’s first democratically elected president, Nelson Mandela. As a long-standing member of the ANC who served with and succeeded Nelson Mandela as the country’s president, Thabo Mbeki’s role in South Africa’s emergence as a continental model transcends the era of nationalist struggle to include the critical years of reconciliation, recovery, and reconstruction. Even after his tenure as South Africa’s president, Thabo Mbeki has maintained his commitment to the unity and development of Africa, for which he has continued to serve in different diplomatic capacities. Hence, an interview with Thambo Mbeki presented an opportunity for Africans within and outside the intellectual community to ask questions and raise issues around particular developments in South Africa and the continent following the end of apartheid (liberation). Leading with the questions was a select panel that included the duo of Prof. Paul Zeleza, the former Vice-Chancellor of the United States International University Africa, Kenya, and Naledi Moleo, a media practitioner.

While discussing the lessons the ANC learned from the liberation struggle and the challenges encountered in building a post-apartheid nation, Mbeki conceded that creating a new nation, especially after coming out of colonial oppression, was indeed an important challenge. According to him, the first political challenge confronting the new government was determining what kind of society it wanted to build, whether a one-party state or a multi-party democracy. This decision was particularly critical owing to a substantial settler population in South Africa and the high expectations held by an erstwhile oppressed majority. On its part, the government approached the task with two notable convictions. One, that there were no set ways to build a democracy. Two, that there were not going to be any quick fixes. Hence, in attending to the business of nation-building, the leadership made the informed decision to engage the people by communicating its policy decisions with them regularly and honestly so that they do not become disillusioned by the pace of development and withdraw their support.

The first political challenge confronting the new government was determining what kind of society it wanted to build, whether a one-party state or a multi-party democracy.

On the question of his proudest achievement at the age of 80, Mbeki spoke about the sense of fulfilment that came with being part of a successful liberation struggle against colonial oppression. He also explained that the South African struggle provided Africans, home and abroad, with a reason to unite under the belief that a free South Africa would further stimulate development processes on the continent. Mbeki added that South Africa has, within its capacity, made some contributions to Africa’s development challenge. However, he lamented that Africa had lost the respect it had from the rest of the world, which resulted from the agreement between Africa and the G8 countries in which the latter agreed to meet Africa’s development needs at its recommendation.

Reacting to the popular question of youth participation in leadership, and specifically whether there was any plan within the ANC to hand over the reins to a younger generation, Mbeki recalled his progressive rise within the party from a place of relative insignificance to subsequent positions of responsibility and authority. According to Mbeki, his emergence within the party was not the result of a “handing over” but a natural progression in rank. As young party members, their continued commitment to the struggle ensured they became the ideal candidates to fill vacancies when they arose. Thus, he advised that young people should develop strong youth organizations to address the challenges of poverty and unemployment in their communities. This way, they gain the necessary leadership experience and from their role as youth leaders gradually rise to become national leaders.

Mbeki spoke of the pressure of meeting the high expectations of people within and outside the country concerning the key challenges encountered while in office. Another source of anxiety for the new post-apartheid government, he said, was the fear of possible counter-revolutionary action by disgruntled elements within South Africa’s large settler population who did not believe in a new South Africa. The ANC government decided that a special political approach was necessary to guard against counter-revolutionary tendencies that could manifest either in the assassination of key ANC leaders or as attacks on critical infrastructure. Therefore, for political and economic expedience, they decided on a measured approach in implementing political and economic reconstruction programmes as symbolized by the party’s famed reconciliatory post-apartheid political stance, the systematic introduction of a wealth tax, and the gradual extension of social welfare packages like the child grants to otherwise excluded Black populations.

Speaking on the impact of the reform programmes implemented by the Mandela administration during which he served as vice-president, Mbeki drew attention to the challenges the government inherited from the old apartheid government, particularly the huge debts incurred in a final attempt to buy dissenting voices. Given this financial deficit, the government decided to implement policies to bring the population to a level of development sufficient to generate wealth for the country. Towards that end, the budget structure was changed to cut down on foreign debt while directing the bulk of the generated revenues towards human development programmes instead of debt servicing. Mbeki alluded that these changes induced some economic expansion based on an expanded workforce that generated the wealth required to maintain a certain level of spending on social benefits. The resulting economic growth recorded was maintained for some period until the disruption brought about by the 2007/2008 financial crisis which was caused by the collapse of US banks and from which the economy never fully recovered.

The ANC government decided that a special political approach was necessary to guard against counter-revolutionary tendencies.

Addressing the matter of the constitutional issues faced while in office, particularly what Naledi Moleo described as a sharp decrease in the popularity of the constitution, Mbeki pointed out that this was mostly a result of the disappointment that followed the government’s decision to follow the path of reconciliation instead of the expected retaliation for centuries of alien oppression. He went further to explain that the ANC government’s decision to adopt a constitution that provided for the rights of everyone living in South Africa (Black or white) was more than an immediate reaction to political exigencies—a peaceful and mutually beneficial coexistence had always been part of the party’s ideology. Moreover, this decision was thought to be best for the state’s progress and to prove wrong those detractors who doubted the (Black) government’s capacity to operate a non-racial and non-sexist system while addressing the imbalances of the past; Mbeki said these people believed South Africans were incapable of that level of sophistication. He also discussed ideas of pride in an African identity and African self-esteem, which had come under severe attack from colonial oppression, and of the systematic alterations made to the African person (identity), beginning with his name and progressing to other aspects of his being (culture), all in an attempt to create a subservient subject/population. Mbeki said these were factored into the liberation agenda, informing important elements within the drafted constitution aimed at rejecting the colonial legacy and recovering the people’s self-esteem.

Concerning the socio-political challenges encountered while in office, Mbeki explained that, with regards to HIV/AIDS, the government opted to come at the challenge from the angle of correcting the South African population’s immune deficiency to boost resistance to the virus. As for COVID-19, the biggest challenge was overcrowding, which made respecting safety guidelines difficult, and the inability of Africa to produce its own vaccines. Hence, while acknowledging that the government did relatively well in responding to these crises, he also conceded that more needs to be done in the area of medical research in Africa to counter such crises in the future.

Coming around to the subject of xenophobic attacks, Mbeki explained that South Africa’s Black population was very accommodating and that these attacks were orchestrated by the enemies of the state who wanted to see it fail. He insisted that the organizers of these attacks played on the economic insecurities of the average South African to achieve particular political goals, including attempts to destabilize the country and to influence election outcomes in Zimbabwe by terrorizing its migrant population in South Africa. He emphasized that these saboteurs must be identified and stopped as a matter of political urgency because they continue to threaten stability in South Africa. According to Mbeki, these people want South Africa to fail because it communicates a particular political message.

While acknowledging that the government did relatively well in responding to these crises, he also conceded that more needs to be done in the area of medical research in Africa.

Lastly, on the question of conflicts and the challenge of political instability on the continent, which also formed a bulk of the questions from the audience, Mbeki related this to a sharp decline in the sense of Pan-Africanism among Africans. In his view, this dwindling commitment to a pan-African ideal has also negatively impacted the capacity of the African Union (AU) to carry out the duties for which it was established. As it is, the AU boasts of mechanisms for early detection of conflicts, but how effective have these been in conflict prevention? How well has the continental body fared in its conflict resolution attempts? For these reasons, Mbeki called for a greater commitment to the pan-African ideal, hence the need for an African renaissance. For this renaissance movement to achieve the goals of development (modernization) and prosperity in Africa, it must have the backing of a committed and well-organized youth with the passion to see such a vision come to fruition.

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