I had been a lazy author. I was so absorbed in my excitement for my first visit to Nigeria, that I didn’t bother to look through Aké Arts and Book Festival’s draft program in time to communicate any adjustments I had before it had to be finalized. When I did finally look through the program days before the 2016 edition I discovered a curiously titled panel: “The Irony of Black Lives Matter in Africa.” I was concerned for two reasons. First, I felt there was no “irony.” Second, there was only representation from West Africa: moderator, Nigerian Patrick Okigbo, Nigerian novelist Helon Habila and Ghanaian-Kenyan Kinna Likimani. As soon I saw this I pestered Lola Shoneyin, the festival founder and organizer, to add me onto the panel. I was sure that the experience of living between two African countries that suffered white minority, settler-rule late into the 20th century—by virtue of my having been born in Zimbabwe and raised in South Africa—would lead me to have a different response to the two Nigerians and Ghanaian-Kenyan on the panel.
Months earlier, my first visit to Uganda for the 2016 Writivism Literary Festival had given me my first real encounter with the “experience gap” between black people on the continent. During the day Uganda National Museum, Writivism’s venue, is a hive of schoolchildren. I was struck by the appearance of a particular group of girls from Gayaza High School. They had the most beautiful school uniform I have ever seen: an assortment of red, yellow, green, orange, pink, purple and blue short sleeve dresses that sung against the girls’ dark skin. More than that, their heads crowned in a variety of beautiful natural shapes and styles—short, medium sized, buns, round, square. A product of the South African “Rainbow Nation’s” schools that insisted on unflattering uniforms (including my high school’s kilt-inspired skirt) and hair very intimate with sodium hydroxide, I found myself staring, and, overcome with emotion. When it came time to introduce myself during the Festival’s schools outreach, I tried to express how happy I was to see the girls: You look so beautiful. Can I take a picture to take home? The other African writers and the girls themselves didn’t get it. That every girl had natural hair was nothing to talk or write home about, let alone take pictures. What else would I have them do with their hair?
They couldn’t understand why I was making such a fuss, because that to them, was the default. With some help from Nigerian-Barbadian-South African writer Yewande Omotoso, I tried to explain why it would be noteworthy that they had hair the way they did. I was unsuccessful. Not for a lack of words, but a lack of context.
All of these different attacks on black bodies—whether on African soil or outside of it—is not unrelated to white racial capitalism and coloniality which is sophisticated enough not to need the presence of white bodies to function. This is after all why, for example, African countries remain one of the world’s largest markets for skin lightening creams.
If I had visited the Gayaza Girls just a week later, I would have given them the example of their South African age mates at Pretoria Girls’ High School who, on the very day that I returned from Uganda, were protesting against bans on afros and other racist practices at their historically white school. This incident would have helped me explain how the absence of visible racialized markers—namely white teachers and white classmates with hair “that falls” and is the acceptable standard of feminine “neatness” in school codes of conduct—meant that the Gayaza Girls were spared the same kind of explicitly racial pathological relationship to self and body. The girls were avid readers, and so, if I had had better presence of mind I might have given them a black girlhood reading list: Toni Morrison’s The Bluest Eye, Merle Hodge’s Crick Crack, Monkey!, Tsitsi Dangarembga’s Nervous Conditions, Kopano Matlwa’s Coconut or even their own country woman, Doreen Baingana’s Tropical Fish. Without these examples, the Gayaza Girls and I fumbled our way to some of sort of understanding about this hair issue. The girls thought it a strange experience, but as readers who had developed enough empathy and curiosity to learn of the experiences of far off lands, they smiled and nodded as I shared anecdotes from my years as a black girl aspiring to and failing the standards of “hair that falls.” I was at first a little frustrated that I had to explain, but I quickly reminded myself that this was how it should be. This was the beauty of a childhood in which your imagination is fully formed before encountering the daily delusion that is whiteness.
I had something of this regional “experience gap” in mind when I gate crashed the Aké panel, which began as I expected: How can we as Africans be concerned about Black Lives Matter in the United States when we were not looking after our own in our countries? What are African Americans saying about the Chibok girls? While some of these rhetorical questions contained valid concerns, they were undermined by the generally dismissive and flippant tone towards the subject of race and blackness that I’ve come to expect from many Africans who did not grow up in “former” settler colonies. Fortunately, Kinna Likamini, who had also lived in Zimbabwe and the United States, was able to make the global and historical links of black people within the context of global white supremacy.
All of us are suffering coloniality, it’s just that the significant presence of white bodies in South Africa and the United States make it easier to visualize
I complemented her by offering examples of the specific experiences of “former” settler colonial South Africa where, under black governments protecting white property interests, black lives have clearly been shown not to matter. The first was the example of Marikana massacre, where 37 black mine workers demanding decent wages were killed after orders from then-Deputy President Cyril Ramaphosa, a shareholder board member of the company, for the police to take “concomitant action.” The second was closer to home. It was my experience as a student in the “Fallist” movement that effectively debunked the myth of Mandela’s Rainbow Nation ever having existed. It began when shit literally hit the University of Cape Town’s (UCT) statue of Cecil John Rhodes’ and students demanded its removal, part of a call to decolonize Eurocentric symbolism, curricula and staff demographics of historically white university campuses such as UCT and Wits University, where I was studying at the time. It then took on a more “bread and butter” focus with the #FeesMustFall protests driven by black students’ demand for a “free, quality decolonized” education. I related how the movement often used the bodies of white students as human shields when encountering police because we knew that they would not let a bullet pierce white skin. And more importantly, we knew and understood that Black bodies, or indeed life do not matter.
The sophisticatedness of white supremacy means that even with the visuality and presence of whiteness in one location and its invisibility and absence in another, both spaces continue to suffer similar kinds of psychic, material and discursive impact.
Together, Kinna and I argued that the indifference to the missing Chibok girls in Nigeria, the country with the largest black population on the planet, is as much linked to the unpunished police shootings of unarmed black people in America as it is linked to the murder of black mine workers demanding better wages in South Africa as it is to extra-judicial killings in Kenya. All of these different attacks on black bodies—whether on African soil or outside of it—is not unrelated to white racial capitalism and coloniality which is sophisticated enough not to need the presence of white bodies to function. This is after all why, for example, African countries remain one of the world’s largest markets for skin lightening creams. It is why Africans still prize white intellectual labor and cultural output as supreme (whether we admit it or not). It is why a fluency in the colonizing languages of English, French, German, Portuguese, instead of our own indigenous languages, remains the true marker of not only of educatedness but sophistication and worldliness across the continent. It is why in times of emergency our governments will often choose to address foreign press before they address us, their people. It is why a black person in position of authority or wealth might be called “oyinbo,” “muzungu,” “umlungu,” “murungu” or “ obroni” depending on where you are on the continent. All of us are suffering coloniality, it’s just that the significant presence of white bodies in South Africa and the United States make it easier to visualize. The sophisticatedness of white supremacy means that even with the visuality and presence of whiteness in one location and its invisibility and absence in another, both spaces continue to suffer similar kinds of psychic, material and discursive impact.
As we spoke, it wasn’t lost on me that this debate over the “irony” of having to state that “black lives matter” in Africa was taking place in Abẹ́òkuta, or Aké, the storied hometown of Wole Soyinka who had been so unimpressed and impatient with the Negritude movement spearheaded by the Francophone writers of African descent that he famously dismissed them at the 1962 African Writers Conference held at Makerere University, quipping: “A tiger does not proclaim his tigritude, he pounces.” At a conference in Berlin two years later, Soyinka elaborated this: “a tiger does not stand in the forest and say: ‘I am a tiger.’ When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.”
It’s not that Soyinka was the only one to critique the Negritude movement. It was just that he was the loudest, and perhaps the most flippant, in his response. For years I puzzled over what it was that might have made Soyinka so dismissive of his Negritude counterparts. After all, the tiger can only be free to pounce on the poor duiker if his environment is free. Just what kind of environment might have induced Soyinka to pounce on his fellow Africans in the way that he did? The view of Aké from its highest point, Olúmọ Rock, provided me with part of the answer.
After a brisk hike up the Olúmọ Rock stairway, a careful negotiation around the Ifá divination shrines (and their devotees), I turned to an unwitting Nigerian writer: “My brother, this, you call a mountain? Come and visit Zimbabwe, the Great House of Stone. You will see boulders and granite mountains so large they make the villages below them look like toy houses. You will see Olúmọ Rocks in everybody’s backyard and then you will never waste visitors’ time again with this.” My Nigerian brother could only offer an apologetic laugh. This time the “giants of Africa” did carry last. Standing out of earshot, I allowed myself to admit that there was something that did impress me at Olúmọ Rock: the view of Abẹ́òkuta, the “refuge among rocks,” the nearly two centuries old African town unmarked by the generational trauma of apartheid era bulldozers and trucks that segregated people into “European” towns and farms and “non-European” “townships” and “homelands” and instead etched with a history that preceded colonialism and succeeded it through its very own idiom, that made the sprawling, undulating terrain of Soyinka’s childhood appear to me as luminous and magical as it appears in his 1981 memoir Aké: The Years of Childhood.
In his introduction to In My Father’s House, Ghanaian-American philosopher Kwame Anthony Appiah uses Soyinka’s Aké childhood to explain why it is that what race meant to the “New Africans”—the generation of African intellectuals of the 1960s educated in the West such as Jomo Kenyatta, Kwame Nkrumah, Kenneth Kaunda and Julius Nyerere—was different to what race meant to “educated blacks in the New World” such as African-American, Afro-Caribbean and Black British people. Appiah argues that, unlike their counterparts who grew up facing the crudest forms of racial and colonial discrimination in the West and the Francophone subcontinent, the likes of Soyinka were “children who were extracted from the traditional culture of their parents and grandparents and thrust into the colonial school [but] nevertheless fully enmeshed in a primary experience of their own traditions” in cultures where black people were both in the majority and their cultural lives continued to be largely controlled by indigenous moral conceptions.
Unlike Soyinka, whose homeland had known a total of 60 years of indirect rule beginning in 1900, his South African contemporary Es’kia Mphahlele, whose country had suffered settler rule since 1652, could relate to the “double consciousness” that black people in the West, Africa’s settler colonies and the Francophone subcontinent know only too well. And so, Mphahlele’s apartheid upbringing led him to criticize the Negritude movement for reasons both more sophisticated and different to Soyinka. Mphahlele’ criticized the “evolue” class of Francophone writers for their “black romanticism” and pointed to Senegalese poet-president Leopold Senghor as a “classic representation” of the movement’s “unholy alliance” with Africa’s emergent national bourgeoisie. In other words, Mphahlele, like many other black South Africans felt that negritude was not radical enough in its challenge to colonial logic.
South Africa’s late poet laureate Keorapetse Kgositsile, who had been exiled to the United States in the early 60s and worked closely with members of the Black Arts movement, persistently argued against Negritude on the grounds that it was a purely cultural or aesthetic approach to black self-determination, that in itself was too dependent on white aesthetics, and so offered a vision of black liberation limited by its concern with justifying itself to a white audience. Disappointed by the First World Festival of Negro Arts hosted by Senghor in Dakar, Kgositsile wrote in his 1968 essay, “I Have Had Enough,” that Negritude is a type of “an academic masturbation or deviation, a kind of mannerism—fornicating with the white eye and then emerging on some stage with Western arguments for the validity and glory of a black Virginity.”
Kgositsile’s critique of negritude’s dependence on white aesthetics and approval was informed by his involvement in the Black Consciousness movement, South Africa’s answer to Black Power and Negritude formed by political leaders such as Bantu Steve Biko, cultural figures such as poets Mongane Wally Serote and Kgositsile and jazz saxophonist Winston Monwabisi “Mankunku” Ngozi. Through it, they defined Blackness beyond simply being oppressed as a “non-white” but as a positive state of mind. For the likes of Mphahlele who grew to adulthood in apartheid South Africa where their existence was officially defined in the negative as “non-European” and “non-white,” there was no irony in positively declaring their “capital-B” Blackness or to demand that the curriculum be decolonized. They were dehumanized as “non-whites” on African soil, and so it was necessary to proclaim their Blackness in order to reclaim their humanity, a feat that was both incontrovertible and incomprehensible to the likes of Soyinka. Mphahlele himself would eventually become the champion of what he called “African humanism,” a philosophy that attempts to undo the kind of psychic damage wrought by apartheid and so poignantly illustrated in his classic 1959 childhood autobiography Down Second Avenue.
Even with the creep of British indirect rule, Soyinka’s Aké was not Mphahlele’s Marabastad. If Soyinka’s Aké is enlivened by the strong wafts of the market women’s deep fried akara that “jostled for attention with the tang of roasting coconut slices within farina cakes which we called kasada; with the hard-fried lean meat of tinko; the ‘high,’ rotted-cheese smell of ogiri; roasting corn, fresh vegetables or gbegiri” and his mother’s akara, ogi, moin-moin and agidi, apartheid impoverishes little “Es’kia’s Second Avenue kitchen table so much that it rarely offered more than coffee and bread (with butter when there were visitors) for breakfast and porridge served with meat (or fried tomatoes when there was no money) and on, a Sunday, vegetables too, for supper. Where four year old Wo̩lé could lose himself in pursuit of a police band across the horizon of Aké’s parsonage only to be returned home on the crossbar of a Hausa policeman’s bicycle, Es’kia’s” movements are boxed in by the baton and the open palms of the white and African policemen who patrol their township.
A lack of a direct experience of another’s pain is not the basis for dismissal, it is an opportunity to demonstrate empathy and, more importantly, solidarity
As an adult, Mphahlele is compelled to leave South Africa for Nigeria in 1957, not only for himself, but for the sake of his two small children and soon to arrive third born. He despairs watching the way his four-year-old Motswiri clings to you tightly when he sees a constable walk up or down the road and says Ntate, is the policeman going to arrest me is he going to take you is he going to take Mamma? You hold the frightened kid close to you and think of Second Avenue the long long great divide. Another time Motswiri comes to you with imitation handcuffs crudely made of wire and shouts “Bring your hands here, where’s your pass? I’ll teach you not to be naughty again.” Now he wants a torch and a baton and a big broad belt and a badge, how agonizing!”
Once in Nigeria, the “new air of freedom” is initially bewildering to Mpahlele, but in time he and his wife Rebecca are relieved that their children are visibly happier and “will be able to learn something worthwhile, something that is fit for all mankind, not for slaves.” Mphahlele eventually ends his autobiography during his time teaching at CMS Grammar School, Nigeria’s oldest secondary school, where he observes that his Nigerian schoolboys are “worlds apart” from his South African boys. For Mphahlele, there is a “complacency” within CMS’s “placid” atmosphere, whereas he and his South African schoolboys “were both hungering for many things and getting little, which in turn sharpened the edge of our longings. I responded to every throb of pain and restlessness in them, and I think they responded to my yearnings.”
Empathy outside your mother’s house
In Mpahlele’s sentiments about the differences between his South African and Nigerian schoolchildren lies the question at the crux of this essay: If it is true that we of African descent have grown up in different households, that shape our experiences of the world differently, how do we respond to the pain and yearnings of our sisters? What happens when that pain that is unfamiliar to us because it is pain particular to their households but foreign to ours? If our sisters say there is a fire in their house, do we deny it because there is no fire in ours? Do we shout over their shouts for help because our house is not burning? What if we have never encountered a fire before? Do we criticize the way our sisters try to fan out the flames before we have learnt the nature of fire?
How can we have any meaningful pan-African, and indeed any other kind of, solidarity if we lack empathy for those whose experiences we do not share? Where would the world be if sharing a common experience was the first requirement for supporting another’s struggle?
This is exactly what Soyinka did when he pounced on the Negritude writers and proclaimed his own Tigritude. Nigerians who dismiss our understandings of race often use their lack of experience of racial discrimination as the reason for their positions. This is unconvincing. What I find missing in my interactions with many Nigerians who dismiss our experiences of race is this: a profound lack of empathy that takes the form of unwillingness to understand and share the pain of another, as well as a willful refusal to self-examine the tacit, but powerful presence of the racialized politics that already operates in their own society.
A lack of a direct experience of another’s pain is not the basis for dismissal, it is an opportunity to demonstrate empathy and, more importantly, solidarity. How can we have any meaningful pan-African, and indeed any other kind of, solidarity if we lack empathy for those whose experiences we do not share? Where would the world be if sharing a common experience was the first requirement for supporting another’s struggle? The irony which seems to be lost on Nigerians who choose to dismiss the struggles of their black sisters is that their country has a long tradition of supporting the struggle for liberation in Southern Africa’s minority white settler regimes. Just as Nigeria was preparing itself for independence in October 1960, the 21 March Sharpeville Massacre of 59 black South Africans protesting pass laws led the Nigerian public to pressure what would become Abubakar Tafawa Balewa’s government to condemn the apartheid regime. Two years later when Rolihlahla Nelson Mandela clandestinely traveled to Nigeria to get support for the armed struggle, he received it. The next year Prime Minister Sir Abubakar Tafawa Balewa declared, “We in Nigeria are prepared to do anything towards the liberation of all African countries.” Nigerians kept their word. By 1976, Nigerians paid from their pockets to support the liberation struggle through the monthly “Mandela Tax” on civil servant salaries paid into the Southern African Relief Fund (SARF). Young Nigerians, who had been moved by the plight of their South African age mates who had been killed in the 1976 Soweto Uprising formed anti-apartheid clubs such as the Youths United in Solidarity for Southern Africa (YUSSA) and the Nigerian African National Congress Friendship and Cultural Association (ANCFCA), voluntarily contributed to the SARF too. For twenty years Nigeria chaired the United Nations Special Committee Against Apartheid until South Africa finally achieved its democracy in 1994. By then, Nigeria had contributed an estimated US $61 billion towards the anti-apartheid effort.
When we talk of solidarity politics we must ask ourselves: What happens when we find ourselves as visitors to the houses of our brothers and sisters? What if we find ourselves permanent adoptees in their homes? How do we behave in our adoptive homes? How then do we respond to the fire in our sisters’ homes? When we do criticize our sisters do we do so out of love or out of contempt? A deep sense of empathy or superior dismissiveness?
The answer is critical.
Of late I think much about these questions, questions of racial and political solidarity, because I’ve recently moved to America and often have to remind myself that this is not my mother’s house. There are things I do not quite understand and must learn about this country. This is despite the fact that it’s a country I’ve always felt quite familiar and comfortable with as I shared in the long-held kinship and solidarity ties between black South Africans and African Americans. From Charlotte Maxeke and WEB Du Bois; Pixley ka Isaka Seme and Alain Locke; Es’kia Mphahlele and Langston Hughes; Miriam Makeba and Sarah Vaughan; Hugh Masekela and Miles Davis; Lewis Nkosi and James Baldwin to Keorapetse Kgositsile and Gwendolyn Brooks; Bessie Head and Toni Morrison; and Ellen Kuzwayo and Audre Lorde, black South Africans and African Americans have always had a way of understanding each other and helping each other through it despite coming up in different homes. When I was a teen developing my political consciousness, Biko’s I Write What I Like I read alongside The Autobiography of Malcolm X, Matlwa’s Coconut alongside Angelous’s I Know Why The Caged Bird Sings, Dangarembga’s Nervous Conditions with Morrison’s The Bluest Eye.
Unlike many Africans Coming to America, I have been black for as long as I can remember. I was black long before I came here. I did not need America to know that I am black. For this reason I often feel I relate far more easily to African-Americans than I do to my African sisters. Indeed, I’ve long stopped reading a certain type of African immigrant essay. It usually begins with, or includes the assertion that, “the first time I knew I was black was when I arrived in [insert Western country]”. It’s a favorite essay topic for liberal publications interviewing non-American black people. This essay “genre” would be useful if it were an entry point into a deconstruction of the fallacy of race as biological fact, but all too often all this simply ends in an exposition of what will become life-long indignation that the author could possibly be degraded to the status of black and rarely leads them to develop a broader politics of racial solidarity.
What is perhaps most frustrating about these Africans writing of their sudden awakening to the fact of their blackness is that they rarely fail to reflect on the crucial fact that their racialization as black people did not occur in the moment of (varying degrees of) voluntary migration to the West in the last few decades but centuries ago when the first Africans were forcibly taken to the New World as enslaved people. If we were, for example, to return to Soyinka’s Aké and look more closely at the landscape, we would be confronted with the fact that, while it may be unmarked by the tracks of segregating bulldozers, the terrain does bear scars of the many settlements and displacements wrought by the transatlantic slave trade’s destructive path. A closer examination of history would reveal that Ẹ̀gbá peoples founded Abẹ́òkuta amongst the protective rocky outcrops in the early 19th century as they sought a place of refuge from warring enemies, including the slave raiding kingdom of Dahomey who unsuccessfully invaded them in the mid 1800s.
It is also true that that very same landscape bears the marks of many other complex settlements and displacements, conquests and defeats which over time has defined how Nigerians might imagine themselves. Long before the British, Nigeria suffered its first wave of colonialism by Arabs who wiped out cultures and instituted the Arabic way of life chiefly in Northern Nigeria. Within the arbitrary border drawn up by the British, the Nigeria of today contains multitudes. Be it in total number – more than180 million people. Or sheer ethnic diversity – more than 250 ethnic groups. The largely middle class Nigerian writers, students and artists I have read and spoken with over the years about the race issue do not represent the full and highly complex picture of larger Nigerian identit(ies) and histories. Indeed, for many, Nigerian identity in and of itself is still up for debate. For many Nigerians, their first consciousness might be as Yorùbá, Igbo, Hausa or any of the other ethnic groups. Aspects such as religion, class and gender further shape the contours of this consciousness. In the end, the tensions between the many Nigerian national consciousnesses are the reason behind conflicts most tragically exemplified in the Biafran War. In a highly unequal society, class wars between the ruling, middle and working classes would also shape much of the Nigerian identity writers bring to bear when they Come to [insert Western country]. How an undocumented working class Nigerian will approach American race relations will likely be different to how a multiple passported middle class Nigerian will do. As a friend told me of his own experience as a working class Nigerian poet in America, those working class Nigerians, particularly with no papers, long accustomed to the experience of operating at the margins of society even in their home countries, would not only likely find it easier than their middle class counterparts to grapple with the kind of marginalization blackness confers in the West but, find it easier to empathize with and stand in solidarity with the racial struggles of their hosts. (We get something of the impact of class difference in recent African immigrant fiction, where for example, the Princeton-going Ifemelu of Chimamanda Adichie’s Americanah and the Ivy League family of Taiye Selasie’s Ghana Must Go (who would very easily fit Selaisie’s Afropolitan tag) take on American racial politics in ways very different to the asylum seeking limousine driving Jende Jonga of Mbolo Mbue’s Behold the Dreamers and Darling, the undocumented preteen of NoViolet Bulawayo’s We Need New Names.)
This complexity of identity is true of many other African countries also suffering the consequences of arbitrary colonial borders, nonetheless, it’s still troubling that the African writers making claims about blackness as only “discoverable” in the West are speaking as though the racialized understanding can only come as a result of experience. More than ever, before we can only no longer say we are unaffected by racial consideration no matter where we may be located because its shapes and contours are beamed to us daily through our screens (and, long before that, if we cared to really read each other, that is, with a deep sense of empathy, we would know the pain of our sisters’ homes intimately). It seems a disingenuous claim. It’s one thing to say they may not have experienced it directly but to say they are not aware of racial subjectivity and subjection is willful ignorance and a lack of emotional and political imagination. These are writers after all: does that mean that everything they write about they have experienced or have familiarity with it? The question is what is the political purchase or utility of making such a declaration? Why are so many of these writers seemingly so apolitical around race politics and deliberately refuse to understand these basic ethics of solidarity and instead bask in the glory of individuated reward of model minority?
For all my familiarity and ease with American racial politics, I constantly have to remind myself that this is not my mother’s house. What I mean by that is that I am a newly arrived “cousin-sister” to the house built by my African American sisters and currently occupied by white Americans. For all the similarities black South Africans and African Americans share, there are important differences between a white-dominated white majority country and a white-dominated black majority country, and so, perhaps for some time, I should keep quiet and observe how and why things are done as they are in the house before I begin to pounce with my declarations on how best to do things.
Long before I moved to America, my years as a Zimbabwean born African living in South Africa since I was three years old taught me something of the political ethics involved in making a home of my sisters’ house. (To be clear, I claim both South Africa and Zimbabwe as my homes). Among them is to understand that the cardinal rule for white nations is that everybody always loves somebody else’s n*gger. It is why the French will welcome African Americans in France, while shunning Francophone Africans and Arabs. It is why white Americans will welcome (documented) Africans while shunning African Americans. It is why white Australians will welcome Africans while shunning Aboriginal Australians. In response to this, the foundational rule is that wherever you find yourself in the world, in whosever house you find yourself, it is your duty to align yourself with the struggle of the oppressed in that country and actively resist being used to undermine that struggle. Abiding by this duty is made possible by having the humility to understand that if it weren’t for the very struggle you might feel inclined to dismiss (because you have yet to understand it), you would not be able to make a successful life in your adoptive country in the first place. Likewise, it is your duty to actively seek an understanding of the historical context of your sisters’ historical and current struggle, so that you aren’t liable to the popular ahistorical and decontextualized myths about their conditions you will encounter outside of your mother’s house.
During my brief stint in corporate South Africa, I once had a lunch with my (non-black) boss who praised me as a model black as he bemoaned the (black) South Africans workplace performance by throwing around statements that are not uncommonly used by the Zimbabwean community in South Africa: “[Black] South Africans are uneducated, they don’t like school.” Too often I’ve heard fellow Zimbabweans, who take pride in our supposed status as Africa’s most educated population, glibly agree with white South Africans that black South Africans “don’t like school” and are “uneducated.” When we do this, we dismiss history and we dismiss context. Despite my growing political consciousness, I hadn’t developed a politics of solidarity that could grapple with the anti-black roots of the South African xenophobia (as I’ve since done here and here) that myself and many foreign-born nationals experienced and so I didn’t use my knowledge of the country’s history to rebut my boss’s claims about black South Africans as I should have. I should’ve told him that while black Zimbabweans also suffered a colonial education system, it did not reach the degradations of the apartheid government’s Bantu Education system which not only tribalized education and destroyed the mission education system that had produced the earliest generation of nationalist leaders such as Mandela and Mangaliso Robert Sobukwe, but was explicitly designed to teach black students to be, in the words of the grand architect of apartheid Hendrik Verwoerd, “hewers of wood and drawers of water”. I should have told him about black South Africans who demonstrated that they “don’t like school” by, for example, getting banned from teaching Es’kia Mphahlele as did a result of his activism and losing their lives, as hundreds of Black Consciousness Movement inspired high school students did during the 1976 Soweto Uprisings against the introduction of Afrikaans as the medium of instruction. If I had a sufficiently developed politics of black solidarity at that time I would have told my boss not to use my example as a second–generation university graduate, (curtsey of post-independence state sponsored loans and bursaries that made it possible for mission educated black Zimbabweans like my parents to have a tertiary education) to perpetuate falsehoods about black South Africans’ educational achievement.
Had I been more knowledgeable, I might have taken something from the example of the late Nigerian-American anthropologist John Ogbu who actively sought to disprove racist myths about the academic achievement gap between racial minorities in the United States, where Nigerians are the most educated population group in the country, often held up as a “model minority”. Ogbu’s seminal research demonstrated that cultural differences alone cannot account for differences in achievement, arguing that in the American context, one of the key reasons “voluntary minorities” such as Nigerian-Americans tend to outperform “involuntary” or “caste-like” minorities such as African Americans is because they lack the “historical baggage” that leads them to develop to an oppositional position to the dominant white American culture. This lack of “historical baggage” puzzlingly leads to an ahistorical attitude among highly educated African immigrants who bemoan the “laziness” of their African-American counterparts and seem unable to acknowledge the important history of black struggles for the very education they enjoy. The ahistorical attitude sees them unable to acknowledge the contribution of historically black colleges and universities to African American advancement, the tireless campaigns that pushed through Brown vs Education Board, or the brave black children who faced jeers, spit and death threats from children and adults alike to desegregate the very institutions they now excel in.
Ogbu’s example is a useful counterpoint to the kind of anti-black falsehoods contained in the late African Sun Times publisher Chika Onyeani’s 2000 best-seller Capitalist Nigger: The Road to Success, a Spider-Web Doctrine. Onyeani’s book did the rounds in the South Africa of my teenagehood, a time when much of white South Africa began to kick up a fuss about the emerging black middle class and then President Thabo Mbeki’s Black Economic Empowerment (BEE) policies – not because they were truly invested in a leftist or black radical critique of BEE’s neoliberal “trickle down economics” that have not addressed the fundamental questions of post-apartheid economic justice and redistribution, but because it was money in undeserving black hands. In this contested climate, Capitalist Nigger spurred much debate for its central argument that black people are an unproductive consumer race who must mimic Asians and adopt what he calls a “spider-web doctrine. Long before the debates about colonialism set off by Things Fall Apart (shockingly, our first set work by a black African writer) in our final year of high school, the national debate set off by Onyeani’s book found its way into a discussion between my white schoolmates and I. Without the tools to meaningfully engage the subject many of us teens eagerly parroted the book’s many pseudo self-reliance arguments such as this: “Blacks are economic slaves. We are owned lock stock and barrel by people of European-origin … I am tired of hearing Blacks always blaming others for their lack of progress in this world; I am tired of the whining and victim-mentality. I am tired of listening to the same complaint, day in day out – racism this, racism that. It’s getting us nowhere.”
Aside from the many inaccuracies Onyeani relied on to make his arguments, he leaned heavily on tired racial myths and stereotypes. As the infamous keynote speaker at a Black Management Forum (BMF) conference held in Johannesburg in October 2005, Onyeani drew on stereotypes of “lazy blacks” and “successful and entrepreneurial Indians” to infamously “critique” the state of black economic transformation eleven years after the end of apartheid saying: “The black middle class in South Africa must study what has happened in the 52 African states and also in India. You are not only middle class but also black intellectual class. The African renaissance demands that we purge ourselves of this parasite. You don’t have to be parasitic on the rest of society because you feel you are entitled. I don’t want us to mortgage the future of our children for a quick-fix economic solution.”
Ironically, the conference session was chaired by Xolela Mangcu, a South African scholar and biographer of Steve Biko and his politics of black self-determination. Mangcu, a long-time critic of Onyeani’s economic gospel, reminded Onyeani that India’s success in the world economy, particularly in the United States, was the result of generations of the wealthy class preserving and passing their wealth on. Importantly, in the US where people of Indian descent have the highest per capita income, this had nothing to do with India achieving independence in 1947. Within India itself, he went on to point out, there is a huge wealth divide that leaves the majority dirt poor. After Mangcu cited several academic sources to support his claims, Onyeani retorted: “Our intellectual class likes putting forward ideas which other people have written.”
We could all too easily dismiss Onyeani’s “original ideas” if there weren’t the likes of US-based Nigerian Booker Prize shortlistee Chigozie Obioma to take on the mantle of bootstrap race “analysis” in a more sophisticated manner. A few months before the 2016 Aké Festival Black Lives Matter panel, Obioma saw it fit to make his intervention into the debate as the wave of protests over the murders of Alton Sterling and Philando Castile in July 2016 engulfed the United States. The thesis of Obioma’s Foreign Policy op-ed titled “There Are No Successful Black Nations” is that “the core reason why black people have remained synonymous with the denigrating experience of racism. It is, I dare say, because of the worldwide indignity of the black race.” This argument is tolerable enough until Obioma pulls an Onyeani by insisting that “Black elites and activists across the world have adopted a culture of verbal tyranny in which they shut down any effort to reason or criticize us or black-majority nations by labelling such attempts as ‘racism’ or ‘hate speech’.” To bolster his argument, Obioma makes a familiar appeal to “[g]reat men like Marcus Garvey, W. E. B. Du Bois, and Malcolm X” who understood that “the future of their race could not be advanced by endless protests or marches of “equality” or “justice.”
After dismissing the necessity of protest in struggle, Obioma goes on to hold up his country of birth Nigeria as an example of an African state on the brink of collapse because of a “culture of incompetence, endemic corruption, dignified ineptitude, and, chief among all, destructive selfishness and greed.” While these are undeniable contributing factors, Obioma’s argument remains shallow as he fails to nuance it by speaking, for example, to the continent’s historic underdevelopment (see, for example, Walter Rodney), nor the history of Western nations undermining democracy by intervening and propping up the very dictators he bemoans (see, for example, the CIA’s declassified documents). The net effect is an argument with an unfortunate lack of analysis of power, political economy and history echoing Onyeani’s, that black people should shut up about their oppressions and simply pull themselves up by the bootstraps.
This Soyinka-esque impulse to wade in and pounce on debates on the racial struggles of their sisters is as baffling as it is laughable. If it is that the impulse comes from the sense of superiority derived from having “never experienced racism”, you would think that our Ethiopian sisters, the only ones amongst us all to have never been colonized, would be pouncing all over race debates too? Surely they would be the loudest and most biting in their dismissal of the protests of their colonized sistren? Much in the same way that I do not expect white people to have well developed racial politics, I do not expect Nigerians I come across to have well developed racial politics. It is, quite frankly, guilty until proven innocent.
I borrow this essay’s title from British-Nigerian journalist Renni Eddo-Lodge’s best-selling Why I’m No Longer Talking to White People About Race because I do believe that my Nigerian sisters have the ability to engage racial politics meaningfully. It’s just that a significant number choose not to. And when they choose not to engage meaningfully they usually choose to do it loudly. In response, I choose to engage “Africa’s Giants” at their level by borrowing from the famously combative style of the (Black Arts Movement) inspired Bolekaja intellectual tradition championed by the notorious troika of Chinweizcu Ibekwe, Ihechukwu Madubuike and Onwuchekwa Jemie. Since you will not be quiet my Nigerian brothers and sisters, Giants of Africa, bolekaja! Come down from your glass house and let’s fight! Come down and let’s fight about this thing we call race.
Redeeming Nigerian Tigritude
Just before I traveled to the 2016 Aké Festival, my first experience of Nigerian “Tigritude” took place within the Johannesburg consulate in which the low-grade international diplomacy war between South Africa and Nigeria plays out. It was there that I first encountered the decidedly abrasive and confrontational manner that is an adjustment for many of us in Southern Africa who tend to be more indirect and polite (although we can never match the “Pole, Pole” of Zanzibaris).
As I sat waiting for my turn for my visa to be processed, a white man turned up. He demanded to speak to the manager. With the arrogance typical of white South Africans in their dealings with black South African civil servants, the white man rolled out his best “Where is your manager routine?”. The Nigerian civil servant he was shouting at to look up from his desk and reply calmly, “I am the man”. The white man continued to shout. The Nigerian manager rose to his full height. He reprimanded the white man like he was his schoolboy. As a headmaster does, he finished his dress down of the white man by instructing him to sit down. He would serve him when he was ready. The white man did as he was told and thanked the manager for his time.
Having suffered many South African queues in my lifetime, I can almost certainly guarantee that if a black South African manager had decided to defend their dignity, they would do so by first declaring that they are a proud black person and on that basis would not allow themselves to be treated by a white man in this way. The ordeal might have lasted longer, drawn in more people and unlikely have ended with the white man expressing his gratitude for the black man’s graciousness. While it is true that the manager’s booming voice and imposing physical stature already gave him an unfair advantage, I can say almost certainly that it was his Nigerian “Tigritude” that allowed him to summarily dismiss the white man’s temper tantrum, not necessarily because he was a racist oyinbo (which he almost certainly was), but simply because he was a client with bad home training behaving badly in his house. Negritude? Tigritude!
I will never repeat these words anywhere else, but let it be said here: sometimes it is only Nigerian arrogance that can successfully stare down white racial arrogance. With a little more sobriety, I use this example to argue that there is indeed much to be gained for black people all over the world in having the most populous black nation be one in which black people walk tall and do not cower in the face of white supremacy. The trouble is when that confidence veers into the kind of loud and dismissive arrogance that it so often does.
Aside from the late Ogbu, there are many other Nigerian academics, writers, artists, and intellectuals such as Bibi Bakare Yusuf, Olu Oguibe, Ashley Akunna, Hakim Adi, Biodun Jeyifo and Moses Ochonu who have engaged with the subject of race with that rare combination of rigor and empathy, using their Nigerian experience as an opportunity to build and not to undermine broader black struggles. They act within Nigeria’s long tradition of supporting black struggle. Since Nigeria’s independence in 1960, individuals (including Soyinka himself), movements, organizations and the state played an important role in Southern Africa’s liberation struggles against white settler rule. Along with the Frontline States, Nigeria was actively involved in the negotiations, embargoes, boycotts, and economic sanctions that eventually brought an end to official apartheid. Shortly after the recent passing of Okwui Enwezor, a son of Anambra whose groundbreaking work in the art world demonstrated a fierce commitment to a radical ethics and politics of black and pan-Africanist solidarity, African American artist Hank Willis-Thomas hailed him as a “true titan”, saying, “I once asked how he was able to walk into so many spaces being the only one and accomplish so much radical change with such poise. He replied simply, ‘It’s because Nigerians are Fearless.’”
If Nigerians want to be the true Giants of Africa and, indeed, the world, they must walk it with the empathy and humility befitting of a true politics of black and pan-Africanist solidarity. If instead, you walk as giants blind to the pain and the struggles of your sisters, your presence only serves to destroy the work done by others instead of elevating us all to new heights.
Editors note: This essay was originally published in Africa as a country with the title, Why I’m no longer talking to Nigerians about race.
Nairobi: The City That Was Never Meant to Be
7 min read. OWAAHH and JOHN KAMAU explore Nairobi’s evolution from its humble beginnings as a railway depot to its present status as the nation’s capital.
More than a century ago, a brash and mostly racist decision created a small tin shack town in the middle of a swamp. Then the town became unstoppable.
The first men and women who landed in Nairobi probably considered the brackish swamp land perfect. The area was picturesque, with hills in the horizon and rivers crisscrossing the plains. While the swampy land was not suitable for farming, and certainly not for settlement, it was perfect for grazing.
For the Maasai and the Kikuyu, the plain was also a meeting ground, cutting between the highland farming community in Central Kenya and the nomadic community in the Rift. For the Kamba and other traders and adventurers, it was the easier part of the journey. The Maasai called it Enkare Nyorobi, ‘the land of cool waters’; other names for the land seems to have evaded history books.
The colony’s vanguard also saw it as one of the easy stretches of a long, much more arduous journey to the Western parts of what would become Kenya. The treeless plain was also curiously empty, particularly on the lush parts towards Central Kenya. They wrote of ‘Nyrobe’ in their letters home, a name which, in a short time, would become the name of the capital of a new country.
It was not empty or deserted though; it was occupied, just not permanently. And even less at that point because smallpox and a few other epidemics had cut down the populations of many Kenyan communities.
In 1896, builders of the Lunatic Line set up a small supply depot and a camp on the plains. The original boundaries of what is now Nairobi were for “the area within a radius of one and a half miles from the offices of the sub-commissioner of the Ukambani Province.” There was no plan beyond that, and Nairobi was merely one in a chain of such supply depots. The railhead reached Nairobi, the small supply depot between Mombasa and Kampala, in 1899.
With it, a new future began.
A cultural melting pot
The railway management picked Nairobi to be their railway headquarters. But this seemingly arbitrary decision that would put the builders at loggerheads with the colonial government did not involve any proper assessment of the site. Public health would be the key issue in those early years, with the lack of proper drainage making the new town the perfect breeding grounds for epidemics.
But the railway engineers did not see Nairobi as becoming anything more than an Indian township which, they argued, could “prosper in spite of unsanitary conditions and chronic plague.”
As more people settled on what had become the railway headquarters, a pattern emerged. Europeans settled to the West, Asians to the Parklands side, and Africans to the East. But segregation laws would not become codified until 1908, after yet another bout of the plague. Within the first five years, what had been a sparsely occupied swampy plain was now home to 10,000 people. After Mombasa, Nairobi was now the cultural melting pot of the young British colony.
The railway management picked Nairobi to be their railway headquarters. But this seemingly arbitrary decision that would put the builders at loggerheads with the colonial government did not involve any proper assessment of the site.
With government funding and rich entrepreneurs like AM Jeevanjee, who had made a fortune supplying material and labour to build the railway, a town sprouted from the swamp. The richest man in Kenya at the start of the 20th century, Jeevanjee would later go on an investment spree, building the first law courts, the original Nairobi Club, the first building that housed the National Museum, and many other buildings.
Before the railhead reached Nairobi, the central economic activity for the young town had been big game hunting. By 1900, the town was a single street, driven by commerce as Asian railway builders settled in tin shacks on the plain. Beyond that street “lay the swamp where frogs lived every night at dusk they used to bark out their vibrant chorus and spread a cloak of deep, incessant sound over the little township” as Elspeth Huxley writes in White Man’s Country. The frogs formed part of the ecosystem, providing a rhythmic croaking during the calm nights of a budding young town. It was free music, if not poetry, but it freaked out public health officials.
A public health hazard
Doctors were particularly concerned about the hazards the soggy grounds carried. At 1,750 metres above sea level, colonialists thought Nairobi’s temperate climate would limit the development of malaria-carrying mosquitos (an oft-repeated myth, most notably in Al Gore’s An Inconvenient Truth). It didn’t, and not just because the soggy grounds allowed pools of stagnant water to collect. Malaria would thrive in the new town, with 14,000 new malaria cases reported in Nairobi in 1913 alone. But malaria was just one of many health concerns that made doctors want the small town moved to higher ground.
In 1902, the small town faced its first major public health problem. An epidemic of the dreaded bubonic plague erupted along Indian Bazaar. With no sanitation or municipal plans, the main street at the time had played host to rodents, and the animals had in turn brought in the plague, killing several people. The plague was diagnosed by the enigmatic zebra-riding Dr. Rosendo Ribiero. The Medical Officer, Dr. Alfred Spurrier, ordered the entire street burnt. Everyone was evacuated, and Nairobi’s first CBD was torched.
This was probably the point in history when the situation could have been salvaged and the young town moved, but that didn’t happen. Instead, lethargy and bureaucracy resulted in a status quo.
At 1,750 metres above sea level, colonialists thought Nairobi’s temperate climate would limit the development of malaria-carrying mosquitos…It didn’t, and not just because the soggy grounds allowed pools of stagnant water to collect.
In May 1903, Dr. Moffat, a principal medical officer of the East Africa and Uganda Protectorate, called Nairobi dangerous and defective. After another plague in 1904, he recommended relocating residents to modern-day Kikuyu Township. But Moffat left in April 1904, and his successors held the costs of relocation too high.
On 18 May 1906, Sir James Sadler, commissioner for the Protectorate, wrote to Winston Churchill, Undersecretary of State for the Colonies, complaining about the emergence of Kenya’s capital: “…at the commencement of the 1902 plague…the then-commissioner, Sir Charles Elliot, was strongly of the opinion that the site, which had been selected three years before by the manager of the Uganda Railway without consulting medical or sanitary authorities, was, with its inadequate drainage, unsuitable for a large and growing population. [It is a] depression with a very thin layer of soil or rock. The soil was water-logged during the greater part of the year.”
The letter further reminds Churchill of the 1902 recommendation to move the city “to some point on the hills.” Sadler told Churchill this was a critical point in Nairobi’s history; that his predecessor had said: “…when the rainy season commenced, the whole town is practically transformed into a swamp.”
But the Board running the city decided instead to try drain the swampy bazaar area.
Six years before, in 1898, a 25-year-old man called John Ainsworth had disembarked from a ship at the Port of Mombasa. He was an employee of the colonising company called the Imperial British East African Company, and was ambitious to make a career for himself. Before that year ended, he travelled from Mombasa up to Machakos, and into the tin shack town called Nyrobe. He built his house at Museum Hill to found the colonial administration, much to the chagrin of influential railway builders. Eager to make the swampy plains work, he planted Eucalyptus trees on the swamp to drain the water. Ainsworth’s legacy remains to date, with most of his efforts being the only reason why more and more parts of the swamp could be occupied.
Nairobi continued to develop quickly and Sadler finally threw in the towel: “It is, I admit, too late to consider the question of moving the town from the plains to the higher position along the line some miles to the north. We had a chance in 1902, and I think it was a pity that we did not do so then as advocated by Sir Charles Elliot.”
But even Sadler did not anticipate the growth – eightfold since 1969, from 500,000 people to 4.4 million today. He said Nairobi would never become “a city like Johannesburg or a large commercial centre, for if there is a rapid development of industries or minerals in any of the new districts, the centres would spring up around them.”
Churchill accepted this idea and made the final decision: “It is now too late to change, and thus lack of foresight and of a comprehensive view leaves its permanent imprint upon the countenance of a new country.”
The colonists had given up, and the town they had once thought would only be occupied by Indians became the centre of the new colony. It would take another six years for the Nairobi Sanitary Commission to be appointed, by which time the city was home to thousands of people. The swampy grounds would pose challenges for builders, medical officers, and town planners.
From tin shack town to city
Settlers like Ewart Grogan believed that the Europeans should have occupied the area from Chiromo up towards and past Westlands. They could then leave the lower plains and its tin shacks to Asians and Kenyan natives. The plan never came to be as the influence of the railway builders carried the day, and by the time it became clear the city would grow, it was too late to move it.
In 1919, Nairobi Township became Nairobi Municipal Council and the boundaries were extended. It would be extended nine years later to cover 30 square miles. Seven years after that, Jim Jameson presented a town planning report with great plans to plant Jacaranda trees. The tin shack town was well on its way to becoming a city, and the future generations of city fathers would have to find a way to deal with the thin layer of soil.
It hired a consultant in the mid-1920s, by which time the town’s economic importance made it a fait accompli. One colonial officer wrote that the new plan was ambitious, but until it bore fruit, “Nairobi must remain what she was then, a slatternly creature, unfit to queen it over so lovely a country.”
More than three decades later, when it became the official capital of a new country, Nairobi still did not have a blueprint.
The initial stubborness of the railway engineers trumped those of the colonial government and its health officials. For that, the latter would pay dearly, facing many epidemics and having to dedicate finances to further drain the swamp. Most of the swamp has now been replaced with skyscrapers and road networks, with insufficient footpaths, drainage and leadership.
The colonists had given up, and the town they had once thought would only be occupied by Indians became the centre of the new colony.
More than a century after its unlikely birth, Nairobi is home to more than 4 million people. The city still reminds that it was once a swamp where rivers criss-crossed at will. One pending idea, which has been revived in the Building Bridges Initiative (BBI) Taskforce report, is to grant the city special status as a capital city. It would mean Nairobi will not have a governor, but the report hopes that it would not “impede the rights of the Kenyan people to representation at the ward and parliamentary levels.”
In this scenario, only a special status would allow the central government “the means to provide the services and facilitation necessary to maintaining as a capital city and as a diplomatic hub.” Whether that’s likely is a toss-up, but whoever runs it will always face the same problems as its first city fathers. Indeed, the city that was never meant to be, and probably should never have been, is now the epicentre of the Kenyan economy and society.
Perhaps the time is ripe to ask ourselves whether Nairobi should be the epicentre of Kenya, because today, amidst the floods raging in the city, poor drainage and the chaotic streets, Nairobi leaves much to be desired as a capital city and is still an unfit slatternly creature to queen over the country, despite what the BBI report claims.
I Transact, Therefore I Am: A Case for the Humble Marketplace
13 min read. OBY OBYERODHYAMBO explains why ordinary markets, which sell innovative products derived from our cottage industries, also act as purveyors of our culture while presenting a unique solution to the economic, health and environmental challenges facing us.
At the risk of bringing the wrath of philosophers upon me, I wish to borrow from the famous maxim cogito ergo sum by French philosopher Rene Descartes – which translates to I think, therefore I am – to define present humankind: I transact, therefore I am. This is no way a reification of consumerism, or a deification of capitalism, and how the market has become definitive of our era; it comes from a deep observation of the single thing that defines us humans today: markets and trade transactions.
Modern civilization is premised on structures and systems that make trading and legal transaction possible. There is no community that does not have markets and that does not have market systems for legal transactions. All communities frown upon any exchange that is not transactional; that is simply called theft.
Though humans have preferred to distinguish themselves from other animals on the basis of their rationality, what really defines us is interdependence – the realisation that we need each other in order to survive, and that we basically cannot do without one another. This common human need for the other transcends the individual to communities and embraces entire nations. Even the most individualistic eccentric, with delusions of self-sufficiency, quickly realises the mutual need humans have for each other, and the primacy of structures for transaction. Nations maintain diplomatic relationships on this principle, and despite the dominance nature of the global powers, forums, such as the United Nations General Assembly, are ideally supposed to be an equitable marketplace of ideas where both the powerful and the not so powerful, the wealthy and the financial minions exchange and interact. The most basic transactional platform is the marketplace.
A while ago, while pondering this piece, I sought opinions from several professionals. I needled them to reflect on the state of markets in Kenya. Each one, without exception, responded by focusing on the financial, stock and commodities markets. My interlocutors were not all economists or engaged in the financial sector; in fact few were, and this is the poignant point.
In the psyche of most people, the “market” is conflated to mean local and international stock, bond, securities, forex and derivatives markets. Few think outside this frame and the managers of our economy are guiltiest on this score. It is not surprising that there was a look of utter surprise when I revealed that the market I was interested in was the kawaida or ordinary market – the soko, chiro, ndunyu that is the massive open air market teeming with kawaida people in Karatina, Kongowea, Gikomba, Muthurwa, Toi, Kapsoit, Luanda, Kibuye and many other places. The livestock markets in Suswa, Koriema, Lubao and Kibokoni that specialise in cattle, goats, dogs and fish, respectively, and the MwembeTayari, SokoMjinga, SokoMoi, Marigiti, Mbero and Rongai markets that have acres and acres of farm produce strewn all over, usually displaying the most unhygienic handling. Even Village Market, Maasai Market, or Kariakor that specialise in curios or material culture, but which are basically outlets for tourists to purchase memorabilia and trinkets, and which hardly provide a forum for engagement with our rich material culture.
Once the surprise faded off their faces, each one was challenged to ponder why it is that the kawaida (ordinary) markets were rendered invisible in discourses around GDP, economic performance and human resource deployment, whereas there were millions of individuals directly or indirectly engaged in markets as traders, service providers and clients. Why is the ordinary market, with the potential to provide the impetus for innovation that would provide much-needed employment for the youth, totally ignored?
In the psyche of most people, the “market” is conflated to mean local and international stock, bond, securities, forex and derivatives markets. Few think outside this frame and the managers of our economy are guiltiest on this score.
The challenge extended to questioning why the resilience of the kawaida markets to sustain the social and economic well-being of communities is not factored in our economic growth models. Why is it that though the monies that circulate within kawaida markets is significant there does not seem to be a fair estimation of it in our economic projections?
I was also most intrigued by the human interaction and the resultant social and cultural dynamics evolving around markets, but found scanty studies on the phenomenon. I further pushed my respondents to think of the reasons that led to the waning in prominence of markets that in the past were important meeting points for communities and their commodities. Today these markets have become totally eclipsed by virtual markets that serve the interests of a minority. Corollary to this is what is lost when these interactions fizzle out. Markets must have created social cohesion premised on co-dependence. Language and common practices evolved to ensure the harmony upon which markets thrived. The intercultural interactions gave rise to multicultural creative and expressive forms.
Angela Ka-yee Leung et.al, in a study published in American Psychologist, empirically demonstrate that exposure to multiple cultures in and of itself enhances creativity. They argue that the extensiveness of multicultural experiences greatly enhances creative performance, as well as the creativity supporting cognitive processes that make an individual more creatively versatile. Cross-cultural exposure, such as what kawaida markets provided, increased the capacity for creativity, invention and innovation.
A confluence of needs and cultures
The centrality of markets in African life can be appreciated from the mention of markets in African literature and even in songs. Activities on designated market day, and at the market are pointers to such significance as proverbs like “Every marketplace has its own madman” denote. Any authentic work of African fiction invariably has a market scene. The marketplace facilitated more than simple economic engagement; it allowed people from diverse communities to interact and exchange. In exogamous communities, market day was an opportunity to forge future romantic relationships. It could be argued that the marketplace was the dating sites that pre-dated the digital era.
Actual markets, in contrast to virtual ones, are physical spaces that evolve to enable transactions between buyers and sellers. There is a confluence of needs: the needs of a seller with commodities to dispose of, and the needs of a buyer who lacks the commodity on sale. Each is driven to the market by their needs. The existence of markets underscores a reality that no individual, community or region is self-sufficient and therefore must transact. A description of the evolution of Dagoretti in Nairobi as a significant meeting point between Kikuyu farmers and the pastoralist Maasai shows how markets fostered both co-existence and rivalry: “19th century Dagoretti was part of the rich food- producing Kikuyu country and was populated with Maasai and Kikuyu people as it lay on the edge of Maasai country. Kikuyu farmed sugarcane and banana among other crops, while Maasai kept cattle. The two groups cohabited and their lives together ebbed between trade and raid.”
“Ebbed between trade and raid” meant that even as they had a transactional relationship, there were times when they would raid each other. This notwithstanding, there was still a strong relationship between the two communities that allowed for social interaction and cross-cultural mingling.
Kisumu, the third-largest city in Kenya, evolved from a marketplace as the Kisuma name suggests. Sumo is a food security strategy practiced by the Luo where regions that have not enjoyed a good harvest would visit relatives in food-secure regions to borrow grain. In subsequent seasons, the favour would be returned.
The knowledge that those with bumper harvests today might face hardship in the next season entrenched the interdependence. What is today Kisumu was a central place that allowed for transactions between different communities around Winam Gulf all the way to the hills of Nyangóri to Nandi Hills and the present day Kericho. Many towns in Kenya have evolved from such humble transactional markets.
On market days, communities were brought together and even hostile neighbours managed a truce to allow for transaction. An important aspect of these transactions is that there arose between the traders an in-between population and language. Languages of commerce also emerged and these elements of culture ensured that there was social cohesion, if not total harmony.
Kisumu, the third-largest city in Kenya, evolved from a marketplace as the Kisuma name suggests. Sumo is a food security strategy practiced by the Luo where regions that have not enjoyed a good harvest would visit relatives in food-secure regions to borrow grain. In subsequent seasons, the favour would be returned.
The para-linguistic nature of the communication between neighbouring communities would be a fascinating area of intercultural studies. Picture a conversation at the Lubao market in Western Kenya between a dog seller and a dog buyer. What attributes of the canine would the seller extoll in order to secure a deal? Each context is unique. For instance, a goat seller in Koriema in Baringo or Kiamaiko in Nairobi, or a cow seller in Suswa, or even a fishmonger and the buyer at Jubilee Market in Kisumu wishing to purchase a specific species of fish develop their own transactional language.
In many Kenyan livestock markets, there is a distinct bargaining method used to arrive at consensus on a price. The seller and the buyer shake hands while mentioning a price and as long as the price is not agreed upon, the hand is let go. This is repeated several times as the two parties haggle to reach a middle point, and once the negotiated price is mutually arrived at, the handshake is held; a deal has been arrived at. Only after this does money and the livestock change hands.
What is demonstrated by this shared common culture and the rules of engagement are two subtle messages: that the parties are equal and that the transaction is negotiated to the satisfaction of both parties. No one leaves the deal feeling like they have been shafted. This is important because social cohesion must be maintained even after the deal is done. This is a far cry from the skulduggery that defines trade outside of the kawaida market where kickbacks, price-fixing, price variation and other unscrupulous practices are the nature of the transactions.
The existence of markets underscores the centrality of equality between the two transacting parties. Both parties must be willing to acknowledge a “deficiency” – something they lack which the other party has. The transaction only works because the buyer has something of value which they offer to the seller in exchange for the desired product. The transaction is only successful if there is a mutual agreement on the equivalence in value of the transacted items. There is an inherent danger if the parties have no consensus on the value of the transacted items.
Another factor of the market is that the interaction between the parties must be premised on a malleability – a willingness to evolve new identities, characteristics and behaviours. No one leaves a market in the same state as they entered it. Since it is a platform for exchange, markets therefore exist on the principle of fairness – both parties in the transaction must agree that the exchange satisfies their notion of equivalent value. In order to arrive at this mutuality and symbiotic co-existence there must be ways in which cooperation and understanding is built and maintained between the two parties. There are shared values that arise from the familiarity between the sellers and the buyers. This cordial relationship promote an ethic of quality products and honest exchange.
Markets are, therefore, an indicator of whether an economy is productive, or has been rendered purely consumer-oriented and parasitic. Whereas the stock, bond, securities, forex and derivatives markets might not reveal the underlying inequalities, the kawaida markets cannot hide the extent of symbiotic co-existence between parties.
Goods available on the market is indicative of what a region produces and consumes, and this balance or imbalance immediately exposes the power dynamics between these communities, nations or regions. The kawaida market is the platform where local contextual everyday problems find solutions. Whether the challenges emerge from energy, water, food security, health or climate, the solutions can only be invented, innovated and made available at the local kawaida market. The local stock exchange will not be able to reflect and respond if a community is facing an energy crisis and the locals cannot boil their githeri or fry their mbuta. Neither will the forex market respond to a water crisis where women have to travel miles to get the precious liquid for their families. Nor can the bond market respond to the food security that might threaten a region when army worms have invaded their maize farms. The securities market cannot respond the to the health challenges caused by malaria. The need to develop innovative solutions actually rests in the kawaida market.
Kawaida markets as hubs for innovation
William Kamkwamba’s story has been immortalised in a film titled The Boy Who Harnessed the Wind. In 2001, Malawi, his home country, was facing a terrible drought, and the subsequent famine was made worse by abject poverty. Imported maize from Tanzania was highly-priced and the desperate locals could not afford their staple nsima. Disaster was imminent.
William, 14 years old at that point, was meant to transition to high school, but his family could not afford school fees and he had to drop out of school. The farming community he hailed from faced a series of combined problems: poverty, food insecurity, unpredictable climate and erratic rain patterns, poor educational infrastructure and unsustainable eco-unfriendly energy.
Markets are, therefore, an indicator of whether an economy is productive, or has been rendered purely consumer-oriented and parasitic. Whereas the stock, bond, securities, forex and derivatives markets might not reveal the underlying inequalities, the kawaida markets cannot hide the extent of symbiotic co-existence between parties.
Driven by the desire to solve his community’s problems, William, inspired by diagrams in a Physics textbook in the local library where he sought refuge after dropping out of school, sought to build a windmill that could generate electricity that could be used for pumping water for irrigation of their farms and also provide lighting and charge mobile phones that a few in their community-owned. Once he built his windmill from discarded scraps from a junkyard, and managed to generate enough electricity to power his family’s radio and a few light bulbs, it can be said, the rest is history. His innovation was scaled up and a water pumping windmill was built that could enable irrigation as well as light up the village, the local school and provide a model for others to copy throughout Malawi. William went on to recruit many other young Malawians into building windmills to solve the problem of lack of sustainable energy, reliance on rain-fed agriculture and resultant poverty.
A few years ago, at the height of the Hyacinth menace in Lake Victoria, Kisumu Innovation Centre (KICK) came into the picture by innovatively using hyacinth to produce paper, ropes and other materials with the weed. The moment of glory for their innovations came during the memorial service for the late Nobel laureate Prof. Wangari Maathai when it was revealed that the unique casket in which her body lay was manufactured by KICK from hyacinth. It is in this eco-friendly casket that she was cremated. The young men and women at KICK responded to the local problems of youth unemployment, environmental degradation, and poor garbage disposal by promoting the recycling and re-use of waste to create environmental sustainability.
Prof. Wangari’s decision to opt for cremation, and to cap it off in a hyacinth casket, showcased two levels of innovative thinking: it made the point that trees need not be cut down to build coffins, and it also challenged people to adopt more environmentally-friendly body disposal methods using eco-friendly solutions. When one thinks of the number of trees felled just to build caskets, which are used just for a short while before ending up being buried in concrete vaults, the hyacinth casket is nothing short of genius.
There are 4.4 million disabled people in Kenya and 67 per cent of these are unemployed and living in poverty. For those who cannot afford basic wheelchairs, their movement is restricted and some end up wasting away. A young Lincoln Wamae decided to tackle this challenge by making electric wheelchairs. He collects most of the parts from junkyards and assembles the motorable wheelchairs. He says that he began his innovations as a hobby and it has now evolved into a thriving business. He obtains the batteries from old discarded laptops and by so doing is actually contributing to solving the problem of e-waste. His lithium-iron powered wheelchairs have made these life-changing gadgets available to those who would only have dreamt of them.
Prof. Wangari’s decision to opt for cremation, and to cap it off in a hyacinth casket, showcased two levels of innovative thinking: it made the point that trees need not be cut down to build coffins, and it also challenged people to adopt more environmentally-friendly body disposal methods using eco-friendly solutions.
The same can be said of Simon Karumbo who has made a 100 per cent solar-powered vehicle. He responded to the challenge of youth unemployment as well as climate change and energy challenge by innovating on energy-saving solutions. He controversially went ahead to invent a bed that generates energy when animated activity is performed on it.
Innovation is not only in technology-based solutions. Every market in Kenya has a section where the vibrant trade in second-hand clothes happens. There are usually heaps of clothes neatly segregated by type to allow for easier picking. There is even some level of specialisation: shirts, trousers, ladies’ clothes, children’s attire and shoes.
The mitumba traders traverse the county with bales of clothes worth millions of shillings. They hire thousands of youth as clothes sellers. Young men and women sell second-hand clothes in a well harmonised promotional sing-song, urging buyers to explore the displayed wares. “Ni ya leo, ni ya leo, akina baba, akina mama, ni ya leo ni ya leo.” This translates to: It’s today’s fashion, for men and women. It’s today’s item.
The youthful traders have innovated marketing strategies based on an intimate knowledge of their clients’ needs. The youthful sellers, aware of the desire of their clients to purchase the latest fashion trends, use their singing to reassure buyers of the contemporariness of the fashions. At a certain point they tease the buyers by telling them, “Chagualeo, chaguasasa, kuonanakushikashikani bure, kubebandiopesa”, which translates to: Look and touch [items on sale] is free and one only pays if they wish to carry an item away [buy].
The sing-song promotion is picked up by the hundreds of sellers and engulfs the entire market in a well-choreographed performance. At its peak, it’s reminiscent of a pantomime and the sellers even wear some of the clothes on sale to add colour; cross-dressing is common. It reminds one of a Bollywood film segment. In an environment where marketers are competing with multiple sellers, the innovative, attention-grabbing pantomime works more effectively than giant billboards or loud-hailers.
Potential for a thriving cottage industry
Innovation by the youth has demonstrated that there is a great potential for a thriving cottage industry-based economic growth model that will also provide thousands of jobs. A cottage industry is a small-scale, decentralised manufacturing business often operated out of a non-designated industrial complex or purpose-built factory. Cottage industries often focus on production of high-skill, labour-intensive goods as opposed to mass-market items.
Today cottage industries seek to serve a market looking for original hand-crafted products as opposed to mass-produced, name brand products. In the past, items that found their way to the kawaida market were products from cottage industries. The clay pots, the wicker baskets, leather bags and other household items had a long supply chain that ensured employment for those who dug up clay, kneaded it, moulded pots, fired them and those who transported them. The supply chain of a papyrus mat standing at a market is even longer and includes people harvesting papyrus in boats on floating islands.
Beyond that, the cottage industries maintain a link to traditional artisanal skills passed on from one generation to the next. Cottage industries are responsive to emerging challenges. I recently witnessed some young artisans in Holo Market in Seme repairing handles of pangas and knives using discarded plastic. Anyone who has bought the mass-produced Chinese farming implements know how vexing the short life of their handles are. The youth who once worked in metal foundries, collect the plastic, and then melt and mould it into a handle that will probably outlast the implement.
In many markets today you will encounter young men and women pressing (using innovatively made blenders) and selling fresh sugarcane juice blended with ginger, lemon and mint. Every seller has arrived at a unique recipe and this nameless cocktail is drunk more than the mainstream juices or carbonated drinks. There are those who blend vegetable juices and even groundnut juice laced with omugombera. Mondiawhytei an indigenous tree that acts as an appetiser, breath freshener and is rumoured to be an aphrodisiac. There are refreshing juices made from a combination of all manner of fruits and vegetables.
Innovation by the youth has demonstrated that there is a great potential for a thriving cottage industry-based economic growth model that will also provide thousands of jobs.
In parts of the coastal region, there are the signature cassava crisps, the sweet potato cakes and biscuits from Kabondo. There is a young entrepreneur in Kisumu who is rearing and promoting edible crickets that are added into wheat dough to make highly nutritious biscuits. There are many more innovations in the kawaida markets that are solving local problems, as well as providing solutions to global challenges, such as environmental degradation and climate warming.
There is a colonial hangover in the way that modern African economies perceive markets that is constantly receiving push-back from the innovators. The fixation with stock, bond, securities, forex and derivatives markets while ignoring the markets where a majority of the citizens have developed innovative approaches and ingenious solutions to local as well as global problems is counter-intuitive, counterproductive and inimical to development.
Kawaida markets, which sell the innovative products derived from our cottage industries, also act as purveyors of our culture while presenting a unique solution to the economic as well as the health and environmental challenges facing us. The stock, bond, securities, forex and derivatives markets are important because these open us up to a global economic system, but the space in which we transact our livelihoods is the kawaida market where the traders and buyers meet.
A thriving innovative hub connected to local markets provide platforms for creative solutions to the world’s needs while offering the youth a livelihood. Communality and social cohesion is built premised on the mutual need for one another and fairness is the ethic that guides transactions in kawaida markets. What defines us humans is that we transact: we do so in recognition of mutual needs and inter-dependence, and we negotiate seeking a fair exchange from each other. We transact, therefore we are.
‘This land is broken.’ Reflections on Changing Perceptions of Morality in Capitalist Societies
8 min read. To claim that society is in moral decline is a misnomer, argues JORG WIEGRATZ. Instead, we need to note that the moral structure and moral grammar in society is in fact changing under the weight of capitalistic forces shaping society.
“We develop new principles for the world out of the world’s own principles. We do not say to the world: Cease your struggles, they are foolish; we will give you the true slogan of struggle. We merely show the world what it is really fighting for, and consciousness is something that it has to acquire, even if it does not want to.” Karl Marx, Letter from the Deutsch-Französische Jahrbücher to Ruge (1843).
The state of morals in contemporary society, especially regarding money and business matters – i.e. issues to do with earning a living, hustling, putting food on the table, surviving, making profit, hunting riches, acquiring wealth – is a popular topic in public columns in Uganda, Kenya and elsewhere. As highlighted in an earlier blog, a number of analysts’ diagnoses is that we are living in times of moral decline and crisis, as evidenced by widespread and institutionalised economic fraud and other malfeasances in the economy.
Here, I want to argue for a shift in analytical perspective. I want to analytically treat phenomena that are declared to be examples of moral decline (or alternatively, moral bankruptcy and immorality) as instances of something else – an ongoing and profound moral transformation in societies undergoing a comprehensive capitalist restructuring of their polity, economy and culture.
This analytical move implies that we forget for a moment the prognosis of a decrease, thinning out, or dwindling of morals and instead focus on changes of morals in the economy, shifts in society concerning what is regarded as acceptable and unacceptable economic practice, in particular, in the economic sectors, locations (markets, factories, banks, etc.), professions, and so on. And to be more precise, not just shifts regarding notions of acceptable/unacceptable, but also regarding what constitutes legitimate/illegitimate, right/wrong, good/bad, praiseworthy/blameworthy, proper/improper, or desirable/undesirable practice. Of course, you can replace practice with economic order, ‘economic relationship, economic processes, economic outcomes and so on in order to track moral changes in these matters too, but for practical purposes let us focus our analytical eyes on practice.
Daniel Kalinaki, a leading newspaper columnist in Uganda whose insightful analysis I eagerly read every week, recently wrote something to the effect that empathy is on the decline in daily life in contemporary Uganda. His column was titled “At what point does a society lose all sense of empathy? Are we there yet?” There are passages in it, such as, “An entire generation [of young Ugandans] has grown up parentless, valueless and mannerless.” The text ends with: “We are no longer raised by the village but by wolves. This land is broken. This society needs healing. Urgently.”
Arguably, Kalinaki (like other authors that run this line of analysis) writes as if there is indeed an end point concerning cultural decline, as if “all sense of empathy” can indeed ever be lost in a society of nearly 40 million people, as if people really grow up totally valueless, as if a society can really be broken, and, as if it is clear to the analyst when a society has reached rock bottom after which there is no further cultural decline i.e. the absolute end of empathy.
Arguably Kalinaki does not discuss moral decline as such but moral change i.e. a change concerning under what conditions, for what reason, how, to whom, and regarding what people show empathy in today’s Uganda. He, like columnist Yusuf Serunkuma, myself and others, is in fact an analyst of moral change in a rapidly changing country. A significant change in the moral climate in society intrigues us and we try to nail down the nature and causes of that change. In sum, we try to understand what it is that is changing, how, why, and to what effect. Perhaps, above all, we try to figure out how we got here.
Capitalism and its discontents
The spread and intensification of capitalism, as writers ranging from Karl Marx to Edward P. Thompson emphasised, brings cultural-economic change i.e. shifts in dominant norms and values, notions of acceptable practice, boundaries of what is doable, permissible, normal, taken for granted and so on. These processes are conflictual; some actors want the status quo to remain, others want change. Put simply, capitalism, over time, makes the previously unacceptable practice acceptable, at least acceptable to the extent needed to spread, normalise, and routinise the practice. It alters what was previously regarded morally wrong, immoral, and abnormal into right, moral, normal. The unthinkable and outrageous becomes everyday reality and taken for granted moral taboos weaken and dissolve.
In short, capitalism forever alters the moral structure and moral grammar in society, especially with regards to the economy. Importantly, it doesn’t dissolve moral order altogether (“All that is solid melts into air…” as says the Communist Manifesto) but creates new moral new order(s), new orders of right/wrong, good/bad, acceptable/unacceptable, etc. That is why, analytically speaking, the moral decline/bankruptcy assumption is so restrictive; it does not allow us to identify, track and explain this ever-evolving order. It presumes that there is indeed a clear end point concerning the moral regression of humanity, whereas in reality the story of moral change is of moral order alterations on the planet that continue till we have arrived at the figurative “last man standing” moment.
The spread and intensification of capitalism, as writers ranging from Karl Marx to Edward P. Thompson emphasised, brings cultural-economic change i.e. shifts in dominant norms and values, notions of acceptable practice, boundaries of what is doable, permissible, normal, taken for granted and so on.
That said, many people – both professional and non-professional analysts – notice and comment on moral shifts on what is regarded normal and acceptable. For instance, some people, especially older generations who have witnessed and lived under somewhat different moral orders, say that the current norms (culture and moral order more broadly) are upside down. This is arguably a commentary on the large-scale socio-cultural processes that are unfolding in large cities such as Kampala and Nairobi. Of course, these shifts in moral order are generally highly complex processes, not necessarily linear, with various components and sub-components.
This includes changes in how people relate to one another, how they assess their own economic action and that of others, their relationship with money and wealth, and how they define ideas such as individualism, freedom, success, and power. This requires an (re-)assessment and de-/attachment vis-a-vis various social values such as achievement/personal success, enjoyment/pleasure, and self-direction (that serve individual interests) as well as group security, conformity to social expectations, concern for others’ welfare (that serve rather collective interests), and so on.
How did we get here?
Interestingly, in the 19th century Marx had already noted a point or trend that Kalinaki observes in 21st century Uganda. Marx wrote that only “bourgeois society, the society of free competition … [is characterised/constituted by networks of] individuals who remain indifferent to one another”. In other words, we are dealing with a change process that seems inherent to/characteristic of capitalist transformation, driven by larger, historical forces encompassing vast time-space zones.
The United States, the leading example of today’s capitalist market society, is usually a good ground to search for the latest (and sometimes most shocking) moral shifts in global capitalist civilisation and market culture. Just check out what goes on in terms of commercialisation of childhood there: the competitive beauty contests for young girls, the commercial shows, the business models around childhood. Children and teenagers are now on social media channels like YouTube and Instagram – not seldom, supported and cheered on by their parents – to market products and earn significant amounts of money.
The most cutting edge examples, the latest pushing of moral boundaries, is not just coming out of the US. It is only a matter of time, in my view, until the same marketing strategies (i.e. modern day child labour) will be used on Ugandan and Kenyan children. Ugandan artist Fresh Kid might well be the first Ugandan child to become an academic case study of that sort of commercialisation of childhood years down the road; the Ruparelia group, linked to tycoon Sudhir Ruparelia, has just started its relationship with the child (giving him a scholarship of the Ruparelia Foundation to start with).
Again, one key question for this and any case of moral-economic change under capitalism is: how did we get here? When did we start selling stuff to kids, making them (and their parents) objects of profit-oriented business strategies, and targets of relentless marketing campaigns? When, how, and why did we start selling kids unhealthy, health-endangering food that makes them addicted and obese?
When did we start telling people, and the poorest in particular, that taking a loan (i.e. being indebted) is a good, desirable thing? When did we start putting up commercial betting businesses and gambling shops in the poorest neighbourhoods? When did these practices become part of common sense i.e. morally acceptable? What changes in culture, politics and economy were required for these practices – and the underlying business models and ways of thinking and feeling – to become widespread and seen as normal (instead of abnormal and demanding outrage and protest)?
Again, one key question for this and any case of moral-economic change under capitalism is: how did we get here? When did we start selling stuff to kids, making them (and their parents) objects of profit-oriented business strategies, and targets of relentless marketing campaigns?
How did matters of economic and political power (i.e. specific class interests) drive this change? How did public disagreement, criticism, struggle and resistance of some groups shape and later change (but not entirely stop) these processes? When, how and why did we (or rather they – the powerful actors) make all the other unsettling, weird, dubious, shocking practices in the capitalist economy sufficiently acceptable and normal to become taken-for-granted routine practice? To ask these questions about moral change is to focus on the major enabling conditions, factors and actors that can trace and explain these major change trajectories?
The “sugar daddy” phenomenon
Against the above, let’s go to an illustrative example from the region – a recent report about sugar daddies in Kenya. In an exemplary fashion, it highlights the moral change process I am talking about here: “[In] Kenya, and in some other African countries, ‘sugar’ relationships seem to have become both more common and more visible: what once was hidden is now out in the open – on campuses, in bars, and all over Instagram…[We] have arrived at a point where having a ‘sponsor’ or a ‘blesser’ – the terms that millennials usually apply to their benefactors – has for many young people become an accepted, and even a glamorous lifestyle choice. Estimates suggest that about 20-25% of female students nowadays have a sponsor/transactional sexual relationship with an older man.”
Arguably, this “sugar daddy” phenomenon and related practices and underpinning morals did not exist in this particular way even three decades ago. Of course, this practice and related morals are contested and some observers will declare it all as immoral, a reflection of moral decline. But it is highly instructive to start seeing and studying these phenomena from a moral-economic change perspective, thus, identifying the drivers, the enabling conditions, and so on.
Importantly, note that this phenomenon has grown in other countries too, including in the UK and other “developed” countries (see here for an overview of sugar daddy websites and their instructive titles – e.g. Whats Your Price’, Established Men, Find Rich Guys’ Rich Meet Beautiful, Miss Travel).
One of these agency website notes: “In 2017, 100,000 U.K. students registered on Seeking Arrangement, which represented a 72 percent increase from the previous year, in order to find some relief from tuition, student loan debt, and other college-related costs. The presence of a monthly allowance and a financial arrangement adds to the allure of the lifestyle. Finding the right Sugar Daddy can help a Sugar Baby stay ahead of the game and get the education they need without the burden of a mountain of student loan debt.”
These days we even have websites that have “virginity for sale” to the highest bidder (google sugar daddy virginity sale for more details). Again, how and why did we get here?
When did we start telling people, and the poorest in particular, that taking a loan (i.e. being indebted) is a good, desirable thing? When did we start putting up commercial betting businesses and gambling shops in the poorest neighbourhoods? When did these practices become part of common sense i.e. morally acceptable?
The above phenomena reflect the dynamics of – and different takes on – the changing notions of morality with regards to earning a living, surviving, hustling, escaping poverty, making fast and easy money, striking riches, climbing the social ladder, managing economic pressures, and living different lifestyles in a world that is quite morally fragmented anyway.
In that regard, always keep in mind that what one observer might assess as a world or society with regressive morals, one that is in moral decline or crisis, another might assess that society as one experiencing moral progress (“We never had it better”, Things are improving”, “Let’s have fun”.)
Moral views these days are in some ways highly individualistic and personal, depending, amongst others, on one’s position, perceptions and experiences in economic life (and thus in economic hierarchy, class structure etc.).
Note that the above mentioned report about sugar daddies ends with a protagonist asking: “What is wrong about sex anyway?…People just make it sound wrong. But sometimes, it ain’t wrong at all.”’ There you go…
Politics1 week ago
End of Uthamaki? The Disillusioned Kikuyus
Culture1 week ago
The Boy from Tandale: The Rise of Diamond and his Wasafi Record Label
Reflections1 week ago
How to Write About Northern Kenya
Op-Eds1 week ago
Data Protection in the Age of Huduma Namba: Who Will Benefit?
Ideas1 week ago
I Transact, Therefore I Am: A Case for the Humble Marketplace
Podcasts1 week ago
Ratchetness and Bodily Freedoms
Cartoons1 week ago
Trump and the Call!
Cartoons1 week ago