Connect with us

Ideas

Who’s Laughing Now? Satire as a Form of Social Protest

Published

on

Download PDFPrint Article

Those of you who are my age or older might remember when the musician Eric Wainaina came onto the scene in the late nineties with his song “Nchi ya kitu kidogo.” For those of you who might not know the song, it was an attack against corruption in the civil service and a lament about the lack of public social services for ordinary wananchi. The song was a play on Kenyan code words for theft of public resources, namely “chai” (tea) and “kitu kidogo” (something small). In the song, the singer tells a woman, “Ukitaka chai ewe mama, nunua Ketepa (If you want tea, buy Ketepa [a famous local tea brand]), and tells someone else, “Ukitaka chai ewe ndungu, nenda Limuru” (If you want tea, go to Limuru [one of the tea-growing areas in Kenya]). The singer also boldly says to a policeman, “Ukitaka soda ewe inskpekta, burudika na Fanta” (If you want soda, refresh yourself with Fanta).

The song was fun to sing, because of its benga beat, and the fact that its theme was close to Kenyans’ hearts. The rhyming in Kiswahili (mama/Ketepa, ndungu/Limuru, inspekta/Fanta), made the song even more enjoyable. Not surprisingly, while the song was a popular hit among the people, it was not popular among politicians. In 2001, the BBC reported that Eric was almost prevented from performing the song at an event attended by the then vice president George Saitoti, but the public prevailed.

Later, I read an interview in which Eric recounted a true story about the impact of his song. There was a bus with high school students that was stopped on the road by the police, and the students began to sing “Ukitaka soda ewe inspekta, burudika na Fanta.” The police officers were infuriated, and promptly arrested the students who spent the night at the local police station.

Great satire often arises during times of great repression or moral decadence. The satirist is said to be disturbed by the contradictions between ideals and morality, on the one hand, and the reality of political and moral decadence, on the other.

The second funny element of Eric Wainana’s song that I’d like to mention is the comedy group Redykyulass, which performed some pieces in Eric’s album “Sawa Sawa” in which the song “Nchi ya kitu kidogo” appeared. I will never forgot what an impression Redykyulass made on us when it burst onto the scene in the nineties, with comedian Walter “Nyambane” Mongare doing his classical performance of President Daniel arap Moi, with lines like “na hiyo, ni maendeleo” (and this, is development).

Nyambane’s imitation of Moi has remained as fresh as ever. He is so good at parodying Moi that even less than a year ago, the Churchill and Jeff Koinange TV shows in Kenya and even government officials in charge of entertainment for the national celebrations, pulled him out of his posh Nairobi County communication director’s job to perform parodies of Moi, who has been out of power for almost fifteen years.

For me, these opportunities for Nyambane to still perform his Moi routine are interesting, not least because there is now a generation of Kenyans that does not remember, or has not experienced, the significance of Moi in Kenya’s public consciousness. And yet, Nyambane’s parody still has appeal.

Moi has been succeeded by two presidents. During their tenure, we have gone through major pleasant and unpleasant landmarks. We have had post-election violence and a government with a prime minister. We have had a new constitution that has given us counties and devolution, with a president who is still trying to run a tight hold on governors the way his mentor, Moi, held a tight grip on MPs and politicians. Many of the children who were born in the last decade of Moi’s rule are now over twenty. Laughing at a Nyambane routine today is like Americans laughing at Bill Clinton when there’s Donald Trump today, and George W. Bush and Obama in-between.

…while the catharsis of satire can soothe the pain of the audience, it often runs the danger of just providing catharsis without spurring the politicians or society to change their ways.

So why does Nyambane’s Moi routine still have a soft spot in our hearts? Why do we have no memorable equivalent today for Uhuru Kenyatta, for example? The answer to this question is tied to the nature of politics and satire. Before I get to that, I’d just like to go over a few basics about satire.

Basics of satire

Satire is a very delicate genre. What may make people laugh today may not make them laugh tomorrow if the social living conditions have changed. In fact, scholarship avoids discussing satire because the genre is very difficult to pin down.

Satire tells a story as an analogy, and through that analogy, the audience is supposed to understand that the satirist is referring to a particular element in real life. For instance, when all the NASA politicians portrayed on the XYZ show decide in which rooms of the house they will sleep, the analogy becomes a reflection of the intricate agreements that the principals negotiated to come up with a flag bearer. Because of its component of analogy, satire often doesn’t appeal to people outside the community who may not be familiar with the analogy.

Great satire often arises during times of great repression or moral decadence. The satirist is said to be disturbed by the contradictions between ideals and morality, on the one hand, and the reality of political and moral decadence, on the other. The satirist who uses humour to ridicule and criticise society or those in power is holding up a mirror to society to provoke it to change the situation. This means that the satirist must experience a level of indignation and moral impatience with the subject he or she chooses to satirise. We see this especially in Patrick Gathara’s and Godfrey Mwampembwa (better known as Gado)’s cartoons.

By laughing at parodies of Moi, we were able to distance ourselves from the man who had imposed himself on our lives.

Because satire attacks indirectly, the humour provoked by satire provides a way out for both the audience and the artist. When the audience laughs, it experiences relief, otherwise known as catharsis, which gives it a break from the pain of the absurdity of the oppression it deals with in real life. For the artists, satire provides a convenient cover in case they are attacked by the real-life targets of their ridicule. The artist can say to the target: “It was not about you; it was just a story.”

But the escape route that satire provides is a double edged sword; while the catharsis of satire can soothe the pain of the audience, it often runs the danger of just providing catharsis without spurring the politicians or society to change their ways. In other words, people can take refuge in satire to avoid demanding social change. When they laugh, they feel better, but they go straight back into the lion’s den for another bashing before they seek the next shot of relief through satire.

Although satire often does not provoke social change, politicians still fear it. For example, in the case of Ezekiel Mutua’s evident pain about being satirised in his fight to install a censorship bill, we have seen that the political class is definitely uncomfortable about satire. And people in power do have a reason to fear satire, because satire warns people of social rot or impending danger, keeps the people vigilant about those in power, and makes people ask questions. Satire also provides a sense of moral superiority, because those who laugh at satire feel morally superior to the leaders who oppress them.

We need to understand these elements of satire to grasp why the satire about the Moi era (or error) is still quite funny for us older folk.

Why satirising Moi was funny

Moi was our president for 24 years, so he left an indelible mark on an entire generation. More importantly, Moi was omnipresent in Kenyans’ lives. He was on the news every day; every news bulletin began with “Mtukufu, rais Daniel arap Moi, leo ….” (Today President Daniel arap Moi…”). Moi’s inescapable presence in our lives also meant that we had time to master his accent, his famous phrases and his mannerisms. So when Nyambane performed, there was an element of familiarity with the subject, and most of all, a shared communal experience. Nyambane’s routine provided us with an opportunity to reminisce collectively about a difficult period in Kenya’s history. But our laughter was also full sadness for the people who suffered under Moi’s regime.

Kenyan artists need to be wary about comedy that purports to fulfil the functions of satire. In fact, the expanded freedoms we earned from the struggles of the nineties have resulted in less sophisticated forms of satire. But does this limited form of satire mean that there is no repression, no exploitation, and no one to mock and ridicule?

As I’ve already indicated, the media contributed to Moi’s notoriety. It was not simply that Moi dominated the news bulletin on VoK (Voice of Kenya, which later became Kenya Broadcasting Corporation or KBC), but also that for most of the time that he was president, we had only one media channel. Unlike my generation, children today have not experienced a time when there was only one broadcast channel that went on air from 4pm to 11 pm during the week, and from 2pm to midnight over the weekends, with a brief shutdown in the afternoon. Moi was in our faces and ears all the time. We not only heard about him, we also sang songs about him like “Tawala Kenya tawala” (“Rule Kenya rule”). By laughing at parodies of Moi, we were able to distance ourselves from the man who had imposed himself on our lives.

Most important of all, making fun of Moi gave us a break from the repression of his regime, which was tangible. When Nyambane performed in the nineties, our laughter was more nervous than it is today. We knew that for having an opinion other than what Moi allowed, people could be assassinated, detained, tortured in the Nyayo House chambers or sent into exile.

One of the victims of that regime included columnist Wahome Mutahi, also known as Whispers, who was picked up from the Nation newspaper’s offices and detained for “whispering too loudly”. Laughing at Moi was a cardinal sin with life and death repercussions. So when we laughed at Redykyulass, or when we sang “Nchi ya kitu kidogo,” we were releasing decades of repression. It was relief, or catharsis, for us. And even now when I watch Redykyulass, I still feel that catharsis. Because the memory of that oppression remains very fresh for me.

Changing times

The Redykyulass model of humour, which even Daniel “Churchill” Ndambuki admits is the model adopted by Kenya’s comedy performances today, arose in specific times that have now radically changed. We now have the Internet and access to literally limitless media. We have a new constitution and more freedoms. We can criticise the president in public, and even to his face, and still go home and eat and drink with our families the same evening. And most of all, we don’t have a president for longer than ten years, so thankfully, we will never be as familiar with another Kenyan president as we were with Moi.

And yet Kenyan satire, for the most part, hasn’t changed. We are still mimicking politicians and the quirkiness of Kenyan society. Thankfully, comedians are now working on using less ethnic stereotypes than they did ten years ago, but there is still too much reliance on ethnic particularities for humour. And today, politicians are no longer as present on the live comedy stage. Even when they do appear, the comedy is based on mere imitation of the political personalities, but without an analogy of real, complex and disturbing socio-political issues.

I must admit that my knowledge of Kenyan comedy is scanty, but I have not seen, for example, good satire on marginalisation or gender discrimination in Kenya. I’m thinking of, for example, a skit on “mansplaining” that was done by Jimmy Kimmel and then presidential candidate Hillary Clinton that mocked the condescending attitudes towards women. Kimmel’s enactment of sexism impressively captured the impossible standards that women are subjected to. But that kind of performance requires an intricate understanding of the issues that women face.

“Incredulously, while we cartoonists struggled to bash politicians in the Kanu era, we’ve found criticising today’s political leaders tricky because they always rush to court. It’s a bit like they are the ones who are supposed to be the sole beneficiaries of today’s freedoms. They have discovered that they can sue.”

In the Kenyan context, for example, we do not have enough comic performances that capture intricate social issues that require commentary, partly because dominant public discourses in Kenya reduce artistic skill to raw talent. An exception is the XYZ show, which performed a brilliant skit satirising the racial politics of conservation by presenting a Maasai who settles in the UK to save British wildlife.

Without similar insights into the intricacy of social issues, the comedy that is now dominant in Kenyan entertainment will inevitably equate stupidity with ethnic peculiarities. And the comedy will rarely be satire, because the goal of the performance is simply to entertain and make people laugh, rather than to point out our moral weaknesses or political mistakes.

In other words, Kenyan artists need to be wary about comedy that purports to fulfil the functions of satire. In fact, the expanded freedoms we earned from the struggles of the nineties have resulted in less sophisticated forms of satire. But does this limited form of satire mean that there is no repression, no exploitation, and no one to mock and ridicule?

This question has actually become more prominent in the United States, especially with the election of Donald Trump. The comedy programmes mocking Trump have increased, and now America is experiencing the threat of comedy overthrowing authentic political discussion and engagement. And yet, comedy is part of what got Trump into power in the first place A few years ago, John Oliver thought that the idea of Trump running for president was so ridiculous that he offered to campaign for Trump. The media gave Trump free airtime because he was funny and entertaining. By the time the media and comedians realised what they’d done, Trump was on his way to becoming president.

And in the shock and despair, the American media has raised the amount of comedy on the airwaves. Even respectable channels like CNN have resorted to drama – bantering between the left and the right – as a form of political commentary. The problem is that comedy and melodrama do not engage citizens in authentic political discussions about their country.

For this reason, observers have started to ask whether mimicking and mocking Trump serves the social good any more. A few months ago, Emma Burnell wrote a piece in the British newspaper, The Independent, titled “Traditional political satire is dead – the people, not politicians, should be the butt of our jokes now.” She argued that political satire no longer challenges the establishment. Like in the case of Kenya, mocking politicians no longer has the shock effect it used to. Politicians are now more attentive to the people because they can be fired by the vote. Burnell argues that maybe it’s the people, not their leaders, who need to be mocked.

From Trump to Uhuru to Sonko, politicians tell us that they are the victims of oppression by the media, the international community or the government, and because we used to be the victims of the same, we believe we’re in the same boat as these politicians. But in reality, they’re screwing our hospitals and schools as they seek treatment abroad and send their kids to private schools.

I disagree with Burnell because I believe that satire should be reserved for those in power. Nevertheless, I concede her point that we the people are complicit in the current decay in our countries. But in Kenya, wananchi are complicit in this decay as victims, not as perpetrators. More than that, the fact remains that oppression has not disappeared; it has simply morphed. We have a president who is privatising our health care and education, who is destroying institutions by underfunding them and making professionalism almost impossible, and who is sustaining criminal impunity by subverting judicial processes and by allowing thieves of public funds to run for public office. The national debt has shot through the roof over a project whose value to Kenya is not evident. Surely satire should have something to say about these serious issues.

However, satirising these issues is not so easy because the oppression has become more subtle, even though it is more viscous. Oppression is now embedded in law and policy, while, ironically, politicians speak freedom using the metaphors of the poor. Take, for instance, politician Mike Sonko, who talks as if he is more oppressed than the regular Kenyan, and who takes his fight for the people to the streets through personalised rescue missions, rather than to through the corridors of legislature where he was elected to represent the people’s interests.

In an interview with Kimani wa Wanjiru a few years ago, the cartoonist Paul Kelemba, popularly known as Maddo, captured the irony of the powerful claiming the position of the oppressed and explaind its direct implication for satirists. Despite the increased liberties, said Kelemba, satirising is actually more difficult today for Kenyan artists than it was during Moi’s days. “Incredulously, while we cartoonists struggled to bash politicians in the Kanu era, we’ve found criticising today’s political leaders tricky because they always rush to court. It’s a bit like they are the ones who are supposed to be the sole beneficiaries of today’s freedoms. They have discovered that they can sue.”

Maddo highlights an interesting phenomenon of this neoliberal era: the politicians have now become the oppressed fighting for freedom. They join us on the streets, they come to hospitals to pay for the treatment of our wounds caused by the government, they intervene in distress, and they complain that the government is oppressing them. From Trump to Uhuru to Sonko, politicians tell us that they are the victims of oppression by the media, the international community or the government, and because we used to be the victims of the same, we believe we’re in the same boat as these politicians. But in reality, they’re screwing our hospitals and schools as they seek treatment abroad and send their kids to private schools.

Another example is that of the current reforms in education, which are so problematic. Until recently, the education cabinet secretary Fred Matiang’i could do no wrong because of his yet-to-be-explained purge of cheating in national examinations. It is, therefore, very difficult for Kenyans to complain about the education reforms, and it does not help that every time he speaks, he seems to be enforcing efficiency in the education system. However, listening to him, it’s very difficult to notice that actually, the cabinet secretary does not say much that is substantial. For instance, at the launch of the piloting of the new school curriculum, he used all the necessary buzz words about supporting schools and holding consultations on the reforms, but in fact, he never got to actually spell out what the reforms were. It is very difficult to point out these gaps without having to deal with accusations of being so “negative” and of refusing to support a hardworking minister. But in the midst of my struggles to explain why the reforms must be opposed, Gado, in a single cartoon, explained everything I had been trying to say.

It is clear that oppression has not reduced; it is simply wrapped in a new garment. This reality suggests that we must change the way we satirise. We can no longer rely on just mimicking politicians. So in these changing times, how can we satirise? How do we make fun of policy, or expose political wolves in sheepskin? How do we: 1) warn the people; 2) keep the people always vigilant against those in power; 3) make people ask questions; and 4) give people a sense of encouragement? These are the questions that satirists today have a difficult job answering, especially because they can no longer answer these questions in the same way that Nyambane did.

Support The Elephant.

The Elephant is helping to build a truly public platform, while producing consistent, quality investigations, opinions and analysis. The Elephant cannot survive and grow without your participation. Now, more than ever, it is vital for The Elephant to reach as many people as possible.

Your support helps protect The Elephant's independence and it means we can continue keeping the democratic space free, open and robust. Every contribution, however big or small, is so valuable for our collective future.

By

Wandia Njoya is a scholar, social and political commentator and blogger based in Nairobi, Kenya.

Ideas

Boda Boda Justice

Local and national institutions should move beyond perpetuating harmful narratives about boda boda riders and instead leverage their capacity to contribute towards grassroots processes of protection and justice.

Published

on

Boda Boda Justice
Download PDFPrint Article

We are all familiar with the idea that we, as people, plan, but those plans can be quickly altered by the animate and ever-moving process of life. On October 5th, I had a pretty straightforward plan for the day, and having an accident that could have taken my life was certainly not part of it. I was jogging along my regular route when, ahead of me, I saw a car turning into a wide driveway at great speed. I instinctively slowed down to allow the car to turn, only to be hit from behind by a motorcycle that had veered off the road.

Thrown into a ditch but fully conscious, I touched my head and felt it to be completely drenched. Before I looked at my hand, I readied myself for the eventuality that it was blood I was feeling, and that this could be my last day alive. To my relief, it was just mud. I slowly moved each part of my body, to find that I had no severe injuries. I picked up my glasses, stood up, and processed that I was, indeed, alive. A crowd quickly grew around me, with people asking me who to call, or whether I wanted go to hospital immediately. Through tears, full of adrenaline and in a state of shock, I insisted that I wanted to go home; I hadn’t jogged far. I got onto one of the many boda bodas that had gathered at the scene, and home I went.

Some 20 minutes later, as I was getting into a car with a family friend to be taken to the hospital, still in a state of shock and disarray, a boda boda rider approached me. He is a rider in the local area, so we were familiar with each other. He happened to have seen me leave for my jog before the accident, and was at the same place as I was being brought back, covered in mud and crying, some ten minutes later. He explained that he had been told what had happened, that he knew who had hit me and that he was willing to participate in a justice process. I won’t go into what I went through both physically and emotional here except to say that I had avoided a neck fracture and wore a brace for a few days to allow a slight injury at the back of my neck to heal. The shock took a few days to wear off, and I remain very aware of the fact that October 5th could have gone very differently.

However, what I learned from this experience is that there is an organized structure within the boda boda community that has the capacity to administer justice at the grassroots level, which the local boda boda rider wanted deployed. The episode highlighted the social, political and economic consequences of the way in which this working-class community is perceived by the wider society, and how Kenyan society could change for the better if these broad-brush and often negative societal perspectives were abandoned.

Several months before the incident, a group of boda boda riders had been recorded violently physically and sexually assaulting a woman whose car had hit one of them along Forest Road. The ensuing aggressive and outraged discourse across social media targeted the boda boda community and its collective culture. Given the nature of the injustice faced by that woman—an incident that I can only imagine would leave a person emotionally impacted long after the assault itself—the uproar, indignation, and anger of Kenyans was not misplaced.

What I learned from this experience is that there is an organized structure within the boda boda community that has the capacity to administer justice at the grassroots level

However, even with my limited experience of the country, I felt uneasy about the state’s knee-jerk reaction which was to take all boda bodas off the road in response to the incident. Firstly, I think that the culture of women being subjected to sexual violence as a result of men, or society in general, experiencing emotions like anger towards who they are and what they do has less to do with who boda boda riders are as people, and more to do with what patriarchy has normalized regarding how women should suffer the consequences when men get emotional.

Secondly, the dogmatic nature of the car drivers vs boda boda riders conversation on Twitter felt unfair. Months before the Forest Road incident, I had been part of a small group of people that had spent hours trying to help a boda boda rider that had been hit and badly injured by a car that had then fled the scene. Bystanders at the scene supported the boda boda riders pursuing the car in question, even though they were aware that he might be subjected to violence if caught.

Thirdly, I just couldn’t see where the post-Forest Road social media discourse was going and I was nervous to wade in with what, in the face of the national outrage, felt like a fickle personal opinion of a guest in the country naively suggesting “not all boda boda riders are…” I kept quietly to myself the thought that this just wasn’t who I had experienced the boda boda community to be. Not being a Swahili speaker, one of the ways in which I navigate new parts of Nairobi, and the country generally, is by locating the nearest boda boda stage if I need to ask for directions or for any other help. I have come to know boda boda riders in a way that the capitalist culture doesn’t allow you to get to know the service providers you engage with on a daily basis. But it would have seemed tone-deaf to contribute this experiences to the discourse at the time, although I was reminded of them again following of the October 5th accident.

Bystanders at the scene supported the boda boda riders pursuing the car in question, even though they were aware that he might be subjected to violence if caught.

Victor* the boda boda rider that approached me on my way to the hospital, is the security officer of the local boda boda riders committee. This is why, when he saw that I had been injured and learned that it was as a result of being hit by a boda boda rider, he made it his personal responsibility to advocate for me in a dialogue involving the police, the owner of the bike, the local boda boda community and the person who had hit me. This process lasted a week before I decided to stop pursuing the case because of the intimidation that Victor was facing from boda boda riders in the area. As the week unfolded, I was not only struck by Victor’s commitment to ensure that I obtained justice, but I was struck by his belief in the system that he was a part of and within which he was a leader, a system that I think many Kenyans don’t know exists, or if they do, aren’t sure of its purpose or its effectiveness. Even though in my case the effectiveness of this system was compromised because of the power relations between the owner of the bike and others in the local area, it has inspired me, time and time again, to see Victor organize and mobilize a grassroots system that he has played a role in creating, for the cause of community-based justice.

A few days after we stopped pursuing the case, Victor and I sat down for an interview. Victor, who is 26 years old, has been a rider in the area for just over two years. Prior to that, Victor had been working in personal and housing security. In his words, it’s because of that experience that he was encouraged to take on the role of security officer and was elected by an overwhelming majority. “First of all, you have to understand, when you see a boda boda rider, you need to know that he is not only standing there for the money. We are keeping an eye on our surroundings in order to keep it secure,” was how Victor began his response to my question about the specifics of his role as a security officer. He went on to explain that “When anything happens regarding boda bodas, a security officer is the first person that is asked, ‘What happened?’ It doesn’t matter if it is 1 am or 3 am in the morning; if there is an incident, I have to wake up and attend to the situation, to understand what happened, who was involved, and what process is required moving forward. If you consider my area, it is part of my job to know every corner of it and be aware of every person operating in my constituency.” Victor explains that each boda boda committee that exists per constituency has a chairperson, security officer, treasurer, and secretary. “As committees, we are known by the NTSA [National Transport and Safety Authority], local police, and local community elders,” he says. People can serve in these positions until they move on, there is no term limit, and, he adds, one does not earn more for taking a leadership position. Sometimes, a person who has received help from a boda boda rider or from the committee will offer compensation in the form of materials such as boots or jackets, or cash. “We also support people financially. If a driver needs to repair his bike because of a hit, or if he needs to pay for damages caused and can’t afford it, we can organize amongst ourselves to support the person affected and be repaid slowly,” Victor explains.

It has inspired me, time and time again, to see Victor organize and mobilize a grassroots system that he has played a role in creating, for the cause of community-based justice.

I asked Victor whether the level of organization that he was describing was present before the Forest Road incident. “After [that incident], measures got much stricter when it comes to registering with the NTSA. It used to be easy. You could talk to someone at any stage and you can start driving. Now it’s much more organized. There was the president’s order that this is the case, but even us, it is something that we took very seriously. You know, it causes you shame when someone from your community harms others.” When I asked Victor why he does this work, and why he pursued my case so vigorously, he shared the following moving reflections: “I didn’t study security or go past Form 2, but this comes from inside of me. I feel very good when I know that everybody in my surroundings is safe and secure. The only reason that I do this is because I care about justice and fairness.” Interestingly, towards the end of our discussion, Victor also described a brief encounter he had had with the recently elected Governor of Nairobi, Johnson Sakaja. “I told him that we need to know each other; he needs to know us guys and we need to know them.”

As an Oromo who is actively engaged in the liberation struggle going on in Ethiopia today, I cannot help but feel a connection between the way Oromo grassroots cultural and political processes and institutions interested in the administration of justice have been misrepresented by the political and economic elites (of all ethnicities), and the way the reality of the boda boda community’s collective life has been similarly unjustly misinterpreted. If local and national institutions could move beyond perpetuating harmful narratives about boda boda riders in order to keep them at the margins of society and use them as political scapegoats when convenient, they could play a productive role in empowering and resourcing this community’s capacity to organise for grassroots justice and projection.

“The only reason that I do this is because I care about justice and fairness.”

Speaking off the record (but giving permission to use this information on the record), Victor told me about a domestic violence dispute that he was able to safely intervene in because of the work he does as a security officer. The victim in question was over 30kms away from Victor’s station, but because he could identify her as a member of his local community whose safety he feels personally responsible for, he took effective action to protect the woman. Even if—like in any institution where power and people are involved—the security institution within the boda boda community is not perfect, it is one of the many ways through which grassroots processes of protection and justice can have a transformative impact where more formalized institutional processes fall short. There is great scope for the latter to be empowered by the former in order to achieve that which I think we all want: to live safely and freely.

*Name has been changed to protect the rider

Continue Reading

Ideas

Swahili Muslim Practices and Sage Philosophy

In his book Swahili Muslim Publics and the Postcolonial Experience Kai Kresse examines the dynamics of Islamic subjectivity in postcolonial Kenya and the myriad issues relating to the hybridized nature of postcoloniality itself in Africa.

Published

on

Swahili Muslim Practices and Sage Philosophy
Download PDFPrint Article

Indisputably, the Kenyan intellectual tradition is rich, varied and influential. Furthermore, much more is known about its modern intellectual practices than its ancient discursive traditions. Perhaps this is due to the widespread popularity of its contemporary literary artists and public intellectuals. Ngugi wa Thiong’o, Kenya’s foremost novelist and public intellectual exerts an arresting presence over most issues deemed distinctly Kenyan. And this is understandably so, given his remarkable productivity, range and resilience as an author. Ultimately, perhaps much less can be said of his late compatriot, Binyavanga Wainaina, who was an equally influential essayist, unconventional journalist and famed memoirist. Wainaina’s lauded memoir, One day I will write about this place is a lambent, often lushly written but also arguably frustrating personal account of modern-day Kenya. Wainaina was concerned with the transitional or even fragmented phases of the contemporary moment and his confessional role as a self-appointed spokesman on the larger national canvas. He wrote enticingly about the Kenyan urban lingo intriguingly called Sheng but failed to explore momentous historical events such as the anti-colonial Mau Mau rebellion or paradigmatic precolonial life worlds suppressed by the colonial intrusion.

Wainaina also implicitly advanced the view that the contemporary moment was all that counts, that all we needed to know about an undoubtedly complex nation such as Kenya was enshrined in the present. But of course, Kenya has far more to offer intellectually and culturally and this is why accounts such as Kai Kresse’s Swahili Muslim Publics and the Postcolonial Experience (2019) paint a deeper and more nuanced picture of the Kenyan intellectual tradition. Kresse, a German, ZMO Berlin-based anthropologist specializing in East African intellectual and philosophical traditions employs self-reflexive discursive strategies to complicate his positionality and the overall project of anthropology as a discipline. This makes his writings unusually refreshing and intellectually stimulating.

Kresse’s research into Kenyan intellectual formations spans three decades beginning with a work on sage philosophy published in 1997 and continuing to a monograph on philosophizing in Mombasa. In addition, his training as an anthropologist grants him perspectives and insights an ordinary philosopher would not only miss but perhaps would also not fully appreciate.

Kresse’s book is not just a close and intimate examination of the dynamics of Islamic subjectivity in postcolonial Kenya but also speaks to the myriad issues relating to the hybridized nature of postcoloniality itself in Africa.

The Kenyan coastals, marginalized by centuries of external rule either by the Portuguese, the British or by Kenyan upcountry domination, classify their current status as “double periphery”. The coastals claim they are marginalized within the broader Kenyan nation space and also within the specific Muslim configuration of their geographic location.

As such, they are forced to endure a form of silence. This silence and the accompanying encroaching sense of marginality speak volumes when compared, for instance, with the political dominance of the northern Islamic elites in Nigeria, or in the cases of Senegal and Somalia.

In Nigeria, the Hausa/Fulani oligarchy has dominated the country since independence and its overbearing presence is often considered an inevitability or a fait accompli. Minorities such as the Ogoni, Ijaw, Tiv, Nupe and so many other ethnic groups in both southern and northern Nigeria have had to contend with Hausa/Fulani hegemony. From a Nigerian and Senegalese point of view, it is difficult to imagine an Islamic minority in an African context agitating for its own political expression or survival when Islam is considered to be the religious faith of political and military elites. Unfortunately, in Kenya, Muslims constitute a minority and once again, such sociopolitical complexities attest to the hybridized dynamics of postcoloniality in contemporary Africa.

In Kenya, works advocating self-determination such as Regionalism: True Freedom to Save the Coastal People, penned and self-published by an anonymous former education officer, bring to mind the plight of the Ogoni under the inspiring leadership of Ken Saro-Wiwa or the Igbo under Chukwuemeka Odumegwu-Ojukwu during the Biafran/Nigerian crisis between 1967 and 1970.  The sometimes violent contestations between ethnic minorities and majorities to gain political freedom or control are also inflected by a religious coloration. The shifts and eruptions caused by political power are never exactly definitive but move instead like swings of a pendulum according to the imperatives of circumstance and history.

Kresse argues that Swahili Muslim intellectual culture in Kenya is rather well developed. Exclusively Muslim and Swahili communities often overlap, cross-fertilizing intellectual and cultural patterns and crisscrossing one another in a mutually reinforcing way.

The concept and broad understanding of humanness are key to fostering relations of mutuality, therefore affirming the essence and significance of the human. The human, just as in the Southern African concept of ubuntu, is realized in continual social acts of mutual recognition and acceptance. Rather than being an isolated being, or even more radically, a frank social fact, the human, in fact, is a being-in-social process, reinforced and re-enacted in a continuum of social acts and affirmations that lead to mutual recognition, validation and reinforcement. Thus the ultimate goal of the human in existence and by extension, within the community, is to seek the good within oneself, re-living it in everyday life and tangibly creating sociality through a continual implementation of its values.

Kresse eloquently explores the philosophical basis of Swahili Muslim understanding of the human and then delves into the specificities of the intellectual culture  it produced which turns out to be intricate, well-developed and ultimately, profoundly humanizing. It is a pity that continentally or globally, very little is known about this astounding intellectual culture. This culture also bears elements of political subversion, social discontent and self-determination which are expressed in narratives and counter-narratives of poetry (utendi) and radical political commentary.

The human, just as in the Southern African concept of ubuntu, is realized in continual social acts of mutual recognition and acceptance.

Kresse’s latest book, Rethinking Sage Philosophy: Interdisciplinary perspectives on and beyond H. Odera Oruka, co-edited with Oriare Nyarwath (2022), continues his focused exploration of Kenyan historic intellectual formations, this time, the discourse of sage philosophy, a form of re-configured folk philosophy popularized by the late pivotal modern-day Kenyan philosopher,  Henry Odera Oruka. Under the philosophical school known as sage philosophy, a presumably western trained philosopher identifies the invariably illiterate elders of a rural, ethnic community and attempts to collate the folk wisdom and critical reflections of that community regarding life, knowledge and metaphysics, which are then translated and rendered in a metropolitan medium. Perhaps what needs to be tracked are the conceptual and linguistic transitions inherent in these renditions and how they might be contributing to the (un)making of a new philosophical language. Gathering an impressive pool of Kenyan and international scholars, the Kresse co-edited book places sage philosophy at the centre of postcolonial philosophical thought while seeking to eschew the essentializing and frequently polarizing overtones of coloniality.

Once again, a tripartite epistemological structure becomes evident. Ali Mazrui had argued that Africa, and Kenya in particular, is defined by a triple heritage comprising an indigenous African tradition, a Muslim/Mediterranean influence and a Christian/western inheritance. In Kresse’s work, so far, another kind of tripartite discursive formation reveals itself; one marked by an Islamic intellectual history, an indigenous/endogenous philosophical system known as sage philosophy and then a western philosophical idiom and canon through which a folk system of thought is articulated and elaborated. Either consciously or unwittingly, Kresse’s project traces the contours of Kenyan social thought as they unfold within the often overlapping matrixes of Islam, indigeneity and westernity with evident conceptual continuity and singularity.

Exclusively Muslim and Swahili communities often overlap, cross-fertilizing intellectual and cultural patterns and crisscrossing one another in a mutually reinforcing way.

The current trajectory of Kresse’s work tends to shadow contemporary European thinkers such as the late German philosopher, Heinz Kimmerle and Dutch anthropologist/philosopher, Wim van Binsbergen who interrogate questions of interculturality, otherness and marginality—often from a multiplicity of positionalities and perspectives—while also seeking to unbundle the inheritances of their North Atlantic intellectual pedigree.

Kresse’s interest in the philosophical and intellectual traditions of Muslims in Kenya, has succeeded in unearthing systems of thought, social activism and instances of political resistance that complicate Kenya’s supposedly unitary Christian construct of itself.  And then his earlier work on sage philosophy, a largely Kenyan-spawned modern—perhaps Christian-based—philosophy tradition further complicates an already multi-layered national intellectual history and identity.

At the political level, there are also real existential entanglements to consider. Kenya, like any other colonial creation, ought to be viewed as a political and geographical aberration formed on the basis of a largely irrational colonial diktat. But like other postcolonial territorial anomalies-turned-miracles in Africa, it has managed to finesse its numerous irreconcilable differences into the improbable semblance of a nation.

The universe presented in Swahili Muslim Publics and the Postcolonial Experience invariably yields a philosophical and intellectual tradition that has been virtually ignored in current African philosophical discourse. And then, in investigating the ramifications of sage philosophy, Kresse’s work further highlights the significance and impact of a dominant Kenyan philosophical formation. Arguably, Kresse’s attempt to bridge a fundamental epistemological schism by amalgamating a minority Muslim discourse (Swahili intellectual practices) with sage philosophy is certainly a kind of epistemic project a Kenyan would ordinarily find impossible to execute. This is due to the ingrained and perhaps often insurmountable separations caused by fractious internal politics and differences. There is also an implicit epistemic holism in this project of intellectual reconstruction. But how much it serves Kenyans from a practical point of view is another matter entirely.

Continue Reading

Ideas

Thabo Mbeki and the Quest for an Independent and Prosperous Africa

An interview with former South African president Thabo Mbeki on 19 June 2022 presented an opportunity for Africans within and outside the intellectual community to raise issues around particular developments in South Africa and the continent following the end of apartheid.

Published

on

Thabo Mbeki and the Quest for an Independent and Prosperous Africa
Download PDFPrint Article

The quest for an independent and prosperous Africa spans several generations, continents, and themes. Notably, from the eighteenth century, people of African descent in Europe, America, the West Indies, and on the continent have been engaged in different variations of the liberation struggle to uphold their humanity, independence, and right to self-determination. After the triumph of the abolitionist movements over the menace of institutionalized slavery, Africa was again saddled with the task of dislodging an imperialist regime that wanted to perpetuate itself on the continent by every means available.

In most of Africa, colonialism produced various forms and levels of exploitation, deprivation, and shame—segregation. This prevalent atmosphere of injustice was to inform the establishment of resistance movements manifested in Pan-African coalitions and nationalist organizations focused on uniting Africans in a movement against the shackles of European imperialism. However, due to the varied nature of the colonial establishment around the continent, the successes of these liberation movements were also not to be attained uniformly. With the collapse of the South African apartheid regime in 1994 representing a close in the chapter of colonial oppression in Africa, the struggle for independence was drawn out in colonies like South Africa, Algeria, and to a lesser degree, Zimbabwe and Namibia, which had substantial settler populations.

After liberation came the task of nation-building. The process of post-independence nation-building has been arduous for most of Africa, a situation emphasized by the frequent occurrence of violent conflicts on the continent. Many of the challenges—such as international sabotage, corruption, marginalization, unemployment, conflict and diseases—identified as impeding growth and development on the continent can be tied to the problem of national cohesion around Africa’s “nation-states”. In the absence of a powerful overriding national sentiment, an array of competing ethnic/sub-national interests within Africa’s national boundaries—a by-product of Africa’s colonial past—has made it difficult for African states to present a united front against threats to their (individual and collective) socio-political and economic wellbeing. Hence, territorialism, ethnicity, racialism, corruption, and nepotism thrive and continue to undermine African efforts at political and economic independence and prosperity.

Former South African president Thabo Mvuyelwa Mbeki has been an avid campaigner for an independent, united, and prosperous Africa for over half a century. Born in South Africa to activist parents, Thabo Mbeki was inclined to join the struggle against the oppressive white minority government in 1955 at the young age of 13. With a passion uncommon among youths of his era (during colonialism), young Thabo became an active member of the youth wing of the African National Congress (ANC), the leading organization protesting the oppressive apartheid regime in South Africa. During his activism years in the ANC, Thabo’s diplomatic skills and commitment to the organization’s objectives gained him some recognition and provided an opportunity for him to serve in very important capacities.

In December 1994, after South Africa’s first elections under universal suffrage, Thabo Mbeki was elected unopposed as the ANC’s deputy president, a position that saw him serving under the nation’s first democratically elected president, Nelson Mandela. As a long-standing member of the ANC who served with and succeeded Nelson Mandela as the country’s president, Thabo Mbeki’s role in South Africa’s emergence as a continental model transcends the era of nationalist struggle to include the critical years of reconciliation, recovery, and reconstruction. Even after his tenure as South Africa’s president, Thabo Mbeki has maintained his commitment to the unity and development of Africa, for which he has continued to serve in different diplomatic capacities. Hence, an interview with Thambo Mbeki presented an opportunity for Africans within and outside the intellectual community to ask questions and raise issues around particular developments in South Africa and the continent following the end of apartheid (liberation). Leading with the questions was a select panel that included the duo of Prof. Paul Zeleza, the former Vice-Chancellor of the United States International University Africa, Kenya, and Naledi Moleo, a media practitioner.

While discussing the lessons the ANC learned from the liberation struggle and the challenges encountered in building a post-apartheid nation, Mbeki conceded that creating a new nation, especially after coming out of colonial oppression, was indeed an important challenge. According to him, the first political challenge confronting the new government was determining what kind of society it wanted to build, whether a one-party state or a multi-party democracy. This decision was particularly critical owing to a substantial settler population in South Africa and the high expectations held by an erstwhile oppressed majority. On its part, the government approached the task with two notable convictions. One, that there were no set ways to build a democracy. Two, that there were not going to be any quick fixes. Hence, in attending to the business of nation-building, the leadership made the informed decision to engage the people by communicating its policy decisions with them regularly and honestly so that they do not become disillusioned by the pace of development and withdraw their support.

The first political challenge confronting the new government was determining what kind of society it wanted to build, whether a one-party state or a multi-party democracy.

On the question of his proudest achievement at the age of 80, Mbeki spoke about the sense of fulfilment that came with being part of a successful liberation struggle against colonial oppression. He also explained that the South African struggle provided Africans, home and abroad, with a reason to unite under the belief that a free South Africa would further stimulate development processes on the continent. Mbeki added that South Africa has, within its capacity, made some contributions to Africa’s development challenge. However, he lamented that Africa had lost the respect it had from the rest of the world, which resulted from the agreement between Africa and the G8 countries in which the latter agreed to meet Africa’s development needs at its recommendation.

Reacting to the popular question of youth participation in leadership, and specifically whether there was any plan within the ANC to hand over the reins to a younger generation, Mbeki recalled his progressive rise within the party from a place of relative insignificance to subsequent positions of responsibility and authority. According to Mbeki, his emergence within the party was not the result of a “handing over” but a natural progression in rank. As young party members, their continued commitment to the struggle ensured they became the ideal candidates to fill vacancies when they arose. Thus, he advised that young people should develop strong youth organizations to address the challenges of poverty and unemployment in their communities. This way, they gain the necessary leadership experience and from their role as youth leaders gradually rise to become national leaders.

Mbeki spoke of the pressure of meeting the high expectations of people within and outside the country concerning the key challenges encountered while in office. Another source of anxiety for the new post-apartheid government, he said, was the fear of possible counter-revolutionary action by disgruntled elements within South Africa’s large settler population who did not believe in a new South Africa. The ANC government decided that a special political approach was necessary to guard against counter-revolutionary tendencies that could manifest either in the assassination of key ANC leaders or as attacks on critical infrastructure. Therefore, for political and economic expedience, they decided on a measured approach in implementing political and economic reconstruction programmes as symbolized by the party’s famed reconciliatory post-apartheid political stance, the systematic introduction of a wealth tax, and the gradual extension of social welfare packages like the child grants to otherwise excluded Black populations.

Speaking on the impact of the reform programmes implemented by the Mandela administration during which he served as vice-president, Mbeki drew attention to the challenges the government inherited from the old apartheid government, particularly the huge debts incurred in a final attempt to buy dissenting voices. Given this financial deficit, the government decided to implement policies to bring the population to a level of development sufficient to generate wealth for the country. Towards that end, the budget structure was changed to cut down on foreign debt while directing the bulk of the generated revenues towards human development programmes instead of debt servicing. Mbeki alluded that these changes induced some economic expansion based on an expanded workforce that generated the wealth required to maintain a certain level of spending on social benefits. The resulting economic growth recorded was maintained for some period until the disruption brought about by the 2007/2008 financial crisis which was caused by the collapse of US banks and from which the economy never fully recovered.

The ANC government decided that a special political approach was necessary to guard against counter-revolutionary tendencies.

Addressing the matter of the constitutional issues faced while in office, particularly what Naledi Moleo described as a sharp decrease in the popularity of the constitution, Mbeki pointed out that this was mostly a result of the disappointment that followed the government’s decision to follow the path of reconciliation instead of the expected retaliation for centuries of alien oppression. He went further to explain that the ANC government’s decision to adopt a constitution that provided for the rights of everyone living in South Africa (Black or white) was more than an immediate reaction to political exigencies—a peaceful and mutually beneficial coexistence had always been part of the party’s ideology. Moreover, this decision was thought to be best for the state’s progress and to prove wrong those detractors who doubted the (Black) government’s capacity to operate a non-racial and non-sexist system while addressing the imbalances of the past; Mbeki said these people believed South Africans were incapable of that level of sophistication. He also discussed ideas of pride in an African identity and African self-esteem, which had come under severe attack from colonial oppression, and of the systematic alterations made to the African person (identity), beginning with his name and progressing to other aspects of his being (culture), all in an attempt to create a subservient subject/population. Mbeki said these were factored into the liberation agenda, informing important elements within the drafted constitution aimed at rejecting the colonial legacy and recovering the people’s self-esteem.

Concerning the socio-political challenges encountered while in office, Mbeki explained that, with regards to HIV/AIDS, the government opted to come at the challenge from the angle of correcting the South African population’s immune deficiency to boost resistance to the virus. As for COVID-19, the biggest challenge was overcrowding, which made respecting safety guidelines difficult, and the inability of Africa to produce its own vaccines. Hence, while acknowledging that the government did relatively well in responding to these crises, he also conceded that more needs to be done in the area of medical research in Africa to counter such crises in the future.

Coming around to the subject of xenophobic attacks, Mbeki explained that South Africa’s Black population was very accommodating and that these attacks were orchestrated by the enemies of the state who wanted to see it fail. He insisted that the organizers of these attacks played on the economic insecurities of the average South African to achieve particular political goals, including attempts to destabilize the country and to influence election outcomes in Zimbabwe by terrorizing its migrant population in South Africa. He emphasized that these saboteurs must be identified and stopped as a matter of political urgency because they continue to threaten stability in South Africa. According to Mbeki, these people want South Africa to fail because it communicates a particular political message.

While acknowledging that the government did relatively well in responding to these crises, he also conceded that more needs to be done in the area of medical research in Africa.

Lastly, on the question of conflicts and the challenge of political instability on the continent, which also formed a bulk of the questions from the audience, Mbeki related this to a sharp decline in the sense of Pan-Africanism among Africans. In his view, this dwindling commitment to a pan-African ideal has also negatively impacted the capacity of the African Union (AU) to carry out the duties for which it was established. As it is, the AU boasts of mechanisms for early detection of conflicts, but how effective have these been in conflict prevention? How well has the continental body fared in its conflict resolution attempts? For these reasons, Mbeki called for a greater commitment to the pan-African ideal, hence the need for an African renaissance. For this renaissance movement to achieve the goals of development (modernization) and prosperity in Africa, it must have the backing of a committed and well-organized youth with the passion to see such a vision come to fruition.

Continue Reading

Trending