It is said that knowledge is a curse, but my knowledge of the dramatic arts was the last thing I ever expected to manifest this truth, out of all my skills. For those of us Kenyans who know how to read the mise-en-scene that is downtown Nairobi, the last few weeks preceding and during French president Emmanuel Macron’s visit have been interesting to say the least. But as a film director and scriptwriter, and I am sad to say I have witnessed a lot of terrible acting – a true mutilation of the theatrical arts upon the streets of the city. Still, I am not sure the practitioners of this travesty were aware of the fact that they were, to the trained eye, in terrible need of dramatic correction. The theatre show they produced was untitled, but I want to call it ‘These Are Not Your Streets – Part1’ and it has been showing on the street, right beside you, if you had the eyes to see.
Let me explain, but let’s make it interesting; What do the following three Kenyans have in common? A tall ‘msee wa kupima weight’ sitting silently and openly in the daytime along the Kenyatta Avenue pavement, his head lowered, all his attention on his phone as people pass him by. A sensibly dressed woman sitting on a tree stump on a Saturday, around lunch hour, chewing through a large roasted maize cob slowly and making no attempt to seek the shade of a nearby tree with a bench underneath. A sweet vendor out late, about eight thirty in the night, leaning silently against a lamppost where the shade hides the upper part of his body and only the sweets in the small bucket hang between his legs in the light. Well, can you guess?
For one, they are all doing things counter-intuitive to the nature of the jobs they are supposed to be doing. The msee wa kupima weight is not calling out to customers or nervously looking out for city council. Why? The woman on the tree stump is pouring sweat, and wiping it with a handkerchief, but not moving into the shade? Not even taking off her backpack? Why? And the sweet vendor, what’s up with that? That’s downright suspicious. At that time no one buys sweets from bus windows. At that time, even if a sweet vendor was leaning there, his little bucket would not be arranged for daytime. If I was directing that scene in a film and I saw that extra, I would yell ‘Cut!’ and send him back to the costume department for a makeover.
I’ll tell you what else they all have in common; they are all plainclothes police. The city has been on mini-lockdown these last few weeks. The oblivious and the privileged have probably not even noticed. But every young man from Eastlands, every street urchin, every hawker, every tout and bodaboda rider, every sex worker will tell you it has been perilous. It has been necessary to be able to read the stranger on the street and decide on the quality of their acting. If you failed to see all the bad acting happening around you, you might have found yourself in some terrible trouble. Ask the two matatu touts I saw at OTC, handcuffed by a plainclothes police officer who was dressed like an underground rapper, bling and torn jeans and all. At what point did they realize that he was not a rapper? When it was too late, evidently. Ask the young man I saw on Wednesday morning sitting near the Tom Mboya statue in downtown Nairobi, two bad actors standing over him, glowering down at his face as one searched his pockets. As I was walking away, I think I heard a slap. At what point, as they walked towards him, did he realise they were not going to a nearby office but that their office was the street, and he was their unfortunate business?
If the last few weeks have taught me anything, it is that everyone needs some knowledge of acting. At least, everyone needs to be able to differentiate the good from the bad. You see, even the real wajango –the ones who grab you and press a pistol in your back demanding your money and phone– even they usually need to ‘act’ a little in order to get close enough before they show their true colours. I have a feeling that that slight bit of theatre education might not only make us safer on our streets, but also that it will change the entertainment industry for the better. I don’t even blame the poor security officers, most of them must have been trying out theatrical roles for the first time ever. However, I request the government to invest a little more in the theatrical arts, if just because it seems to be such a critical skill for national security. God forbid those who want to harm Kenyans learn good acting first, right?
Now as a professional, and in general, I don’t trust bad acting. Even a good friend will sometimes fail the good acting test and often you discover that they were trying to lie or withhold some information in these cases, such as why they need to borrow money. But now comes the twist in the tale… I was careful all through the week to keep a safe distance from any of the bad actors, and lord have mercy, they poured the whole force into this theatre production without auditioning them. There were some terrible examples indeed. I saw a sweet vendor even ignore a mother and child. Sweet vendors love selling to children. I think the biggest factor of the bad acting that stood out was the simple ignorance of the real life of the character whose costume they had chosen to wear.
I didn’t think it through very well though. I should have remembered the other constant I have observed in most bad actors I have directed – they are often unaware that their acting is bad and are utterly convinced that they are the next Lupita. I should have seen it from their point of view. They must have sat and wondered, but how does he not fall for our marvellous acting? So instead of avoiding suspicion, I think I must have aroused it instead. But thankfully, they finally found a decent actor to send my way. On Tuesday morning, as I walked up the hill up State House Road to go to Pawa254, a short bespectacled old man, bald with white hair, was walking slowly up ahead. As I came up the road, he watched me wipe the sweat off my face and smoothly took the opportunity to start a conversation.
‘Kuna joto leo, eh? Kwanza kama uko na njaa ndio unaisikia vizuri.” (It’s hot today, eh? Especially if you are hungry, that’s when you really feel the heat).
I liked how smooth his improvised entry was and I am not a bad actor myself, so I smiled and decided to walk with him and chat a little about life.
‘Nikifika ninapoenda kwanza nitakunywa maji baridi ndio nitafute kachai,” I replied. (When I get to where I’m going, I’ll have to take some cold water and then look for tea).
‘Eh, yaani siku hizi kuna njaa. Ukiona jua imewaka hivi, jua kuna njaa.’ (Eh, these days there’s hunger. When you see the sun blazing like this, there’s hunger).
‘Kweli mzee, watu wamesota sana. Sasa mimi naingia hivi.’ (That’s true, old man. Now, I’m going to turn here).
At this point I was about to turn right into State House Crescent and he was still walking ahead of me. He made his first mistake then, he walked on as if he was still going up State House Road before turning again to follow me. I looked in his face and saw him take the mistake with the grace of a seasoned performer… I smiled. How did the police find such a great actor? I could use such talent for my next film. But now I was curious.
‘Kumbe ulikuwa unakuja huku kama mimi?’ (Oh, so you were coming to this place, like me?)
‘Eeeh, ninataka kununua sigara kwa hiyo duka ya mluhya.’ (Eeeh, I want to buy a cigarette at this kiosk run by the Luhya guy).
Again he was impressive, he had done some homework and knew that there is a small tuck shop by the gate of Pawa254 run by a relaxed old man called Stevo. I smiled. He didn’t seem rehearsed at all – a natural actor, but not on your screen. We walked together, discussing the economy, and the heat. When we got to the gate, I bought him a chapati at the kibanda opposite the shop. I told him I was now going to work and wished him well. And I walked away wondering if I had been going about the situation completely the wrong way. It seems, the better plan is to pretend you can’t see bad acting. Perhaps I simply should not be thinking like a scriptwriter or film director when I am on the street. Perhaps it is I who should be perfecting my acting on the street, playing the complicated role of ‘man-who-does-not-see-bad-acting’ as I walk among the throng. So for the last few days as Macron’s visit has wound up, I have attempted to relax a little more around the bad acting all around town. I must admit though, it has not been easy.
Truthfully, sometimes they did not bother to act at all. Some days – specifically from Thursday through to Saturday – it was like a badly directed dystopian horror film. I guess they were worried that there might be some trouble before and during the busiest dates of the UNEA summit. It was well into the very dystopian territory of ‘physical-presence-as-threat’ and violence hung heavy above every street like rain clouds, waiting for an excuse to pour down. I remember walking up Wabera Street from Mama Ngina Street and a burly gentleman following behind me for a few minutes, his nose barely inches from the back of my neck. Then he suddenly sped on, perhaps to follow other prey. As he passed me, I remember noticing a small can clutched tightly in his hand, his finger on the top part of it. My guess, it was a can of mace. And going by the expression on the man’s face, (alikuwa amebonda like he had safari ants in his underwear) I sense he was disappointed that I hadn’t given him any excuse to use it.
There is a shop window at Kipande house facing the street at which we sometimes stop to dance as we come from Pawa254. Yes we do; what can I say, we are after all artists – and art is a way of life, not a nine-to-five occupation. I was walking ahead of everyone else as we came up to it that evening and then I saw them — a large group of bad actors standing around the spot, at least twelve, pretending to be regular people heading home. Except, they were all drifting too close to your side, bumping you on the shoulder, or in some cases, turning right round to walk by your side and listen to your conversation. It was not a time to be oblivious. I know bad acting, but I also know when people are not acting anymore. There was no more pretence of theatre. We hurried on, past the dancing spot, and on our way. We didn’t dance that day.
We got to our different bus stages without incident, but not before one tall gentleman had suddenly turned to block my friend’s path and take a deep long sniff of his face right in the middle of Moi Avenue, trying to smell him for traces of ganja. Now surely, that is well within the realm of sexual harassment. If I were directing that film, I would have fired that actor immediately for breach of contract. That was not bad acting anymore, just very bad behaviour. It should not be condoned, in any sort of theatre produced for public consumption.
I have been thinking about the whole exercise in a new light, wondering if all over the city, young people like me were also feeling the overbearing weight of the security performance. Feeling restricted to just given spaces, unwelcome in some. Feeling as though they were not really the audience of it, because why would the cast of a play meant for me seem so unfriendly to me? As if I was not the intended audience of the show, but some charlatan roaming about their stage. I thought this was my city too. You can see why I gave their theatre production the title that I did. I have been wondering if better acting on their part would have made a difference to how their show made me feel. It is a long shot, but I have decided to volunteer some free theatrical advice.
To all you first time actors and actresses who debuted in the country’s biggest theatre production this year, congratulations and kudos. Welcome to the entertainment industry and good luck. I have two quick pieces of advice for you after the show. Your performances were affected by two major first-time actor mistakes. The first and most common mistake many of you made was being over-serious. There is no reason why a sweet vendor I have never met would be glaring at me angrily instead of trying to sell me sweets. Some of you, especially the men, already have faces that are ‘angry by default’. For such people, deliberately trying to look serious moves your performance quickly from the genre of drama to the genre of horror. Watch out for that next time.
The next and most common mistake you made, though I am much more lenient about this one, was a very common acting mistake – unintended smiling. I mostly observed this among the actresses – why, there was one who smiled right at me even as she attempted to steal a photo of my face on her phone, perhaps amused by her own undercover actions. Good acting needs one to not let their emotions give them away. I am glad though, I much preferred the smiling ladies to the wasee-wa-kubonda. Which young man doesn’t like a pretty actress giving them some attention? Your next production is bound to be much better if you remember these two tips.
I have also been thinking about the old man who spoke to me on my way to work. Why me? Why did he follow and ‘perform’ for me? Who asked him to? For what purpose? I wonder if he does it for a living, this subtle and not-much-known form of theatre acting. When I told my friend Dulizmo about it, he didn’t hesitate;
‘Huyo ni mbleina. Hiyo ndiyo wera yake. Huyo alijengwa ng’at ama rwabe akutrace mpaka penye unaingia.’ (That’s a spy. That’s his job. He was paid a hundred or two hundred shillings to follow you to your destination.)
I am not surprised to hear that opinion of the old man but I am much more interested in the nature of his work. If he does it regularly, then he is a professional actor operating in the theatre of real life. Old man, if they show you this article, come and look for me at the place you followed me to. We didn’t get the chance to talk about your acting career and I really think your best days are not yet behind you. You have what it takes to be a great film or theatre actor. And you owe me a chapatti.
I reiterate; I don’t blame the huge cast of ‘These Are Not Your Streets – Part1’ entirely for their bad acting. Again, experience with Kenyan TV and theatrical productions has taught me that many times, the reason the acting is bad is because someone tampered with the production and/or rehearsal budget. You can’t blame an actor for something like bad costuming, or an inappropriate prop. Someone with a good eye for theatre is supposed to help them with such things. Perhaps I have discovered a unique opportunity for actors and theatre practitioners like myself. It seems that the security profession is in need of good theatre production skills much more than they might admit. And lord knows, paying work for artists can be hard to come by. I am glad to see that they put up such a concerted effort to perform their show and some of them, such as the mzee who spoke to me, certainly deserve at least a Kalasha award.
And to all other young film and theatre actors all over the country; it turns out, your country needs you!
Head Teacher’s COVID-Induced Headache or When the Government Abdicates Its Responsibilities
The coronavirus has laid bare the government’s failings in the education sector over the last 60 years. Even now, faced with the challenges brought by COVID-19, it has opted to place the responsibility of ensuring that students can safely return to school squarely in the hands of school managements.
The head teacher of our local primary school reminds me of Mr. Musili, who ran the primary school I attended in downtown Nairobi back when Kenya was newly independent. He was greatly respected, little feared, and much loved by the pupils, as is the head teacher of our local primary school.
The school is old, built in 1947 by the colonial administration and, up until very recently, had pit latrines that were prone to flooding every time it rained. Kids barely out of their nappies would chase after Head Teacher across the quadrangle, “Teacher! Teacher! Choo zimejaa!”, and off he would go to call the exhauster, throwing 52,000 shillings down the toilet with each exhauster visit.
Head Teacher’s budget for running the school is meager; he receives each year – in three tranches – the grand sum of 335 shillings for each of the 846 pupils that are enrolled at the school. With that sum, Head Teacher must pay the electricity and water bills, buy firewood for the kitchen, maintain the school in a proper state of repair and generally keep everything ticking nicely. Luckily, his financial management skills are peerless; each of the 335 shillings is milked for all its worth and, somehow, the 11 shillings per year that the government deems sufficient for the purchase of sanitary towels for each pubescent girl suffice.
The fees paid by the parents of the 297 pupils that board at the school (26,500 shillings per student per year) are crucial to Head Teacher’s budget, bridging the gap between the government’s disbursements and paying the salary of the groundsman (who also takes care of the two cows that provide the milk for the morning tea), as well as the salaries of nine other support staff. That money also covers the cost of all meals and the sorghum, millet and maize flour uji the boarding pupils enjoy during the mid-morning break.
Head Teacher is a true educator; his is a calling driven by a passion to mould young minds and bring the best out of each of his charges. And so, despite the challenges and the lack of resources, our local primary school has built itself a reputation, drawing pupils from as far away as Nairobi, and attracting pupils away from local private schools.
Now the coronavirus has come to put a spanner in the smooth workings of Head Teacher’s finely calibrated budget, with the government placing squarely in his lap the responsibility of ensuring that the school is COVID-prepared when pupils return next year. Head Teacher has been advised by the education ministry that he will have to find ways to ensure that handwashing facilities are placed outside each classroom and office, outside the dorms and the kitchen, by the door of the school hall, in the toilets, at the gate and in the playing fields. Liquid hand soap must be provided, and a thermo gun foreseen, as well as hand and surface sanitisers.
A sick bay must also be established and a qualified nurse engaged. The non-teaching staff will need to be equipped with personal protective gear and the cooks in the kitchen will require food-handling certificates. The government doesn’t say where the money for all this is to come from, or indeed how adequate water supplies will be maintained come the dry season when water is prone to rationing.
To adhere to the one-metre social distancing rule, the school would need 48 classrooms. But a sudden increase in classroom space is unlikely to happen in an institution where the number of classrooms has risen from one, when the school was established in 1947, to 24 today. The Education Cabinet Secretary, George Magoha, has proposed the installation of temporary tents and the use of teleconferencing by teachers to ease congestion.
Well, as far as computer technology is concerned, Head Teacher is in possession of exactly one projector (without a screen) which was supplied by the government, together with the tablets that now lie gathering dust in their purpose-built strongroom for want of material that is suited to the recently introduced competency-based curriculum. In any case, the school only has five teachers who have received basic two-day computer-skills training as part of the government’s now collapsed Digital Literacy Programme. So CS Magoha’s proposal is moot.
The government also says that pupils found sharing textbooks shall be considered to have committed an offence. Well, at our local primary school, a textbook is, of necessity, shared between two pupils and so, based on that threat alone, the school will not be able to reopen. It used to be that the government would allocate a budget for books according to the size of the school population. With his usual careful use of resources, and zero tolerance for loss or damage of learning materials—and by organising book harvesting events—Head Teacher had managed to bring the number of pupils sharing a textbook down from one book for every ten pupils in 2013 to one book for every two pupils within five years. Then in 2018 the government decided to take over the supply of books to schools, but even today, in half the classes, one textbook is still shared between two pupils.
It is also highly unlikely that the boarding facilities will be expanded in time to meet the social distancing requirements and so, either the number of boarding students will have to be drastically reduced or the section will have to be closed down altogether; in either case, Head Teacher’s finely tuned budget will take a direct hit.
And as if the headache of ensuring that the school will be COVID-ready when classes recommence is not bad enough, Head Teacher has also been given the responsibility of “ensuring access to education [through] guidance and counseling” for those pupils who have fallen pregnant or have been caught up in drugs and alcohol abuse during the long COVID-induced break. Needless to say, even if Head Teacher were in a position to discover which among his pupils have been whiling away the time indulging in alcohol and drugs, there is not one trained counsellor on his staff to deal with the problem, even though the education ministry’s directive asks Head Teacher to “strengthen the guidance and counselling departments to help pupils and staff deal with the psychosocial issues in the wake of corona pandemic [and] prevent stigmatisation and hysteria in case of a detected case”.
The coronavirus has laid bare the government’s failings in the education sector over the last 60 years. That a school established over 70 years ago only recently managed to raise enough funds to build modern eco-friendly, wheelchair-friendly toilets is a clear indicator of the government’s neglect. It took the inventiveness of Head Teacher and his management board, the collaboration of parents and the support of the old students’ network to come up with a solution to save the 160,000 shillings lost annually to pit latrine exhaust services. And so, the toilet ratio of one urinal for every 30 boys and one toilet for every 25 girls is the one requirement that the school will be able to respect when schools reopen.
Still, something good for Kenya’s pupils might yet come out of this coronavirus pandemic; the government is reportedly considering moving the preference to day-schooling, with boarding schools reserved for pupils who must of necessity travel long distances to get to a school. This, in my view, is as it should be. Head Teacher should not have to confront an irate parent, fed up with having to deal with a troubled youth at home, or the complaint that the food budget has gone through the roof because the school holidays have been too long.
We Kenyans have long abdicated our responsibilities towards our youth, abandoning even the raising of our children to teachers, thus unwittingly widening the emotional gulf between children and parents and creating intergenerational alienation even as the government criminalises the youth, and issues edicts laced with threats each time it is confronted with a problem affecting them.
As Wandia Njoya says, “We have to grow up and think maturely about solutions such as restructuring our education system, revisiting the question of boarding schools, and treating adults who abuse the children they are supposed to take care of as criminals. Portraying youth as cheats and criminals, while failing to provide the education and social institutions they need to be functional adults, is irresponsible and an abdication of our responsibility as adults to care for the young. And we must care, not just as individual parents of nuclear families, as the evangelical narratives driven by the churches tell us to do. Instead, we must demand, collectively as voters, better political decisions that nurture our youth.”
A George Floyd Moment and the Reality of Being African in China
To a smaller but yet equally profound extent, Eric Jackson became our George Floyd, not dying under the knee of a racist cop, but under the crushing weight of a deeply racist and complacent system that denied him a duty of care.
I was at a trendy French salon in the heart of Beijing’s popular Sanlitun neighbourhood organising a photoshoot for the magazine I work for. The model on the shoot was a young Russian woman, our photographer Chinese and the owner of the salon was from France. As we went about prepping for the shoot, I noticed a little girl cowering behind one of the stylists. She appeared anxious. I was concerned, so I tried to get closer to find out what the matter was only for her to jump back and let out a shriek.
She told one of the Chinese stylists that a scary, ugly black man was looking at her. It took me a moment to realise it was me she was talking about. I am not sure whether the child and the stylist both assumed I didn’t understand Chinese, but the stylist proceeded to extol my virtues to the inconsolable child, saying how nice I was, how cool my hair looked, and telling her that she had no reason to be afraid of me. But the child repeated the same thing over and over again. I was black, ugly and scary. That coloured the rest of the day. I picked a corner in the waiting area where I had little chance of bumping into the little girl and stayed away from the styling area where the model was having her hair and makeup done until it was necessary for me to be there.
In Kenya, I had become used to the crippling ethnic profiling that was part of my life because of my last name, and the comments made about my appearance, my skin tone, or my facial features which were deemed undesirable or not conforming to those of the people from my ethnic group. I had learned to navigate the stereotypes, working to dismantle those that worked against me, while embracing the positive ones as a rudder towards growth. In this clash of numerous cultures, I had an identity. I could find my bearings easily, and remain grounded. But leaving Kenya confronted me with a whole new identity. I was no longer a Kikuyu guy from Nairobi’s Eastlands with all the baggage that came with that. I was black.
I have come to learn that being black has nothing to do with my culture, and very little indeed to do with my skin colour. It is a global metric by which my worth as a human being is measured.
China is not the easiest place to be black. It is a country with a long history of colourism amongst its own people and against outsiders, and a tendency to push towards homogenisation. Therefore, being black creates a visceral reaction among many locals which results in xenophobic and racist sentiments. Being proudly African, in whichever way that exuded from me, was quickly met with incomprehension at best and absolute disgust at worst. Why would anyone wish to be black, African and proud of it? I encountered a broad definition for people who looked like me, an extensive catalogue of black, ranging from the mildly acceptable, to the tolerable, to the unacceptable.
I have been told that I am not as dark as “real” Africans. And I have seen relief sweep across people’s faces when they realise that I am not from Nigeria. To be dark and Nigerian is to embody a negative stereotype both within and outside the black community. People tend to cling to those of their nationality, forming chat groups on WeChat, China’s version of WhatsApp, where they share their stories of racism and offer support to each other. For the chosen few who are welcomed into African American circles, the situation is no better as conversations and sentiments almost exclusively centre around the Black American experience in China and around the world. Many African Americans I have encountered in China, though proud to be affiliated with Africa, are often ignorant of its peoples and its cultures. It comes then as no surprise that when the Black Lives Matter movement started getting traction globally, Africans were expected to show solidarity, yet the conversation about what it means to be black and African in a country like China is not a single story.
As an African who identifies as Kenyan in China, my cultural and national identity are subsumed by a greater racial-cultural one. In North America in particular, being black represents an entire culture of Afro-descendants. Such broad identities leave no room for ethnic, regional and national identities from Africa. I have often been engaged in conversations with African Americans in China who automatically assume our lived experiences are to a large extent similar if not entirely identical. They refuse to engage with the notion that, as someone from a majority “black” country, my experiences of systemic oppression are not within the context of race. The man at the top consolidating power for himself and his cronies isn’t white but black. The face of oppression in my experience is my own.
And this subsuming of my cultural and national identity is adopted by the Chinese community, where the parent identity of people who look like me is African American, and so it is my job to align myself with that identity as much as possible if I hope to survive. China acts as a petri dish for how the world is stratified, not only along racial lines but along national identities as well. Towards the tail end of the first wave of the COVID-19 pandemic in China, Chinese landlords in Guangzhou province systematically targeted African tenants, making unfounded claims that it was they who had and were spreading the virus. This was despite ample evidence to the contrary. The fear had been sparked by the growing number of cases imported into China before the borders were closed indefinitely. A negligible number of the imported cases were attributed to foreigners returning to China, and fewer still were attributed to Africans. This however didn’t stop the evictions, leading to a public outcry both in China and in the rest of the world.
However, to a large extent, African Americans were not singled out. This is because, according to popular belief in Chinese society, “blacks” from America and Europe are better. They can be trusted more. The hierarchy of races in China is ordered from the top in this way: white English speakers, white Western Europeans, white Eastern Europeans, white South Africans followed by Black Americans, South Americans, black South Africans, East Asians, Middle Easterners, Southeast Asians, Pacific Islanders, blacks from the Caribbean and, at the very bottom, the African, the generic term for sub-Saharan Africans. There is a premium placed on being from countries classified by the Chinese government as Native English speaking countries. These are The UK, the US, Canada, New Zealand, Australia, Ireland, and South Africa. It narrows the pool of potential candidates for the highly sort after English teaching jobs in the country. Since there is little else in the way of jobs for foreigners in China, anyone who has passable English jostles for the few opportunities. Often, African nationals from English speaking countries are passed over for these types of jobs, even when the employer is willing to hire illegally. Some Africans resort to claiming American or South African nationality, a fact which angers Americans and South Africans in China, as they claim such individuals soil their national reputations.
A recent revision of the Chinese Greencard application process, which sought to make it easier for highly skilled professionals to gain permanent residence in China, laid bare the fear of the African. Chinese netizens took to Weibo (Chinese Twitter) and other Chinese platforms to express their displeasure at the possibility of an influx of foreigners into their land. The outcry took a decidedly dark turn as Chinese nationals expressed their displeasure at a possibly blacker, more Africanised China in future. Africans are already stereotyped as unhygienic, disease-infested layabouts, and the possibility of their being granted permanent leave to remain in China was more than many could contemplate.
China’s perception of people of colour is largely informed by the media. Stereotypes played out in TV shows and reinforced by sports are held as gospel truths. All African Americans are therefore either gun-toting gangsters, or tall pro basketball players, while Africans, especially Kenyans, are incredible marathon runners motivated by the need to run away from lions since we all come from the Maasai Mara. The African is an alien other in the Chinese consciousness. I have had to resort to showing photos of Kenya, of Nairobi, videos of the hustle and bustle to prove that I come from a city just like any other in the world. That phenomenon is not unique to the Chinese. I was once in an argument with an African American friend of mine about where Kenya was located in Africa. He insisted that Kenya bordered Nigeria and could not be dissuaded. Not until I showed him a map but even then, he fell back on his “American innocence”.
The stereotype of Africa as a disease-ridden, famine and war-ravaged continent is still taken as the gospel truth by many in China. There is an unwillingness to engage with the “masses of African people” who populate Chinese cities and study in Chinese schools. This misconception that all Africans are poor has spawned the belief that all Africans are economic migrants to China, constantly taking advantage of the Chinese government’s generosity in the way of the scholarships extended to seemingly undeserving African students, while Chinese students allegedly continue to go without. But these are the same scholarships extended to other Asian, European and South American countries, with the key link being the bilateral agreements forged between China and countries far and wide. Oftentimes, the students on these scholarships only receive them on the condition that they return to their countries of origin upon graduation, because Chinese-educated Africans are a greater asset to the Chinese government back in Africa. In actual fact, investing in African students is investing in China’s future. But your average Chinese citizen will be oblivious to this fact, instead choosing to vilify African students and the merchants who are a direct source of capital for Chinese businesses.
To exist as African is to exist in a state of apology. The proximity to whiteness that African Americans and Black South Africans have spares them the inconvenience of negative stereotypes. Africa sends some of its best and most brilliant to represent them in Europe and Asia. The African who does not fit into the negative stereotype becomes an exception to the rule rather than an example of what Africa has to offer. It means that in a society as stratified along racial and national lines as this one, the few opportunities available to foreigners in terms of work and education are measured out in relation to one’s proximity to whiteness. The African remains at the bottom, a position from which he is still expected to be gracious and grateful.
This ignorance is exhibited not only by the Chinese against Africans in China but also by African Americans and Europeans, who display a lack of interest in fully engaging with my story of blackness. This is particularly ironical considering the overwhelming support which Chinese netizens have shown the Black Lives Matter movement in America, with the protests in America and across the world receiving massive airplay on national Chinese news outlets.
When tenant evictions started happening in Guangzhou, however, it was through friends and families abroad that most found out what was happening. The horrific racism against Africans did not receive any news coverage beyond the government’s denial after international news outlets started reporting about it. The same government that called racism in America a social ill remained silent as its own citizens shared racist, xenophobic sentiments against Africans evictees in Guangzhou.
Anyone, regardless of race or nationality, can display a geographical ignorance of the world and the peoples that inhabit it. But this classification of nationalities and races by Chinese society has ensured that certain groups achieve and maintain superiority over others. The “Native English Speakers”, whether black or white, possess that thing so desired by China’s nouveau riche; to become an English speaker and thus attain the ultimate status of upward social mobility and be welcomed into the Anglophone world, portrayed as the world of the accomplished.
Africa is a massive continent with a population of 1.4 billion people. We come from 55 countries that are as distinct in their populations as they are in their cultural compositions and heritages. To some extent, one might describe African nations more as confederacies of distinct ethnic groups under various national flags rather than a united body of Africans.
Every crisis presents an opportunity. As African Americans confront systemic racism, Kenyans are also turning their attention to our own political history. In various WeChat groups, Kenyans in China are engaged in fervent discussions, expressing their political hopes for the future. It is to these groups that Kenyans turned when their situation was dire in places like Guangzhou and Shenzhen, receiving help from fellow Kenyans when the Kenyan embassy was slow to act. And it was to these same groups that those stranded in China—unable to afford the Sh80,000 airfare for repatriation—turned for donations when they were told in no uncertain terms that ndege sio matatu, you shouldn’t expect to catch a flight as you would a minibus taxi. In Kenyan WeChat groups, members are spoiling for a revolution of some kind. We all want change, but it falls apart at the seams when mention is made of tribe or political party affiliation. Yet we know that our silence and our refusal to engage with issues of social justice, equality and corrupt systems will not save us.
A disturbing event recently took place that fully encapsulates the terror of being black and African in China. In Kenyan and African groups across the country, people began sharing the photos and videos of Eric Jackson, a Ghanaian man who was turned away from four hospitals due to fears that he had COVID-19. A hospital eventually took him in but it was too late. Jackson died while undergoing treatment. He died of cardiac arrest. Videos of Jackson’s agonising last moments, and of his corpse on a gurney at what I speculate to be the entrance to a morgue, were a stark reminder of our place in this country. It was a terrifying manifestation of the Chinese rejection of our colour and our race. In one of the videos, his friend is heard pleading to be let into the hospital in fluent Chinese but the guard at the gate refuses and sends them away. He is heard asking, “Is this not a hospital? Do you not treat sick people here?”, and getting no response.
This incident knocked the air out of my lungs. To a smaller but yet equally profound extent, Jackson became our George Floyd, not dying under the knee of a racist cop, but under the crushing weight of a deeply racist and complacent system denying him a duty of care. In the Kenyan WeChat group, an outpouring of grief was followed by an important question; even if Jackson was dying of COVID-19, did he not deserve to be treated? Had he been a Chinese national, or even white, would he have been turned away? COVID-19 was the pretext for medical professionals to not only shirk their responsibility, but for individuals to go against that very human instinct of preserving a human life under threat. Jackson was denied medical help because to them his black skin and his origin meant his life wasn’t worth saving. Jackson wasn’t worth fretting over, and his death was not a loss. His friend’s desperate pleas, in their own language, did nothing to weaken their resolve.
We all recognised in that moment that Jackson was us and we were him. That could have been my dead body on a gurney somewhere in the south of China. Those could have been my final moments captured on short WeChat video clips for the world to see. That could have been my life devalued and ultimately lost because I was born black and African.
For Men’s Eyes Only
The evil power we wish to keep safe and to ourselves as men it seems, is the power to use the bodies of women for our own inconsiderate ends. We must begin having conversations about rape. Friday afternoons will have to be about more than just football. We need to talk.
Friday afternoons are for football, everybody knows that. There is a soccer pitch along the road that connects Manyanja Road to Umoja Estate that I sorely miss. I travelled to ushago in early March to wait out the pandemic and took my football boots with me. My mom’s farmhand Lemuel* and I dribble and pass the ball on the lawn in the afternoons sometimes.
On the day we went into town to buy the football, Lemuel accepted Jesus Christ as his personal saviour. He had gotten himself in trouble the week before that. My mother had found him outside the property, in the bushes growing next to the nearby primary school. He was courting a young girl of school-going age. He is about twenty himself. My mother found the girl’s younger sister waiting with a pile of firewood Lemuel had cut for them. The guilty betray themselves I suppose. When the girls saw my mother approaching, they ran. My mother ordered Lemuel to pack his bags immediately. He was out of a job. I watched him drag his feet as he walked back inside the compound, tears welling up in his eyes.
The week before Lemuel was found with the girl in the bushes, I had interrupted a transaction between them, although at the time I didn’t realise that that is what it was. I had heard rustling behind the fence near the chicken coop and on going to investigate, found her standing by the corner of the homestead, waving at Lemuel. I was on the inside, so she didn’t notice me until I asked loudly,
Itimo ang’o kanyo? What are you doing there?
Ne amoto’, she ventured weakly before walking away. Fetching firewood.
Lemuel had been pruning the Grevillea trees along the fence and when I went outside. I saw that he had cut one branch and thrown it over the fence. I walked up to him and asked him about it.
Nyako no ne kwaya mana yien, he explained. The girl was asking me for firewood.
To ka yien e ma okwayo, opondo e tok chiel nang’o? If it is firewood she wanted, why was she hiding behind the fence?
An akiya. I don’t know.
The task of fetching firewood often falls to young girls and puts them in the crosshairs of property owners. I didn’t think much of it then. Only after he was caught with her did I begin to see that his position here gives him power that he can exploit. And to understand my full responsibility as his friend and employer.
Lemuel’s life has not been easy, no doubt about that. He lost his mother to illness as a child and grew up being shuttled between relatives. A few years in one home, a few more in another. He never had a chance to go beyond primary school. He has had to work. His father is what we jokingly call in these parts a terorist—no spelling mistake there. Tero is the notorious custom of wife inheritance as practiced in Luoland. It means his father has been absent even from his own home and children, mostly living in the homesteads of the widows he terorises.
Lemuel has a curious mind though, always asking questions and cracking jokes. Lately he has been trying to learn English. I gifted him a book and a pen to help. It is now full of drawings, including a rough sketch of the plan of a semi-permanent one-bedroom house. Whenever he goes home, he does what we call lawo nindo—chasing sleep. He spends a few nights with this cousin then a few nights with another. He intends to build a house when the pandemic ends and is saving money to buy the materials. This time Lemuel dodged the bullet; for now, he is still working for my mom on tenuous terms as she decides his fate.
News of hundreds of thousands of young school age girls getting pregnant after falling victim to acts of rape committed during the COVID-19 lockdown came about a week after Lemuel’s transgressions, as he was settling back into a regular routine. It came on the radio just as we sat down to dinner. My mother asked me to turn up the volume. And then she turned to Lemuel.
Be iparo gik ma nyocha awachoni? Mago to ang’o?
Can you remember the things I was telling you about the other day? What are those?
Koro iwinjo gik ma timore?
Do you hear what is going on?
Saa ni nyathi ma timo timbego manyo ich, omanyo korona, to be omanyo ayaki!
Right now a child engaging in such behavior is looking for pregnancy, Corona, and HIV!
Be uneno situations ma nyithindo kete ji?
Do you see the situations children put people in?
Lemuel, usually full of funny observations about news stories on the radio, knew to keep his mouth shut. He got an earful indeed. Lemuel tried to catch my eye across the dinner table but I did not interfere in their conversation. It reminded me of myself, making mistakes as a child and getting on my mother’s wrong side. It struck me too, how hiring a worker on your property makes you responsible for their actions. Lemuel is now my mother’s responsibility, like I once was.
After supper that night, as Lemuel prepared to wash the dishes and I prepared to feed the dogs, he commented on my silence. He calls it kukula neno when he is berated.
Eh ndugu, in iweya ka akula neno kenda ma ok iwach kata gimoro. Saa moro iremaga.
Eh brother, you let me get quarreled alone without backing me up. Sometimes you fail me.
It is at moments like these when men affirm each other in misogyny and violence. I wanted to break that cycle for him. We have our way of talking to each other.
Onyali kabisa. Kendo go ne nyasaye erokamano ni mathe e ma ne oyudi chieng’ cha. In di sani in achiel kuom jokma oland ni omiyo nyithindo ich go. Kendo in di ne oluong nyaka nyingi e radio.
You thoroughly deserved it. You better thank God it is Mathee who found you that day. You would have been announced today as one of the people impregnating children. In fact, they would have mentioned you by name on the radio.
Aaah, ndugu. In be saa moro iduoka chien. An timbego aseweyo.
Aaah, brother. Sometimes you take me backwards. I have quit those habits.
Though he denies having any untoward intentions, we all know that if my mother had not found him when she did, that girl last week might have been one of them. I can hear him complaining still as I head for the kennels. For his sake, and for the sake of young women everywhere, I hope he is listening. I know it will take more than small talk.
Fast forward to last Friday and I’m dribbling the ball near the fence that borders the eucalyptus when I hear cracking sounds from across the fence. I go to the fence and try to peer through the thorns. I see a shape, bent over the rocks among the trees doing something on the ground. They are on the property without anyone’s knowledge or permission. I run to the gate and out along the fence to see who they are, and what they are doing on the property.
Turning the corner of the fence I come upon a teenage girl, 16 at most, with a small pile of dry sticks in the crook of her elbow. She is trespassing, gathering firewood. She is startled and starts to bolt but stops at the edge of the grove of trees because there is a climb and she still has the wood in her hands. She turns to face me, cornered. Her knees are shaking and her eyes are wide with fear. The news of those hundreds of thousands of pregnancies from the radio the night before comes back to me.
Kenyan government officials are famous for knee-jerk reactions to social problems, reactions that most often involve criminalising underprivileged youth, especially young men, and exacting violence upon them as a form of deterrent., Speaking about the shocking statistics, Ezekiel Mutua was quick to blame popular Kamba music. However, in the weeks that followed, a DCI officer raped a woman being held in police custody in Embu and police officers in Isebania in Migori County illegally detained a 12-year-old girl who had been raped by her father, also a policeman. Popular Kamba music still?
Whenever the perpetrators are the police or older male figures with some power and influence, officials like Mutua can’t seem to find the words to speak out against them. Their authority on morality, like police authority to perpetrate violence, is most present and powerful when underprivileged youth are its targets.
Our political culture and the letter and intent of our existing laws also play into this equation. Activists have renewed calls for the abolition of many current forms of policing and punishment following the brutal murder of George Floyd in the United States and among the many points being made is the observation that much policing work is intrinsically oppressive.
The law seems to place its enforcers and property owners—who also make up most of the political leadership and are mostly men—in a position of having “more human rights” than those who are less fortunate, and women. So one of the first questions a rape victim is often asked when reporting a rape is, “What were you doing there/at their house (on their property)?” As though being on someone else’s property or on public land for whatever reason makes you less human and your body more deserving of violence and abuse.
It is thinking that has justified countless violations and endless police harassment of the poor who are arrested and often brutalised merely for existing in a public space. The rich and powerful seem to be freer to move at all times of the day and night. This issue of legality also crossed my mind as I stood before that young girl in the eucalyptus grove. Was she to blame for our encounter? Should anyone be blamed for trying to survive? If anything untoward had happened to her during that encounter, it should be me that would have been to blame.
It may well have been in a situation exactly like the one I found myself in that Friday afternoon that led to Lemuel’s meeting with the girl he was caught with. A situation of unequal power and great vulnerability, a result of structural inequality. A situation where one’s choice of action could have devastating consequences for the life of another. Lemuel certainly understands this. When I asked him what he might say to a young man such as himself facing a similar choice, he didn’t hesitate.
We nyathi sikul otiek sikul. Mano e gima anyalo nyise.
Let a schoolchild finish school. That’s what I can tell him.
So I know he understood the huge risks that his choices could have imposed on that girl’s future. I believe that all over the country, , similar encounters are happening every day and with greater frequency due to the lockdown. And men like Lemuel, like the police officers in Embu and Isebania—and like me—keep choosing to harm young women and girls for mere moments of selfish pleasure. Simply because we can. We must do better, as individual men and as a society.
Banning works of music and targeting violence against mostly underprivileged perpetrators will not achieve anything without quality sex education that equips society with the understanding of why crimes such as rape and sexual harassment are harmful and wrong. I believe that instead of deterring crime and violence, such actions create and cement a concept of “otherness” in the psyche of many people and convince them that they are a different demographic (from the rich and powerful), to whom the law applies randomly, illogically, and disproportionately. And they express this by developing a relationship with the law that is performative—only being lawful when consequence is imminent.
Criminality, especially where it relates to property laws and the rights of others, is seen as a normal and necessary part of survival. This has been the status quo, the normal, for so long that this culture has permeated all of society, especially in leadership and political circles where policy is made. The poison has spread to the heart.
It seems that even though men are willing to see the victims of police violence as people with rights who are deserving of humanity and respect, we simply refuse to do the same for women in relation to sexual violence. It is easy to hate feminists and to say they exaggerate when they say men are this or that. What is difficult it seems, is to stand in front of a vulnerable young girl or woman and to see more than female flesh. What we do not seem to want to try is empathy. To put aside male sexual desire and imagine the human life within the body of a woman. The soul. To think of her as someone with hopes, dreams, parents, siblings, friends, children, a future.
The evil power we wish to keep safe and to ourselves as men it seems, is the power to use the bodies of others, especially women, for our own inconsiderate ends. And judging by the number of rapes perpetrated by male family members and friends against female victims, it seems this imperative matters to men even above family ties and friendship.
That afternoon as I saw the young girl off, it became clear to me how easy rape can be for anyone with property and power. How easy for those policemen. How easy for Lemuel. How easy for me.
The men who abuse girls and women are family, close friends, neighbours. They are breaking bread, smoking ganja, reading this article with us. They are playing football with us. They are you and me. We can do the most good within our closest circles, with ourselves and with each other. And we must, because it is becoming ever clearer that the only reason we have not been doing it thus far, is because far too many of us are also part of the problem. We must begin having conversations about rape with fellow men, it is urgent. For me and Lemuel now, and hopefully for you and your friends, Friday afternoons will have to be about more than just football. We need to talk.
*Lemuel’s name has been changed for reasons of confidentiality.
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