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Another Now: Why the “Jerusalema” Dance Challenge Reveals a Longing to Re-Imagine the World

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What then, is Jerusalema, if not the finest distillation of a global desire for another city on a hill? And not by simply turning to another great power as America’s ready replacement—China is not the world’s savior—but one that like the dance challenge itself believes in the possibility of collective subjectivity.

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Another Now: Why the “Jerusalema” Dance Challenge Reveals a Longing to Re-Imagine the World
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Forever condemned as its “heart of darkness,” the world remains baffled as to how Africa has seemingly avoided the worst of the COVID-19 pandemic. Earlier in the year, as the virus ravaged other parts of the world and prepared to make landfall on the continent, the projections were nothing short of severe.

It was widely anticipated that Africa’s poor and overcrowded living conditions, the prevalence of other diseases like HIV and TB and its lack of well-resourced health systems would make for the deadliest viral path on the globe. Despite their touch of catastrophism, these predictions were not unreasonable given the evidence of despair elsewhere.

What is strange, is the sense of perverse disappointment that this hasn’t been the case. Stranger still, that at the height of doom and gloom, little was done by way of international support to prevent the expected worst case outcomes.

On the flip side, the world is celebrating the lightness of this continent, albeit in the most cliched way—through its products of song and dance. Since the middle of this year, the gospel-inspired, South African house track “Jerusalema” by DJ and Producer Master KG featuring vocalist Nomcebo Zikode, has enraptured a global audience.

What made it especially take-off was its evolution into the #JerusalemaDanceChallenge, prompted by a group of Angolan friends recording themselves with plates of food performing a variation of the line-dance to the song. Following that, similar clips of people dancing to the song have been shared from all over— groups of ordinary people, nuns and priests, healthcare and other essential workers, police and soldiers, fuel attendants; you name it. Per the African Union, Jerusalema is “a song that has transcended its national boundaries and the continent, and has people across the world dancing to its vibrant rhythm.”

The South African government made sure to co-opt the dance challenge, transforming what was a mostly spontaneous and uncoordinated phenomenon to a state-sponsored feel-good narrative. As President Cyril Ramaphosa announced South Africa’s move to its lowest level of COVID-19 lockdown, he urged all South Africans to participate in the dance challenge as part of Heritage Day celebrations which happened in late September. (The holiday itself has a curious history; it replaced Shaka Day and is mostly now an excuse to BBQ.)

Suddenly, a country which had been a powder-keg of disaffection, traumatized at the injustices and suffering endured during lockdown yet divided on who was to blame, became united in cheerful performance as it seemed that at last things were back to normal. And for South Africans, “normal” means being able to repress the fact of normal being the problem; it means comfortably moving from being outraged about police brutality in June to applauding their renditions of the Jerusalema dance in September.

But perhaps Jerusalema is different, in that the hopefulness it expresses is not simply about a return to normal, but about a desire to go beyond it. The lyrics themselves (translated from isiZulu) include the lines, “Jerusalem is my home, save me, take me with you…My place is not here, my kingdom is not here.” Yet, the actually-existing city of Jerusalem, which means “city of peace” and is claimed by all of the Abrahamic faiths yet controlled by Israel, is anything but one.

There is a gap between the religious imagery invoked by the song and the state of religiously- motivated practice today, which makes the fact that Master KG himself isn’t particularly religious more telling of how the song speaks to a deeper yearning in the human condition, one beneath religious sentiment. And, when Zionists (not the South African version of African-inspired Christianity, but supporters of Israel) at one point tried to appropriate the message of the song as endorsing support for Israel, Palestine solidarity activists worked with Palestinian youth in Jerusalem and South African youth in Durban to produce two videos, which raised the profile of the African Palestinian community and solidarity between South Africa and Palestine.

Young Palestinian activists including Janna Jihad and Ahed Tamimi sent video messages inviting Master KG to come to Palestine, and there have been a number of awareness-raising engagements with the artist and his management on the politics of the Palestinian struggle.

That Jerusalema as an idea represents a longing for more than has come before, perhaps could also explain the curious absence of Americans, from the dance challenge crazing the world right now (something writer Michelle Chikaonda pointed out on a recent episode of AIAC Talk).

It was the Massachusetts colonizer John Winthrop who inserted the vision of a new Jerusalem in the gospel of St Matthew into the image of the United States; the founding exceptionalism upon which it would forever conceive itself as a beacon of hope and progress for the rest of the world. As the United States now decidedly proves itself to be a failed state, it renders the majority of the world—who by force or coercion adopted its version of liberalism—failed as well, with the global inability to handle a pandemic the surest testament.

What then, is Jerusalema, if not the finest distillation of a global desire for another city on a hill? And not by simply turning to another great power as America’s ready replacement—China is not the world’s savior—but one that like the dance challenge itself believes in the possibility of collective subjectivity. Of course, this subjectivity can collapse into forms which are reactionary rather than emancipatory.

As Zwide Ndwandwe writes, there is not much separating the rainbow nationalism of the kind uplifting South Africans through the dance challenge, and the xenophobia at the same time proliferating through social media demanding that the government #PutSouthAfricansFirst. It is not enough that there is widespread dissatisfaction about our society as it is underscored by a desire for something better—content must be given to what that better could possibly be.

In a recent episode of AIAC Talk partially devoted to talking through Malawi’s recent elections, Sean Jacobs and I addressed a question to the panelists which dwelled on how Malawi’s new leader, Lazarus Chakwera, is a theologian, one known to refer to citizens as being part of his “flock.” Our reason in asking this was to understand if this was a sign Malawi could possibly be headed toward more of the same demagogic and autocratic leadership that characterizes so much of the rest of the continent.

Yet, in the eyes of Chikaonda and media scholar Jimmy Kainja, this fact about the new president was unremarkable—much as Malawi is a religious country, this is not why Chakwera was elected. In Kainja’s words, “Malawi is a different place now.” Its people have no time for the usual nonsense of the political class that they’ve endured since gaining independence, and now trust in their competence as citizens. It is this spirit of self-determination which enveloped Malawi and saw ordinary citizens play an active role in monitoring and overseeing the elections without foreign observers, and going so far as tracking and giving hourly updates on the flights carrying the ballots.

And it is that spirit of self-determination which is quietly sweeping throughout the continent as citizens respond to the crisis of global capitalism exacerbated by the pandemic. It’s easy to take an isolated look at the successful management of COVID-19 as a public health crisis on the continent, and think that the worst is over and Africa has impressed—but the truth is, we are only just beginning to grapple with the socio-economic fissures that COVID-19 laid bare and worsened.

We are witnessing an ongoing wave of mobilisation on the continent challenging the excesses of neoliberalism—in NigeriaGhanaKenya, Zimbabwe, and elsewhere. South Africa’s trade unions and social movements are preparing for a season of nation-wide strike action, ones bringing together the largest trade union federation (which is aligned with the ruling party, the African National Congress) and its closest competitor. Of course, these efforts might fail and no doubt governments will continue to use COVID-19 gathering restrictions as a pretext for repression.

But, the sense you get is that for the first time in a long time, there is belief that self-determination can only be understood as a collective achievement—of creating institutions in our society by guaranteeing the conditions of life for all. These are achievements that have to be fought for politically, and no matter how bad things get they won’t come from the benevolence of an outside actor. The fate of Africa is determined not by the state of the West or China, but only by its people themselves. Maybe, what is becoming stronger as we search for a new city on the hill, is the conviction that we are going to build it ourselves.

This post is from a new partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.

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William Shoki is Staff Writer of Africa Is A Country. He is based in Johannesburg.

Ideas

Re-Reading History Without the Color Line: When Egypt Was Black

Pharaonism, a mode of national identification linking people living Egyptians today with ancient pharaohs, emerged partly as an alternative to colonial British efforts to racialize Egyptians as people of color.

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In his monumental 1996 book Race: The History of an Idea in the West, Ivan Hannaford attempted to write the first comprehensive history of the meanings of race. After surveying 2,500 years’ worth of writing, his conclusion was that race, in the sense in which it is commonly understood today, is a relatively new concept denoting the idea that humans are naturally organized into social groups. Membership in these groups is indicated by certain physical characteristics, which reproduce themselves biologically from generation to generation.

Hannaford argues that where scholars have identified this biological essentialist approach to race in their readings of ancient texts, they have projected contemporary racism back in time. Instead of racial classifications, Hannaford insists that the Ancient Greeks, for example, used a political schema that ordered the world into citizens and barbarians, while the medieval period was underwritten by a categorization based on religious faith (Jews, Christians, and Muslims). It was not until the 19th century that these ideas became concretely conceptualized; according to Hannaford, the period from 1870 to 1914 was the “high point” of the idea of race.

Part of my research on the history of British colonial Egypt focuses on how the concept of a unique Egyptian race took shape at this time. By 1870, Egypt was firmly within the Ottoman fold. The notion of a “Pan-Islamic” coalition between the British and the Ottomans had been advanced for a generation at this point: between the two empires, they were thought to rule over the majority of the world’s Muslims.

But British race science also began to take shape around this time, in conversation with shifts in policy throughout the British empire. The mutiny of Bengali troops in the late 1850s had provoked a sense of disappointment in earlier attempts to “civilize” British India. As a result, racial disdain toward non-European people was reinforced. With the publication of Charles Darwin’s works, these attitudes became overlaid with a veneer of popular science.

When a series of high-profile acts of violence involving Christian communities became a cause célèbre in the European press, the Ottomans became associated with a unique form of Muslim “fanaticism” in the eyes of the British public. The notion of Muslim fanaticism was articulated in the scientific idioms of the time, culminating in what historian Cemil Aydin calls “the racialization of Muslims.” As part of this process, the British moved away from their alliance with the Ottomans: they looked the other way when Russians supported Balkan Christian nationalists in the 1870s and allied with their longtime rivals in Europe to encroach on the financial prerogatives of the Ottoman government in Egypt.

Intellectuals in Egypt were aware of these shifts, and they countered by insisting they were part of an “Islamic civilization” that, while essentially different from white Christians, did not deserve to be grouped with “savages.” Jamal al-Din al-Afghani was one of the most prominent voices speaking against the denigration of Muslims at the time. His essays, however, were ironically influenced by the same social Darwinism he sought to critique.

For example, in “Racism in the Islamic Religion,” an 1884 article from the famous Islamic modernist publication al-Urwa al-Wuthqa (The Indissoluble Bond), Afghani argued that humans were forced, after a long period of struggle, “to join up on the basis of descent in varying degrees until they formed races and dispersed themselves into nations … so that each group of them, through the conjoined power of its individual members, could protect its own interests from the attacks of other groups.”

The word that I have translated as “nation” here is the Arabic term umma. In the Qur’an, umma means a group of people to whom God has sent a prophet. The umma Muhammadiyya, in this sense, transcended social differences like tribe and clan. But the term is used by al-Afghani in this essay to refer to other racial or national groupings like the Indians, English, Russians, and Turks.

Coming at a time when British imperial officials were thinking about Muslims as a race, the term umma took on new meanings and indexed a popular slippage between older notions of community based on faith and modern ideas about race science. Al-Afghani’s hybrid approach to thinking about human social groups would go on to influence a rising generation of intellectuals and activists in Egypt—but the locus of their effort would shift from the umma of Muslims to an umma of Egyptians.

In my book, The Egyptian Labor Corps: Race, Space, and Place in the First World War, I show how the period from 1914 to 1918 was a major turning point in this process. At the outbreak of the war, British authorities were hesitant to fight the Ottoman sultan, who called himself the caliph, because their understanding of Muslims as a race meant that they would naturally have to contend with internal revolts in Egypt and India. However, once war was formally declared on the Ottomans and the sultan/caliph’s call for jihad went largely unanswered, British authorities changed the way they thought about Egyptians.

Over the course of the war, British authorities would increasingly look at Egyptians just as they did other racialized subjects of their empire. Egypt was officially declared a protectorate, Egyptians were recruited into the so-called “Coloured Labour Corps,” and tens of thousands of white troops came to Egypt and lived in segregated conditions.

The war had brought the global color line—long recognized by African Americans like W.E.B. Du Bois—into the backyard of Egyptian nationalists. But rather than develop this insight into solidarity, as Du Bois did in his June 1919 article on the pan-Africanist dimensions of the Egyptian revolution for NAACP journal The Crisis, Egyptian nationalists criticized the British for a perceived mis-racialization of Egyptians as “men of color.”

Pharaonism, a mode of national identification linking people living in Egypt today with the ancient pharaohs, emerged in this context as a kind of alternative to British efforts at racializing Egyptians as people of color. Focusing on rural Egyptians as a kind of pure, untouched group that could be studied anthropologically to glean information about an essential kind of “Egyptianness,” Pharaonism positioned rural-to-urban migrants in the professional middle classes as “real Egyptians” who were biological heirs to an ancient civilization, superior to Black Africans and not deserving of political subordination to white supremacy.

Understanding Pharaonism as a type of racial nationalism may help explain recent controversies that have erupted in Egypt over efforts by African Americans to appropriate pharaonic symbols and discourse in their own political movements. This is visible in minor social media controversies, such as when Beyoncé was called out for “cultural appropriation” for twerking on stage in a costume depicting the Egyptian queen Nefertiti. But sometimes, social media can spill over into more mainstream forms of Egyptian culture, such as when the conversation around the racist #StopAfrocentricConference hashtag—an online campaign to cancel “One Africa: Returning to the Source,” a conference organized by African Americans in Aswan, Egypt—received coverage on the popular TV channel CBC. While these moral panics pale in comparison to American efforts to eradicate critical race theory, for example, they still point to a significant undercurrent animating Egyptian political and social life.

This post is from a partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.

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Writing the Human: A Person Is a Person Through Other People

Umuntu ngumuntu ngabantu. Mtu ni mtu kwa sababu ya watu. A person is a person through other people. And so we rest when we must, and then we get back to our work.

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“Are we fighting to end colonialism, a worthy cause, or are we thinking about what we will do after the last white policeman leaves?”

Several decades after he wrote these words, these sentiments from Frantz Fanon remain an urgent challenge for postcolonial societies. In 2022, austerity measures implemented by multilateral organisations are back in countries like Kenya which are arguably still recovering from the devastation of the Structural Adjustment Programmes of the 1980s. Echoing colonisation, extractive economics framed as development and investment is everywhere, from natural resources to digital platforms. Black people are once again on sale as domestic and construction workers in countries that refuse to provide them basic human rights protections, and recently as potential conscripts in wars that have nothing to do with them. Nearly eighty years after Fanon articulated the demands of independence from colonisation, countries of the global south are still struggling to extricate themselves from the deeply unequal global dynamics. History is repeating itself.

When does the “post” in “postcolonial” begin? When do we get free?

Somewhere on the journey to the postcolony, the freedom dreams of so many societies in the world seem to have lost their way. To borrow from Fanon, it is evident that several societies did not give enough room to articulate and nurture freedom dreams beyond the desire to watch the last white policeman leave. Many of our revolutionaries like Patrice Lumumba, Amilcar Cabral and Steve Biko were assassinated because the size and scope of their dreams was a threat to the global hegemons. Others, like Winnie Mandela and Andree Blouin, suffered intense personal attacks, and exile and isolation from the sites of their work. And others like Robert Mugabe became consumed with the idea of power at all costs, trading freedom and the greater good for personal accumulation and military power, refusing to cede even an inch of power to anyone. The freedom dreams atrophied in the shadow of these losses, and today the map to the “post” remains buried in the sand.

It’s difficult in this day and age to write an essay about freedom when the word has been co-opted by so many people who use a bastardised definition of the word to advance the destruction of others. In Western countries, right-wing movements routinely use the word to refer to selfish ambitions to protect wealth and exclude others. Freedom has unfortunately become synonymous with selfishness in too many places around the world, with extremists using it to justify laws and policies that destroy social protections for the poor and marginalised. Tragically, the word needs some qualification and contextualisation before it can be used sincerely to engage with the realities unfolding around us.

And yet freedom remains a deeply necessary project. The desire for freedom is what transforms individual desires or ambitions into social projects. Freedom is a lot like being in love. It’s difficult to explain to someone who hasn’t yet experienced it but once you’ve experienced it even once you feel its absence keenly. It’s the peace of knowing that you are in a community that is working towards something greater than just survival, but is instead imagining and building a world in which everyone thrives. It is mutual support and solidarity. It is care and concern. It is an obsession with justice and inequality not just for those who have access to the levers of power but for everyone. It is more than meaningless numbers and empty promises of development. Freedom is truth telling and accountability, but also connection and restoration. Freedom is living in a society that recognises your personhood and that wants to make room for everyone to live fully, audaciously and joyfully. Freedom is a social concern that cannot be achieved as an individual. Human beings are social creatures. You are not free because you live outside the constraints of a society: you are free because you live in a society that values your existence and allows you to maintain meaningful connection with others.

Freedom dreams are a crucial part of attaining the “post” in postcoloniality. The desire for freedom is what pushes people to coordinate around lofty ambitions and develop a programme of action for achieving them. The desire for freedom pushes us into deliberation and debate about what our societies can represent, but they also push us into introspection about our personal role  in achieving those goals. Freedom dreams are more than just flights of fancy. They are invitations to coordinate and participate in social life. Freedom dreams are like a compass. They give a collective perspective on what we need to do in order to build the kind of society in which we can all thrive.

So, the increasing absence of freedom dreams in the way our ideas of progress or development are articulated is more than rhetorical loss. It’s not simply sad that today we talk about GDP and economic growth as measures of progress, and not welfare and inclusivity. It is a loss of orientation. It is what makes it possible for people to use money as a shorthand for all the things that we need to make social life make sense. Instead of universal health, people try to get wealthy enough to opt out of poorly funded public health systems. Instead of facing the calamity of climate change together, wealthy people build bunkers to allow them to survive in the apocalypse. Instead of thinking about conflict as a collective tragedy, wealthy countries see it as an opportunity to make money. And instead of seeing a global pandemic as an opportunity to reset and reinforce social systems that have for too long excluded the needs of the chronically ill and disabled, the elderly, and even children, we double down on the misguided idea that an advanced species is one in which the most vulnerable are allowed to die. All of these outcomes are united by the underlying fallacy that securing money can ever be a shorthand for the freedom dreams of living in a just society.

Within the postcolony, there has probably never been a greater need for freedom dreams than now. In Africa, the absence of a broad unifying orientation means we might quite literally become fodder for other people’s projects. Right now, young men and women are being enticed to fight for both Russia and Ukraine, neither of which has expressed particular concern for the wellbeing of Africans in the past. Russian mercenaries are wreaking havoc in several African countries; Ukraine is one of the biggest arms providers to African conflicts. Young Africans continue to die unnecessary deaths on the Mediterranean Sea because of unfounded fears of invasion, even as the West opens up its doors to tens of thousands more Ukrainian refugees. As Western countries try to wean themselves off Russian oil and gas, Africa is once again on the menu as an alternative source for these raw materials. There is an unspoken expectation that countries of the global south must stoically bear the burden of these inequalities because the freedom dreams of others are somehow more valuable than ours.

And in the absence of governments that care about our own freedom dreams, it is unclear what we will look like at the end of this period of global uncertainty (if there is one — climate change is still an omnipotent threat). Our freedom dreams are being bartered for trinkets by leaders who wrongly believe that wealth and proximity to power in another part of the world will ever be as meaningful or taste as sweet as building freedom where you are rooted. Are we entering another period in which authoritarians will double down on violence against us and remain unchallenged because they say the right things to different parties to the conflict? Watching leaders of India, Uganda, Sudan and more line up behind Russia certainly does not bode well. Will this season birth another era of Pinochets, Mengistus, and Mobutus? Will we watch once again as our freedom dreams are subsumed in global conflicts from which only the most greedy and violent will profit?

Our freedom dreams remind us that we have work to do that is bigger than this historical moment. The work is not to build the wealthiest country or the biggest army. The work is to build societies in which money isn’t a gatekeeper to living a decent life. The work is resetting our relationship with the natural environment so that the measure of our lives is not simply reduced to our unchecked ability to consume. Angela Davis reminds us that our freedom dreams cannot be constrained to our own lifetime but must be anchored in a desire to leave behind a world worth living in for future generations. We need our freedom dreams.

The freedom dreams of those who resisted and rejected colonisation seem a world away from the meagre ambitions of many of today’s leaders. Whereas previous generations fought for dignity and holistic defence of human life, today our dreams are organised around depoliticised ambitions like development or gender equality. The radical demands of rejecting systemic racialised violence and institutionalised exclusion have been deescalated into calls for scraps from the table.

And yet, looking around at the trajectory the world is on, freedom dreams have never been more urgent or important. It is tempting to resist the urge to deliberate and deconstruct, because it is labour. In a world that increasingly wants to turn everything – including our leisure time – into labour, the desire to disengage is deeply seductive. But freedom dreams cannot be defined in isolation.

Umuntu ngumuntu ngabantu. Mtu ni mtu kwa sababu ya watu. A person is a person through other people. And so we rest when we must, and then we get back to our work.

This essay is part of the “Futures of Freedom” collection of Progressive International’s Blueprint pillar.

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Kwasi Wiredu’s Lasting Decolonial Achievement

The greatest achievement of Ghanaian philosopher Kwasi Wiredu was to recast African knowledge from something lost to something gained.

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Ask ten people what decolonization means, and you will get ten different answers. The term’s incoherent resurgence has sparked an understandable backlash, with complaints directed mainly against its liberal and or neoliberal defanging. When attempts to pin down decolonization’s meaning pit “real” material work against mere theory, staking out a position feels easy enough. Things are harder to parse where the object of concern is knowledge itself.

What exactly counts as “decolonizing” in the resolutely immaterial domains of concept, culture, or moral life? Because this question must be hard to answer, the certainties with which it is often answered fall short. It is typical of our moment that Ghanaian philosopher Kwasi Wiredu’s death this year was met with much-unqualified praise of his “decolonial” status, with that descriptor confirming countless more specific—and discordant—views.

In Wiredu’s agile hands, the decolonization of knowledge was a distinctive method: it entailed clear analytic steps as well as safeguards against cultural romanticization. This means that it can be learned, given the time and commitment, and indeed must be learned regardless of one’s cultural starting point. In this sense, Wiredu was a staunchly disciplinary thinker even as his political ideals have far-reaching resonance. Trained at Oxford mainly by philosopher of mind Gilbert Ryle, Wiredu’s writing is marked by what Sanya Osha recently described as “a matter-of-fact fastidiousness and tone.” The difference between Wiredu’s disarmingly lucid philosophy and the more abstract, even poetic modes of decolonial thought now in broader circulation is the difference between grandiose calls for the world’s “unmaking” or “delinking” and the painstaking disaggregation of cultural wholes into constituent parts. Wiredu’s hallmark move was to break down “culture” into particular traditions, beliefs, and phrases, which could then be evaluated on their own merits. He was a master of “showing his work,” and the sheer amount of labor he expended to do so in print makes his work unsuited to an age of easy excerpts and virtual point scoring.

Wiredu’s method is most fully worked out in two books, Philosophy and an African Culture (1980) and Cultural Universals and Particulars (1997), but many of his essays have also stood the test of decades. One of the most memorable examples of how he takes his native Akan (and specifically, Asante) heritage apart to assert its philosophical importance appears in a 1998 article titled, “Toward Decolonizing African Philosophy and Religion.” Wiredu here wields insights into the nature of Twi syntax to present the Akan God as an architect rather than an ex nihilo creator.

Whereas the Christian God is linked to a Western metaphysics of being that can, in principle, be unmoored from context, Wiredu argues that the nature of the verb “to be” in Twi or Fante—expressed as either wo ho or ye—necessitates some kind of pre-given situation. (I cannot, in Fante, state simply “I am,” or “she is.”) Whereas the Christian God can thus be imagined to have made the world from nothing, the Akan counterpart is assumed to have worked with pre-given materials in its construction. By extension, whereas the Christian tradition prioritizes miraculousness, the Akan tradition puts more weight on design and ingenuity. Neither one is right or wrong, intrinsically better or worse. Wiredu’s agenda is to make clear the level of conceptual distinction and follow-through required to place them in an equal-footed conversation.

This penchant for linking fine points to grand plans is also on full display in a late-career, 2009 essay called, “An Oral Philosophy of Personhood: Comments on Philosophy and Orality.” Here, Wiredu turns to the Akan tradition of talking drums to refute simplistic ideas of cultural uniformity. Using a well-known drum text rife with metaphysical implications, Wiredu concludes that the drums’ theology is in fact opposed to the broader Akan belief system. (The drum text is in his view pantheistic, while Akan religion is theistic as he describes it in “Toward Decolonizing African Philosophy and Religion.”) His reading yields a few important insights, including into the formative role of intra-cultural disagreement in what might later appear to be shared oral traditions.

The main thing to emphasize, however, is that Wiredu’s deep dive into Akan knowledge results in its destabilization. This does not mean that Akan culture, such as it may be said to exist, is somehow “not real” by virtue of being complexly constructed; this is true of all cultures, everywhere. It means, instead, that it is robust enough to withstand real pressure on pieces of it in order to think seriously about the whole. While acknowledging the colonial odds historically stacked against African knowledge traditions, Wiredu’s philosophical approach to Akan concepts insists that intellectual work can and must do more than reflect this injustice.

Kwasi Wiredu’s lasting decolonial achievement—and that which must be widely memorialized—is to recast African knowledge from something lost to something gained. He refused to treat it as fragile, even as he stared down the many ways it has been sidelined and subjugated. To be “decolonized,” for Wiredu, is to think with extreme care about each and every practice and position, equally open to radical change and renewed conviction. Worship traditionally or as a Christian, he wrote, but in either case really know why. Getting there on his model is daunting, but at the end of the exertion is moral and cultural reciprocity that cannot be claimed lightly. Or, as Wiredu once put it, it yields “the golden rule that gives us the basis … to consider every person as one.”

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