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The Unapologetic Blackness of the Me Too Movement

9 min read. As we tell the story of Me Too, says TRACEY NICHOLLS, let us not forget the centrality of black women’s struggles for control over their own bodies in the evolution of contemporary activism against rape culture.

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The Unapologetic Blackness of the Me Too Movement
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Let me tell you a story.

I thought Rosa Parks was an old woman who refused to give up her seat on the bus because she was too tired to stand after working all day.

Me too.

I thought Anita Hill, the woman who accused Supreme Court Justice Clarence Thomas of sexually harassing her when he was her boss, was quite possibly just plain lying.

Me too.

I thought the present-day feminist revolution that is changing conversations around the world was started on Twitter by a white Hollywood actress.

Me too.

Let me tell you a story about the truth behind all those fictions. It’s a story about how the world changed for all American women (and many women in other countries) because of the strength, courage, and integrity of three black women: Rosa Parks, Anita Hill, and Tarana Burke.

On October 15, 2017, Hollywood actress Alyssa Milano tweeted an invitation to her Twitter followers to respond to a suggestion from a friend of hers: “If all the women who have been sexually harassed or assaulted wrote ‘Me Too’ as a status, we might give people a sense of the magnitude of the problem.”

That tweet sparked a response which has indeed become a kind of online census of victimhood. This is the crucial thing to recognise about the moment when #MeToo met social media: that it inaugurated a census. It gave people who had experienced sexual predation a way to stand up publicly and be counted.

Sexual assault and harassment complaints are habitually dismissed when they are made against privileged men, and especially when they are made against powerful men. And the victims who make these complaints are disparaged as attention-seeking, opportunistic, and vengeful.

The accusation of opportunism, in particular, suggests that the accusers believe that going public about having been degraded sexually somehow confers a glorious social privilege upon them (a fiction belied by everything we know about the under-reporting of sexual violence in societies around the world). And the disparagement presents consequences to the perpetrators (if the complainant is believed). Loss of prestige or reputation are viewed as worse than the consequences of the assault or harassment itself, which include the trauma and post-traumatic stress that have for years been recognised as consequences of violence generally, and are now finally being acknowledged as consequences of sexual violence.

Sexual assault and harassment complaints are habitually dismissed when they are made against privileged men, and especially when they are made against powerful men. And the victims who make these complaints are disparaged as attention-seeking, opportunistic, and vengeful.

What #MeToo exposed was not a cabal of vengeful feminists but an ubiquitousness and normalisation of sexual predation, often by powerful and influential men, who are, therefore, socially recognised as more credible than their victims. This choice of victims is not an accident; predators target those they believe will be considered unimportant precisely so that they will be able to discredit any complaints that might be made.

The credibility of complaints is attacked on the grounds of the complainant’s race, social status, national origin, and most especially—when the perpetrator is male and the victim is female—on the basis of gender. Even today, as the United Nations identifies gender equality as one of its significant Sustainability Development Goals, in most countries, women’s voices are not accorded as much credibility as men’s voices in law courts, in police stations, and in public discourse.

Individuals who choose to behave in predatory ways are sheltered from the consequences of their behaviour by widespread beliefs that women lie about being victimised. In fact, because of social shaming around women’s sexuality, women are more likely to stay silent about things that did happen rather than to manufacture things that did not happen.

Predatory individuals are sheltered by the suspicion that allegations of this kind are likely to be false. In fact, the rate of false reporting of, for instance, rape allegations is about the same as the rate of false reporting for other felonies. In addition, predatory individuals are sheltered by demands for “objective proof” that are not demanded in other types of criminal accusations. In fact, a victim’s accusation of fraud, theft, or other forms of violence is sufficient to trigger an investigation, and multiple accusations are sufficient to establish a pattern of behaviour on the part of the perpetrator that is considered circumstantial evidence of their wrongdoing.

Victims of sexual predation know these differences; fear of not being believed is the primary factor explaining why only about 35 per cent of sexual assault cases in the United States are ever reported (which is actually relatively high when compared to a country like Japan, where the reporting rate is estimated to be under 5 per cent). The #MeToo social media census was a space in which victims could self-identify without being invalidated.

But before there was Alyssa Milano’s call to stand up and be counted, there was more than a decade of grassroots activism and solidarity with sexually abused African-American girls that was being carried out by Tarana Burke, the civil rights activist and community organiser who coined the term. There was “Me Too” long before there was #MeToo. There was a black woman, this black woman, doing anti-sexual assault work and victim support long before there was any widespread public discussion by white liberal feminists of the problems of sexual entitlement and predation by wealthy and powerful men. This trail-blazing by black women is also not an accident.

The civil rights movement and the struggle for women’s rights

There is a long history in the United States of advocacy for women and struggles for women’s rights to control our own bodies. That history is grounded in the community organising that black women have done for and with each other, and it has gone largely unrecognised until quite recently.

In 2010, historian Danielle L. McGuire wrote a book about how the civil rights movement of the 1950s and 1960s that is now most closely associated in the popular imagination with Reverend Martin Luther King Jr. owes its existence to the tireless work of black women in the southern states against racialised sexual violence. McGuire’s book, At the Dark End of the Street, documents the campaigns and community organising of black women working in churches and with the venerable National Association for the Advancement of Colored People (NAACP) to demand equal justice under the law for black women who had been raped and sexually terrorised.

There is a long history in the United States of advocacy for women and struggles for women’s rights to control our own bodies. That history is grounded in the community organising that black women have done for and with each other…

One such campaign, directed by the NAACP, was organised to demand the arrest and trial of the seven white men who were responsible for the 1944 gang rape of an Alabama woman named Recy Taylor. The newly-hired NAACP branch secretary who organised the campaign was Rosa Parks. Eleven years later, the advocacy alliance she helped to form, the Committee for Equal Justice for Mrs. Recy Taylor, would become the Montgomery Improvement Association, the support organisation for the 1955 Montgomery bus boycott that launched the civil rights movement.

Contrary to the mythology that constructs this society-changing coalition as Dr. King’s heroic challenge of white supremacy, it was a movement built by black women like Rosa Parks. She was no tired old woman the day she refused to give up her seat on the Montgomery bus; she was a trained and accomplished activist. And although Recy Taylor never did get justice for the sexual violence she endured, the principle Rosa Parks was fighting for—that sexual violence against black women should be treated as seriously under the law as sexual violence against white women—was finally upheld as a legal precedent in 1959 when the four white rapists of Betty Jean Owens in Tallahassee, Florida were convicted and sentenced for their crime against her.

Almost 50 years after black women mobilised communities across the South to petition for Recy Taylor’s right to face her attackers in court, a black woman named Anita Hill testified in front of an all-white, all-male panel of US Senators in the nation’s capital, Washington DC. The men were there to confirm conservative black judge Clarence Thomas to the Supreme Court seat that had been vacated by the retirement of civil rights icon Thurgood Marshall. The woman, a law professor, was there to inform them that when she had worked for Thomas a decade previously at the US Department of Education and the Equal Employment Opportunity Commission, he had engaged in sustained sexual harassment of her that called into question the good character which, due to his inexperience on the bench, had been cited as the primary evidence of his overall fitness to serve on the highest court in the country’s legal system.

The year was 1991. The term “sexual harassment” had been coined by the feminist movement back in the 1960s but it was not a widely understood phenomenon in 1991 and there was, at the time, little appreciation for how pervasive it was in workplaces. As law professor and critical race theorist Kimberlé Crenshaw notes in a 2018 New York Times op-ed, it was Hill’s testimony of Thomas’s persistent pressure on her to date him, his discussion of explicit pornography he liked to watch, and comments about his own sexual prowess—all taking place in the offices in which she served as his assistant—that produced America’s “great awakening around sexual harassment”.

However, as Crenshaw also notes, the lessons Anita Hill’s testimony might have taught the country were inadequately learned: Thomas was confirmed to the Supreme Court where he serves to this day, alongside fellow alleged sexual predator Brett Kavanaugh. Hill, in her own 2019 New York Times op-ed, suggests the intriguing possibility that what we now know as the #MeToo movement could have started as far back as 1991, if only that Senate Judiciary Committee panel had listened seriously to her testimony (and that of the corroborating witnesses they never bothered to call).

In the wake of Anita Hill and in the tradition of Rosa Parks came the response of Tarana Burke to a 1997 conversation with a 13-year-old black girl who confided that she had been sexually abused. As “Me Too” broke into the American popular consciousness in October 2017, Burke recalled to a New York Times reporter that this confession had left her speechless and troubled. Having worked with and advocated for marginalised young women since she was a teenager, she belatedly realised that the most appropriate response she could have given the girl was quite simply “Me too”.

Almost a decade after that moment, in 2006, she created a movement to marshal resources for other young victims of sexual harassment and assault—resources she wished had been available to her and to the 13-year-old girl who had called her to this particular strand of her life-long activism—and began promoting the phrase “me too” as a way of raising awareness of the pervasiveness of sexual violence, and as a way of supporting survivors of that violence.

However, as Crenshaw also notes, the lessons Anita Hill’s testimony might have taught the country were inadequately learned: Thomas was confirmed to the Supreme Court where he serves to this day, alongside fellow alleged sexual predator Brett Kavanaugh.

The black roots of “Me Too” are, I think, crucial to understanding what it is trying to achieve, and how. I spoke at the outset of “Me Too” as a census, and I believe that is a useful way to understand how it has functioned in its #MeToo Twitter incarnation. But a robust understanding of “Me Too” as a solidarity gesture has to acknowledge its contextual association with the call-and-response traditions of black music and black vernacular English. Me too is a call and a response: me too … you too?… yes, me too.

Emerging voices

The campaigns for justice and respect to which Rosa Parks, Anita Hill, and Tarana Burke have all contributed their efforts to make a world in which black women are honoured members of their communities have changed things. There is more bodily autonomy for all women in the United States today (challenged and under threat, to be sure, but present). There is more awareness of what it means to have to navigate a “hostile workplace”, and there is more support for the women and men, girls and boys, who have been harmed by sexual violence.

Even as these women are being acknowledged for their courage and dedication, however, and even as black feminist scholarship strives to make sure the contributions to American life of other black women—Fannie Lou Hamer, Ella Baker, Ida B. Wells, Anna Julia Cooper, to name only a few—are not forgotten, it is important to remember that the tradition of black activism in the US is a communal one.

In the New York Times interview about her role in the Me Too movement, Tarana Burke dismisses the initial controversy about Alyssa Milano hijacking her movement and erasing her contribution by tweeting a “Me Too” invitation that did not credit Burke, saying that it is selfish to frame a movement around one person. Movements should be about amplifying the voices of the community, the survivors, she concluded. (And it should be noted that Milano, who had initially been unaware of the origin of the phrase, swiftly corrected her oversight and has subsequently been vocal in promoting Burke’s Me Too campaign.)

Similar sentiments about the plurality of sources for activist movements and the value of horizontal (non-hierarchical) organising structures are expressed by Alicia Garza in connection with the Black Lives Matter (BLM) movement in a 2016 New Yorker article. The article is a fascinating analysis of how Black Lives Matter emerged as a voice for racial justice from a self-consciously intersectional point of view. It reminds readers that we all engage the world through multiple identities (race, gender, age, sexual orientation), and makes space for Garza’s argument that effective activism to make American society less hostile towards black lives needs to foreground not just a commitment to “unapologetic blackness” but also to an “unapologetically queer” focus. (She notes, for instance, that of the 53 recorded murders of transgender people between 2013 and 2015, 39 were African-American.)

Author Jelani Cobb contrasts the history of black organising in the 1960s, with its emphasis on top-down leadership, with the more diffuse structures of BLM: the three black women often credited with creating it—Alicia Garza, Patrisse Cullors, and Opal Tometi—are carefully distinguished as architects of BLM’s online organisation, while credit for the movement that arose out of protests over Mike Brown’s 2014 murder in Ferguson, Missouri, is given to DeRay Mckesson, Brittany Packnett, and Johnetta Elzie. But, as Garza notes, BLM is not about consolidating power in an identifiable leadership hierarchy; it works like traditional labour organising did, and like Ella Baker (the civil rights activist who served in leadership in both the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee) did, it reaches out to the people “at the bottom”, tapping the creativity and energy of the whole community.

The story we need to be hearing and telling, then, in this age of “Me Too” is not just about black women’s leadership, but about the tradition of leadership deeply embedded in black women’s community activism. The power is in the people, and the people need to be heard. Call and response.

The civil rights movement is (mis)remembered as a movement of black men for racial equality; Black Lives Matter is perceived in the media as a redress movement organised exclusively or predominantly around black men murdered by a systemically racist policing structure. In both cases, men’s names are foregrounded in activist histories that have been built up out of women’s labour and include women’s experiences. (Sandra Bland, say her name.)

As we tell the story of Me Too, let’s not forget or overlook the centrality of black women’s struggles for control over their own bodies in the evolution of contemporary activism against rape culture.

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Tracey Nicholls is a lecturer at the Graduate School of International Peace Studies, Soka University, Japan.

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Unlearning Fear: The Mystery of Creativity

11 min read. When we challenge idiocy and cowardice, we liberate the courage of fellow human beings. When we shake off fear, we discover that the emperor’s power was always contingent upon our complicity. This is the lesson of Kenya’s history that is activated by creative education.

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Unlearning Fear: The Mystery of Creativity
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Counter-intelligence analyst Gregory Treverton once described two kinds of problems: puzzles and mysteries.

Puzzles are problems that have definite answers, such as: What is the capital city of Kenya? or How many kiosks in Nairobi sell unga? It might be difficult to pin down an exact number, but the answer can be estimated provided you define what a kiosk is. Puzzles can vary in complexity, but they all share the fact that they have definite answers. Crossword puzzles may be frustrating, but the solver at least has the satisfaction of knowing that the correct answer for the blank boxes exists. This is also the exact kind of problem most of our institutions are optimised to solve.

A mystery, on the other hand, is a problem with no definite answer because the answer depends on a future interaction of an unknown number of factors. For example, will there be kiosks in Nairobi in three years? If yes, how many? Who is going to supply them unga then? The answers are contingent on architecture, policy, or economics, and if you are an aspiring unga trader, they are also contingent on your choices today. This is an unsolvable problem because it contains too much information. To treat this mystery the same way as a puzzle would be akin to trying to thread a needle with water.

Our journey toward urbanisation has been one of using our puzzle-solving abilities to expand our sphere of certainty within an infinitely dark ocean of uncertainties. Our sphere of certainty up until now has included statements such as: “If I go to school and study hard, I will get a nice job and be able to afford to buy unga not only for myself, but for my family as well.” “The unga I buy from the kiosk is healthy.” “There is a hospital to go to in case the unga I ate is not healthy.”

As the answers to these questions become more unclear for many Kenyans in our unstable economy, we are beginning to question the puzzle bias of our education system and seeking to unlearn the current education model and replace it with a creative education model better suited to framing the mysteries of our time.

Unlearning the puzzle bias

The puzzle bias of our education system is reflected in the fortress-like security at the gates of the offices of the Kenya National Examinations Council (KNEC). Tragically, as youth unemployment figures steadily rise, the message that has arrived late is that the armed infantry units at the gates of KNEC may be guarding an empty house.

Perfect examination scores are increasingly less correlated to career success. Adaptive intelligence that comes from creative education is becoming a much more reliable predictor of success. This is something that should be shared with exam candidates, many of whom have committed suicide because they perceived exam failure to be the end of their world.

We are in the process of entering an electronically mediated world in which all puzzle problems are being delegated to computer programmes that are more intelligent than our best performing human actuaries. Universities are quickly ceding their role as centres of knowledge creation and distribution to decentralised and distributed networks of creative ecosystems powered by technology. Those universities that survive and thrive will be those that are effective platforms for a creative student body. The shift required is analogous to the shift from “monoculture” farming of pupils that privileges puzzle-solving to a “permaculture” approach to education in which creative ecosystems allow students to creatively collaborate with their peers in solving mysteries in unique ways.

Perfect examination scores are increasingly less correlated to career success. Adaptive intelligence that comes from creative education is becoming a much more reliable predictor of success.

My most recent book, Art of Unlearning, uses the radically powerful medium of comics to literally draw a map of how to get out of our puzzle-minded school fortresses and into creative ecosystems. Unlearning, we inevitably discover, requires profound humility, as recovering addicts already understand.

The map begins from the foundation that all infants are born without a culture – naked, hungry and intensely curious. The principal role of parents is to take this uncultured, naked, hungry and intensely curious being and persuade it, cajole it, and terrorise it until one way or another it is convinced that the way we do things in this tribe is the natural way ordained by God. Anything that you feel like doing that doesn’t fit into tribal customs is considered to be a bad idea. Adults who are thoroughly conditioned in a culture may be genuinely horrified to discover that their children were not born with their taboos already installed. This horror is intensifying so much that the youth and elders might be considered to be inhabiting increasingly separate islands of reality that speak different languages.

An authoritarian framework is the worst possible way to engage with such a dynamic information environment. It has been my observed experience that the self-appointed cultural managers, such as Kenya Film Classification Board (KFCB) and many county culture ministries, have absolutely no idea what is happening in the information ecosystem that lies beyond their own Twitter feeds. Their perspective is limited to one of traditional rent-seeking from artists in whose creations they have made no investment. The role of investment has been largely abandoned to foreign cultural agencies and embassies.

As the rate of information exchange in our society accelerates, all tribes are beginning to communicate electronically, bringing the conflicts in our agendas to resolution. So, for example, the musician King Kaka is now a much more powerful bridge-builder than the Building Bridges Initiative (BBI) ever was.

Now that Kenyans are literally going beyond the limits of marathon times and limited leaders with limited visions, a new locus of understanding must be framed that can address our most pressing challenges: ecological destruction, food insecurity, ending political dynasties, and most of all, educating our children for an exponential world.

Who will frame our mysteries?

The choice to deliver this message in the form of a comic book (or graphic novel to be precise) was crucial. Because if one is going to opine on a vision for creative education in Kenya, one must demonstrate creative experience. We demand no less of our dentists or doctors and we should demand no less of our educators.

Illustration and visual storytelling are a domain in which I have had the most experience over the past ten years and they are well suited to taking difficult conversations out of the academy and onto the street. We must end our unconstitutional limits on creative expression such as Cap 222 (Films and Stage Plays Act). This idea of openness to new information will be unfamiliar and uncomfortable to our conservative culture, but so is all growth.

My best explanation of this point comes without words in an illustration titled “Education Factory”. In it you see in one moment gleeful children entering an education factory on one end only to emerge into a wasteland on the other end, stupefied and drained of creativity. Art of Unlearning contains dozens of such moments of understanding that I believe are critical in a society that has been so violently divided by the differences in our tongues and in words. This moment of understanding is a moment that requires no permission from a “higher authority”. It is a moment that cannot come too soon. Comics are in my view the ultimate mystery-framing tool. Let’s get started!

Unlearning fear

Play is nature’s antidote to the debilitating fear of change. All mammals spend their early life playing constantly to learn their limits. My ten-month-old son is so dangerously unafraid that I cannot take my eyes off him lest he plunge head first from the bed to the floor. At this crucial stage, the extent to which children are allowed to explore their limits imprints a lifelong attitude toward new experiences.

Now that Kenyans are literally going beyond the limits of marathon times and limited leaders with limited visions, a new locus of understanding must be framed that can address our most pressing challenges: ecological destruction, food insecurity, ending political dynasties, and most of all, educating our children for an exponential world.

If as children our guardians allowed us to explore our limits safely, we will likely adopt this posture for the rest of our lives, with all the risks and rewards that this entails. But if, on the other hand – as is too often the case in our Kenyan context – the response to exploration is violence, shaming and exorcism prayers, you are likely to avoid the memory of violence by avoiding conflict or eye contact with strangers and shying away from new experiences.

Our history of extreme political violence and repression remains unacknowledged to this very day by the political dynasties that have ruled this country. They cannot be expected to hold themselves or any initiative they table accountable.

Violence was the foundation of the colonial economy and remains the foundation of our economy to this day. Creative natives were a natural threat to an architecture of exploitation and so they have been made the human refuse of our education system. With the internet, this human refuse (please excuse the slur) of creative natives is set to inherit the world and now is the time to pay attention to what they have to teach us.

What we call artists are people who consistently respond to their encounters with novelty in beautiful ways, such as sculpture, painting, literature and song. They teach us that fear is physical and its transcendance is also physical in the form of the creative human expression. This is why art is so essential to the work of healing from trauma. Art represents the proudest monument of our humanhood and is the first potentiality to be sacrificed at the altar of violence. It is very difficult to recite poetry with a gun pointed at your head.

The metaphorical gun that is currently pointed at the heads of artists in Kenya today is much more economic than it is political. The Kenyan artist fears starvation, anonymity and suicide more than she does Ezekiel Mutua’s censorship crusade that is targeted only at the most visibly successful of Kenyan films, such as Wanuri Kahiu’s Rafiki. Kenyans have correctly challenged the idea that one unelected bureaucrat’s colonial prejudices should not be allowed to deny mature audiences an opportunity to evaluate works of art for themselves.

Not coincidentally, human survival on this planet, now more than ever before, depends upon our courage to share our creative ideas, as so many of my favourite writers, such as Dr. Wandia Njoya and Dr. David Ndii frequently do in this publication. When we exercise courage and challenge idiocy and cowardice, we have the compounding effect of liberating the courage of fellow human beings, which is expressed creatively in works such as King Kaka’s Wajinga Nyinyi. When we shake off fear, we discover to our amazement that the so-called emperor is wearing no clothes and that his power was always contingent upon our complicity. This is the lesson of our history that is activated by creative education.

Losing your fear is also good business and not merely a political stance. Walk down any average supermarket aisle and notice how many different brands are competing to sell the same product. Uniqueness is the best differentiator. Similarly, creative education allows young people to seek out unique opportunities to thrive in a jobless and degree-saturated economy. This is an insoluble dilemma for a dynastic oligarchy such as ours whose existence depends on the unquestioning obedience and tribal subservience of its citizenry – while at the same time needing a tax base to finance its exorbitant salaries.

Corporal punishment and other fear-based persuasion of children must become a thing of the past. We must discard antiquated notions such as “spare the rod and spoil the child” and with them the idea that all our conduct needs to be governed by a self-appointed priesthood. We cannot continue to studiously trace movements of biblical tribes while we remain ignorant about the migration history of our own ancestors here in East Africa.

The time has come to unburden our minds and bodies from fear and fear-mongering institutions. I believe that democratising creative education for all Kenyan children is the first and most critical step in this direction. Using “creativity and innovation” as a buzzword on the Kenya Institute of Curriculum Development (KICD) website is simply not enough.

Unlearning comparison

From the day a student enrolls in the Kenyan education system, he or she is subjected to examinations. Examination scores are then compared against those of other students in a zero-sum competition organised by KNEC. This zero-sum competitive mindset continues into later life in our workplaces and in traffic jams. It also sits at odds with our natural human tendency to solve problems collaboratively so that the collective can benefit from as many different viewpoints as possible.

We all benefit from culinary, cultural and cosmological diversity. This is why monotheism’s history of violence is so much more bloody than that of polytheistic cultures that tolerated a diversity of cosmologies.

Whatever one’s particular religion, it should be clear that the internet is a platform that is much more stimulating of unique ideas than any medium before it. In an attention-deficient media landscape with numerous options for viewers, the only way to hold sustained attention is by being significantly different.

Luckily, one does not have to try too hard to be different because we already are. Nature does not create duplicates. One simply has to unlearn the habit of comparison that obscures our unique and innate aspirations. We must unlearn the shaming of those we call wajuaji or arrogant for straying away from tribal orthodoxy. The approval of the herd is thin soup compared to the thick gravy that is self-discovery. In Kenya, this means unlearning the habit of borrowing beauty standards, borrowing political frameworks, borrowing religions and borrowing Chinese loans without the consent of the people. Conformity is for sheep, and sheep are led to slaughter — a consistent lesson of Kenya’s experiment in democracy for those old enough to remember. Let us try instead to foster and export our uniqueness.

The time has come to unburden our minds and bodies from fear and fear-mongering institutions. I believe that democratising creative education for all Kenyan children is the first and most critical step in this direction.

In unlearning comparison by embracing uniqueness, one of my most impactful teachers has been the late martial artist Bruce Lee. Bruce was a unique figure with no peers because he was a rare combination of fighter, actor and philosopher. Bruce’s example urges us to seek out precisely those behaviours that set us apart and to develop them.

In my case, graduating with an LLB degree a year after our devastating post-election violence in 2008 was my nudge in the direction of a more unique career. With uninspiring job prospects all round and glaring evidence that my profession was impotent to prevent catastrophe, I began to explore alternatives that would have in previous times been considered unthinkable. Ergo, my current profession of drawing comics and animations. I found my voice in comics and the expression of all the latent abilities that were deemed economically useless.

It is my hope that the sacrifices of my generation in the early blossoming of digital content in Kenya will lead to thriving creative ecosystems. As Muthoni Drummer Queen so eloquently stated in her TED Talk, creativity builds nations. Nation-building can never be done by rent-seeking governments and certainly not by rent-seeking governments as deficient in legitimacy as Kenya’s political dynasties that are desperately trying to remain relevant today. Creative education is a tide that will lift all boats by applying digital technologies to demonetise, dematerialise and democratise knowledge sharing. Creative education challenges our feudal economic structure by placing a value on intellectual property.

In the age of exponential technologies, it has become impossible for even the most highly trained “white collar workers”, such as dermatologists, to rest on their laurels. There are no safe jobs. A deep learning algorithm has the power to recognise millions of skin diseases in a second, whereas the human dermatologist will require multiple lifetimes to approach that number.

The risk of obsolescence becomes more acute the more puzzle-oriented a profession gets. The extent to which Kenyan youth will be able to complement the rise of data science is directly dependent on the investment that we are willing to make in innovation and creativity today. If my experiences as an artist living in Kenya are anything to go by, this investment is only being made by individual parents and foreign cultural agencies, such as the Goethe Institute and the Alliance Francaise in Nairobi.

Unlearning belief systems

The most important three words for someone to become creative are “I don’t know”. Concealing ignorance with inherited assumptions and prejudices that are outside your experience is not an effective strategy for becoming creative. If you are going to do something original, “I don’t know” is the optimal stance to begin from. Those who do things that have never been done before were by definition unqualified to do them the moment before they did. Are we confident enough as a continent to question the Middle Eastern religions that dominate Africa?

The most important three words for someone to become creative are “I don’t know”. Concealing ignorance with inherited assumptions and prejudices that are outside your experience is not an effective strategy for becoming creative.

Original thinkers never believe fully in anyone else’s BS (belief systems), least of all their own. Their only confidence is in their own capacity for keen investigation with the help of books such as Art of Unlearning to frame life’s mysteries creatively. Any belief system we have right now is provisional before it is revised and updated to incorporate new events and perspectives. Only this way can we imagine Africa differently than its colonisers and missionaries did. This, incidentally. is the natural functioning of the human brain and the way children’s minds work before they are distorted by intimidation from the education system.

Unlearning belief systems is as difficult as a right-hander learning to write with his left hand. Human perception was not evolved to see the truth, but rather to see only that which was optimal for survival. But what is optimal for our survival has changed while we were sleeping. 

I do not know the shape of the society we are going to forge, but I do know that I am compelled by a passion for freehand movement to face this mystery creatively.

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Experimental Neoliberalism and Refugee Survival in Kenya

7 min read. ALI BHAGAT situates refugees as a new population for neoliberal experimentation as refugee camps are transformed into spaces of untapped profit.

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Experimental Neoliberalism and Refugee Survival in Kenya
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Refugee survival in Kenya is inseparable from the dynamics of inequality, finance, and debt embedded in capitalism. This article draws much inspiration from Kevin Sieff’s excellent article in The Washington Post that looks at how debt-ridden refugees are being forced to return to a war zone in Somalia.

I am most interested in the ways that capital – in its money form – supercedes, intervenes, and invades the humanitarian sector. At the site of the refugee camps and in cities like Nairobi, capital claims to free the refugee from the passivity of shelter and assistance through entrepreneurialism. This article explores neoliberal experimentation in the context of refugee survival in Kenya. I argue that refugees represent an experimental population. Their various sites of survival are opened up to financial penetration – a last ditch and piecemeal market-led solution to alleviate poverty.

Kenya hosts approximately half a million refugees in its camps and urban areas and has done this for nearly three decades. Dadaab and Kakuma, two of the world’s largest refugee camps, have become sites of increased xenophobia and structural violence where the Kenyan government continues to threaten their closure in the face of diminished global aid.

Contrastingly, these camps are also sites of finance, debt, and neoliberal-led forms of experimentation. Neoliberalism – the ideological and material power of private interest through the dismantling of state-led solutions for welfare – is highlighted here as a way to understand a global stance and policy focus on self-reliance. In so doing, I situate refugees as a new population for experimentation.

Experimentation is a market-oriented solution to alleviate refugee poverty. It is hinged on self-reliance and propagates the financial interests of the private sector. The intentions of capital accumulation are hidden under the guise of choice and liberty where refugees can use credit to escape poverty and transform themselves into entrepreneurs. Self-reliance is a façade.

Mastercard and the U.S Agency for International Development (USAID) announced a public-private coalition to transform refugee settlements into digital communities in 2018. This strategy seeks to “bring together technology, solutions, and experience from multiple sectors to transform refugee settlements into digitally-connected communities’, thereby providing infrastructure-based innovations in terms of mobile phone and internet access vis-à-vis key dimensions of survival such as safety, food, shelter, and water”.

Experimentation is a market-oriented solution to alleviate refugee poverty. It is hinged on self-reliance and propagates the financial interests of the private sector.

Mastercard, along with Western Union, announced a new digital infrastructure model hinged on mobile money, digital vouchers, and card-based solutions that promote refugee “self-reliance”Digitising the refugee camp, and thereby transforming it from an arena of passive aid and shelter to a marketplace allows refugees to access formal financial services. This form of neoliberal experimentation also transforms the refugee camp – previously understood in the logic of the development industry as a forgotten barren space – into one of untapped profit.

For example, as the Mastercard and Western Union report states: “…refugees are responsible for payment…For example, children can go to school, but the family must pay for uniforms and books. It becomes vital to access convenient, easy-to-use financial services. Foreign and domestic remittances received via Western Union or hawalas [a remittance channel that takes place outside of the banking system] are a major source of income.”

Interestingly, the logic of empowerment described in this report is equated to providing a wider array of financial service access – not actually addressing the fact that refugees have to pay for some essential survival services such as healthcare and basic goods.

Actors like Mastercard and Western Union, by diversifying access to financial services, are able to capitalise on financial transactions by providing cheaper rates for remittances in the name of “smart city” development. The same report goes on to highlight that Equity Bank holds 15,000 refugee accounts in their Kakuma branch and most remittances are either received through Western Union or hawala agents—needless to say, there is profit to be made if so-called passive aid recipients are transformed into entrepreneurs who are self-reliant actors.

The transformation of refugees into self-reliant entrepreneurs relies on the logic that these people are complex economic actors who need more diverse financial choices. Missing from this reasoning is the recognition that refugees receive little global attention and constantly face reductions in essential services, which pushes them to precarious forms of income-generation in order to survive.

Interventions by private sector actors fall into age-old neoliberal adages of efficiency, accountability, and freedom of choice. State and international human rights actors, such as the Office of the United Nations High Commissioner for Refugees (UNHCR), and the Kenyan government, in the face of global austerity, are more than happy to have private actors step in and take over responsibility for refugee survival.

The transformation of refugees into self-reliant entrepreneurs relies on the logic that these people are complex economic actors who need more diverse financial choices.

In contrast, the threats of closure of the camps by the Kenyan government, particularly in Dadaab, have not disappeared, and the camp sizes are slowly shrinking. In 2011, at the height of the famine in Somalia, Dadaab’s population rose to 421,000. This number had been reduced to 230,000 in 2018, partly because some refugees went back home voluntarily while others were encouraged to return to Somalia, as per a repatriation agreement between the Government of Kenya and UNHCR.

While Kakuma represents an experimental avenue for profit, Dadaab – home to predominantly Somali refugees – is framed by the Kenyan government as an unaffordable space both in terms of the security threat and the financial burden. The Kenyan government – which has often scapegoated Somali refugees as terrorists and the Dadaab camp as a safe haven for Al Shabaab – justifies the return of refugees by arguing that it will quell social disruption. 36.8 per cent of Kenya’s population lives on $1.90 a day, placing Kenya 8th on the list of top 10 African countries experiencing extreme poverty.

There are apparent tensions regarding refugee hosting. Many of the participants interviewed for my research suggest that the Kenyan government supports encampment because it absolves itself from welfare responsibilities. Looking at this more broadly, it was the forces of structural adjustment in the 1990s that coincided with refugee encampment that prevented the Kenyan state from developing long-term welfare capabilities in the first place.

Nevertheless, the new Comprehensive Refugee Programme (CRP) highlights that refugees should have adequate avenues for job creation, entrepreneurship, and integration in camps and urban settlements. This is a key divergence from previous strategies of encampment – refugees are now a new experimental population who must harness the forces of the market.

While self-reliance is the policy du jour, the militaristic arm of the state that seeks to prevent migration is also alive and well. Biometric Identity Management (BIM) through fingerprinting and iris scans are surveillance technologies indicative of state organisations (along with UNHCR) seeking to prevent new or circulatory migrants. For example, Somalis who are “voluntarily” repatriated, as Sieff points out, just to relieve their own state of indebtedness in Dadaab, seek return to Kenya as Somalia remains unstable. BIM prevents this from occurring thus attempting to make repatriation permanent.

Indeed, as one interview participant noted, if UNHCR and the government are claiming that refugees are able to return to Somalia, then – within this flawed logic – they should no longer accept Somali refugees. If they do, then they accept that Somalia is not a safe country for return. So both international and national actors are complicit in the violence that Somalis face in their struggle for survival.

Much attention is given to refugee survival in camps; however, with the constant threat of their closure, many refugees are permanently relocating to Nairobi and its environs – a move that is illegal without a permit. Since welfare programmes for urban refugees are virtually non-existent, these groups must rely on piecemeal forms of assistance from NGOs and their own communities in the form of cash grants, entrepreneurial training, and microfinance within the ambit of experimentation and self-reliance.

Self-reliance as a solution for assistance is hindered by xenophobia too. For example, many Somali refugees relocate to Eastleigh, which has become an area targeted by the police in light of terrorist attacks in Nairobi. Somalis are unfairly rounded up and sent back to camps or deported while other non-Somali refugees are left to survive in Nairobi in the informal sector. A participant from a government department noted in my research that, “If a refugee wants to stay in Nairobi then they can fend for themselves…the camps are equipped to care for them so if they are in Nairobi it is by choice and they ideally should have a transit permit from the government.” Self-reliance is thus inherent in the national attitude towards refugees, which simultaneously ignores the circumstances of violence, health issues, and poverty in refugee camps.

Much attention is given to refugee survival in camps; however, with the constant threat of their closure, many refugees are permanently relocating to Nairobi and its environs – a move that is illegal without a permit.

Since no welfare support systems exist, many NGOs offer some sort of business training and loan assistance programmes – another example of “disciplinary entrepreneurialism”. In order to access these loans or grants, refugees must go through a training programme where they learn the necessary business skills to set up shop. They must learn how to make a profit so that they can repay the loan, because these loans, in fact, are frequently used for other refugees in the context of shrinking services. NGOs also recognise that refugees are a flight risk for loans because the cash in hand is used for basic consumption needs – a key issue identified in the literature on microfinance.

In short, the use of loans under the spirit of entrepreneurialism dovetails with the security maximisation arm of the state that prevents refugees from entering its territory. These strategies coincide with two central aspects of neoliberalism – austerity and accumulation.

As the story goes, the Kenyan government, along with international actors, prevents refugees from entering the country. These refugees are framed as threats to state security and an unaffordable risk. In turn, refugees that already exist in camps are either sent back to their country of origin or transformed into entrepreneurs where the camp becomes a space of experimentation.

In short, the use of loans under the spirit of entrepreneurialism dovetails with the security maximisation arm of the state that prevents refugees from entering its territory.

Refugees in urban areas are also meant to become entrepreneurs in order to survive without any state-led assistance. Importantly, these strategies have little to no empirical evidence, further pointing to the experimental nature of entrepreneurialism as a key strategy for survival upon relocation (for a greater exploration of these themes see my article here).

The Kenyan case reveals that exclusion and violence continue to facilitate capital accumulation while also preventing long-term refugee survival. The notion of experimentation, briefly sketched here, allows us to frame neoliberalism as an ambivalent process. Capital permeates these spaces of poverty and the logics of entrepreneurialism facilitate some form of accumulation either through debt or through micro-transactions in the form of remittances. Importantly, refugees in the development of so-called smart communities also produce data and this data can be used for the purposes of capital accumulation in other contexts.

Editors Note: This article was first posted in the Review of African Political Economy (ROAPE)

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Nairobi: The City That Was Never Meant to Be

7 min read. OWAAHH and JOHN KAMAU explore Nairobi’s evolution from its humble beginnings as a railway depot to its present status as the nation’s capital.

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Nairobi: The City That Was Never Meant to Be
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More than a century ago, a brash and mostly racist decision created a small tin shack town in the middle of a swamp. Then the town became unstoppable.

The first men and women who landed in Nairobi probably considered the brackish swamp land perfect. The area was picturesque, with hills in the horizon and rivers crisscrossing the plains. While the swampy land was not suitable for farming, and certainly not for settlement, it was perfect for grazing.

For the Maasai and the Kikuyu, the plain was also a meeting ground, cutting between the highland farming community in Central Kenya and the nomadic community in the Rift. For the Kamba and other traders and adventurers, it was the easier part of the journey. The Maasai called it Enkare Nyorobi, ‘the land of cool waters’; other names for the land seems to have evaded history books.

The colony’s vanguard also saw it as one of the easy stretches of a long, much more arduous journey to the Western parts of what would become Kenya. The treeless plain was also curiously empty, particularly on the lush parts towards Central Kenya. They wrote of ‘Nyrobe’ in their letters home, a name which, in a short time, would become the name of the capital of a new country.

It was not empty or deserted though; it was occupied, just not permanently. And even less at that point because smallpox and a few other epidemics had cut down the populations of many Kenyan communities.

In 1896, builders of the Lunatic Line set up a small supply depot and a camp on the plains. The original boundaries of what is now Nairobi were for “the area within a radius of one and a half miles from the offices of the sub-commissioner of the Ukambani Province.” There was no plan beyond that, and Nairobi was merely one in a chain of such supply depots. The railhead reached Nairobi, the small supply depot between Mombasa and Kampala, in 1899.

With it, a new future began.

A cultural melting pot

The railway management picked Nairobi to be their railway headquarters. But this seemingly arbitrary decision that would put the builders at loggerheads with the colonial government did not involve any proper assessment of the site. Public health would be the key issue in those early years, with the lack of proper drainage making the new town the perfect breeding grounds for epidemics.

But the railway engineers did not see Nairobi as becoming anything more than an Indian township which, they argued, could “prosper in spite of unsanitary conditions and chronic plague.”

As more people settled on what had become the railway headquarters, a pattern emerged. Europeans settled to the West, Asians to the Parklands side, and Africans to the East. But segregation laws would not become codified until 1908, after yet another bout of the plague. Within the first five years, what had been a sparsely occupied swampy plain was now home to 10,000 people. After Mombasa, Nairobi was now the cultural melting pot of the young British colony.

The railway management picked Nairobi to be their railway headquarters. But this seemingly arbitrary decision that would put the builders at loggerheads with the colonial government did not involve any proper assessment of the site.

With government funding and rich entrepreneurs like AM Jeevanjee, who had made a fortune supplying material and labour to build the railway, a town sprouted from the swamp. The richest man in Kenya at the start of the 20th century, Jeevanjee would later go on an investment spree, building the first law courts, the original Nairobi Club, the first building that housed the National Museum, and many other buildings.

Before the railhead reached Nairobi, the central economic activity for the young town had been big game hunting. By 1900, the town was a single street, driven by commerce as Asian railway builders settled in tin shacks on the plain. Beyond that street “lay the swamp where frogs lived every night at dusk they used to bark out their vibrant chorus and spread a cloak of deep, incessant sound over the little township” as Elspeth Huxley writes in White Man’s Country. The frogs formed part of the ecosystem, providing a rhythmic croaking during the calm nights of a budding young town. It was free music, if not poetry, but it freaked out public health officials.

A public health hazard

Doctors were particularly concerned about the hazards the soggy grounds carried. At 1,750 metres above sea level, colonialists thought Nairobi’s temperate climate would limit the development of malaria-carrying mosquitos (an oft-repeated myth, most notably in Al Gore’s An Inconvenient Truth). It didn’t, and not just because the soggy grounds allowed pools of stagnant water to collect. Malaria would thrive in the new town, with 14,000 new malaria cases reported in Nairobi in 1913 alone. But malaria was just one of many health concerns that made doctors want the small town moved to higher ground.

In 1902, the small town faced its first major public health problem. An epidemic of the dreaded bubonic plague erupted along Indian Bazaar. With no sanitation or municipal plans, the main street at the time had played host to rodents, and the animals had in turn brought in the plague, killing several people. The plague was diagnosed by the enigmatic zebra-riding Dr. Rosendo Ribiero. The Medical Officer, Dr. Alfred Spurrier, ordered the entire street burnt. Everyone was evacuated, and Nairobi’s first CBD was torched.

This was probably the point in history when the situation could have been salvaged and the young town moved, but that didn’t happen. Instead, lethargy and bureaucracy resulted in a status quo.

At 1,750 metres above sea level, colonialists thought Nairobi’s temperate climate would limit the development of malaria-carrying mosquitos…It didn’t, and not just because the soggy grounds allowed pools of stagnant water to collect.

In May 1903, Dr. Moffat, a principal medical officer of the East Africa and Uganda Protectorate, called Nairobi dangerous and defective. After another plague in 1904, he recommended relocating residents to modern-day Kikuyu Township. But Moffat left in April 1904, and his successors held the costs of relocation too high.

On 18 May 1906, Sir James Sadler, commissioner for the Protectorate, wrote to Winston Churchill, Undersecretary of State for the Colonies, complaining about the emergence of Kenya’s capital: “…at the commencement of the 1902 plague…the then-commissioner, Sir Charles Elliot, was strongly of the opinion that the site, which had been selected three years before by the manager of the Uganda Railway without consulting medical or sanitary authorities, was, with its inadequate drainage, unsuitable for a large and growing population. [It is a] depression with a very thin layer of soil or rock. The soil was water-logged during the greater part of the year.”

The letter further reminds Churchill of the 1902 recommendation to move the city “to some point on the hills.” Sadler told Churchill this was a critical point in Nairobi’s history; that his predecessor had said: “…when the rainy season commenced, the whole town is practically transformed into a swamp.”

But the Board running the city decided instead to try drain the swampy bazaar area.

Six years before, in 1898, a 25-year-old man called John Ainsworth had disembarked from a ship at the Port of Mombasa. He was an employee of the colonising company called the Imperial British East African Company, and was ambitious to make a career for himself. Before that year ended, he travelled from Mombasa up to Machakos, and into the tin shack town called Nyrobe. He built his house at Museum Hill to found the colonial administration, much to the chagrin of influential railway builders. Eager to make the swampy plains work, he planted Eucalyptus trees on the swamp to drain the water. Ainsworth’s legacy remains to date, with most of his efforts being the only reason why more and more parts of the swamp could be occupied.

Nairobi continued to develop quickly and Sadler finally threw in the towel: “It is, I admit, too late to consider the question of moving the town from the plains to the higher position along the line some miles to the north. We had a chance in 1902, and I think it was a pity that we did not do so then as advocated by Sir Charles Elliot.”

But even Sadler did not anticipate the growth – eightfold since 1969, from 500,000 people to 4.4 million today. He said Nairobi would never become “a city like Johannesburg or a large commercial centre, for if there is a rapid development of industries or minerals in any of the new districts, the centres would spring up around them.”

Churchill accepted this idea and made the final decision: “It is now too late to change, and thus lack of foresight and of a comprehensive view leaves its permanent imprint upon the countenance of a new country.”

The colonists had given up, and the town they had once thought would only be occupied by Indians became the centre of the new colony. It would take another six years for the Nairobi Sanitary Commission to be appointed, by which time the city was home to thousands of people. The swampy grounds would pose challenges for builders, medical officers, and town planners.

From tin shack town to city

Settlers like Ewart Grogan believed that the Europeans should have occupied the area from Chiromo up towards and past Westlands. They could then leave the lower plains and its tin shacks to Asians and Kenyan natives. The plan never came to be as the influence of the railway builders carried the day, and by the time it became clear the city would grow, it was too late to move it.

In 1919, Nairobi Township became Nairobi Municipal Council and the boundaries were extended. It would be extended nine years later to cover 30 square miles. Seven years after that, Jim Jameson presented a town planning report with great plans to plant Jacaranda trees. The tin shack town was well on its way to becoming a city, and the future generations of city fathers would have to find a way to deal with the thin layer of soil.

It hired a consultant in the mid-1920s, by which time the town’s economic importance made it a fait accompli. One colonial officer wrote that the new plan was ambitious, but until it bore fruit, “Nairobi must remain what she was then, a slatternly creature, unfit to queen it over so lovely a country.”

More than three decades later, when it became the official capital of a new country, Nairobi still did not have a blueprint.

The initial stubborness of the railway engineers trumped those of the colonial government and its health officials. For that, the latter would pay dearly, facing many epidemics and having to dedicate finances to further drain the swamp. Most of the swamp has now been replaced with skyscrapers and road networks, with insufficient footpaths, drainage and leadership.

The colonists had given up, and the town they had once thought would only be occupied by Indians became the centre of the new colony.

More than a century after its unlikely birth, Nairobi is home to more than 4 million people. The city still reminds that it was once a swamp where rivers criss-crossed at will. One pending idea, which has been revived in the Building Bridges Initiative (BBI) Taskforce report, is to grant the city special status as a capital city. It would mean Nairobi will not have a governor, but the report hopes that it would not “impede the rights of the Kenyan people to representation at the ward and parliamentary levels.”

In this scenario, only a special status would allow the central government “the means to provide the services and facilitation necessary to maintaining as a capital city and as a diplomatic hub.” Whether that’s likely is a toss-up, but whoever runs it will always face the same problems as its first city fathers. Indeed, the city that was never meant to be, and probably should never have been, is now the epicentre of the Kenyan economy and society.

Perhaps the time is ripe to ask ourselves whether Nairobi should be the epicentre of Kenya, because today, amidst the floods raging in the city, poor drainage and the chaotic streets, Nairobi leaves much to be desired as a capital city and is still an unfit slatternly creature to queen over the country, despite what the BBI report claims.

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