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Khaligraph Jones and Emerging Hip Hop Futures in Kenya

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Kenya’s hip hop scene has been nothing but a graveyard of mixtapes which, while offering a glimpse of spirit and experimentation, deny listeners the beauty of intention, coherence, and completeness. Testimony 1990 is a New Age album, warm and optimistic. It does not lament. It chronicles contemporary challenges besetting a young man in Nairobi.

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Khaligraph Jones and Emerging Hip Hop Futures in Kenya
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A talent emerged with a vociferous, shrill and piercing cry deep in the heart of Kayole on June 12, 1990. It was an uncertain time. Agitations for multiparty democracy clouded the air amidst arbitrary detentions, torture and killings. Still, a mother – freed from the listlessness of a third trimester – rocked a plump newborn. As the cries of Robert Ouko’s assassination tapered, it was only fitting that the mother in Kayole thought it wise to name her new hope – Brian Ouko Robert – perhaps as a silent resistance against the dictatorial regime. I do not know. I have not asked. But I know we use names to resist erasure.

Brian Ouko Robert – aka Mr. Omollo aka Khaligraph Jones – was welcomed by a troubled country of barely 20 million people. Exactly 28 years later, this baby released a debut album, Testimony 1990, and give us a chance to look back not only at this baby who has now become a man, but at a country whose population, just like its troubles, has doubled. Let us talk about the music of this prodigious talent.

Testimony 1990

Testimony 1990 is a testimony of Kaligraph Jones’s life, his troubles, and those of his country. Khaligraph is not an overnight celebrity. His success is not the product of the modern viral phenomenon, where the gods of the internet choose to crown a new artist with a million views on Youtube for some mumble rap. He is not the product of accidental fame but of tenacity.

His interest in music began at an early age in elementary school. He attended Imara Primary School and Brucewood Secondary School, and at 13 his love of music was visible and palpable. It helped that his older brother loved music too. Together they released their first rap track in 2004.

But Kenya has one of the most unforgiving hip hop music ecosystems. There are only two options for an artist: have the right connections and money, or be willing to toil for years through venom-infested underground rap battles to gain recognition.

Khaligraph made his bones the hard way.

In 2009, The Channel O Emcee Africa tour, sponsored by Sprite, came calling in search of the premier freestyle MC. They dubbed it the Channel O MC Challenge. At the heart of the competition was the desire to initiate awareness of “street life” as a sociocultural context captured by local hip hop music. Khaligraph, then a 19-year-old lad, laced his gloves and threw himself into the ring.

Let us recount the day.

A Saturday night. June 6 2009. The venue is Club Clique. The finals for the Emcee Africa Kenya edition. Early that day, over 50 MCs flocked to Baricho Road to register for the competition. The fans were your typical pre-skinny-jeans hip hop crowd. Baggy jeans, hoods, Timbaland, bling bling – fake no less – and a gangsta attitude to boot. The judges: Mwafreeka, Abbas Kubaff aka Doobeez, and Nazizi. Three notable voices with sledgehammer disc tracks to their names.

Kenya has one of the most unforgiving hip hop music ecosystems. There are only two options for an artist: have the right connections and money, or be willing to toil for years through venom-infested underground rap battles to gain recognition.

The judges have their ears tuned for isolating the dope from the whack rappers. During the auditions, Mwafreeka is reported to have told a hopeless contestant to say aloud how whack they were. This nitbit reminds me of my primary school teacher, Mr. Odede, who, when we could not get our mathematics right, admonished us, en whole, to shout, to the world how sheep we were. Sheep most were.

A line-up of 10 MCs is selected to battle for the top spot. They are: Point Blank. Long Jon. Lethal Dynamic. Oluchina. Khaligraph. Kip. Kimya. Bizzle. O.D. And one female MC, Xtatic. I lioness out to destroy the cabal of bloody manes.

It was simple: get to the stage and showcase your lyrical prowess, spitting spur-of-the-moment rhymes, either acapella or on beat boxing, or you could prompt the judges to give you a topic if you thought you had mad skills. Eliminations pitted Point Blank vs Khaligraph for the big prize = $10,000. That is, 780,000 Kenya shillings. (A dollar was going for 78 Kenyan shillings in 2009. It goes for 100 Kenya shillings today. A weaker shilling.)

Point Blank floors Khaligraph. Everybody agrees. But this would mark the beginning of Khaligraph’s ascendancy. In that list of 10 MCs, 10 years later, none has been as industrious as Khaligraph. None can challenge him to the throne of Kenya’s top MC today. None dominates the airwaves like he does today. Testimony 1990 is a testament of his focus, the fire lit that Saturday night in 2009.

It is a New Age album, warm and optimistic. It does not lament. It chronicles contemporary challenges besetting a young man in Nairobi. It is not belt out in broody lyricism, perhaps because Testimony 1990 comes from an artist who has achieved remarkable success. It is not a chronicle of his status now, as an artist, but a sort of reflection of a past lived through, of battles won. It is unlike the legendary Kalamashaka with their gritty rhymes and the personal catastrophe of jumping a thousand hurdles and still not making it to the Promised Land.

The album opens with “Testimony” featuring Sagini, a quintessential recap of the spirit of the album, and “Blessings” – a track thanking God. The warmth and reflection is a manifestation of the prevailing mood in the hip hop world today. One can say most albums released in 2018 sailed in a sea of positivity. Warm dynamic performances packaged with the versatility of moods and styles. “No chance, featuring the immensely talented Fena Gitu, is a clean introspective lay of wisdom. It is a combination of rapping and singing, away from the old times when rappers laid two or three verses on a solo cut. Instead we have a fluency where rap is blended neatly with song, interacting much more than you’d find in the two-dimensional hook-led templates of old.

It is customary to catch an older cat being mentioned, or a style or voice aped, sometimes temporarily. It is paying homage when a rapper references an older rapper or quotes a line. It is a nod of influence. An acknowledgement that the old wordplay still lives, that it has been connected to the present. Not sure whether anybody realized it, but even in that track with Msupa S, Khaligraph pulled a little of Johhny Vigeti: that raspy voice. He does it again in “For Life”. If you love Mr Vigeti, you can pick Khaligraph channeling him Vigeti from mid second verse.

The album opens with “Testimony” featuring Sagini, a quintessential recap of the spirit of the album, and “Blessings” – a track thanking God. The warmth and reflection is a manifestation of the prevailing mood in the hip hop world today.

The production of some of the tracks is a nod to the prevailing styles ruling the market. “Gwala”, like “Yego”, is trap music, same as “Taking it all” with Timmy Blanco, same as “Don’t Know” with KO. All nods to the South African contemporaries, that up here in East Africa, we can do it just like you do. “Beat It” channels the pop icon Michael Jackson. “Make Babies” is a typical Khaligraph lyrical flexing: just shouting from the rooftops that he can accelerate if he wants to. He channel’s Eminem’s flow towards the end.

“Instagram Girls” and “Superwoman” are storytelling tracks. “Aisee” with Ray C is a light danceable beat. Ray C was the sultry goddess of our teenage years. She peppered our adolescence with sexual provocation. As a playlist, the album, with its solid lyrical releases, reflects an artist who has grown and is comfortable with his voice, an artist who is ready to put Kenya’s hip hop on the international map.

On the other hand, there are concerns over the lack of politically-conscious hip hop in Kenya.

Hip hop as a political force

Hip hop is inherently political. With its roots traced to the militant spoken word by groups such as The Last Poets and The Watts Prophets, hip hop has always delivered political missives from the front line. In the 1980s, hip hop chronicled and reacted to the policies of US President Ronald Reagan, which called for widespread tax cats, decreased social spending, increased military spending and the deregulation of domestic markets. Reaganomics led to massive cuts to social programmes and widened income inequality, consequences which were particularly worse for African American families.

Grandmaster Flash & the Furious Five captured this devastation in “The Message” in 1982. Robert Hilburn of Los Angeles Times described the single as “a revolutionary seven-minute record that is a brilliant compact chronicle of the tension and despair of the ghetto life that rips the innocence of the American Dream.”

These hip hop forefathers opened the door for younger fiery voices. When Public Enemy came to the fore, they earned the moniker Black America’s CNN. Public enemy centered political and cultural consciousness in a sonic experimentation infused with skilled poetic rhymes. They were ferocious unlike anything that had been seen before.

Hip hop is inherently political. With its roots traced to the militant spoken word by groups such as The Last Poets and The Watts Prophets, hip hop has always delivered political missives from the front line.

Life outcomes were no better in Kenya. The economy collapsed from a nominal GDP of USD 7.265 billion in 1980 to USD 6.135 billion in 1985. Even worse, Kenya became one of the first countries to sign a Structural Adjustment Programme loan with the World Bank. The trade liberalisation experience was a gross disappointment and threw the early 1990s into great uncertainty. But before the ship could be directed away from the high waves, Kamlesh Pattni, as the chief architect of what became known as the Goldenberg Scandal, in collaboration with the top operatives in the Moi government, including the president himself, raped the country, stealing billions from the public coffers. An ignominy that lost the country the equivalent of 10% of GDP.

The economic devastation created fertile ground for the emergence of one of the most influential hip hop acts in Kenya, Ukoo Flani, in 1995. The group’s music flourished as a form of protest – authentic, gritty, and startling in its boldness. Ukoo Flani historicised slum life, using Dandora as a poster child for the effects of endemic corruption, breakdown of public service delivery, rampant crime and police brutality, and immense suffering during the Moi dictatorship. Hip hop, belted out in Sheng – to escape the censor of the police state– became a tool for the disenfranchised young men in the sprawling ghettos to voice their dissatisfaction and dissent.

Over the past two decades, hip hop has oscillated from social and political commentary to easy-going party jams, or a mix of both. In America, subgenres such as gangsta rap brought news styles to socio-political commentary, as reminiscent in NWA’s “F**k the Police”. But this was clouded by portrayals of masculinity, sexuality, and materialism in ways that seemed anti-ethical to the messaging of the preceding decade. In Kenya, artists, particularly those in the Underground, continued to rail against urban violence and dysfunction, police brutality and extrajudicial killing of young men in slums.

Khaligraph’s music attempts to carry both social and political commentary and easy-going party jams. While a majority of his tracks are fashioned for the club, a few explore social and political themes. The track “Gaza” is a song about Nairobi’s notorious criminal gang by the same name. The track juxtaposes a dialogue between two people – a living gang member and a deceased one, with the threat of Hessy – Nairobi’s super cop – in the middle. The living gang member, as most are wont to be, is steeped in anger, crime and violence, spewing threats at Hessy for cutting down the gang friend, and vowing revenge. In slow, introspective storytelling, the dead gang member feeds the living member with sober, down-to-earth advice to let go of the idea of meting out revenge on the cop, or they’ll eat copper – Sheng’s euphemism for the rampant extrajudicial killings of young men perceived to be members of criminal gangs.

Hip hop, belted out in Sheng – to escape the censor of the police state– became a tool for the disenfranchised young men in the sprawling ghettos to voice their dissatisfaction and dissent.

“Chali ya Ghetto” (2017) is a narrative of life in the ghetto, one that extols the virtues of hard work and focus. The central message is that fortitude is the only path ghetto youth have for getting out of the slums alive, for social mobility. Such tracks, however, do not detail the extent of systemic marginalisation that not only pushes young people to drugs and gang violence but also effectively imprisons 60% of Nairobi’s population in informal settlements.

The question of whether hip hop can become a political mobilising force beyond the restrictions of personal protest is an old one. Most rappers start their musical career with an outrage against a system of oppression. As their careers progress, most tone down their lyrics to gain mainstream approval. It is only those who persist in the Underground that model their entire career on social and political commentary. In the modern marketplace, post-2000s, mainstream hip hop, inspired by gangsta rap, features the symbols of crass materialism – from gold chains, souped-up cars, toxic displays of masculinity, and sexual objectification.

Thanks to the Kanye West era, which began with the College Dropout in 2004, hip hop has succeeded in breaking down the old impregnable wall between commercial and socially-conscious hip hop. As Common told Fader in 2016; “Kanye kind of brought in a thing where it was like, you can rap about getting money and ‘Jesus Walks’. You can be down with Jay Z and Mos Def. Kanye brought together those different worlds.” This is the seismic shift that made Kendrick Lamar’s 2015 album, “To Pimp a Butterfly” or Childish Gambino’s “This is America” possible.

These shifts have also been replayed in Kenya. The mixing of commercial success and socially-conscious hip hop is what has made it possible for a commercial artist such as King Kaka to release “Wajinga Nyinyi” (2019) – one of the most impactful political protest tracks in recent years. It is not that the track tells Kenyans what they don’t know; rather, King Kaka serialises what is discussed daily on social media, and what is splashed on the front pages of daily newspapers. The lyrics translate the dysfunctions of a nation – clothed daily in civil terms – into the raw, unadorned, unpretentious language of the streets. #WajngaNyinyi tells Kenyans to stop being stupid and start holding the system accountable.

Urban colonial identity

This is the music culture that Khaligraph grew into, one in which hip hop was broadcast news from the ghetto, the hood. Rappers repped their hoods. Ukoo Flani made Dandora the capital city of Kenya’s hip hop, decked it with rhymes depicting an unforgiving cityscape for adult males and a space of tough love as Zakah na Kah depicted in the eponymic “Dandora L.o.v.e.”

When Khaligraph came of age, he began to identify with Kayole. Kayole 1960. The origins of the estates and route numbers, and the pervasiveness of these bus routes in Kenyan hip hop relate to the vital role recorded music plays in the construction of personal and collective cultural memory. While these bus route numbers evoke nostalgia over the years when the city was efficiently managed, the carrying forward of this colonial heritage in modern hip hop imagination shows the extent to which our collective memory and identity bears the remnants of the colonial state.

The bus route numbers go back to pre-independence years. Overseas Transport Company of London established the first local bus in Kenya in 1934, with a fleet of 13 buses plying 12 routes. The City Council of Nairobi, in 1966, awarded Kenya Bus Service (KBS) a monopoly franchise to run the country’s first formal means of public transport. The heydays of KBS was a demand-driven, efficient and predictable transport system. Fares were regulated.

The design of route numbers was in three dimensions. Route numbers above 100 series were for peri-urban routes, routes below 100 were intra-urban and urban, with the exception of 1, 2, and 3 which were peri-urban. All peri-urban routes terminated at Machakos Bus Station and all buses ending with the 100 Series terminated at the Bus Station. The addition of a letter to a route number signified that there were shorter routes that did not reach the specific destination, or they deviated from the original route then later joined it. Other routes, such as 9 and 6, were circular routes. A vehicle heading to Eastleigh, number 9, would use route 6 when coming back to town. Some of these route numbers have changed, others remain. Route 1 used to be from the City Centre to Dagoretti Corner. Routes 61 and 60, plying the City Centre to Kayole, are no longer in operation, and were changed to Route 1960 and 1961. Hence Kayole 1960.

Nazizi, the First Lady, was the first of Kenya’s MCs to chronicle the route number phenomenon in urban rap through the track “Kenyan Girl, Kenyan Boy”, and the recent “Mat Za Ronga” by Tunji ft Khaligraph Jones follows that age-old feature of Nairobi’s urban rap. Octopizzo, Khaligraph’s longtime rival to Kenya’s King of Rap throne, reps Namba 8 – Kibera.

Music marketplace

Over the past decade, there has been a resurgence of political themes in hip hop albums. Kendrick Lamar’s vignettes capturing the African-American life is the poster political-hip-hop-album for the decade. Juliani’s 2016 album Mtaa Mentality is a definitive entry for politically-conscious albums in Kenya.

For the most part, away from the pioneering hip hop albums of the late 1990s and early 2000s, Kenya’s hip hop scene has been nothing but a graveyard of mix tapes which, while offering a glimpse of spirit and experimentation, deny listeners the beauty of intention, coherence, and completeness. Kenya is home to “superstar” musicians without music albums. Music singles, which had hitherto been known as a precursor to an album, have in most cases been the only output Kenyan fans have received from their musicians.

Given the predominantly club-banger focus of a music single, it is often difficult to chart the trajectory of a musician from the perspective of their thematic concerns. However, the album Testimony 1990 is a condensed piece of work that offers us coherence, a singular thematic focus, and a snapshot of the career progress of the artist.

Sheng, as a practice of moving across languages, has always been the choice for urban youth to resist and to engage in socio-political commentary and protest. But with the breaking down of market boundaries through the dominance of a few US-based music streaming platforms, language is once again becoming a significant indicator for capturing the international market.

For young African artists, the future belongs to those who can blend local languages and the lingua franca with the dominant language of business, in this case English. It is the reason why Tanzania’s Diamond Platnumz, while capturing the local East African market on the back of Swahili lyrics, resorts to English when doing collaborations with American artists such as Rick Ross and Omario. Khaligraph is the evolution of that trend, and it will not be long before he begins hustling for that big collaboration with a major American artist.

The album Testimony 1990 is a condensed piece of work that offers us coherence, a singular thematic focus, and a snapshot of the career progress of the artist.

There is a new legion of internet-born artists, genre-bending productions and visuals, serving digital native fan bases with exciting single tracks. The Gengetone – perhaps the most significant development in Kenyan music in years – is already stealing the airwaves from maturing acts such as Khaligraph, Octopizzo, and King Kaka. The new wave is characterised by explicit content, with song lyrics promoting violence and misogyny, and videos promoting the sexual objectification of women.

However, as writer Barbara Wanjala notes: “Kenyan artists have been experimenting to see what will capture the youth. The contemporary sound landscape runs the whole gamut, from songs that speak about debauchery to conscious lyricists rapping with conviction. Other artists straddle both worlds, producing output that has commercial appeal as well as tracks that are socially responsible.”

It remains to be seen whether, in addition to documenting, socio-politically conscious hip hop can engender political mobilisation and drive political change in Kenya. Perhaps Wakadinali’s “Kuna Siku Youths Wataungana” (2020) – which explicitly calls on youth to organise, mobilise, and take political action – is an encouraging direction for the new decade.

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The writer is based in Nairobi, Kenya.

Culture

The Clergy and Politicians: An Unholy Alliance

What Kenya needs is not a clergy in bed with politicians but one that can boldly speak up against the state and hold political leaders accountable.

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The Clergy and Politicians: An Unholy Alliance
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There has been an ongoing debate in the last couple of months about the hefty cash donations politicians make to churches and to individual clergymen in Kenya. There have also been debates about the impact of money on the relationship between the church and the state, and about by the political class co-opting church leaders. There is even talk now about politicians radicalising thousands of angry, disenfranchised, jobless youth through cash donations and political and religious ideologies. An emerging Christian nationalism that is inspired by populist politics in many parts of the world also has many observers worried. Money, economic disenfranchisement and religious ideologies are blamed for this emerging trend.

A large section of Christian evangelicals in Africa, for example, support populist politicians including former President Donald J. Trump. In Kenya, money, ethnicity and religion have apparently taken centre stage in national politics in the last couple of years and this could lead to seriously compromising the religious leaders’ ability to stand up to the political class.

Deputy President William Ruto has caused a furore over the millions of shillings he has been donating to the churches. Ruto has sought to create an image of himself as a God-fearing generous giver, as demonstrated in the many churches he has visited, the questionable source of the money donated notwithstanding.

The clearest example of this is the dichotomy now playing between the president-led Kieleweke and Deputy President-led Tanga Tanga factions of the ruling Jubilee Party. When they took their battles to the African Independent Pentecostal Church of Africa (AIPCA) in Kenol area of Murang’a County on 4 October 2020, it led to the deaths of two young men. The commotion created at Gaitegi AIPCA church by the two opposing factions is the latest testament of how the church has been infiltrated by the dark forces of political rivalry.

On 11 January 2021, Bishop Margaret Wanjiru of Jesus is Alive Ministries (JIAM) was back in the limelight. A video circulating on social media showed the evangelist-turned-politician-turned-Ruto supporter dishing out money to scores of people.

While some church leaders in the Anglican and the Catholic churches have clearly told politicians to keep their money off their pulpits, the majority of Kenya’s clergy, especially those of the evangelical and the pentecostal persuasion — and particularly the prosperity gospel-allied churches — see absolutely nothing wrong with this. Anglican Church of Kenya (ACK) Archbishop Jackson Ole Sapit, while speaking in a multisectoral initiative against corruption in 2019, warned ACK clerics against accepting corrupt money. “Let us not allow Harambee money to become a subtle way to sanitise corrupt leaders,” said Sapit. Deputy President William Ruto and a coterie of politicians allied to him promptly answered Sapit: “We will continue to worship Jehovah God with our hearts and substance. We are unashamed of God and unapologetic about our faith.”

In Kenya, money, ethnicity and religion have apparently taken centre stage in national politics.

On 24 October 2020 Ruto held a fund-raising meeting for the St Leo Catholic Church in Sianda, Mumias East. Evidently, the COVID-19 crisis and the lockdown had not locked up the DP’s purse. Clearly, it’s not only the evangelical leadership that covets politicians’ money. While the Anglican and Catholic churches’ leadership have clearly specified their criteria for receiving donations, and have at the same time asked the politicians to keep off their pulpit and keep their money, evangelical and pentecostal churches, especially those aligned to the prosperity gospel, see nothing wrong with accepting money from politicians. There have been public spats and bitter exchanges in the country that essentially encapsulate a debate that has not only refused to go away, but one that divides Christians and non-Christians alike.

The Kenyan Church and its credibility

Struggling with a legitimacy crisis since the 2007/8 post-election violence (PEV), the church leadership seems to have abandoned its flock, divided by ethnicity and politics as it is.  Archbishop David Gitari (ACK), Archbishop Raphael Ndingi Mwana a’Nzeki of the Catholic Church and retired Rev. Timothy Njoya of the Presbyterian Church of East Africa (PCEA) fought for democracy, freedom of expression and multiparty politics during Daniel T. arap Moi’s dictatorial reign and have often been described as the architects of social justice and as the conscience of the nation.

The emergence of evangelical pastors driven by the gospel of prosperity seems to have undone all the foundational work that these mainstream church leaders fought so hard to set up. The PEV exposed the underbelly of the Kenyan church as it were and since then, the church has never been the same and it has struggled to recover its image as the moral compass of the nation. The National Christian Council of Kenya (NCCK), the umbrella body that brings together all the protestant churches, even offered a public apology, acknowledging that the Church had let down Kenyans.

Given the fact that liberal democracy thrives where the secular and religious domains keep a safe distance from each other, the churches’ acceptance of hefty cash donations from politicians has led Kenyans to question the very credibility and legitimacy of these churches’ leadership. Yet the co-option of religious leaders by the state and politicians is nothing new. The Deputy President’s  donations to churches have brought to the fore the causal inter-play between church and state, the intersection between faith, politics and governance issues. The donations have also raised critical questions about the relationship between Christianity and religio-ethnic politics.

Christianity and religio-ethnic politics

Religio-ethnic political competition and mobilisation have increasingly become the defining features of electoral politics in Africa, Kenya included. In Kenya, God, politics, money and ethnicity are often inseparable. Yet church politics, money and ethnicity have recently assumed centre stage. During the 2013 and 2017 general elections, for example, political competition was increasingly defined and characterised by the use of the notions of God and tribe. The appropriation of biblical language and rhetoric and its imagery by politicians during the campaign periods sought to paint their politics as God-driven and God-ordained, while casting their antagonists’ politics as driven by the dark, evil forces of Satan and witchcraft.

Prior to the 2013 general elections, the Jubilee Coalition presidential candidate and his running mate, Uhuru Kenyatta and William Ruto, faced criminal charges at the International Criminal Court (ICC). To fend off the ICC, the duo turned to religious rhetoric and portrayed their tribulations as the work of the devil and the opposition, then led by Raila Odinga. They also referred to the civil society as the “evil society.” Uhuru and Ruto traversed the country, holding political rallies camouflaged as prayer meetings, accompanied by a retinue of clergymen who would lay hands on them and anoint them with special oil, as they prayed fervently, casting away ICC demons, castigating the opposition and condemning the “evil society”.

Their political nemesis, Raila Odinga of the National Super Alliance (NASA), equally appropriated religious rhetoric. Raila promised to lead Kenyans to a new dawn by taking them to Canaan, the Promised Land that flows with milk and honey. He appropriated the biblical imagery of the Book of Exodus, where he likened himself to Joshua, who would lead the people out of slavery into the “promised land”. The imagery became a rallying call for millions of his followers. In 2019 and 2020, Deputy President Ruto not only appropriated Christian theological language, but also became one of the biggest church funders just like President Moi before him.

In a bid to outdo everyone, Ruto has elevated the prosperity gospel and its proponents, the self-styled prophets and bishops, to unprecedented levels of self-importance. In the process, he has cleverly cultivated a Christian nationalistic image, subtly appropriating pentecostal language in his public speeches. He has also been accused of taking advantage of the socio-economic vulnerabilities of unemployed youth in a way that could potentially radicalise them.

Ruto’s cosy relationship with the clergy should be understood in the light of religio-political and ethnic mobilisation that has now become the defining feature of post neo-liberal politics in Kenya and beyond. During the 2010 constitutional referendum, Ruto aligned himself with the Christian clergy to oppose the new constitution. Since then, the relationship between the Deputy President and the Christian right in Kenya has blossomed, the allegations of corruption made against him notwithstanding; Ruto has his allies in the church.

Liberal democracy thrives where the secular and religious domains keep a safe distance from each other.

In a country reeling from massive debt, loss of employment and the coronavirus pandemic, the clergy has been silent as Kenyans go through unprecedented suffering, massive job losses, a weak public health infrastructure, corruption, and the theft of medical equipment donated by humanitarian people and organisations. Their loud silence in the wake of the high numbers of deaths of medical personnel, the doctors’ strike and the controversial BBI politics, has been deafening.

But Ruto’s disturbing relationship with the clergy is not anything new. Moi heavily appropriated religion and created for himself an image of a God-fearing politician who not only attended church service ritually and piously every Sunday, but who also heavily invested in the churches and the clergy by contributing large amounts of money and allocating them large tracts of land.

Politicians have perfected the art of appropriating religion in times of crises. With the onset of the coronavirus pandemic, politicians have been calling on religious leaders to offer prayers as they call on the people to repent their sins. While there is nothing wrong with politicians asking for frequent and collective prayers when the country is faced with crises, Kenyans also need to question how they are governed and what the priorities of their politicians should be. No amount of prayers will ever take away bad governance, corruption, disease, inequality, poverty, road accidents and violence. These are policy issues that have everything to do with ethical and just leadership, the rule of the law, governance of national resources, respect for human rights, well-equipped and functional hospitals and efficient public service delivery, and little to do with religion.

Deputy President Ruto’s relationship with the clergy must be understood through the prism of, not just the politicisation of religion, but also its implications for good governance, and for the church and the state. The Jubilee Party administration has since 2013 been weakening the church’s leadership by compromising it with money so that the clergy does not call out on its excesses.

In Kenya, the church and the state have always had a symbiotic relationship. The clergy has always tried to co-opt political leaders while the state has always been involved in schemes to co-opt the church. This is not to ignore the fact that the leaders of certain mainstream churches have, in certain critical political moments, stood their ground and urged the government to abandon its authoritarian tendencies, and even pushed for constitutional reforms.

After the promulgation of the new Constitution of Kenya 2010, mainstream churches took a back seat as pentecostal and evangelical churches occupied the centre stage of the country’s political arena. Ruto has ostensibly found dependable allies in the majority of evangelical churches, who see him as a generous giver and one who fits in well with their health-and-wealth gospel.

This is not peculiar to Ruto. Politicians across the country continue to appropriate religious idioms, language, rhetoric and symbolisms. We are witnessing the same developments in other African countries like Ethiopia, Ghana, Malawi, Nigeria, Tanzania and Uganda — politicians appropriating religion as a means to their political ends. In 2016, Donald Trump appealed to the evangelical right and their unwavering support helped him win his presidential bid. In 2020 Trump again appealed to the same Christian right to try to win a second term. He appropriated religion and mobilised the evangelical right to cast himself as the protector of religious rights from neo-liberals, socialists and leftists.

The Ruto factor in churches and its implications for governance

William Ruto projects the image of a God-fearing man under perpetual siege from the political dark forces of Satan. He gives the impression that his Christian faith has helped him overcome the forces that his political enemies are using to fight him. While his enemies are busy working hard to make him look bad in the eyes of the electorate, the church, it seems to me, has also been working overtime to paint him in the light of a generous servant of God who is largely misunderstood. Even as his enemies describe him as a most corrupt, divisive and ambitious politician, the church makes him look humble and decent and “a fearfully made child of God” who is a victim of political machinations.

Ruto’s spirited efforts to be allied with the clergy must be understood within the context of a search for a Christian legitimacy and social respectability. The Deputy President could also be looking for approval and acceptance from the clergy. He is looking to his faith to repair a badly damaged public image that has refused to go away: the image of a fabulously wealthy politician who passes himself off as a humble servant of God who speaks the language of the downtrodden. And so the apparent association with the church is a quest to portray himself as a victim of dynastic politics that are jealous of his “hustler” beginnings and that do not want him excelling in national politics. In short, Ruto is using the church to advance his overarching political ambitions.

Like many a politician before him, Ruto has appropriated religion during this period of turmoil in his political career to draw, not just admiration, legitimacy and respect, but also empathy and pity. The late President Moi appropriated the Christian faith to cleanse his autocratic regime. Zambia’s President Fredrick Chiluba declared himself a Christian and Zambia a Christian nation, despite the massive corruption dogging his country. The recently deceased President John Magufuli declared that God had healed Tanzania of the COVID-19 pandemic. He appropriated religion and notions of God in his populist politics in a way that appealed to millions of religious people wish want to see God at the centre of politics and governance.

Intent on getting money and socio-political power to influence public policy, the Church has opened itself to the vagaries of political pedlars. To that extent, hunger for power, particularly political and social power play, is no longer the preserve of politicians. The Kenyan clergy also wants a piece of that power and influence. Hence, spiritual power is hardly the driving force of these religious leaders who no longer view politics as a dirty game. On the contrary, many clergy now see politics as a means to financial, social and political power. African pentecostal and evangelical clergy (with the exception of a few who are well-grounded in proper theological training) lack the philosophical and theological tools to engage the state or politicians. Many rely on the Holy Spirit to interpret scripture and socio-political phenomena. Pentecostal clergy are also prone to populist politics and, more importantly, they are less likely to criticise a dictatorial government. They prefer to pray away issues including pandemics like COVID-19. They are beholden to faith healing, miracles and the gospel of prosperity. Human rights, social justice and poverty are not issues they like to engage with, let alone seek to understand their primary causes; they much prefer spiritualising issues.

The church leadership of the pentecostal and evangelical churches believes in creating social transformation by transforming individuals’ morals and personal lives, which is commendable. Individual transformation is not necessarily a bad thing, but it would be even better if the whole society were to be fundamentally transformed. Pentecostals also place greater emphasis on the heavenly realm and the hereafter than in the hell in which many Kenyans already live. In a country under bad governance, the theology of individual transformation must be questioned. And we must ask critical the questions: how is it that a highly religious country like Kenya, where more than 80 per cent of the population identify as Christians, has not seen it fit to embrace meaningful socio-political transformation?

Religion “cleans” up people, gives them a veneer of credibility, respect and acceptance. That is why politicians align themselves with the Church. When politicians are under siege, they take refuge in the Church, even as they seek to mobilise their ethnic bases. In a kind of symbiotic relationship,  religious leaders use politicians such as Ruto to access state resources and political power. In return, politicians give the clergy not just money, but personal appeal, social power and a sense of self-importance. Such clergy crave to be seen as special “big men and women of God” who are powerful, rich and have friends in high society. One would hope that spiritual leaders would be the salt of the earth, that they would champion social justice causes as well as human flourishing, but unfortunately, like the political class, they seek power, prestige, money and state recognition for their own sake.

There are a myriad other reasons why the clergy courts politicians. In its effort to push its conservative agenda on reproductive health and rights, sex education, sexuality and gender empowerment among many other issues, the clergy’s romance with the political class is strategic: they are partners when it comes to controlling society for their own selfish ends. Kenyans have not forgotten that religious leaders coalesced around Ruto to oppose the adoption of the 2010 constitution; he clergyviewed the constitution as too liberal in matters of sexuality, reproductive health rights and women’s place in society.

There has also been religious mobilisation and contestation over sexual and reproductive health rights and choices in Kenya, as recently witnessed with the Reproductive Health Bill (2019) and during the 2019 UN Conference on Population and Development (ICPD25) held in Nairobi. On the two occasions, religious leaders and their powerful lobbies employed mobilisation tactics to oppose the Reproductive Bill and the ICPD25 conference. Demonstrations were recently held against the Reproductive Health Bill — also christened the abortion bill or the Susan Kihika bill — because of its supposedly neo-liberal agenda.

Kenyans have not forgotten that religious leaders coalesced around Ruto to oppose the adoption of the 2010 constitution.

The influence of the American evangelical far right is also evident in Kenya’s conservative churches, especially in the area of sexuality and reproductive health rights. The American evangelicals’ support for President Donald J Trump — who is not a Christian by any standards but uses Christianity for his own political ends — is alive in African evangelical circles. Some of the evangelical pastors here in Kenya are reported to have prayed for Trump as he battled to win a second term in the 4 November 2020 elections. One of the reasons evangelicals support Trump is because he aligns himself with the Christian right’s ideologies and conservative positions on a score of social and political issues.

It is also a fact that evangelical churches here in Kenya receive a lot of funding from the American evangelical right. The same logic explains the clergy’s relationship with politicians in Kenya. It is a money thing. And it is not hard to see. In its 10th month now, the COVID-19 pandemic has left many Kenyans vulnerable and in dire need of financial help. Yet the Church leadership has chosen to pursue its narrow agenda of cavorting with the political class in exchange for financial gain, self-aggrandisement and the opportunity to influence public policy.

A dozen years after PEV, the church leadership in Kenya does not seem to have learnt any lessons. It has become the butt of crude jokes on social media from a woke generation that does not fear and is not beholden to the “touch not my anointed servants” cliché. It has refused to be spiritually blackmailed and financially manipulated. That generation is daily debunking the myth of spiritual power and torment.

Religious institutions and religious leaders are important actors, key elements and important forces within civil society. Religion is also important in the lives of many Africans, Kenyan’s in particular. A recent Pew Research Poll found that more than 85 per cent of Kenyans said religion was very important to them. There are a number of reasons why religion is important to Kenyans. First, religion provides Kenyans with the language to make sense of their suffering. Secondly, religious people want to see good people voted into government because they believe they can bring ethical leadership and decency to public life. Christians want to see good people voted in, people who promote healing, national cohesion and economic betterment.

The Church has become the butt of crude jokes on social media from a woke generation that does not fear and is not beholden to the “touch not my anointed servants” cliché.

But this is not the case. Instead what we have is a clergy that is in bed with the political class. Co-option of the clergy is bad for democracy and governance. When the Church and its clergy accept monetary contributions from politicians, it compromises them. The Church loses its voice, conscience and ability to hold politicians and the state accountable. In a country reeling from corruption, bad governance, gender and sexual abuse, high incidences of teenage pregnancy, police violence, poverty, ethnic marginalisation, inequality, ethnic tensions and the coronavirus pandemic, Kenya needs a clergy that can boldly speak up against the state and hold political leaders accountable even as they set a good example of moral leadership themselves. Kenya needs a new moral compass and consciousness, an alternative imagination from both citizens and religious leaders. But such leaders in Kenya today are few and far between; partisan politics always has its consequences, more so for the church leadership.

The Ruto factor in church can therefore be understood as a weakening of the structure of the church and the co-option of its leadership. Yet, it also speaks of the church’s lack of philosophical and theological tools to deal with such infiltration, a lack of ethical and moral underpinning to resist such an injudicious relationship. Yet I proffer that it is not too late for religious leaders to rethink their nebulous association with the political class and to re-engage the Kenyan people in their quest for social justice and human flourishing.

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Culture

Are Kenyan Conservancies a Trojan Horse for Land Grabs?

“Conservancies” in Kenya are presented as an example of conservation by and for local people, but they can be a device to grab land. Unless this changes, the future for wildlife conservation looks bleak.

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Are Kenyan Conservancies a Trojan Horse for Land Grabs?
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There are two approaches to exercising your imperial ambitions over others. One is simply to invade their territory with armed force and subjugate them. The other is to bring some of their own leaders, or potential leaders, onto your side with inducements or threats, and so enforce your rule indirectly. The big historical empires usually did both.

Britain, for example, famously ruled India by securing the allegiance of that vast country’s five hundred princely states, step by step. Some were defeated in battle, some were taken over with mutually beneficial trade – beneficial for the rulers, that is. Others were led to accept, even embrace, British dominion through inducements and bribery. London established its rule over the whole subcontinent and beyond even though its fighting men and civilian administrators were always vastly outnumbered by the locals. For every Brit in the “Raj”, there were always well over a thousand Indians. The numbers were only a little more balanced in Kenya, where just 23,000 European settlers dominated a realm of over five million Africans.

Of course, indigenous resistance forced the empires’ retreat and proved the imperial model to be unsustainable. But the Europeans’ belief in their own superiority, and that the rest of the world could and should be manipulated to their own advantage, proved harder to dismantle and may have as many adherents now as it had at the empires’ height.

Conservation is just one area in which colonial control remains embedded, certainly in Kenya and in much of Africa and beyond. About 20 per cent of Kenya’s land is in Protected Areas (PAs) (of which about 9 per cent is state land and the remainder is private) and they are overwhelmingly run by the descendants of white colonists and subsidised with enormous amounts of money provided by conservation NGOs and governments from northern Europe and the USA. Those which make a profit do so off tourism from non-Africans, often rich ones who can afford a minimum $1,000 per person per night for luxury holidays, with only a few crumbs from the table ever dropping into the hands of indigenous Africans. For comparison, the average salary for a Kenyan working in the hospitality industry or as a wildlife ranger is less than US$5,000 a year.

In the last decades of the twentieth century, some well-meaning conservationists finally began to note the criticism that they had been seizing indigenous and other peoples’ lands without consent, or even any pretense at consultation. They began to realise that the traditional concept of African Protected Areas, as zones which exclude local people – including those who had been living there for many generations – was in urgent need of reform. Even those with no interest in changing still recognised the pressing need for rebranding: conservationists began to realise that they risked losing public support unless they claimed they were working in partnership with the locals, even when they weren’t.

At about the same time, some white farmers in Kenya began to think that their land – originally given to them to produce food for the colony – could make them more money if they turned it into Protected Areas and start hosting paying visitors. Overall costs would be small: the properties had been stolen from Africans and handed to the settlers without charge, the houses and other facilities had been built by underpaid locals, and a bevy of servants (now called “staff”) could readily be drawn from the nearby population. On the other side of the ledger, overseas guests would be happy to fork out the same fortunes they were used to paying for luxury accommodation in the Global North, or even more as an experience of “wild Africa” was highly prized and marketable. The enduring white fantasy of sub-Saharan Africa as an untouched Garden of Eden, populated largely by exotic megafauna, and popularised in literature and film throughout the twentieth century, could be a money spinner.

Conservationists began to realise that they risked losing public support unless they claimed they were working in partnership with the locals, even when they weren’t.

The realisation that conservation dollars might be ripe for the taking seems to have first occurred in the 1980s in Lewa Downs, an old cattle ranch north of Mt Kenya which had been given to the Craig family by the colonial government sixty years before. The Craigs had already leased part of it to an Englishwoman, Anna Merz, who trucked in rhinos from all over Kenya, keeping the animals in – and Africans out – with armed guards and electric fences. Ian Craig, a former big game hunter, decided to landscape the whole ranch around wildlife tourism, bringing in more rhinos and other iconic species that visitors would pay to see.

Lewa Wilderness

Lewa Wilderness

The former ranch at Lewa has become the driving force for a new wave of Protected Areas, known as “conservancies”, which are springing up throughout Kenya and beyond. Most are promoted by a rather opaque local NGO, the Northern Rangelands Trust (NRT), established by Craig himself in 2004, (although the NRT gives a different account of its genesis, saying the first suggestion came from Francis Ole Kaparo, former speaker of Kenya’s National Assembly) which in turn is heavily supported by the biggest and richest conservation organisation in the U.S., The Nature Conservancy (TNC) (more on that below).

There are now over three dozen conservancies, covering huge swathes of Kenya, totalling about 11 per cent of the country (6.3 million hectares at the last count). They have overtaken national parks in size and are often cited as the vanguard for a conservation reformation which has discarded the old “fortress” model and replaced it with “community-based conservation”, supposedly set up under the control and even ownership of local people. They have become the standard rebuff to critics who point out that wildlife protection remains essentially colonial, run by and for non-Africans.

The former ranch at Lewa has become the driving force for a new wave of Protected Areas, known as “conservancies”, which are springing up throughout Kenya and beyond.

As so often with projects in the Global South – and many in the Global North for that matter – peeling away the propaganda can uncover hidden depths. To start with an aside, though one which resonates deeply with many Kenyans, Lewa’s links with the old colonial power remain celebrated. Prince William spent part of his “gap year” there in 2000 and was boyfriend to Ian Craig’s daughter. The royal heir remains a frequent guest, he proposed to the future queen in one of its tourist “camps”, and they named one of the guest tables at their wedding dinner after it. Ian Craig was awarded an Order of the British Empire by the Queen in 2016. British government ministers, including future Prime Minister Boris Johnson, have also visited. If you can pull the right strings, it’s easy to drop by. The largest British army base in Africa is less than fifty kilometres away, just a few minutes’ helicopter hop.

Boris Johnson visits Kenya's Lewa Wildlife Conservancy. Reuters

Boris Johnson visits Kenya’s Lewa Wildlife Conservancy. Reuters

Land use in northern Kenya is key to understanding how the conservancies have been established and the problems they are throwing up. As the cool, fertile slopes of Mt Kenya slope down to a lower plateau which extends 250 miles north to the Ethiopian border, the country becomes hotter, arid, and less conducive to settled farming. This is part of the traditional domain of several peoples who have lived from mobile pastoralism for many hundreds, perhaps thousands, of years. They herd sheep, goats, camels and, most famously for the Maasai and Samburu, cattle. At first sight, it seems like an arduous way to live in a landscape which supports little visible vegetation. But in practise, like so many “traditional” lifestyles, it is actually highly – and sophisticatedly – attuned to the environment. It depends on a high degree of mobility, with herds walking large distances to take advantage of regional precipitation, changing seasons, and the appearance or disappearance of surface water. Both herds and herders know where they are heading, and why, applying a complex understanding of the terrain and weather consolidated over many generations.

The landscape gives sustenance to livestock and people, and is then left to regenerate until another herd arrives to take its share; it’s also the stage on which these peoples have their genesis and where their identity is forged. With many different peoples (Rendille, Borana, Gabbra, Turkana, Pokot, etc., as well as Samburu and Maasai) using the same terrain, there is a perpetual balancing of neighbourship and shared values against the potential for friction, often over competition for grazing and water. National frontiers, drawn with rulers on maps by the colonial powers, are largely invisible and substantially porous, with troubled Ethiopia to the north and war-torn Somalia in the east.

British dominion over this part of Africa had been established for less than thirty years when the end of the “Raj” in 1947 India clearly signalled the sun was setting over the empire as a whole. After several years of armed struggle, which was met with brutal suppression by the colonials, Kenya finally saw the inevitable final lowering of the Union Jack in 1963. The British left a few thousand settlers behind, and many of their core beliefs. One was the mistrust, even hostility and disdain, with which all national governments view peoples who favour a mobile approach to life over a fixed abode: nomads, of course, are always very difficult to tax and control.

The enduring white fantasy of sub-Saharan Africa as an untouched Garden of Eden populated largely by exotic megafauna could be a money spinner.

Old-fashioned conservationists invariably see herders as parasites on the environment, draining it of sustenance and giving nothing back. This is in spite of the increasing scientific realisation that the ecosystems of the great East African grass plains are actually the creation of grazing animals, which enhance rather than diminish the country. Peoples who live from mobile herding, like others who eat mainly from their hunting and gathering, enjoy a way of life which in reality improves rather than reduces biodiversity, and which has sustained a huge proportion of Africa’s population for millennia. The upper end of estimates count no less than one quarter of the population of all Africa as dependent on herding.

But the colonials saw things differently. Immersed in anthropological prejudice which placed settled agriculturalists at the apex of human evolution, they had long been in favour of reducing, and even ending, pastoralism – and subsistence hunting – altogether. The same bias was inherited by the newly independent Kenyan government which was largely dominated by those from the Gikuyu ethnic group, traditionally farmers who produced Kenya’s first president, Jomo Kenyatta. The herders have faced discrimination for a long time.

The British Crown had originally “given” the so-called “White Highlands”, the higher, cooler, malaria-free centre of the country, to white settlers in the 1920s, particularly to World War I veterans like Ian Craig’s grandfather. When the new landholders started erecting fences, the surrounding herders were forced to adapt, avoiding some areas altogether and grazing others only covertly, often risking arrest or armed violence when they cut fences. However, nomadic peoples, whether herders or hunters, are generally far more agile and versatile than their static neighbours, so they adapted and survived and, by and large, are still there.

After Kenyan independence, one way of continuing to try and press herders into the settled mainstream was to recognise their communal ownership, but only over restricted parts of their grazing. This was shoehorned into existing land legislation really written for peoples who stayed put. The herders, at least some of them, were awarded “Group Ranches”, in which specific kith and kin became the owners of limited areas. To represent their title to the authorities, they had to establish committees, habitually through their councils of elders—most African pastoral peoples have a codified hierarchy in age sets, where important decisions are traditionally referred to older folk.

That is an outline of the complex background of competition for land when white farmers decided to move into wildlife tourism. It was easy enough for them to embrace Craig’s conservancy model for their own farms, but when it came to getting land which was under African communal ownership, the Group Ranches owned by the pastoralists, more inventive means had to be deployed to press the case for turning productive grazing into private tourist parks.

Sometimes this might have involved genuine consultation with, and consent by, the community; in other cases, it didn’t. The elders, or sometimes just a few individuals picked up by NRT and driven to its meetings, would be asked to agree terms on a 30-year lease which gave away designated parts of their land to an “investor”, a company which would build visitor accommodation geared around wildlife viewing. In exchange, the African landowners would be given a few, largely menial, paid jobs in and around the “lodge” or luxury camp, but they would also have to provide security around its perimeter and clear any necessary roads and infrastructure, all without any further payment. The Group Ranch would receive a small fee for each night a tourist stayed, unless the visitor were an associate or family member of the investor, in which case there would be no payment. What this amounted to was that the herders would get a few jobs and very little money in exchange for giving away a substantial part of their land for a generation. The herders had no experience in securing their own legal advice, and the contracts made no reference to Group Ranch members having access to any audited figures to check whether or not they were being correctly remunerated.

When it came to getting land which was under African communal ownership, more inventive means had to be deployed to press the case for turning productive grazing into private tourist parks.

Such agreements are not made public or translated into any local language. They would never pass scrutiny for fairness, or even legality, which is probably why copies of the contracts were not made available to some communities, and why some remain confidential to the investor decades after they were signed (Requests to be shown copies of contracts were ignored but I have nevertheless read some from confidential sources.) Moreover, when the lease ends, some are liable to be renewed automatically for another thirty years on the same terms.

“Agreements” like these are barely disguised land grabs. The herders lose part of their land for little return, with the investor taking possession to build high-end accommodation. The tourist business can then truck in some big animals, and start raking in handsome profits from rich tourists whose expectations of being waited on by bedecked, colourful African “warriors” and women are fulfilled. The waiters and cleaners are of course the rightful landowners.

In this way, self-sufficient, independent, and resilient herders have been turned into a servant sector entirely dependent on an industry which is, in turn, dependent on the whims of tourist fashion (and which has proved particularly unsustainable because of travel curtailments arising from the COVID-19 pandemic).

Another way the NRT has begun to erode pastoralism has been to establish its grip over the regional economy. It has formed a business, buying the livestock of favoured herders (but not that of critics) and selling it on to the food industry. NRT can presumably afford the financial risk because any losses can be offset by tourist profits and conservation grants from wealthy backers like The Nature Conservancy which are in turn subsidised by Western governments. Such economic domination has undermined regional markets and elevated NRT into a key economic driver of northern Kenya – all supposedly for the benefit of the local population.

Old-fashioned conservationists invariably see herders as parasites on the environment, draining it of sustenance and giving nothing back.

NRT can get away with all this partly because the leases are between a particular investor and a Group Ranch: NRT claims its role is merely as hands-off adviser, and denies liability for any unfairness as it’s not itself a formal party to any of the contracts. It advises the investor certainly, but any claim that it can give advice which is in the best interest of the herders at the same time is clearly not true.

Its annual reports don’t show any audited figures, as NGOs in Kenya are not legally required to produce independently verified accounts in the way they are in Europe or the USA. Requests to see them are rebuffed or ignored; how it sources its funds is vague. It can, in other words, make whatever unsupported claims it likes: the possibilities for creative accounting, to say the least, seem great.

NRT Conservancies

NRT Conservancies

NRT Conservancies

It’s understandable that knowledgeable Kenyans are suspicious of such an opaque NGO gaining effective control over much of northern Kenya and directly impacting the lives of millions of Africans. When a white Kenyan with close links to the former colonial master’s head of state is pulling the strings, such concerns are likely to be amplified, even more so when TNC’s involvement is considered – especially given some conservationists’ stated desire to stop all meat eating (aside from chicken) throughout the continent, for supposedly environmental reasons!

The Nature Conservancy (TNC) should be better known outside the USA, if only because it is the wealthiest conservation NGO in the world, with an annual income of over a billion dollars. Its headquarters are less than six kilometres from the White House in Washington, and it was headed by investment banker Mark Tercek until 2019. He used to be a managing director and partner at Goldman Sachs until the financial collapse of 2008 when his bank’s role in the subprime mortgage crisis exploded. Together with Lehman Brothers, Goldman Sachs was a major player in the mess which led to job losses for nine million Americans. This was the time that Tercek left banking for conservation, though the switch may not have involved much transformation in his worldview, or been too onerous a sacrifice for that matter: there’s little reason to think he started flying economy class, and his basic TNC salary in 2015 was $765,000. Tercek left TNC in 2019 after a sexual harassment probe into the organisation’s leadership.

The Nature Conservancy (TNC) should be better known outside the USA, if only because it is the wealthiest conservation NGO in the world, with an annual income of over a billion dollars.

It’s easy to see why rich Americans getting control of pastoralists’ land in Kenya, via a local NGO with intimate ties to an old colonial élite which still keeps its army on site, is not wholeheartedly welcomed when herders debate in the shade of their thorn trees. Not being given sight of the contracts they are told they once agreed to naturally raises anxiety. There are a few young men who benefit from the jobs, and who understandably might find these developments more agreeable, but opposition remains high. It can be expressed quietly, with those herders who dislike NRT keeping their voices muted for fear that the authorities are listening out for hostile opinion which they think is seditious. Critics have been threatened, and conservationists who question NRT can find career paths shut off.

Independent researcher, Dr Mordecai Ogada, listens to herders’ grievances about conservancies. Copyright M. Ogada

Independent researcher, Dr Mordecai Ogada, listens to herders’ grievances about conservancies. Copyright M. Ogada

The British army is there in force with various objectives. It’s obviously found a useful training ground, but the official reasons are to combat terrorism, support peacekeeping and humanitarian aid, and also to help rangers “protect elephants from poachers”. It’s true that many British taxpayers might well support their army protecting elephants, but it still raises uncomfortable questions about the merging of the roles of soldiers, police, and wildlife rangers – especially given that some of the latter are private militias employed by rich white landowners to guard their very expensive properties and wealthy tourists. The minimum price to stay a few days in one luxurious conservancy, Ol Jogi, just thirty kilometres from the army base, is over $34,000. The conservancy has nevertheless received money from a British charity, Save the Rhino, with some of the funds going to ranger training.

What this amounted to was that the herders would get a few jobs and very little money in exchange for giving away a substantial part of their land for a generation.

Concerns are growing over how valuable this land might be aside from its tourist potential. Northern Kenya was always important geopolitically in the slicing and dicing of Africa. It was a cushion between Britain and its colonial rivals, France and Italy, and it remains a buffer between mainly Christian Kenya and war-torn Somalia, the launch pad for violent incursions by al-Shabab militants. These have been going on for years and can meet with sympathy in Muslim parts of Kenya. There is wealth under the ground too – fossil fuels, minerals, and aquifers. All stand to be more easily and profitably exploited were local African landowners to be undermined or removed. After all, Protected Areas in other parts of Africa are often leased out to oil, gas, minerals or diamond companies. It’s possible that getting rid of people from conservation zones is as much about future profits as it is about the 19th century northern European and American belief which elevates divine Nature above sinning humankind.

Even a cursory comparison between maps of mining applications and the conservancies indicates that there could be mineral wealth under at least nine of them (Kalepo, Meibae, Nannapa, Narupa, Naapu, Naibunga Lower, Naibunga Central, Sera, and Biliqo Bulesa), which could affect Samburu, Turkana, Maasai, and Borana. All have, or have had, mining concessions inside their boundaries.

Whatever the reasons behind the growth of the conservancy model, at first sight it’s a win-win for conservationists. They can claim the communities are equal partners, when of course they’re not; yet more of the country can be fenced off into Protected Areas for profit; and the assault on mobile pastoralism – which has long been a key refrain in conservationists’ myopic and ultimately destructive vision of “nature” without humans (except them) – can be fortified.

It’s clever, but as well as its reliance on unsustainable tourism, it embodies another key flaw which may eventually prove its undoing: it doesn’t reckon with the profound relationship many herders have with how they live with and from their animals. They have weathered droughts and conflicts over numerous generations and pastoralists know their way of life is supremely sustainable. Conservancies don’t take into account their resilience and toughness; herders don’t like being pushed around and are prepared to cut fences and risk violence when necessary to protect their livestock and future.

A cursory comparison between maps of mining applications and the conservancies indicates that there could be mineral wealth under at least nine of them.

Real solutions, benefiting both people and the environment, demand discarding deep-seated prejudice, which is always the primary obstacle to real change. The stranglehold of wealthy “landowners” must be loosened. Both conservationists and the government should recognise the importance of nomadic pastoralists as valued stewards of the country’s ecosystems, and stop trying to finish with them. They should approach the herders with respect, offering resources only when asked for, which should be passed into the control of locals represented by their own spokespersons. Of course such a new approach would bring complications, especially with growing competition for resources. However, things are complicated now, and they are marching in the wrong direction.

Unless things change, it seems likely that pastoralists will reoccupy their grazing lands, by force if necessary, and so bring to an end the reign of Protected Areas altogether. Many pastoralists are now seeing that there’s less harassment where there’s less tourism. There are already protest killings, where wild animals are slaughtered, not for tusks, horns, meat, or even because they are a danger to livestock or people, but as retaliation against the land grabs which have dogged these Africans since Europeans first turned up and told them to settle down, get “civilised”, and accept their place in the divine and established order – as landless workers and servants.

I am grateful to Dr Mordecai Ogada for leading me to the problem of the conservancies through his book, The Big Conservation Lie, Mbaria & Ogada, 2016, and for commenting on this article.

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Culture

The Murder of Women in Kenya and the Psychology of Blame

Victim blaming prepares the groundwork to invalidate the victim and removes inhibitions from those deploying it, giving another man permission to violate the victim.

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The Murder of Women in Kenya and the Psychology of Blame
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Have you ever wondered what it is like to be a Kenyan woman living in Kenya? Well, it’s terrifying. And it’s even worse if you are the mother of a Kenyan daughter. There is a place in your mind that is always preoccupied with concerns for her safety. Is she safe? What horrors might find her out there?

Velvine Nungari Kinyanjui died on March 9th 2021 while undergoing treatment at the Kenyatta University Teaching and Referral Hospital. A few days before Velvine’s death, Jennifer Wambua, the Deputy Communications Director of the National Land Commission (NLC), was found dead. Both women had been raped and murdered. But their murders were not enough; social media launched its usual blame-the-victim game, focusing most viciously on Velvine. You see, Velvine Nungari Kinyanjui was 24 years old, working as a waitress, and she willingly went to a Nairobi hotel with a married man.

There is little hope that justice will prevail in both cases. But it wasn’t always like this. Kenyan women did not always live at the mercy of sexual predators. American historian Brett Shadle  has conducted research on attitudes towards rape among the Gusii in pre-independence Kenya. In his paper entitled, Rape in the Courts of Gusiiland, Kenya, 1940s-1960s, which he shared in response to the rape and murder of Velvine Nungari Kinyanjui, we get a glimpse into what can be defined as traditional African attitudes towards rape and the violation of women.

Shadle reviews the rape court cases in Gusiiland between the 1940s and the 1960s and sets out to show how seriously African courts treated the offence of rape. He notes the following:

“Court elders, and later magistrates, punished rapists harshly, in absolute terms and relative to crimes such as elopement. The courts’ conception of the crime was also strikingly “modern”: elders and magistrates treated rape as an offense against a woman as opposed to one against her male guardian. Perhaps most fascinating are cases in which an accused man claimed to have had consensual sex with his accuser. Unlike their contemporaries in Western and in Kenya’s British-run courts, Gusii elders did not expect a woman to prove that she had not consented to sex: instead, they demanded that the accused prove that she had consented. The record of these decisions complicates the notion of a progression away from a deeply rooted, deeply conservative patriarchal culture. In the absence of comprehensive historical studies of rape in Kenya (and indeed in most of Africa), this article suggests a different context in which to place contemporary debates surrounding sexual violence, and also offers another dimension to the historiography of gender and the law in colonial Africa.”

When I read this passage, I felt like crying with relief. African society was not brutal and did not treat women with violent disdain as so many Africans believe today. Just the idea that a man had to prove that a woman had consented to a sexual act is revolutionary for most societies in the world. It demands a level of responsibility on perpetrators that the so-called modern world has not been able to achieve. And it opens a sea of possibility for the reconstruction of Kenyan society in unimaginable ways.

In today’s Kenya blaming the victim even when she or he ends up murdered has become the norm. This blame game has become an echo chamber that is used to amplify the threat of violence. After the rape and murder of a woman, this echo comes from everywhere. It creates an element of unpredictability in our lives and makes us feel that we are surrounded by men who think nothing of subjecting women and girls to unspeakable violence.

So, imagine being the mother of a Kenyan daughter. The thing is she is now a teenager or a young adult and she is exploring life. She has discovered her beauty. Like many teenagers and young adults, she loves clothes, she is exploring her style, testing what looks best on her, how to maximise her beauty and of course she follows international trends from music videos. The fights you have with her about her preference for scanty clothing are endless. You try to get through to her that Rihanna and Beyoncé are musicians. Those skimpily dressed women in music videos do not dress like that in real life. Even they clothe themselves more fully when they go to the supermarket or to visit their grandparents. There is a lot of eye rolling and stamping of feet.

But she is young. Even when she tells you that Velvine’s murder has her scared, it doesn’t moderate her behaviour. You see, she is still a teenager and teenagers are immortal. Do you remember your immortal days?

Being the mother of a Kenyan daughter means that you walk a tight rope. You want to keep your daughter safe, but you can see her potential. You can see how high she can fly if only the monsters don’t get to her.  And so, you are on that tight rope, trying to not clip her wings. The irony is that you must let her fly so that she can learn how to recognise monsters and how to evade the danger. If you keep her locked up in a dark room you will make her even more vulnerable and make her easy prey for the monsters you are trying to keep her safe from. What a conundrum.

The purpose of victim blaming 

I have often wondered as to the purpose of victim blaming. If we examine the case of the two recently murdered women, Jennifer Wambua and Velvine Nungari Kinyanjui, it is Velvine who has received an overwhelming onslaught of victim blaming. There has been much more empathy for Jennifer Wambua. In my view, it is quite easy to see why. Jennifer Wambua was cloaked in respectability in that she was a middle-aged married woman who was also a professional working in a prestigious organisation. And she was abducted the day she was due to testify in a land case. Her murder screams collateral damage in the high-stakes corruption that has come to overwhelm issues of land in this country. Somehow, the implication is that these are mitigating circumstances which allowed netizens to show respect for Jennifer Wambua.

Velvine Nungari Kinyanjui on the other hand was a young waitress who willingly accompanied a married man to a hotel. And therein lies her crime. No one asks why a married man is violating his vows. Velvine is to blame for leading him astray and for getting herself murdered. The murderer has been rendered invisible, despite the horrific injuries he inflicted on her, so let’s bring him back to life. The murdering rapist’s name is one Joseph Kinyua Murimi.

When you think about it, victim blaming is common in most societies around the world. In 2020, the United States of America showed us their limitless ability to blame black men, women and children for the often fatal violence meted out against them by the police. It appears that those who have the right to blame the victim are those people who hold the power in a community. The powerful perpetrators get to frame the violence, blame the victims of the violence and manufacture often outlandish reasons to justify the need for the violence and then they get to evade any consequences. Of course, many of the Kenyan people blaming Velvine for the violence inflicted on her protested vociferously against the horrendous injustice inflicted on African American George Floyd in 2020.

Here are some examples of social media posts including the exchange between Onyango Otieno, a leading gender activitist and trauma healing counsellor, and various victim-blaming netizens:

The function of victim blaming

According to Wikipedia, It was the American psychologist William Ryan who first devised the phrase “blaming the victim” in his 1971 book of the same title, which described victim blaming as “an ideology used to justify racism and social injustice against black people in the United States.”

Victim blaming “occurs when the victim of a crime or any wrongful act is held entirely or partially at fault for the harm that befell them”. The term has now been expanded to include victim blaming in other circumstances such as sexual assault and murder as was the case for Velvine Nungari Kinyanjui.

In examining the psychology of blame I have identified several reasons for this phenomenon. First, and ironically, victim blaming often stems from a desire to keep ourselves safe.  Psychologists note that people need to believe that the world is a just and fair place and it is those people who take unnecessary risks who get what they deserve. People need to believe that their world is a place where one can safely get out of bed every morning and one in which a person can develop long range goals and have a chance of living long enough to make them happen. And so, when a person near us is the victim of violent crime such as rape or murder, we have the tendency to point the finger away from themselves. We must re-stabilise our disturbed world by blaming the victim and recovering our sense of security. Violence cannot be just a random thing. This is what some of those people blaming Velvine are doing.

But others are engaged in a subtle form of control of women and girls by spreading careless, randomised fear. Thus, Velvine may be gone but fear is being used to shrink women and girls into submission. These social media posts reveal some of the blame arguments.

“… 6% of rapes occur to innocent girls who meet evil men, while 94% of rapes occur to girls who are not so innocent who go out seeking rapists…”

This form of control also says something about the fears of those in power. What it says is that they may be afraid that they are losing control of the privileged position that patriarchy assigns them in society.

Victim blaming and lowered inhibitions

As I conducted research on the psychology of victim blaming, I came across a third and most surprising impact, which is that it removes inhibitions from those deploying it. The powerful would-be perpetrators use blame to remove their brain’s natural inhibitions that are there to prevent people from behaving poorly toward others. Victim blaming helps build thought patterns that allow people to act in a way that their moral compass would normally prevent. Thus, in the case of Velvine, many justified her murder because she accompanied a married man to a hotel. She was after easy money. She was young. She was not rich. Several social media posts are captured below to illustrate this point.

TwitterThese reasons prepare the groundwork to invalidate another woman and gives another man permission to violate her. In the process, the lowering of inhibitions that blame creates will allow more men to kill women.

In research on the phenomenon of victim blaming recently conducted by Laura Niemi, a postdoctoral associate in psychology at Harvard University, and Liane Young, a professor of psychology at Boston College. The researchers worked with 994 participants and was based on four separate studies. The two professors published their findings in Personality and Social Psychology Bulletin. One of the findings relevant to the Kenyan situation is quoted below and relates to the impact of moral values on victim blaming which helps in understanding the contrasting reactions to the rapes and murders of Velvine Nungari Kinyanjui and Jennifer Wambua.

“First, they noted that moral values play a large role in determining the likelihood that someone will engage in victim-blaming behaviors, such as rating the victim as “contaminated” rather than “injured,” and thus stigmatizing that person more for having been the victim of a crime. Niemi and Young identified two primary sets of moral values: binding values and individualizing values. While everyone has a mix of the two, people who exhibit stronger binding values tend to favor protecting a group or the interests of a team as a whole, whereas people who exhibit stronger individualizing values are more focused on fairness and preventing harm to an individual.”

People are always surprised when women join in the blame game. One Winnie Wadera caused uproar on social media when she blamed Velvine despite acknowledging that she herself was a victim of rape.

Yet it is widely acknowledged that for systems to work and to do the job they were designed to do, every part of society must play its part.

In this case patriarchy is the system that is being upheld by this form of victim blaming. And “it’s the woman’s fault” story must be sustained not only by those using it to evade responsibility, but must also be believed and defended by its victims. Thus, women blame themselves and blame other women for the violence they experience at the hands of men. Winnie Wadera posted:

“I know women are killed in hotel rooms and it is SO WRONG and are we ready to also start the conversation about “women stop following materials in those hotel rooms” or women are innocent and I should leave them alone?”

This ganging up on the victim turns the spotlight on the woman, leaving the perpetrator to go scot-free. The impact of victim blaming is that the victim is isolated and re-victimised by those she should count on for support. And for those women and girls Velvine left behind, the world becomes an even more dangerous place.

This article could not have been written without the help of Onyango Otieno a Gender Activist and Trauma Healing Counsellor who kindly shared his social media posts with me, Prof. Brett Shadle who kindly shared his research on traditional attitudes to rape in the courts of Gusiiland between the 1940s and the 1960s giving me relief and hope. Writing the article was also made possible by the rage of Kenyans at the murder of Jennifer Wambua and Velvine Nungari Kinyanjui.

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