There is a driven, will-to poignance in the posturing of the friends Chiri and Juli, which captures a trenchant motif threading the writing of Kenyan writer, Billy Kahora, as seen in the recently released The Cape Cod Bicycle War, bringing works published over 15 years in one book.
A bathetic self-dramatisation whose more pathetic disposition conceals a desperate desire for a steadfast life, Chiri and Juli are that seeming paradox of African middle – why the self-inflicted misery when you really have everything?
The motif is immediate, and everlasting, and defines Chiri and Juli as it does the other characters created by Billy Kahora, who was a longtime editor of the literary collective, Kwani?. Take the statement by Juli:
“Even in Bibilia, Old Testament, wheat was God’s crop”.
Is the seeming grandness of this statement egged on by the place he says it in, the expansive, majestic landscapes of the Great Rift Valley, just gone past a laga where they had a glancing, violent run-in with a young, uncircumcised Maasai herdsboy? The Rift Valley can seem, and has been said to be, where God lives. Except Chiri (Eddie Muchiri Kambo) and Juli (Julius Rotiken Sayianka) are impressively, but irredeemably, given over to the profane. Their invocation of the Almighty must not be seen as anything other than a manner of speaking.
So is it money, the knowledge that this crop of heaven, and the Narok variety no less, when well-tended, can give two harvests in a year? If so, why would they go on a drinking binge which may well scuttle the entire enterprise? Not by any stretch of terminology are these characters saints. But they are not sinners either, at least, not for heavily indictable sins.
Even if all of the above were true, we the readers aren’t going to judge these characters that extremely. It is that kind of life then, pushing things too far because the worst isn’t going to come for them, after all, and even if it did, mummy and all the network of class and tribe will catch them when they fall. It is the summation of upper middle class cloud cuckoo land.
Chiri and Juli are after all, full of life, which in the long history of literature (and literature’s affinity for zestful sinners is well-established) is the closest you can come to saintliness. We follow in either direction (saintliness and devilry) only so far as metaphor allows. It is imperative we take it as given: A crop of the gods it is, two young men going out to sow it and this means we must start off by thinking their’s an ecumenical quest. And if there is a pile of dosh at the end of this, then is it any the less an evangelical affair to grow rich?
These questions and the twists therein serve a higher purpose; they may not make Juli and Chiri better humans, but they make them thoroughly enjoyable literary characters. Literature, with its sometimes contrary-wise moral alignment to everyday life, ought to come with the caveat to not try this at home.
Which is a tortuous way of saying that we have in our hands here, a book at the heart of which is satire. It is there in the life of Jemimah Kariuki; cynicism – satire’s evil twin – at full stretch is what holds together the life of Kandle Kabogo Karoki (arguably one of the more impressive literary creatures to come out of Kenya) in the story about Nairobi as the fallen city, Zoning; in the life of Khalid Ibrahim Hussein, in The Unconverted, an examination of religion and ethnicity, it darkens considerably; in the life of Alan Muigai, strutter extraordinaire in Shiko, the cynicism masticates, getting too edgy. And in the coming of age, campus fiction story, Motherless, it is the cynicism of others that presses into and threatens to scupper the life of Maish Boi.
Is this thread, the satire and the baked-in cynicism running through this compendium, what is possible in the public and private life of Kenya as Billy Kahora sees it? His writing, as we have seen it in Kwani? and in other places – and the stories here have also variously come from other publications – has surveyed these psychological realms. In his writing, things press at people. From youth, they are forced to navigate a world extensively sullied by bad faith and bad form; growing up, they are acquiring various degrees of deformity. At the fullness of life, there they are, bonkers already, or going bonkers, ex-ministers, retired professors. Their children are running away from the family name (‘Maish Boi’ is actually Joseph Mungai, son of disgraced ex-Moi minister), drinking themselves to bits, talking politics “through jiggling chins and stomachs,” the old men “with heaving man tits from goat meat and forty years of independence”.
Even for an uncompromising vision of a country, this is bare-knuckled stuff. What else, this vision has seemed to say, can emerge of such a history but lives lived in cynical disregard for decorum?
If there was decorum, no one here seems to know what it was. So keen are they on the business of taking and avoiding being taken advantage of, that you give up hoping for some good in anyone and marvel at the nerve of it.
The etymology of such a world view, when you have mined the writing of Billy Kahora, is that a shit-storm of some magnitude happened at some point just as the characters were being born. Hence, this supposed turbulence, which cleared the land of whatever moral rectitude had been standing, and which broke the embankments of propriety that had kept the life above board, happened to their fathers’ generation. It is in Billy Kahora’s writing, inherited infraction.
Whether or not this mining unearths an accurate account, the conclusion is not news to the characters that his work. To varying degrees, they are people who have already accepted that the best you can expect from the world is a messed up life that at least should not leave you too finished to not like your favourite whisky.
With the exception of a Maimouna Munyakei (who is not fictional and an aberration in this collection), Fr. Kamau and Komora Kijana Wito, Billy Kahora’s characters are hustlers because they must avoid being hustled. In literary terms, this would be something like incurable realism.
In the fifteen years he has been published short story writer, the code has been there, holding on steadily: accept that yours is a corrupt nation, that promises will be broken; they will come to take from you; your best friends, including your own family, will take from you. Fathers can’t be relied on, they are impotent. If your mother is a strong woman, you are lucky. Only mothers can really love you, although even they have a habit of turning up drowned and bloated down river.
Billy Kahora brings technical nous and organisation to his prose. That, in alliance with his grasp of the ins and outs of a certain Kenya, which I will dare call middle-Kenya, is what works for his writing. Combined with the writing chops, the knowledge of the language by which the sense of contemporary Kenya is passed along, the Kiswahili predilection for wisdom peppering his writing, there arises a vital sense of groundedness. There is the vocabulary of the drinkscape (booze flows through the writing in quantity enough his prose could be designated a distillery). There is the near-casual psychological violence committed on almost every page. It is a tough place, Nairobi. There is the practiced awareness of how far to push things, and none excels at this more than Kandle Karoki in Zoning, who has become a master at working a few weeks in a year and not getting sacked for it.
Billy Kahora brings technical nous and organisation to his prose. That, in alliance with his grasp of the ins and outs of a certain Kenya, which I will dare call middle-Kenya, is what works for his writing.
Billy Kahora’s technical approach to writing works at several levels. His stories show consistency in this regard. First, he posits a big picture, like a painter priming a canvas to decide whether to work from light to darkness, or darkness to light, before making tentative, thematic daubs. He starts to work at sketching out the elements that will later receive fuller treatment.
Take The Red Door, the story where Chiri and Juli appear (shortlisted for and published in the 2013 Caine Prize collection). It is a complex story told as character study. But it is also plot-heavy, bucolically-trained to the cultural nuances outside of Nairobi. It gets its Sheng working. It is the story of inter-ethnic, Kenyan settlement, in the crowded, fought-over Rift Valley. There Is the sheer magnitude of detail, like a Richard Onyango painting, an ambitious piece of work.
So how to hold it all together? One way, effectively, is symbolism. Wheat and a combine harvester get collared as the effective glue. We clue in on this early on. At some point, it reads less like a short story than long-prose with the late-stage introduction of Eastleigh and a wily Somali trader-kind, and a peerless satirical treatment of money-worship.
The Mirrors in Treadmill Love, a subtly heartbreaking story, introduce spine to the story as narrative aid and mental unguent to Kung’u who needs soft, mental cushioning. Buruburu, aka the country, got to him, in that Francis Imbuga obiter dictum, “when the madness of an entire nation disturbs a solitary mind, it is not enough to call the man mad”.
In We are Here Because We are Here, the war between the Indian Ocean and the Tsana River, by which the Indian ocean tsunami threatens to wash away African hinterland, only for the Tsana (Tana) river to push back, this application of symbol as plot device is transparently on show, at the expense of the consummate complexity that drives other stories. But as a symbol, the struggle between the ocean and the river is tantalising. Are we talking here about African history, of the colonialising, mercantile, force, the trade winds blow onto its coast, and the seemingly weak, yet resilient force with which the continent has always pushed back?
The bicycles in the title story are the more overt symbols offering us a ride through the story.
And the lived-in knowledge of middle-Kenya? This is the fraught element in Billy Kahora’s writing. Given the depth of ethnic feeling in Kenya, a Kenyan writer can never escape the charge of ethnicity. The divide et impera mechanism built into the nation’s DNA to make British exploitation of the country more effective might never go away. The country in Billy Kahora’s writing is only Kenyan by extension. He could more accurately be described as chronicler of middle class Kikuyu life. On the one hand, a writer needs to at least be grounded in a particular cultural context if only for locus. But on the other hand, it is also perilous to assume there exist elemental differences between “tribes”. The challenge of writing, is to find out how there not, rather than looking for how, there are differences. We therefore squirm through the presentation of otherness in We are Here Because we Are Here and in Commission. Really? You cannot help but ask. Is there such a thing as difference, and should we assume others speaking in childish voices because they are from another ethnic background, and hence less “normal” “us”? If I were the editor, I would have left out the two stories for further development. And more than that, I can see how this fact might make some uncomfortable accountability on the part of Mr. Kahora as a Kenyan writer.
But where it is concentrated, in middle class Kikuyu life, Billy Kahora is in his true element. The prose where he is not looking for the others’ voice goes with few glitches. Perhaps the most ambitious story Billy Kahora has thus far written is The Gorilla’s Apprentice. There is something of The Tin Drum about The Gorilla’s Apprentice. A heartbreaking rendering of dystopia, without the sentimentality that often mars such attempts, it may well be one of the most effective stories written of the post election violence of 2001/08. The narrative, prima facie, is of a dying gorilla, and of a boy’s (Jimmy) desire to speak to him, which brings him close to the darkly mysterious Professor Charles Semambo. But we become aware that the shouts, fires and smoke through which the story strives to move forward, but which our narrator does not pull to the foreground, is of the most serious Kenyan crisis since the Mau Mau uprising. Like with Gunther Grass’ book, the innocence and curiosity masks unhinging darkness, amplifying it.
There is the author’s cold distance from his subjects. Bright-eyed hopes are best taken with caution. In the tight universe of his writing, there exists a place, not quite a sin bin, not really a hell, in which characters with too much hope in life are sent to fester in. Kandle Karoki has found that place, the Zone. He got over it. Now he prowls through Nairobi like he owns the place. In literature, there are characters you will be eternally grateful meeting. Think May Kasahara in Wind-Up Bird Chronicles, Count Kaburagi in Yukio Mishima’s Forbidden Colours. Anti-heroes brighten up literature. Kandle aspires to that status. He leads a fallen life. He is not trying to get up. Why should he when fallen looks so good on him? He wears this status with such suave, commanding steadiness you must do a second take to be reassured the author is not pulling our legs and this is an actual, handsome devil. Literature can never have enough of handsome devils. Kandle lied to his manager at the bank. He has not shown up for work in forever. He took out a loan to service his time in the Zone. They know he has lied. He knows they know. They have cornered him. But Kandle was born a human corner. He knows his Nairobi too well to believe that anyone can be upright.
Billy Kahora is a writer of the impact of an age in Kenyan history. In his writings, you piece together the etymology and see that at soul, the stories begin in the first decade of Kenya’s independence. This is when the underlying psycho-social background of the characters and their stories stir. There was a promise made, however implicitly, that independence would bring a better world. Young men and women – the fathers and mothers of the characters Billy Kahora writes about – threw their lot at this promise; the awakening moment of black self-determination, the scholarship to Makerere, the elevation to a British university, that degree, that coveted job back home and then, the beginning of mortgages and property. The beginning, also, of a very rapid unraveling. It is against this national-domestic backdrop that our characters are born.
He could more accurately be described as chronicler of middle class Kikuyu life. On the one hand, a writer needs to at least be grounded in a particular cultural context if only for locus. But on the other hand, it is also perilous to assume there exist elemental differences between “tribes”.
Billy Kahora condenses this history into the founding of an estate. Buruburu as synecdoche set to represent the country, as the Promised Land in which mortgages and social security would flow like milk and honey. (In a way you feel, that if that is what they thought independence amounted to, then they really deserved the whacking after all. But that is another matter). Buruburu, ground zero for the characters created by Billy Kahora. The lives in these stories start in the sprawling Nairobi estate sold, post-independence, as a glorious opening to the good life. Buruburu more than fell. It decayed, translating, once putrefaction was underway, into the ashen dystopia it become, a refuse heap for ill-conceived dreams.
The independence generation that bought into the promise of Buruburu quickly reached the conclusion that with Moi in power, the best option was to send their children away. The well-off send their progeny to British and American universities. The non-winners – but by no means poor Kenyan families – send theirs to South Africa, to Rhodes, to Cape Town. It is where we start to meet them in Billy Kahora’s writing.
As to why there are mostly no fathers in his work, or if present, then barely alive, the grasping Professor Mundia in Motherless, a story set in the university town of the Eastern Cape, Grahamstown South Africa, offers some explanation: “Because of what Moi did to the country,” he says. “Moi destroyed the possibilities that were open to my generation”. But was it that straightforward? Or was the idea of independence grossly oversimplified? Did they expect that the exploitative structures of colonialism would painless stretch into independence? There were other players beside Moi, for it takes many hands to ruin a nation. He may be a victim of a regime, but Professor Mundia is not altogether a pleasant figure. As a professor, he wields his office with unbecoming power, a corruptor of young souls.
While the trajectory of Billy Kahora’s writing is a forensic aperçu into middle Kenya, it is also a continuation of a long-running African narrative, the encounter with empire, coming back to the continent uneasy, dislocated, falling to corruption. As with the 1960s generation of literary characters, here, return is the moment of disillusionment. As well-told in the story Shiko, and glancingly in The Red Door, the second generation knows they are going to have to learn to game the system in order to survive. Those who fail at it envy those that succeed at it. A trusting man is a dead man walking. World Pawa presents the fallen life as a semi-comical, tragic entreaty, in Zoning as macabre vitality.
The Cape Cod Bicycle War is published by Huza Press
Hope and Survival on the Streets of Kisumu
The locals called them Ninjas, for if they were not, how then could these children survive their hard lives? How could they endure their pain without breaking?
I met Isaac Juma in May 2006 at HOVIC — Hope for Victoria Children — a street children rehabilitation programme I was employed by as a social worker. HOVIC was established in 2002 to provide essential services to Kisumu’s street children as well as rehabilitate and reunite them with their families. While there has been no official census, it is estimated that there are anywhere between 250,000 and 300,000 children and young adults working and living on the streets of Kenya’s major towns and cities. When HOVIC’s drop-in centre opened its doors we had a running register of up to 400 children, with about 120 children visiting daily for food and various other services.
When the HOVIC programme started there seemed to be no methodology developed to undertake a census of Kisumu’s street children. A number of NGOs had tried to establish registers by organising parties at the Kisumu Sports Ground where the children and the youths would enjoy a meal and receive the gift of a t-shirt but these events always descended into chaos as fights broke out. To track the children we catered for, HOVIC created a database and register with the basic description and photographs of the children who came to the drop-in centre. The register was kept by a burly staffer aptly named Bouncer whose job it was to keep the children from hurting one another during the fights that frequently broke out at mealtimes. We had obviously underestimated the challenges of having in one closed environment hundreds of children and youths who were accustomed to solving their problems using violence.
I was fresh from university when I took the job at HOVIC, heading the rehabilitation programme. I was idealistic and overwhelmed by a strong sense of community and a desire to give back. The programme was run from the heart of Kisumu in an old concrete building that still harboured the ghosts of the one of the town’s first wealthy families. It was surrounded by Indian shops and open-air mechanics operated from a nearby Jua Kali yard filled with the carcasses of vehicles and ancient jalopies. The salary was paltry and any positive rewards of the job were counterbalanced by the depression that came with daily witnessing the reality of the children’s lives on the streets.
People brought their vehicles for repair in the sprawling yard. Women brought meat, tomatoes, onions and maize meal to the makeshift restaurants that dotted the yard. Crisp new notes and old ragged ones exchanged hands. Vehicles left happier than they had come. Some stayed longer. To be resuscitated or to die. Young boys, their bodies blackened by a life lived on the streets, collected the old oil that haemorrhaged from old engines. They scavenged discarded pieces of metal and plastic which they would take to the weighing scales of scrap metal dealers. All scrap metal had value but copper and aluminum were at a premium. On a good day, a kilogram of either would guarantee a meal. Plastic bottles were not of much value though; it would take hundreds of them to move the needle on the scale. The children moved through the sprawling yard like vultures, cleaning this ecosystem of waste. For food. For money. And for the occasional expression of sympathy.
Sympathy came mostly from people who had never before encountered humans in that state of existence. These people wondered what was wrong with the children’s homes, with their parents. How could they allow their children to wallow in waste? But expressions of sympathy were few and far between. More frequently, the street children were at the receiving end of the anger of those whose cars couldn’t be fixed quickly enough. Or who found the cost of repair too exorbitant. Or who felt that the mechanics were cheating them out of their money. Or those who simply needed someone to vent their frustrations on.
The locals called them Ninjas, for if they were not, how then could these children – some as young as five – survive their hard lives? How could they endure their pain without breaking? Their bodies absorbed the abuse hurled at them, and like human sponges, they soaked in the hate and the oil in equal measure.
Kisumu’s street children came mainly from Nyanza and the western region. Most were orphans, left under the care of relatives when their parents died from HIV/AIDS-related illnesses. Others had run away from violent parents and yet others to escape punishment from their guardians for petty crimes. But whatever the reasons, they all pointed to a deteriorating social order.
But even as the influx of street children grew, child protection services shrunk and soon the existing children’s homes within Kisumu could not accommodate them all. There are those who oppose the existence of children’s homes, believing that they act as magnets for street children, increasing their numbers on the streets. But from my experience, and having visited hundreds of families, the homes were sanctuaries for desperate children and filled the gap left by the government to provide child protection services. In effect, the government’s default setting was to send children to the Kisumu juvenile detention centre for crimes committed in the streets or for loitering in the streets at night before releasing them back into the very same streets with no attempt being made to locate their homes and reunite them with their families.
The hope was that the hardship suffered at the detention centre would act as a deterrent and motivate the children to return to their homes but my observation is that detention only hardened the children. To go through the police cells became a badge of honour and juvenile detention a rite of passage before the return to the streets.
In the meantime, the community hoped that the street children would one day disappear as if by magic, that the government would find a solution to the “menace”. Many were adamant that it was for the parents to take care of these children and hoped that this could be enforced legally to keep the children off the streets.
Instead, their numbers just kept growing. The streets provided these children with a space in which to discover themselves – through necessity and adversity. It could build them. Or break them. Had they been at home, chances were that they would be sober, in school, helping with family chores, teasing young girls at the watering hole while herding cattle. But instead they were here. And Kisumu streets were different and their darkness also different. It had teeth and it was biting off huge chunks of these children’s lives, leaving nothing but the basic instinct for survival. And hope.
The reality of street life was most manifest when night fell, when the good people retreated behind the reinforced doors that kept thieves at bay, that protected their television sets, their stereos, their microwaves, their flourishing lives away from the ghettos of Nyalenda and Obunga.
I once visited the places where the street children retreated to at night and found human beings folded into various shapes, bent into various forms, inside sacks that served as blankets and covers against the darkness and the mosquitoes, the full moon lending a surreal quality to the scene. They were lost in deep slumber, as if without a care in the world, some clutching plastic bottles to their breasts, the shoe glue that conjured up a more bearable reality, an alternative reality to help them navigate their waking nightmares and their sleeping terrors.
Some children were squeezed together into a single sack. Like twins in a womb. Forced together by circumstances not of their own making. Others had bigger sacks to themselves. Queen size sacks. King size sacks. Even here in the streets there was a hierarchy of power and influence. I looked over to Isaac, catching his face in the moonlight. This is how they start learning how to love each other. To protect each other. Brotherhood. This is also how they feel the initial warmth of their comrades. Kiss each other. Touch each other. Sometimes abuse each other, Isaac said matter-of-factly, pointing at the bodies that were tightly welded together in one sack. The older ones sometimes prey on the younger ones, Isaac continued, emphasizing each detail. As if concerned that I was missing important points.
Kisumu is hot. The ground absorbs heat from the sun like a loyal lover and when it is full, it vomits the excess heat into the environment. The doors of HOVIC would open to a frenzy of old faces and newcomers, each child bringing with him a thick layer of sweat from the heat and the story of their young life. The story of their families and their homes. Of a narrow escape from the police last night. Some came with fresh wounds inflicted by their peers. Or by the police. Or by dogs.
Others came high, floating on the cloud of euphoria that the shoe glue created in their minds. Glue was the street children’s opium. They bought it from cobblers who, like smalltime drug dealers, measured out glue meant for shoe repair into small bottles which they sold to the street children, a sticky yellow mess that seared the nostrils, numbed the brain and killed the hunger pangs and the pain. Sleep came easily, the hard ground now as soft as a downy mattress and safe as any home. Hypnotised into an alternative reality, they became quick to anger and violence was never far away.
One evening Isaac told me he had defaulted on his TB medications. He told me this with a smile on his face. Like it was something funny. I raised my head from my desk and asked him to repeat what he had said. “I have defaulted on my TB drugs. This is the second time I am defaulting.” Silence. I tried to look outside. I couldn’t see outside. The windows of my offices were so high. This building had not been built for office use. It had been built as a workshop for repairing old buses. “I know if I default again. I may get MDR-TB.”, Isaac continued. MDR-TB, multi-drug resistant tuberculosis, was wreaking havoc within Kenya’s healthcare system. I quickly made an appointment with the nurse who worked part-time at HOVIC.
Isaac could not keep track of his medication while living on the streets. He would lose his medication from the constant cat and mouse games with the police at night. On the other hand, the hospital needed him to account for every pill before he could get a refill. When he failed, they told him he needed to show up every day and take his pills at Kisumu District Hospital in the presence of nurses. And at each visit, he would have to go through the script of his life. And then the question he dreaded most would be thrown at him: “You are so smart. What are you doing in the streets? Why are you destroying your life in the streets?” He would soon get fed up and not go back.
To live, to survive, Isaac needed housing. Living on the streets is a complex affair. It gets even more complicated when one has a debilitating disease like TB. Survival starts with housing and food. We had figured out food. Children and youths could drop in at the rehabilitation center and get a warm meal. They could shower. The could get basic healthcare. But in the evening they would go back into the world, to the humming underworld of Kisumu Bus Stop. We needed safe housing.
There are many theories as to why children leave their homes to live and work in the streets. I have learned that it takes a lot for a child of seven years to decide to leave home for the streets. In one of the counselling sessions we held with the children, Isaac came along with a seven-year-old called Frederick Omondi. Or Freddie. Freddie had arrived in Kisumu from Gem. He had gotten into a matatu and somehow made it to Kisumu. He had never been to Kisumu before. He had no idea what Kisumu had in store for him. He was travelling by faith, the belief that a random stranger would hear his story and give him a chance at a life better than the one he was running away from. Isaac implored me to take Freddie home with me. I was living with my mother and my siblings. I obliged. Mostly out of fear for Freddie’s well-being than anything else.
Freddie’s home, like Isaac’s, was a world filled with nothingness. Freddie’s home had rocks. Big rocks. And his parents’ graves. His parents had died when he was very young. He barely knew them. He was left in the care of his uncle who, not knowing what to do with his life in that environment, resorted to drinking copious amounts of the local brew. I met him once. Drunk. Tall. Incapable of coherent speech. He was burdened by the loss of his relatives and took this loss out on his wife. Not knowing what to do, the woman took out her frustrations on Freddie. The cycle of violence was established. From the strongest to the most vulnerable. Until one day Freddie decided to run to Kisumu, and was brought to HOVIC.
Freddie’s journey to Kisumu was guided by a conspiracy of coincidences and good fortune. A lot could have gone wrong. He was lucky to make it to Kisumu with no bus fare. His aunt could have killed him. He could have ended in another town. He also arrived at a time when Isaac was friends with a young Australian man called Peter Dunkley. In his own unique way, Peter was looking to give back by helping to sponsor a destitute child. Isaac met Peter at Kisumu Sports Ground and struck up a conversation with him. The fact that all these random factors aligned is pure luck.
Isaac’s home on the other hand consisted of one room and one bed. His paraplegic brother, his other brothers, his mother, were all confined in this one tiny space. They were happy to see us. His paraplegic brother was trying to speak. His seizures were worsening and they were struggling to buy him the monthly supply of phenobarbitones. Isaac had also left home young. He wanted to save his family. He left to look for help.
People living in the streets are perceived as liars right from the word go. They don’t get the benefit of the doubt. Part of my job as a social worker was to conduct home visits. To witness and document the realities of the home environments and the circumstances that compel children to come to the streets. The realities of the homes the children came from always hit me hard, without warning. They came in the form of Freddie’s uncle. His alcoholism. In the form of Freddie’s aunt. She stood at a distance from us when we visited the home. In fear. Overwhelmed that the first white person she was encountering in her life had been brought to her home by a child she had persecuted violently. A child she had thought was long dead. What was the chance of that? It was a revelation of biblical proportions to all of us. We decided that Freddie was not remaining in that home.
The image of Isaac’s paraplegic brother brought home to me the reason for Isaac’s decision to leave home. Risking everything. Leaving the love of his family and abandoning some degree of predictability within the confines of poverty, for the unknown of the streets. He was barely a boy. What have we become as a society? Why does it take us so long to see that it takes a lot for these children to be on the streets? To put their lives at risk? It certainly wasn’t for fun. Or for adventure. These children had seen things we have not seen. The nightmare they faced on the streets was in many instances lesser than the nightmare they faced at home.
I have since stopped slicing up my brain trying to understand these children and I feel no shame in keeping the company of those who have spent a part of their lives in the streets.
It’s the 23rd of July 2019. I am seated across from Isaac in his house in that concrete jungle teeming with humanity that is Kahawa West. Isaac is talking to me about politics. His time abroad. His work at an international NGO, and his plans to finish his post-graduate degree at the University of Nairobi. I am not sure what would have become of Isaac or Freddie if they had not made the decision to run away from home and seek help in the streets.
But Isaac and Freddie are exceptions. They had the will to stay away from drugs and from the other temptations of street life. Isaac had a very clear vision of who he wanted to be, and how his success would be channeled to help his family. He has achieved that vision. Freddie is on track to achieving his vision too.
I still encounter some of those who were on the streets with Isaac and Freddie back in 2006 and 2007 every time I walk down Oginga Odinga Street. They are now adults. Many of the others have died; killed during the cycles of post-election violence or succumbed to disease or drowned in Lake Victoria. A few lucky ones were helped to return home by relatives or well-wishers, or through street children programmes.
I cannot point to one singular factor that would explain why some make it out of the streets and others do not, except perhaps a chance encounter with the right people, a strong will to survive. And luck.
The Rising Lakes of the Rift Valley: How Extreme Weather Changes Are Threatening Lives in Kenya
In Kenya, rising water levels in lakes along the Great Rift Valley have forced thousands of people from their homes, submerging huge areas of farmland. Schools, hospitals, roads and water pipes have been destroyed. Crucially, there is a real fear that Lake Baringo and Lake Bogoria, one fresh and the other saline, will contaminate each other. Ferdinand Omondi writes about this threat of an ecological disaster.
It was an easy Wednesday morning when the phone call came in. I was seated in my study, pitching ideas, studying for my semester exams and trolling the net for news. The COVID-19 pandemic has us working from home and away from offices and fieldwork unless absolutely necessary. My producer, Joe, told me there was a situation developing down in Baringo that fitted the “absolutely necessary” description.
Early the next day, I packed up to leave Nairobi for the first time since March, an overnight stay. Risk assessment? Check. Equipment? Check. PPE? Check. Headphones? Check. Waterproof shoes? I forgot to buy those.
The Landcruiser meandered its way down the winding highways and picturesque scenery of Kenya’s Rift Valley. Up at Mau Summit, Mount Longonot’s imposing mass upon the lowlands reminded me of the breath-taking scenery that is Great Rift Valley’s gift to Kenya. But this marvel of nature has been sending warning signs lately. Two years ago, the ground split open at Suswa, leaving a giant crack several kilometres long and forty feet deep in some areas. Geologists wondered whether Africa was beginning to split again, whether two tectonic plates were moving away from each other. Thousands of people were forced to relocate.
This August it was the lakes in the Rift Valley, some 280 kilometres north of Nairobi, that had us heading out to investigate. Our drive to Baringo was uneventful, except for a stop in the middle of Marigat to move a tortoise off the road. The noise of passing vehicles had driven it to recoil into its shell in the middle of the highway. Baringo is teeming with wildlife.
We eventually pulled up at Kampi ya Samaki, a sleepy lakeside fishing and tourism settlement. A group of excited young men crowded the windows and aggressively tried to get our attention.
“No hotel here sir, they are all flooded. I take you somewhere else. Please. Good price”. I hear the words, but can’t figure out who spoke.
“All of them?”
“Yes. All of them. The flood is very bad. All the good hotels are gone”.
These young men are tour guides, starved of revenue since lakeside resorts in Baringo became submerged under water. One of them identifies himself as Rama. Rama says it has been months since he last had a good day’s pay. We are standing at the green gate of what would have been the entrance to Robert’s Camp. The entire facility is flooded. Every structure is under water. It was a beautiful lakeside resort with cottages and tents, camping grounds and a bar. We would probably have spent the night here. But today we will have to make do with the Tamarind Garden, situated several hundred metres away and across the road that runs alongside the lake. It is modest, clean and basic. The rooms are a bit claustrophobic, but the service more than assuages my insecurities. We retire for the night, to begin a fresh day in the early morning and really digest the extent of the damage caused by a lake that is aggressively extending its boundaries.
The sun is just rising over the hills, the rays beautifully reflecting on the calm water. It is early morning, and we have hired the services of Julius, a boatman whose thriving tour business now depends on ferrying stranded locals from one end of the lake to another, and occasional visitors like us. Dickson Lenasolio, a middle-aged local, is taking us to the place he used to call home, which he says is now all under water. As we weave through the trees and shrubs that were once Robert’s Camp’s lush gardens, I am warned not to trail my bare hands in the water. This is crocodile territory.
We move slowly along the edges of the lake. We sail past a building half submerged in water, only the green roof protruding above the morning waves. This was the fisheries department, and just beyond it was a health centre. All around me used to be dry land on which a community once thrived. There were homes, farms, schools, and hospitals. Much of that has been submerged. As we speed up, another tourist resort comes into view. The Soi Safari Lodge, a striking 74-room hotel with an Olympic-size swimming pool stands desolate and ghostly. It was deserted after the lake flooded the ground floors. I am told the owners had only recently made renovations in preparation for tourists.
We speed up across the lake, past a dead crocodile floating in the water. After about twenty minutes, the boat slows down as we approach Dickson’s former village. I can see the protruding roofs of houses where people used to live. I can make out sections of maize plantations from the extended stems of dying maize plants swaying in the waves. I can make out paddocks and homestead fences from the dangerously sagging wires and posts that are threatening to stall our boat. Dickson is now guiding us through the maze of roofs, trees and weeds, his wrinkles too prominent for one aged only 54. As he points to the spot where his house once stood, he tells us he was once a wealthy dairy farmer, before Lake Baringo swelled and swallowed up all his material wealth and he lost everything.
“I had Sahiwals [a breed of high-yield dairy cows]. I sold milk to the locals and it was good business. I would sell milk every day, and I had lots of grass in my farm”.
Dickson goes on to describe what he lost.
“My farm here was wire-fenced. We were using solar power to keep out wild animals. But when the water approached and we kept thinking it will recede, it did not, until it became impossible to retrieve the wire. Now it’s all below here, and the wire was very expensive. One roll is over 200 dollars. I fenced over 40 acres with it. My brother fenced 60. All of that is gone. It’s had to get it out because you can hardly even see the posts. These were 9-foot posts”.
“It wasn’t just me. There were other farmers who also did the business. They kept cows either for beef or milk. We suffered heavy losses. Because all the farms are now under water. We had no means of preventing it. At first, we thought we could seal the farms off. But, no. The lake kept rising night and day. Until it covered all the farms and we moved”.
Dickson says they have never seen the water levels rise like this since they were born. Not even his father, who he says is now 92. He recalls how the flooding began during the heavy rains back in March and everyone thought it would ease off with time. It did not.
“I brought down my buildings and so did my neighbours”, says Dickson. “We moved up about 800 metres. We started living there, and the water still got to us. We pulled our homes down. Now many have moved up the hill, to Marigat, Leberer, all the way up. Unfortunately, when we moved the animals up there, away from the grass they were used to, they fell sick and died”.
“Our father lived here. Our grandfathers lived here too. But now we have no hope. We don’t see the water receding because it has risen to unprecedented levels”.’
We drop Dickson off as close to his new home as possible, and he alights and wades off into the distance. He fears he may have to relocate his home for the third time.
The flooding has also cut off essential services. Power, transport, health. A building that used to be a clinic sits lonely among the tall dead trees in the still water. We watch as sick women are brought in by boat. They wade to the shore in search of medication. They will meet nurse Emily, who provides free health care in a little green tent, from where she has noticed a surge in crocodile attacks.
“We were treating burns, wounds and snake bites”, says Emily. “We also helped women with family planning and gave HIV/AIDS support. Since the flooding, our work has been affected because many people can’t get to us because they used to come on foot. Others fear travelling over water because there are crocodiles and hippos”.
Next to Emily’s small tent a group of women are sifting quality grass seeds. The seeds would have been planted on the land which is now underwater. The health facilities and grass are provided by RAE (Rehabilitation of Arid Environments), a trust that helps local people turn arid land into sustainable pasture. The social enterprise runs a project called “Nyasi ni Pesa” – grass is money – which provides the locals with indigenous species of dryland grass which can survive the area’s arid conditions. This is the grass that Dickson’s purebreds thrived on. After harvesting, RAE then buys back the seeds, giving the women and their families a healthy income too. But the whole model is now under threat.
Murray Roberts, a Kenyan of British ancestry, runs the RAE project. He has lived in Baringo his whole life, and has watched the water levels rise and rise. Roberts shows me an extraordinary family photo taken in the 90s. It’s a photo of his two sons jumping off a cliff outside his home. It appears to be at least 30 feet high. We take another boat ride to the place where the photo was taken; the entire cliff face is now below the water.
But Murray has an even bigger fear than the loss of land and livelihoods. Less than 40 kilometres south of Lake Baringo is Lake Bogoria. The highly saline lake is home to a famous colony of flamingos and is a gazetted national park. But Lake Bogoria is also rising. I learn that the Kenya Wildlife Service has moved its main gate three times, each one submerged as the lake expands. Senior KWS Warden James Kimaru has been quoted saying that the water levels increased within one month from a width of 34 km2 to 43 km2. We see one of the KWS buildings in the distance, half submerged in water. New roads into the reserve are being constructed after previous ones were also covered by the water. As the lakes expand in width, the distance between them shrinks. Murray is concerned that with both Lake Baringo and Lake Bogoria rising, the two lakes could eventually contaminate each other.
“The thing that is really worrying me about this situation is if Lake Bogoria starts flowing into Lake Baringo. What would be the outcome of that because Bogoria is a highly alkaline lake and it will be an ecological disaster. Once that water reaches Lake Baringo it will affect the fish, it will affect the bird life, it will affect the aquatic life”.
It is a concern that the Baringo County government shares. A post-floods report published in June by the Kenya Inter-Agency Rapid Assessment Mechanism concluded that the Rift Valley is becoming the most flood-prone region in Kenya. Much of that water ends up in the lakes, which inevitably swell. The report attributed the flooding to a combination of poor land use practices, deforestation and accumulation of silt. In May, the government counted over 200 deaths from flooding, with at least 800,000 people affected countrywide, Much of the destruction happened along river and lake settlements like Lake Baringo and its feeder rivers. Outside the Rift Valley, Lake Victoria was reported to have risen to its highest levels in over 50 years.
Helen Robinson, a geologist with extensive experience in East Africa, explained to me that when it is hot and dry for a long time the soils becomes so dry that they cannot absorb water. Then when it rains, huge amounts run along the surface to the rivers, then the lakes. Robinson explained that if the soils had some moisture content, much more of the rainwater would drain into the groundwater system. Trees help soils to retain moisture, but Kenya’s forest cover is only 7% of its landmass, 3 per cent less than the 10 per cent recommended by the United Nations.
All these points reinforce the concerns that human activity is contributing to the extreme changes in our climate. The UN says climate change is a reality, and that human activity is the main cause. Scientists have stressed the importance of lowering our carbon emissions to limit the impact we’re having on our planet. Robinson said that if we don’t try harder, the damage could become irreversible including melting ice at the poles, rising sea levels, more climate extremes, loss of habitats and mass extinctions.
Baringo is experiencing extreme weather changes and destruction to its habitat. But across the Rift Valley, similar swellings were recorded in Lake Nakuru and Lake Naivasha this year, and even in Lake Turkana in the north, with the varying levels of destruction pointing to a pattern. Whatever the causes, it is a race for survival, and at the moment, nature is winning.
Are Kenyans Ready to Parley?
Kenyans are reportedly “being taken by storm” by Parler, a newish right-wing social media platform. But do they really know how toxic the storm sweeping over them is? The platform is racist, sexist, homophobic, Islamophobic, white supremacist – and that’s only for starters.
US-based Parler has been around since 2018, but was fairly unknown outside the US until recently. Billed as a conservative alternative to Twitter, it now has some two million users, including Kenyans, who post what Parler calls “parleys” rather than tweets. It champions free speech, claims not to censor, and has attracted many Twitter castaways who were banned for breaking Twitter’s rules – especially those concerning racist hate speech. (An FM radio station in Kenya claimed that Kenyans were “being taken by storm” by Parler.)
Parler has made concerted efforts to lure Donald Trump away from his Twitter addiction, thus far unsuccessfully, even though Twitter has started fact-checking Trump’s tweets and removing those that are false or misleading, which has made the US president very unhappy. Founded by conservatives fed up with the moderation of posts on Twitter and Facebook, it has become the go-to home for right-wingers and “libertarians” in the US, the UK and around the world.
But how popular is this social media platform likely to become in Kenya and the diaspora once its unbridled racism and Western-centrism becomes clear?
Despite its free speech credentials, Parler does in fact ban those it doesn’t like. “Pretty much all of my leftist friends joined Parler to screw with MAGA [Make America Great Again] folks, and every last one of them was banned in less than 24 hours because conservatives truly love free speech,” one user wrote on Twitter.
This is largely the story of my experience on Parler. I joined in July, under a pseudonym, largely to find out what some of the British “castaways” were up to, and to continue calling them out on racism and Islamophobia, in particular. What I’ve experienced in this shouty, sweary bear-pit may act as a warning to those tempted to dive in.
Within days of joining, I was called (among other things) a tyrant, leftard, libtard, racist, fascist, pedo and peodo (sic), faggot, nonce, pervert, jihadist, globalist, c**t, twunt (a reference to Twitter), whiney Karen, baby raper, commie, Marxist, moron, and a “stanky, sweat-dripping, hairy balls dude”. One British man who lobbed constant anti-Irish abuse after I revealed my dual Irish/British citizenship, called me a “dirty peat-digging Paddy”, Tinker and “bog trotting Mick”. (The slur “leftie scum” is comparatively sweet.) Though I left my gender unclear (“bloke, possibly”), many have assumed I am a gay man, and have sent homophobic abuse that elides gay men and paedophiles.
Within days of joining, I was called (among other things) a tyrant, leftard, libtard, racist, fascist, pedo and peodo (sic), faggot, nonce, pervert, jihadist, globalist, c**t, twunt (a reference to Twitter), whiney Karen, baby raper, commie, Marxist, moron, and a “stanky, sweat-dripping, hairy balls dude”.
But this is nothing compared to the online abuse thrown at women of colour. When Kamala Harris was announced as Joe Biden’s running mate, many on the official Team Trump timeline called her a whore (“ho”) who has slept her way to the top. Revolting memes and doctored pictures showed her being f**ked from behind by a donkey (a symbol associated with Democrats), going down on the J in Joe, as a scantily-clad prostitute standing on a street corner next to a photo-shopped image of Biden dressed as a pimp, and so on.
The same “birther” slurs that Trump and Trumpites lobbed at Barack Obama – for allegedly having been born in Kenya and therefore ineligible to be POTUS – are also being lobbed at Asian-American Harris, who was in fact born in the US. One sample racist comment stands for many: “You have to give Kamala Comealot Harris credit in one area… she has worked hard in her career. She has worn out 12 pairs of knee pads!” This kind of abuse continues unabate, whenever Trumpites refer to the Dems and their presidential candidates. I repeat, much of this is on the official Team Trump timeline. Let that sink in.
Shortly after joining Parler, I also began reading the online Front Page Magazine (FPM), founded in the US by far-right commentator David Horowitz, which features articles by former British Twitter queen Katie Hopkins (explained below). Some of the abuse in the comment sections on FPM is as bad if not worse than Parler
Much of what I’ve read cannot be reproduced here, because it includes unfettered racism, sexism, misogyny, Islamophobia, homophobia, and all the other “obias” one can think of. Language that would earn the messenger an instant ban from Twitter. (I will give some examples later.) One can usually identify fellow travellers by the fact that they “up-vote” your comment, whereas right-wing nasties give you the thumbs down, often followed by a torrent of four-lettered abuse. Parler does not do “likes” as Twitter does, and neither is there an edit option. Occasionally, just to draw people out, I throw in the odd (tongue-in-cheek) far-right endorsement, which is enthusiastically greeted as presumably coming from “one of us”. I sometimes agree with Katie and her ilk; very few recognise this as sarcasm.
Why describe my Parler experience? Because while it is tempting to ignore Parler and the far right and to wrinkle your nose and turn away, I believe it is dangerous to do so. That’s also an empirical observation, grounded in my past experience as a newspaper hack who has interviewed far-right lads. In an earlier incarnation as a sociology student, I joined a gang in order to study youth deviance, and learned plenty about fledgling British Nazis. Turning a blind eye allows these folk to fester underground, largely unseen and unchecked, and to assume that the far-right threat has receded. At least these haters were in full view on Twitter, and could be called out by thousands of people, before being banned if they violated Twitter’s rules. Lift the lid on Parler and FPM and you find a hornet’s nest buzzing with people stoking hatred against anyone perceived as the enemy.
British migrants from Twitter
The best-known of these recent migrants to these platforms include far-right activist Tommy Robinson and his whacky pal Katie Hopkins, who is often described as a “media commentator”. Islamophobic racist white supremacists would be a better label, though they both claim not to be racist or white supremacist. Both call themselves journalists, which is infuriating to those of us who really are.
Tommy is fond of wearing T-shirts reading “Convicted of Journalism”, following his conviction and jailing for contempt of court in July 2019 after he interfered with the trial of a sexual grooming gang the previous year. (This is only the latest in a string of convictions; he faces trial for libel soon.) I helped to get Hopkins permanently banned from Twitter earlier this year after a sustained campaign (by me and others) that ranged from ridicule to flat condemnation. Hopkins never engaged with me, but eventually blocked me after the ridicule became acute. I dubbed her Shouty Nutkins, then Burkie Bonkins after she began wearing a burqa in videos sending up British “ISIS bride” Shamima Begum. So much for the great champion of free speech. Every time this happens I think: “They don’t like it up ‘em, do they? (That’s a famous line from the British sitcom Dad’s Army, about an amateur militia preparing to fight the Germans in World War II. It refers to a bayonet, a blade fixed to the end of a rifle which can be used to stab an opponent in hand-to-hand fighting.)
Why describe my Parler experience? Because while it is tempting to ignore Parler and the far right and to wrinkle your nose and turn away, I believe it is dangerous to do so. That’s also an empirical observation, grounded in my past experience as a newspaper hack who has interviewed far-right lads.
Now, I am someone who swore until recently that I would never use Twitter, never mind anything other social media site. Stupid, big waste of time and energy, who the heck has the time to tweet all day? But like many others, I’ve found that it’s addictive, especially during lockdown. Then the big migration happened, with fashes (that’s what we leftie trolls call fascists) gleefully bragging about their newfound freedom on Parler, and calling to their pals to join them and abandon “Twatter” It became tempting to see what was happening on the other side. I soon developed a second addiction.
Shocked Parler users
The daft thing about Parler is that its devotees – especially those who boast about migrating from Twitter to these sunny, sweary uplands – seem surprised that “the enemy” has followed them there. I was endlessly told it wasn’t the right place for me, that I should “f**k off back to Twatter”. Here’s one example from a woman writing on 27 July: “You ever heard the saying the left can’t troll? Thats why you want to de platform and censor us lol f**k off back to twitter you melt (sic).” And on 2 August: “Why are there so many anti Katie Muslims on here?”
Neither do these folk understand the concept of free speech, which they seem to think simply involves swearing. It’s been quite liberating to swear back harder when I am not being scrupulously polite, which winds them up even more. It’s not for nothing that I have been a tabloid hack, Hell’s Angel, and racing stable girl in my time. No experience is ever wasted.
The daft thing about Parler is that its devotees – especially those who boast about migrating from Twitter to these sunny, sweary uplands – seem surprised that “the enemy” has followed them there. I was endlessly told it wasn’t the right place for me, that I should “f**k off back to Twatter”.
Far-right racists have effectively kettled themselves, and are now shouting pointlessly into the void at each other. Recent topics of “discussion” (at least on Hopkins’ timeline, and before the run-up to the US elections began in earnest) are largely on Black Lives Matter, immigrants, Muslims, sexual grooming gangs in northern England, vaccines and COVID lockdown measures, which Hopkins opposes. The libertarian, gun-toting Trumpite Americans on Parler lap up Tommy and Katie, blissfully unaware that they are both reviled and mocked here in the UK. “We love you, Foreign Secretary!” (posted while she was visiting the US in August). Said another: “You are loved by a saviour and his church!” One up-voted my sarky comment: “Katie for Chancellor!” The same people are invariably Christian (I call them CINOs, Christians in name only), anti-vaxxers, conspiracy theorists, “Deep State” freaks and COVID denialists, their profile pic bristling with guns, MAGA, images of POTUS, and the Stars and Stripes.
A key observation, from a British point of view, is that some of Tommy’s followers are now turning against him. They question his source of income (that includes donations from fans), his wealthy lifestyle (he lives in a £1m mansion, or did until it was allegedly firebombed recently by persons unknown), and his support for Israel. “Are you talking about Britain or Israel, Tommeh?” asked one former Tommy fan, whose profile declares: “100% white. 100% proud.” Another disgruntled self-confessed racist told me: “Who said I like Tommy? He loves wogs and Jews.”
Another observations is that working class Tory voters are turning against the British government, especially Prime Minister Boris Johnson and Home Secretary Priti Patel, largely because of their failure to take tougher action against immigrants arriving by cross-channel dinghy. (More than 5,000 migrants have entered the UK this way so far this year.) Nobody wants to discuss Brexit much, despite my best attempts to draw them out.
Overall, there is seething anger and scapegoating of “others”, as one might expect. Cross-cutting themes, which straddle international borders, include a perceived loss of identity in the face of multiculturalism, a fear of being “invaded” by Muslims in particular, and foreign threats to “Western civilization” (“I think it would be a good idea,” said Mahatma Gandhi, when asked what he thought of it). Underlying it all is a strong sense of insecure masculinity and fragile identity.
The mantra is white America first, white Britain first, Western civilisation first, the rest of the world nowhere.
Tommy Robinson blocked me after a particularly good day (from my point of view) when I taunted him for the hypocrisy of running away to Spain after the alleged arson attack on his home. This from a man who has spent years railing against immigrants and asylum seekers, yet now appears to be seeking asylum abroad. A man who voted Brexit and against freedom of movement, yet ran to mainland Europe at the first sign of trouble. A man who rails against “commies”, yet is clearly in Putin’s pocket. Jokers on Twitter say he’s changed his name to Juan Kerr in order to assimilate more quickly in Spain. Katie blocked me soon afterwards.
I felt cheated: I’d only been on Parler about 10 days. Lots more folk started lobbing abuse and down-voting my posts before blocking me. On 10 August I got this:
While I could still follow Katie, I took the opportunity while she was in the US in August “pounding the sidewalks for Trump”, to sabotage her feed. Very politely, saying I am updating her followers on the “immigrants in boats” story which she can’t report on while away, I posted stories from the Guardian and anti-Brexit New European that punctured Priti Patel’s plans to send in the Royal Navy. Some naïve Yanks up-voted me (indicating approval), clearly before having read the stories.
Overall, there is seething anger and scapegoating of “others”, as one might expect. Cross-cutting themes, which straddle international borders, include a perceived loss of identity in the face of multiculturalism, a fear of being “invaded” by Muslims in particular, and foreign threats to “Western civilization”
Having been dumped by those two charmers, I turned to trolling people on the Team Trump feed. On 25 August, 17-year-old self-styled vigilante Kyle Rittenhouse shot dead two strangers at a BLM protest in Kenosha, Wisconsin, and wounded a third. This came days after unarmed Jacob Blake was shot in the back by cops at point-blank range, leaving him partly paralysed. I need not tell you who was white and who black. Rittenhouse (who has been charged with homicide) is being hailed by some as a national hero, while Blake is accused of the usual: guilty while black.
I posted a comment, which got this swift response from a Rittenhouse defender: “Did you miss the part where one of his assailants was carrying a pistol? And they were in the process of beating the shit out of him? The fact that he held back as long as he did is testament to his desire to NOT kill them. They created the situation that caused their deaths, not him.”
At this point our reporter left.
For more on Parler in Kenya: https://www.nation.co.ke/kenya/news/world/with-social-media-in-tumult-startup-parler-draws-conservatives-1446834. The quote “being taken by storm” is from kiss100.co.ke (21 July 2020).
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