Won’t You Help To Sing?
The young man grabbed the microphone with relish and held onto it so hard, I thought he would break it. Then he said,
“Ukikatia dem na umefanya every effort ka gentleman, alafu akatae, and you are in a senior position let’s say at work or even you are stronger than her, lazima ujue vile utafungua iyo server.”
His friends cheered, some of the women in the room laughed. Other young men looked down as though in shame but said nothing. I saw the tears well up in one woman’s eyes, before she quickly threw her head back and blinked rapidly, violently trying to push them back.
I was moderating a Gender Forum at the University of Nairobi, Lower Kabete campus. The year was 2018. This year. The month. May. We had just celebrated Mother’s Day – a day that brings so much pain to so many women in a country where rapists can walk away from their children, but women must pay for life, with life, the physical evidence of their violation. The young man who was speaking comes from a long line of rape apologists. But he is not even aware of this. His history class did not teach him that rape has been a form of subjugation used to break nations, men and horses since colonization, slavery and before. He is only following his master’s footsteps blindly, playing a record that has been played repeatedly in time and space and that was used against his own people. The young man punched the air triumphantly as he sat down. “Comrades, TIBIM!” “Boychild POWER!!”
Old Pirate Ship They Rob I…
This is the country I live in. A country where might is right and if you are the victim, it is because you did not “jipanga, mtu wangu.” I am a child of conflicting definitions. My mother spent three harrowing years in British concentration camps and gulags in Kenya between the ages of 10-13. She does not talk about that time but whenever we put on a movie about the Second World War, she tenses and her body becomes rigid. She was a victim of colonial crimes because she came from the Rift Valley and her parents were registered as Kikuyu.
My father was raised in the Central Kenyan county of Nyeri. His father was a teacher. A harsh cold forbidding man by every description that I have ever heard. His food was never cooked in the same pot or served with that of his wife and children.
My father died when I was too young to know him, a light skinned silhouette of a shadow, never quite there, never quite not. Those who knew him or his family of origin would often comment on how I took his shade, in the right light and with the right make up, I could pass for mixed race. That, apparently makes me beautiful. As a child, I always worried. My mother had often told me how, when she was growing up, if you were a clever, studious or beautiful girl, you were in constant danger of being raped. She and her sisters never walked alone. Until I met my paternal grandmother, I always wondered if my father was the offspring of “British style civilization”.
My mother is the beautiful one. Even in her seventies, you can see why she and her sisters received a special pass from the colonial District Commissioner exempting them from cutting their hair like other natives. The District Commissioner, no less! They also got a pass to allow them to wear shoes on Sundays! Somehow, this was a privilege only given to natives on merit. I love shoes and I long to own many many shoes. I grow then cut my hair every 8 years, shaving locks that usually grow down to my waist. Perhaps, it is my residual, subconscious defiance, to a long gone violation that we believe ceased to exist. But has it?
From The Bottomless Pit…
I was born after Flower Power and Love had given way to bell bottoms and brief skirts. When I showed up, Black Panther was a movement, not a movie and the country I was born to was so powerful, so endowed, so focused that countries such as Singapore and Malaysia benchmarked themselves against mine. Their presidents and politicians took long trips to come find out how they could trade with us and how we could assist them to develop. What they, and we, had not contemplated was that what we had on paper, we did not believe in our hearts. That we are worthy of our own resources.
The crisis in our country is not a crisis of action, it is a crisis of the mind. Having been born to colonized minds that never quite undid their own colonization, it was inevitable that the values of the colonizer would become the values of the colonized in a twisted form of generational Post Traumatic Stress Disorder. After all, their most dominant reference of power and leadership is looting, stealing, extrajudicial killings, and amassing by whatever means necessary as witnessed in the killings, displacements, lootings and rape in 1993, 1997, 2008, 2017. Atrocities are followed each time by an apology and a handshake. As though a hug can resurrect the dead, or heal the wounded, or restore the property and dignity of once self-reliant IDPs told to lie low like an envelope.
The bizarre thing is that we seem to make the same mistake over and over, not understanding what Carter G. Woodson unwittingly wrote of the mindset that operates as the Kenyan voter’s does, when he penned, in the Miseducation of the Negro,
“When you control a man’s thinking you do not have to worry about his actions. You do not have to tell him not to stand here or go yonder. He will find his ‘proper place’ and will stay in it. You do not need to send him to the back door. He will go without being told. In fact, if there is no back door, he will cut one for his special benefit. His education makes it necessary.”
― Carter G. Woodson, The Mis-Education of the Negro
Maybe that book should be on the compulsory reading list for primary schools.
Have No Fear Of Atomic Energy…
My mother was Christian by choice, her parents’ “choice”. The choice had been very simple. The Bible or the Bullet. One of her aunts, my great aunt Wanjiru, had chosen the bullet version. Everyone knew the consequences of the wrong choice.
My mother grew up in Kijabe, a little mission town nestled in the folds of the East African Rift Valley escarpment. Until the 1990s, the sale or consumption of cigarettes and alcohol were strictly prohibited and you could be expelled from your home in the village if you beat your wife. Mum worked for a series of church organizations. I saw her bum pinched by men in collars, I heard her prepositioned for sexual favors and casually informed that her “thing” would rot if she did not give it up. To this day, I have a healthy distrust of any man of the cloth. Mum is a constant seeker. She introduced my brother and I to the Qu’ran when I was 12. We read all the books by Eric von Daniken we could get our hands on and we regularly discussed the color of God’s skin. In all the bible story books, Sunday school sketches and bible study books, he was always white. Jesus was always blond or a light brunette even though he came from the Middle East, and the holy spirit was a white dove. Suspiciously, the devil was black and red.
I constantly questioned the Bible. Why would God discriminate against some of the people when he created all of them? Why would the apostle Paul tell Timothy never to take care of young widows as they would soon get married. Obviously I had both a vested interest in the treatment of widows by the church. Why would God allow one people to enslave another on the basis of colour? Mum, having grown in the Bible Belt, warned me not to ask these questions outside of our home.
“People will judge you and they can be vicious if you question the Bible. They will say you are questioning God.”
In my naïve youth, I would retort, “Mum, how can questioning the Bible question God?” But I was obedient in this one way. One day though, in frustration, my 13 year old self turned to my grandfather, my hero and an evangelist during the colonial times. I said,”Guka, why did you agree to sell out when you knew their god was meaner and crueler than your god?” He looked at me with those big black soft pools of sadness that looked out to the world from behind curtain length lashes and said softly, “Because, Mami, there is a level of beating you can be beaten and it will break you like a horse. And you will do your master’s bidding.”
Years later I read Frederick Douglas and a discourse dubbed the 1712 Willie Lynch letter to the Virginia slave owner. I cried like a baby. My grandfather had been strung up and whipped in front of my grandmother and my mother, aunties and uncles. As the story goes, the young white soldier ordered the black “gatti” home guards, who were beating him to get a bigger bullwhip. My grandmother in distress, broke free of the gatti who was holding her, ran up to the white soldier and grabbed him by the throat and screamed in her broken English,
“Beat him!! I kill you!! They kill me!! We die!!”
Startled by the wild look in her eye and the clearly suicidal act by this diminutive woman who dared to touch him, he choked and spluttered an order to cut my grandfather down from the tree he was strung up.
While We Stand Aside And Look…
I must have been in my early teens when I had the very first experience of celebrating thieves in the church. We were at our local church in the village where we had gone for a special service in celebration of the Passover. In the middle of the service, a well-known public figure walked in, loudly, noisily, with a small entourage of young men in sunglasses. The congregants murmured, “Thief”, “Grabber”, “Overlord of thieves”, as our local “Master Thief” walked into church. The main pastor, not to be confused with the more lower ranked preacher, hastened to the lectern at the front of the church, grabbed the microphone from the preacher and announced,
“Could all our regular attendees who are seated in the front of the church please move to the back of the church to allow for our important guest to sit at the front.”
There was a little shuffling but no one moved. The pastor repeated, “Could all those seated at the front of the church, move towards the back of the church now, so our honorable guest can sit at the front.” The congregants began to arise and move.
One old lady obstinately refusing to move, said loudly, “I am not moving for a thief. Tell him to go to the altar and confess where my cow went.” The congregants burst into laughter. The pastor hastily whispered to the preacher who was standing next to him. The preacher and one of the altar boys walked quickly towards the old woman, our newly discovered Rosa Parks and stood over her, one holding each of her forearms, ostensibly to assist her to stand up. She acquiesced and raised herself, grumbling. As she walked past him on the aisle, she said loudly, “Bring back my cow.” He smiled condescendingly and wafted past her, his arrogance apparent in his gait.
When the “guest” sat down, the preacher announced that we would not be reading the passage from the Gospel of John 2:13-17 as earlier planned. Instead, we would be reading from John 3:16. Jesus whipping merchants at the temple did not please the “guest”. God’s redemptive Son was safer. I was not sure for whom it was safer – the pastor or the thief. After the sermon, the “guest” was asked to address the congregation. He immediately launched into a monologue on his greatness, followed by the removal of a large wad of money which he handed to the pastor – towards a project of the pastor’s choice. Pre-Lutheran indulgences for sin at work in post-colonial Kenya. Praise god!
None But Ourselves Can Free Our Mind…
In the late 1980s, the government of Kenya announced that it was moving from the 7-4-2 system of education, to the 8-4-4 system of education. I was in that pioneering class. One day we were studying Kenya’s colonial history, as interpreted by Malkiat Singh, a prolific writer and publisher of school books. The next day, the books were replaced by the study of early man. While the earliest human remains were found in Africa, all indications of early man in Europe included fire, wheels, hunting tools, fur coats, things their African contemporaries did not seem to have mastered. Even amongst our monkey-like ancestors, there was a marked difference in development and “civilization” levels.
The history lessons continued in that vein into high school. Cromwell was examinable. Kismayo was not. Auschwitz was an exact figure. Hola was an “indeterminable number of rebellious natives”. I knew more about World War II coming out of high school than I knew about the war for independence [I call it a war, but you will note that even that is downgraded to an “uprising” or a “rebellion” as though a people fighting for over 10 years for their country’s liberation at the official cost to the colonial government, of a whopping UK Pounds 55 million in 1950s money, can be equated to a school riot].
Is it a wonder then, that I would empathize with the Jews held in Sobibór and not with the Kenyans massacred in Manyani, whipped and beaten for hours and hours until, screaming and cowering, with flesh torn open by bullwhips and hanging off their bones, they died for a country that does not remember their names?
I saw the pictures of the Jews, read their stories, crammed dates and numbers and figures. I know more about Hitler and Goebbels than of Tom Askwith and the euphemistically named Swynnerton Plan, or how many Kenyan lives the Embakasi airport cost. I can speak with greater authority of the experiences of Ann Frank, a little Jewish girl who died in a German concentration camp, than of Wanjiku Mirye, a little Kikuyu girl who survived Molo and Gilgil concentration camps – and who is my own mother. Is it a wonder that I and millions of post-independence children including the millennials we birth, identify with a people other than our own or those like us? We don’t know ourselves. We are not the authors of our own stories. Yet.
We’ve Got To Fulfill The Book…
It matters that we know our history. It is important to know that Kenyans lived in close proximity and intermingled villages, tribe being of no consequence. It is important to know that colonial administration used sequestration and segregation as a form of subjugation. It is vital to know that rape and tribalism and segregation were part of a Final Plan To Quell The Mau Mau and people were rewarded to turn in on their fellow Kenyans. It is important because that knowledge informs the pernicious aftermath of the vexatious tribal narrative perpetrated by politicians, the press and the pulpit in an unholy triumvirate.
Maybe, if that young man at the University of Nairobi had read this history, had met my mother, had heard of the concentration camps and the enforced villages and the gatti…maybe if he had met my grandfather and listened to him tell his story of the day my grandmother choked a white man, maybe he would not be so hasty to advocate for the “justifiable” rape he so gleefully spoke of. Maybe he could be part of the writing of a new book. Our book. The Book Of Us By Us To Us.
Maybe we could change our destiny as Kenyans and not just play to a narrative that is not ours by right. Maybe Redemption would cease to be a disjointed broken song that begins with “mkoloni” and “tulipigania uhuru” as a refrain to drown cries of “Thief”, when we discover Goldenberg and Chickengate and NYS scandals.
Maybe Redemption would not only be a red covered hymnbook of English 1950s hymns.
Redemption would be our song. In our words. Lugha yetu. Sauti yetu. Rangi yetu. Sisi wote.
Not yet Uhuru: Growing up Gay in Kenya, before the Digital Age
The High Court’s decision brought up many emotions for me as a gay man over the age of 50. To be told, officially, by your own country, that you do not matter and in fact you do not exist and your issues are not real, is very difficult to hear.
I will never forget that weekend, over 32 years ago. It was a sunny day; I was walking on Koinange Street, and was about to get onto Kenyatta Avenue, when a vivid and amazing realization hit me, “I am gay!” I was 22 years old at the time, and had been struggling for many years prior – I had become familiar with the darkness of depression and shame at the thought of being homosexual. I had prayed desperately to God to take away the feelings I had.
I knew from a very young age I was different but never actually understood what that difference was. By Class Three or Four, my brothers – I have five in total – had given me nicknames “Ciku” or “Suku” that always had me fighting with them, since they seemed to disparagingly suggest I was engaging in roles that were supposed to be for girls. I was too young to understand any of this at the time. But as I grew up and went into high school I completely got lost when my male peers started having discussion about girls. I could not understand their excitement and strategies on how they would get their first kisses or hugs. My lack of comprehension of what my peers were going through began a deep fear in me that there was something terribly wrong with me. I pretended with my friends that I understood their conversations but I failed to catch this wave of pubescent excitement.
It was not until I got into college, and luckily took a class in human sexuality, that I finally understood that I was part of the sexuality spectrum that included same-gender attraction. This realization was liberating, albeit for a very short period, because once I actually understood what this meant for me, my understanding of my family, my culture, religion, friends and everything I held dear to my life, I became petrified. I was barely 21 and was about to start a very challenging journey of shame and refusal at what was very clearly the reality of who I was. I loved my family deeply but with the realization that I was gay, I was afraid that I would be a disappointment to my loving and supportive parents. This of course led to feeling ashamed and undeserving. The prayers to God and anybody who could hear me seemed to land on deaf ears until that fateful sunny day on K-Street. It’s kind of funny how this moment happened on a street that was known to be Nairobi’s red light district. Irony, you might say.
For reasons I still do not understand till this day, I felt a divine intervention and connection in that moment, possibly with ancestors looking out for me, that finally made me stop questioning myself and finally accept how I was born and who I was. For the next many years, I realized that my realization on that sunny day was just the beginning of a very long journey of self-discovery, a different kind of struggle that comes with claiming my space in life.
With a new acceptance of myself, I began looking for people who might be going through similar experiences. This was Nairobi before the digital age and so there was no Internet, no social media, Facebook, Twitter, or anything like that. Amazingly, there were individuals going through the same thing, and often one got introduced via networks that people had made over time. The fear slowly began to ease, and I began to be excited since I now did not see myself as a problem but as someone who belonged.
Over time some of us spent long hours at various places, including Cameo Cinema on Kenyatta Avenue, talking and getting to know one another. There was a lot of cruising around on Kenyatta Avenue, where lifelong friendships and even relationships were born. I was to later learn that these encounters were happening in other parts of the city and particular bars, clubs had begun to be spaces that individuals could meet and socialize. This is why it is important to have spaces to experience oneself with people like yourself. And all this existed in pre-digital Nairobi. Today’s society might not want to believe it, but we – queer people – have always been here. These pioneering spaces, I believe strongly, were the precursors for organized LGBQTI groups that were to start in the late 1990s and really blossom in the mid-2000s.
I left Kenya soon after for further studies, and moved to New York City. There, an HIV epidemic was in high gear, affecting primarily gay and bisexual men. While in New York, during the late 1980s and into the 1990s, and working within the HIV sector, I saw dozens of my gay friends die, not only from the lack of medication then, but from also the intense stigma and discrimination they received from the society at large. With my background in health, I got immersed in the responses against HIV in the city. This included facilitating HIV-positive support groups for gay and bisexual men of African descent ( African-American, Caribbean and African immigrants), and visiting hospitals to visit abandoned gay men whose families only showed up once they had passed on. I could not, and still do not understand how a family can abandon their child simply because of their sexual orientation.
It was at this time, and I believe as a result of a lot of pent up anger at the injustices I was experiencing all around me, that I came out to my family. My thinking was if they decided to abandon me (as I had seen many of my friends experience with their families) then I wanted to be in the space where I could speak directly to that, in case it ever happened. But I was surprised – and incredibly relieved – that my brothers were supportive of me even though they did not quite understand what I was experiencing at the time.
I began my journey back to Kenya in 2006 and finally settled back home in 2008. I had come back to support the beginnings of the governmental response to the HIV epidemic affecting marginalized communities including the ‘Most at Risk’ Populations (later to be renamed ‘Key Populations’ – sex workers, men who have sex with men and people who use drugs). My experience in the US provided me with some perspective to the growing voice of marginalized communities to the HIV pandemic – I felt I had something to contribute. I was also blessed to join in the growing voices of LGBTQI activists beginning to articulate and claim their rightful spaces as full citizens of this country. Eleven years later much has been achieved by LGBTQI and other marginalized communities in both the health and legal sectors.
This is why I woke up with great expectations on that Friday, May 24th 2019. I was optimistic because within this past decade, the LGBTQI community has had some incremental but significant legal wins, many of them made possible with the promulgation of the 2010 Constitution and its progressive Bill of Rights. In 2012, for example, a transgender woman was stripped naked by the police, in the full glare of the media. The court ruled her rights had been violated and ordered the government pay for damages caused. In a 2013 case that challenged the NGO Board, which had refused to register LGBTQI organizations, the High Court held that Article 27 of the Constitution protected ‘every person’ regardless of their sexual orientation. The Court further held that permitting discrimination on the grounds of sexual orientation would be against constitutional provisions of equality and non-discrimination.
And in another 2013 case, Baby A was born with both male and female genitalia. Hospital records indicated the baby’s sex by a question mark (?) and as a result, the child could not be issued a birth certificate or, concomitantly, an identity card. The court agreed with the petitioners that this offends the child’s rights to legal recognition, erodes its dignity and violates the right of the child not to be subjected to inhumane and degrading treatment as guaranteed in both the Constitution and the Children’s Act. It was a landmark case that provided for the first time relief for intersex persons in Kenya and ultimately led to the creation of the Intersex Task Force by the Attorney General’s office.
It was with this background of the successes the LGBTQI movements have had in their engagement with the judiciary, which gave me hope that early Friday morning. But halfway through the reading of the judgment, it became clear to all around that things were not going well. When the judges stated that majority views – ‘public opinion’ – must at times prevail in rulings such as this, we knew the case was lost. The judgment made it clear that in Kenya, the existing Victorian-era colonial penal codes are here to stay.
This decision brought up many emotions for me as a gay man over the age of 50. The High Court’s conservative negative ruling basically invalidating the existence of LGBT people in Kenya was not only a body blow to many LGBTQ individuals in Kenya, but truly had me going back to 32 years ago, where shame and self-hate ruled my life. To be told, officially, by your own country, that you do not matter and in fact you do not exist and your issues are not real, is very difficult to hear. The ruling seemed to not address the pertinent issues brought up by the petition but used as a platform to preach to queer Kenyans about Kenya’s cultural and religious values, things that were simply not being challenged in the court.
The reaction of the LGBQTI community has been one of devastation. We are part of this country. We work and contribute to the nation’s development. We will continue to challenge laws and a society that is intent on excluding us from our rightful place as citizens of this country. We have however shown great dignity and resolve and intend to continue our long journey for recognition, the same as has happened in other struggles in the past, including for our own country’s independence. Our uhuru will come.
Genesis: A Revolutionary Dance
I greet you in the name of Maya Angelou, Nina Simone, Micere Mugo, Thomas Mapfumo, and Bob Marley. I greet you in the name of dance, song, story, and poetry.
A friend comes up to me and tries to convince me how art is unnecessary:
A luxury for First World countries, but apparently for us who are still developing,
It is only hindering
Unlike the Sciences, business studies, and engineering which are actually Doing Something
“Building”, according to him,
“The arts are simply a frivolous pastime”
And I should have known by his first line, it was already past time to shut down his lip
Damn. The whiteness runs deep
I do not understand whether it is extremely sad or deeply infuriating:
This heavily colonized way of thinking
Erasing chunks of history
Dumbing down my destiny to unnecessary
You see, I am here to tell story
And in this story, this type of thinking is my enemy, choosing to unsee my poetry
Telling me as a black African woman I should put my mind to better use
As if I do not use the tears and injustices against my people as a muse
To speak to what we could be above and beyond what we are
As if dance, poetry, song, and story are not the only balm working towards healing continental scars
As if the sky is anything but dark at night without the stars
If you come at me with art is unnecessary, more so in a developing country
Ayii yawah! May the ancestors judge you accordingly!
Because you have not done the work to know your history
And one simply has no right to dismiss art as inconsequential to the freedom fight
So today I bring you the forgotten histories
Like the griots who have come before me
From the beginning: Genesis
If God created the world with words, then creation lies on the tips of our tongues
Revolution sits in wait for a song to be sung
A poem to reiterate how freedom has now come
In the early 1960s, 300 years after the Dutch subjugated South Africa
A man known as apartheid’s father, Hendrick Verwoerd, became prime minister
The earth wailed for this broken nation
In this period of black subjugation, oppression, degradation, and shattered dreams of emancipation
One man, Vuyisile Mini, composed one song to a silent symphony
The ground responded collectively…
Bringing in the people’s harmony,
“Ndondemnyama ve Verwoerd”
And the people collected the song and started singing, “Ndondemnyama ve Verwoerd-
Watch out Verwoerd, the black man is coming! Your days are over.”
Reiterated decades later by Miriam Makeba and Hugh Masekela
The song became the people’s prayer:
Chanted on lips, music the tool of power whispered through chattering teeth
Vuyisile Mini was named a rebel organizer and was sentenced to death by the apartheid powers
They say he died, head held high… a martyr
Singing, “Ndonemnyama ve Verwoerd” with fire
And this is what music does for the revolution
It is power on the lips of children
Ask the sons and daughters of South Africa as they sing,
“Freedom is coming! Tomorrow!”
Song is power, “Amandla!”
In the early 1940s, two decades after the Harlem renaissance of the 20s
Led by black poets, jazz musicians, and writers in American society,
Leopold Senghor sat in his room writing poetry
After two years in Nazi concentration camps, captured while fighting French wars
He now armed himself with African words
Having received the highest distinction as an African in French education
This man who would become the first Senegalese president did not simply sit in his achievement
Instead he wrote poetry
Critiquing the Frenchman’s philosophy
Questioning the idea that Africans have no civilized culture or history
Mourning assimilation’s intention to eradicate the collective African memory
This one man whose civilization and history was considered crude sparked into existence the continental movement known as Negritude
Black Self-love. A whole damn mood!
In 1910 colonial Kenya
Lived a priestess from the people of the Kamba known as Syotuna
When she was younger, she had been a warrior
But now a widow, age had begun to catch up with her
But still within her was the spirit of a fighter, her soul burned fire
The colonial regime had driven her people out of their lands
Hiking up taxes, tying their hands
Forcing them to slave their way for some white man’s pay day
Syotuna’s spirit could not simply sit and wait
So she challenged her people’s predetermined complacent fate
Choosing to fight for her people instead of leaving it to chance
Her weapon of choice, as unconventional as it sounds: Dance
The Kilumi dance was sacred to the Kamba women’s history
Syotuna realized she could use it to weaponize her stories
So she danced, sang, and chanted her memories
Reminding her people of their past warrior glories
Spitting on the colonial regime’s atrocities
Freeing her people from their mental slaveries
Soon the dance of Kilumi began to pick across the lands as children and women attempted to mimic
Syotuna’s thrusting hips, so free and unbridled
The colonizers called it demonic
And the ancestors must have laughed at this fearful tactic
The more they danced, the more the Kamba rebelled
The white man’s fear propelled their last move:
Syotuna was exiled
But not before the revolution of the Kilumi dance spread into the hearts and minds of the young Kamba revolutionaries left behind
If I were to sit around this fire and tell you the stories of all the artist revolutionaries throughout our collective history from the beginning,
We would spend eternity
So for now I merely greet you in the name of these and others from our ancestry.
I greet you in the name of another warrior dancer, Mekatilili.
I greet you in the name of another music freedom fighter, Fela Kuti.
I greet you in the name of Maya Angelou, Nina Simone, Micere Mugo, Thomas Mapfumo, and Bob Marley.
I greet you in the name of dance, song, story, and poetry.
I greet you in the name of revolutionary history.
I greet you in the name of Love.
The Kenyan Media and the Queer Stories Of Our Lives
I hope that soon when I encounter media coverage of LGBTQ issues, it will recognise and acknowledge that there isn’t one single narrative to our ‘gayism’, which actually isn’t even a proper word.
My earliest encounter of the word homosexuality in the Kenyan press was in the 1980s and 1990s thanks to the magazines Drum and True Love, which were published out of South Africa at the time. There was the Dear Dolly advice section, which offered advice on relationships and what I thought then were ‘adult’ things. The mainstream press occasionally carried out an ‘expose’ on areas of Mombasa Island that were notorious for homosexual activities. When it came to TV, I remember there was a couple of male sex workers who were used as the standard representation of all things gay. This seemed to suit the narrative that all gays were sex workers and effeminate. Any queer reporting had to be sensational, and inevitably leading to an AIDS-related life or death.
Even today, in most cases, whenever there is a ‘gay issue’ that cannot be avoided, the pictures used in the local media will be of cut-off jean shorts or the most dramatic photo that can be found off the wires. It’s all aimed at creating the ‘hawa watu’ (these people) feeling. ‘Gayism’ – a term that doesn’t exist in the English language until our newsrooms birthed it – is rarely portrayed in a way that normalises same-sex relationship or depicts queers’ identities in a positive way.
I cringe when I remember the Standard’s coverage of the UK-based Kenyan gay couple who got married back in 2009. Once the story was picked up by other media houses, they hot-footed to the unsuspecting parent’s home in Murang’a, and sought a reaction that was anything but shocking. No one really cared to ask whether she even knew what homosexuality was.
Do we ask the same of women in heterosexual relationships?
“The responsibility for the news rests with consumers as well as producers, or rather when we accept and repeat statements, we too become producers of the beliefs that shape this world. It behoves us to do so with care.” The majority of the media houses are guilty of regurgitation of the lie that homosexuality is illegal and that Repeal 162 was about gay marriage. This has not stopped the public to from asking the same media houses: ‘if homosexuality is illegal, then why are gay people allowed to walk around freely in the country?’ The gay marriage line has kept being weaved into stories even after the petitioners of the case repeatedly stated the case was not about marriage. Sadly, we have become a public that simply consumes without question. Media audiences in Kenya are severely malnourished! There is a lot more reporting than real journalism from our media houses. One might even say there is a lot more misreporting than reporting taking place. And this extends beyond ‘hawa watu’ issues.
Sadly, many notable stories on LGBTQ Kenyans or allies are falling off the radar of our media houses and being picked up by the foreign press. I must say the Daily Nation is in the habit of covering LGBTQ Kenyan stories through news agencies like AFP. I could be wrong but I have not seen a local interview done with Rafiki film director Wanuri Kahiu on any local platform. The film remains banned in Kenya. Another banned film is Stories Of Our Lives, and producer Jim Chuchu told me that no local media house approached their team for an interview even as the movie was receiving accolades and screenings at film festivals across the globe. There are writers who are getting recognised for the queer literature that is being produced in this country. Junior Nyong’o’s non-binary but very stylish fashion sense has led to questions about his sexuality, instead of being applauded for its uniqueness. They aren’t even letting him shine! There are visual artists whose work portrays queerness in a way that celebrates us as Kenyans. Work is being created that is showcasing our varied tapestry as a people and narratives being created that are ours, Kenyan. But journalists who have been trained to report on the issues by LGBTQ activists point the finger at their editors and editors in turn are in fear of the media owners. Plus, there is also the fear that covering a good queer story or even humanising a queer might be seen as an assertion of queerness. And what is wrong with that? Why can’t stories be told without being moralised? Doesn’t the Kenyan reader, listener or viewer deserve the right to make their own judgement?
Chinua Achebe in his essay, Spelling Our Proper Name, says, ‘The telling of the story of black (insert LGBTQ) people in our time, and for a considerable period has been self-appointed responsibility of white (insert patriarchy or moralists) people and they have done it to suit a white (insert patriarchy or moralists again) purpose, naturally. That must change and is indeed beginning to change, but not without resistance or even hostility. So much psychological, political and economic interest is vested in the negative change. The reason is simple. If you are going to enslave or colonize somebody, you are not going to write a glowing report about either him before or after. Rather you will uncover or invent terrible stories about him so that your act of brigandage will become easy for you to live with. ‘
Our media for many years was lauded for being the most vibrant, ‘free’, daring at one time, and most professional in the region. And many editors, journalists and even photographers paid the price, some with their lives, for choosing to fight with the pen and protect the integrity of the fourth estate. Fortunately, we no longer see arguments about homosexuality being un-African or a western import, because ‘hawa watu’ are us, Kenyans of the soil. It is increasingly difficult to sustain the ‘western influence’ argument. There are fewer images of stereotypical gay bodies used to depict gay narratives. There is more discourse. However, it needs to be a discourse that honours the strength of the Constitution and the dynamism of our Kenyan human-ness. I hope that soon when I encounter media coverage of LGBTQ issues, it will recognise and acknowledge that there isn’t one single narrative to our ‘gayism’, which actually isn’t even a proper word.
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