When we challenge idiocy and cowardice, we liberate the courage of fellow human beings. When we shake off fear, we discover that the emperor’s power was always contingent upon our complicity. This is the lesson of Kenya’s history that is activated by creative education.
ALI BHAGAT situates refugees as a new population for neoliberal experimentation as refugee camps are transformed into spaces of untapped profit.
OWAAHH and JOHN KAMAU explore Nairobi’s evolution from its humble beginnings as a railway depot to its present status as the nation’s capital.
OBY OBYERODHYAMBO explains why ordinary markets, which sell innovative products derived from our cottage industries, also act as purveyors of our culture while presenting a unique solution to the economic, health and environmental challenges facing us.
To claim that society is in moral decline is a misnomer, argues JORG WIEGRATZ. Instead, we need to note that the moral structure and moral grammar in society is in fact changing under the weight of capitalistic forces shaping society.
Family-owned businesses are the backbone of the global economy yet many do not survive one or two generations. DARIUS OKOLLA provides a glimpse into large family-owned businesses in Kenya, and assesses their fortunes in an uncertain political and economic environment.
Tracing African pasts through the interlinked lenses of agency, possibility and imagination allows us to counter-narratives of Africa as a blank slate, and to debunk myths about Africa as a place that did not innovate or create.
The 4th Industrial Revolution is only one of many forces forcing transformations in higher education. As such, we should assess its challenges and opportunities with a healthy dose of intellectual sobriety, neither dismissing it with Luddite ideological fervour nor investing it with the omniscience beloved by techno-worshippers.
As we tell the story of Me Too, says TRACEY NICHOLLS, let us not forget the centrality of black women’s struggles for control over their own bodies in the evolution of contemporary activism against rape culture.
In this essay, SANYA OSHA debunks myths about Nigeria that are being perpetuated by African academics who fail to appreciate the impact slavery and colonialism had on West Africa, and the role Africans have played in exposing the contradictions of the postcolonial ethos.