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SIR VIDIA’S DARKEST SHADOW: V.S. Naipaul (1934-2018)

16 min read.

Naipaul’s racism appears to have been transactional right-wingery by one who knew there was a cash-paying audience that loved that sound. By A.K. KAIZA

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SIR VIDIA’S DARKEST SHADOW: V.S. Naipaul (1934-2018)
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The first and only time I saw him, Sir Vidia looked frail. Face like a mask, pudgy fingers suspiciously handling the microphone, and eyebrows firmly chiseled in place, he looked as though he had been dragged to school on a day he would have rather stayed home in bed. That day, Sir Vidiadhar Surajprasad Naipaul was at Makerere University, replaying the character he had played four decades earlier, as misanthrope in residence. The Naipaul event was immediately after lunch on a late March afternoon. The sun was beaming down directly over the equator and I remember the hall being hot with precipitation.

It’s a decade now since that March 2008 afternoon. Looking back, it seems that V.S. Naipaul, sitting there in Makerere University’s Main Hall, looked like a piece of wood carving. Like one of those giant Chinese wood reliefs, there was his grand magnificence. The brilliance of his finish was outstanding. And this magnificence, this brilliance, was all the more magnified because he was forever on the verge of becoming, tantalising the audience with the possibility that this rendering might come alive.

Arrested in 2D by a physique in distress, Naipaul’s dyspeptic mien marked the entire afternoon. He kept sinking into his chair, till at the end of the event we could only see his head and shoulders. Perhaps he had come expecting a hostile audience. Perhaps it was the heat and the stuffy air. Maybe he had been unwell. Maybe it was the sight of us, a room full of black people.

A farcical afternoon. Exhibit A: What was Naipaul doing in Makerere? Who comes to Makerere anymore?  Even ten years before that, when I had been a student there, we had not thought we could rate a writer, even a third-rate one. And here was a Nobel laureate, Sir Vidia, in person.

Had he come to mock us – again? But seated there in plain sight, Mr. Naipaul looked done with mockery. He had mocked Trinidad. He had mocked India. He had mocked Africa. He had found Ugandans disgusting. He had been the founding CEO and majority shareholder of the flourishing global literary corporation of jibing sneers.

That was back in the day when he looked chipper, when Makerere – the university – had been of enough value to make a killing out of mocking.  By 2008, Makerere (“Maka Ray Ray” as Naipaul reportedly pronounced it) was too far gone for anybody to be interested in mockery or disdain. By 2008, the mocking of black people for profit had been tarnished for a while, which meant that the days of Naipaul’s unqualified standing as a brilliant truth teller were behind him. “Controversial” had replaced “brilliant”, “controversial” being what you call an oaf you are too fond of to let go despite mounting evidence of his oafishness. Even in its time, “brilliant” had been used by certain British right-wing media in a way that you felt meant Naipaul gave the n****rs what they deserved.

We, the few hundreds of us, and Naipaul, who we had all come to stare at, could not have been more mismatched. Right there you could understand why the first time round in the 1960s, Mr. Naipaul had been unenthused about actually having to live in Makerere.

We, as no doubt our fathers’ generation had been then, were not very impressive specimens. Too black for our own good, we were too frayed around the racial edges. We squatted at the university, unable to fit in with the masonry and the woodwork, which had been cut for Europeans.  Unaware of the value of glass windows and flush toilets, we had run down a once famous university. We came from the bush to line up for maizemeal and boiled beans in dining halls built for three-course meals with salad dressing.

There was everything imperfect about us. We had not invented the wheel. We had never manufactured steam locomotives. We still imported, rather than made, paper, which meant that we were still attempting to beat out novels on drums. Yes, we still did that, make drums, and still beat them. Civilisation was wasted on us. And outside the hall, footpaths crisscrossed the once immaculate green lawns laid out in the 1930s and 1940s by Oxbridge visionaries. Six decades after Prof. C.S. Turner transformed the technical school founded in 1922 into a university, tribalism had long become the most important criterion for staff appointments.

Naipaul’s coming hence, four decades since he had last been, could have been for any number of reasons. Self-flagellation would not have been the least of possibilities. Material for a new book? Why? He was a brilliant writer. Could he not have invented some sordid tales about us from England, where they had been inventing marvelous things (and steam engines) for centuries?

His was a complexity of prose, rather than of ideas, so why the effort? If he was gathering material for a book, why fly so far when he was already in his 70s?

Naipaul’s coming hence, four decades since he had last been, could have been for any number of reasons. Self-flagellation would not have been the least of possibilities. Material for a new book? Why? He was a brilliant writer. Could he not have invented some sordid tales about us from England, where they had been inventing marvelous things (and steam engines) for centuries?

And us? Why did we turn up? We had never been enthralled by any of the things he had said about us. The admiration we had for his prose style outstripped our love for his books. But we had admired him because we wished that the people with power liked us as much as they liked him. We wanted his good luck (which can look like agreeing with him). Were we self-flagellating too? Could we not have simply read his comments from the safety of our houses? Or was some sado-masochist strain still alive within us?

The collision was utterly unavoidable, a true literary crash. A room filled with the undesirable, coming to an unwanted event to see an unpleasant guest. And that, more rather than less, summarises Naipaul’s oeuvre. In this iteration, hostile questions from the audience: a university lecturer asking a clever question about Tagore, and Naipaul, sensing his Indian roots intruded upon, rapidly slaps it down. Poor chap, he had spent his life teaching V.S. Naipaul books, and had stayed awake all night choosing which question would be best for the event. Next, a Ugandan of Asian descent takes too long with the mic, speaking up too fondly, getting on Nadira’s nerves and deserving what was coming his way; Lady Naipaul cuts him cold and says, next question?

If nothing else, this ping-pong moment was it. Naipaul was in town, game on. Right on cue, Lady Naipaul took charge. She had become the moderator, leaning forward all afternoon while Naipaul slunk back in his chair. The real moderator must have wondered if he had come to the wrong stage.

Naipaul murmured his responses. One thing he said still rings clear in my memory. He said “Africa came to me intuitively. It was not by searching.”

And then the hall emptied. Naipaul shuffled out. The thick entourage that had brought him in taking him out.

Like everyone else present, my journey to that afternoon had begun long ago, albeit in my case, not far away from that hall. Two decades earlier, I had gone to secondary school at Makerere College School, tucked inside the university itself, and read my first Naipaul book there. On the morning of his visit, I had packed my copies of Naipaul’s books, just like you do when you go to a speaking event and the author will be present, and afterwards you line up and confess your besotted heart, and the author, having to wear a droll, heard-it-all-before face, nonetheless signs the books with a flourish. I looked at my collection: a 1957 edition of The Mystic Masseur that I had procured from a flea market and the still fresh-smelling Enigma of Arrival reissued after the Nobel Prize of 2001. I recollected the contents of that, and of another book, Sir Vidia’s Shadow (hatchet job on Naipaul by one-time disciple, the American writer, Paul Theroux).

I then remembered how the opening of The Middle Passage had alerted me to something alarming about Naipaul that only expanded in later books and became all you saw in him. Some things not even magnificent prose could conceal.

I left the books on the top of the workbench in my workshop and headed out for Makerere. Naipaul’s wife Nadira and the university’s literature department staff staged a praetorian guard around him, an impenetrable phalanx of reverence. Asking him to sign books was impossible. Naipaul looked like he would suffer a mental breakdown if an African spoke to him. By day’s end, he looked like he needed to see a doctor. Still, he might have persevered and signed the books, and you would have had to throw them away later.

There was something terribly Naipaulish about the university that stuffy afternoon. Eighteen years before, at the age of 14, when my journey to that afternoon commenced, I had read my first Naipaul, Miguel Street, on Makerere hill at Makerere College School. The edition I read had a foreword by Laban Erapu that mentioned Naipaul’s time in Uganda. I had assumed then that Naipaul was Ugandan.

Miguel Street – that sardonically cheerful primer, of which there had not been that many copies in the school – had exchanged hands many times among us kids and we talked much about it. It had been something of a staple. You had to know Miguel Street. Elias and the posse of Bogart et al, their comical putter, the mother with as many husbands as children.  A sing-song toned collection of stories, curious names, absurd accents. Miguel Street was the book from a man who had a twinkly view of life as a thing to be had to the full. We related to these tales. We laughed.

It was in this mind-frame that five years later, in 1995, I had picked up from the university library an old copy of A House for Mr. Biswas. I half-expected to find in this book the loveable characters from Miguel Street. Certain things were similar. Mohun went off to England, to study, as Elias had dreamt.

Back in the 1990s, with Empire still within striking cultural memory, we too had dreamt of going to English universities. We were starting off from the same place as Naipaul, his clutch of characters so recognisable to us, their sense of the future our own. You understood that fever in A House for Mr. Biswas.

What drove Naipaul’s characters was what drove us. Empire had emptied its subject populations of their subjective selves and their metaphysical heritage, which had been replaced by England, Oxford, high tea, biscuit and crumpets, Piccadilly. An equal opportunity impoverisher, the British Empire had left penury and hurt in so many parts of the world that a book from any of these parts tended to speak to all parts. What a Sir Hathorn Hall committed in Aden, or Trinidad, he repeated in Uganda – serial murderers leaving tell-tale signatures of their deeds dotted along the grim, imperial trail.

Naturally, we got Trinidad.

What drove Naipaul’s characters was what drove us. Empire had emptied its subject populations of their subjective selves and their metaphysical heritage, which had been replaced by England, Oxford, high tea, biscuit and crumpets, Piccadilly. An equal opportunity impoverisher, the British Empire had left penury and hurt in so many parts of the world that a book from any of these parts tended to speak to all parts.

Empire had taught us to believe in the same things and we had come to believe in them. We dreamt of red letter boxes. Oh, but these lucky red letter boxes lived in London.

As I read deeper, I began to protest. A House for Mister Biswas got heavy. Some leaded weight pulled down the mirth of Miguel Street to darker places. Still you soldiered on, expecting some lift, a sliver of sunlight. Yes, you would always remember Mrs. Tulsi. One day I thought I found her running a bakery in Kampala. And then I thought I met Mr. Biswas himself nursing big-time literary ambitions as a sourpuss editor in a newsroom.

The darkness in the novels was piling up, getting heavier, in that way readers know when the plot has advanced to that point where you size up the remaining pages and determine them too few for the story to work its way back to a different tenor.

I was young and not entirely appraised of what novels were capable of. As young readers tend to, I simply thought I had landed on the wrong novel. Another Naipaul might bring back that Miguel Street thing. In the meantime, A House for Mr. Biswas was teaching me just how serious novels could be. They could also detail stark-real ugliness. The novelist did not have to imagine, as a pot boiler author had to; he could simply observe. Mr. Naipaul made you see how it was possible to weld art into social reality. He made half a millennium of globalising history his material.

Naipaul could be called the Anti-Jane Austen. Miss Austen had examined the same history; you must see through her writing to know it is detailing crimes of history. But she had seen only the other side: the English manors, the indolence, the unbelievable wealth that the slave trade had made possible in the English countryside. She never questioned where the wealth of the characters in her novels came from. She never asked what those young men in need of a wife did when they went overseas. Naipaul laid out the exhibits.

The exhibits – the deformed progeny of Empire’s victims, the craven, the dehumanised – were his material (a Naipaul word). He looked with the dispassionate temper of a forensics expert. These novels were not for escapist reading. It seemed to me that this was as serious as writing would ever get. Naipaul’s craft made everybody else seem to be winging it, wanting it, sleight-of-hand bathos that quickly drained you of interest. Others write so their brilliance could be praised. Naipaul? His was meditation, a haloed temple of letters. He had convened a one-man caucus and solely written a constitution of looking. To have not seen the world as Naipaul had seen it was to have been guilty of sheer unconstitutional acts. The writer was chief justice, high priest.

There had been Graham Greene; but he could be unconvincing in the role, and he tended to overdo the disgust. There had been Joseph Conrad, but he had tended towards sentimentality. Ernest Hemingway had haunted the same geography as Naipaul. Against what Naipaul had to say, the American was a mere flower girl. Hemmingway loved Kenya; he just never saw Africans (natives, savages) the entire time. Naipaul saw Africans; he was grimly aware of us.

At the age of 20, when I read A House for Mr. Biswas, I could not as yet tell what that thing was, what had made Naipaul’s voice so stately, for I was sure that it was a stately voice. I had not found any of Miguel Street in it. Rather, I emerged from A House for Mr. Biswas overawed by grandeur. The plunge to pathos happened with the steadiness of a murderer strangling his victim. An unrelenting vision of dystopia.

There had been Graham Greene; but he could be unconvincing in the role, and he tended to overdo the disgust. There had been Joseph Conrad, but he had tended towards sentimentality. Ernest Hemingway had haunted the same geography as Naipaul. Against what Naipaul had to say, the American was a mere flower girl. Hemmingway loved Kenya; he just never saw Africans (natives, savages) the entire time. Naipaul saw Africans; he was grimly aware of us.

I was in my 20s when I got the full measure of Mr. Naipaul. By then, Uganda had begun to normalise; books were available once more and we had been liberated from borrowing dog-eared texts from friends and relatives. That was when I began to tell that the early books of Naipaul were fundamentally different from his later books, books of he wrote between his late 30s and into his 50s.

The overriding themes of the early books is escape from the colony. The barbs of later years were already there, the mockery, the casual racism; except back then Naipaul thought of them as jokes. The later books are about settling in, and once that project got underway, the books became about the world, its expansiveness. But also about sharpening. Mr. Naipaul begins to grind and file and sand his prose, the sharp defining of edges, the details focused on. His prose knows what to search for, with just the right emphasis, a few strokes that hint at a larger form without overstating. He was becoming a master craftsman.

The novels carry something extra, a certain uncheerful enjoyment even. Ralph Singh, the protagonist narrator of The Mimic Men, has that quality. The Mimic Men signalled the arrival of the man who would later write The Enigma of Arrival.

And then there were the travel writings. The Middle Passage brings to life the Caribbean in ways you, as an outsider, are grateful to Mr. Naipaul for, even though you have a pile of indictments against him. Then in India, in An Area of Darkness, Naipaul goes for broke. He writes with an urgency he has hitherto not displayed, nor will again. One feels, reading the travelogue, that Mr. Naipaul writes faster than he sees. He arrives in Bombay like a tightly-packed grenade, the ejector of a lifetime’s hearing, reading, expecting, ready to go off. This book defined Naipaul like no other. In comparison, there is something processional about The Middle Passage, a processionalness you find in his Caribbean books, novels and travelogues. Explosions, of theme and prose, don’t go off. But they contain the toxins and poisons that came out of Naipaul whenever he met black people.

Naipaul went out of his way, beyond necessity, in a Trumpian gratuitousness, to mock black people even when there was no discernible literary gain. He made no effort to engage with black people. He treated Indians with less contempt, but the derision was still there. It might look like he gave some thought to Ramnath the “steno” in An Area of Darkness, or to Jivan, but no. It is fascinating how decidedly uncurious Naipaul’s brand of curiosity was.

His first book on India may have been his most connected (Naipaul was drawn to India), but it was written by a man trapped in a certain view of colonial peoples. Even from the depth of Africa, we could tell that Naipaul failed to see that India was a bigger place than his commentaries offered. Jivan’s refusal to stop sleeping on the pavements despite having a job and owning a taxi is interpreted by Naipaul as India’s foolhardy attachment to the Gita, Hinduism’s religious text. To the rest of us, Jivan was displaying an imperviousness to colonialism’s and capitalism’s crass anti-metaphysics. For me, this vignette of Jivan was too two-dimensional. After all, by the 1960s, Naipaul’s view of “conquered” peoples was already antiquated, even amongst the ranks of colonial anthropologists, who had a more nuanced view of colonised peoples.

Naipaul went out of his way, beyond necessity, in a Trumpian gratuitousness, to mock black people even when there was no discernible literary gain. He made no effort to engage with black people. He treated Indians with less contempt, but the derision was still there. It might look like he gave some thought to Ramnath the “steno” in An Area of Darkness, or to Jivan, but no. It is fascinating how decidedly uncurious Naipaul’s brand of curiosity was.

In Naipaul’s world, we Africans are “Negroes” with “physique”, “nursing racial injustice”. There is always the hint of violence towards us when we appear in his books. In The Mimic Men, we show up at the British Council, garishly dressed up, the gold-rimmed spectacles Naipaul places on us are there so that they can clash against the darkness of our skins. We expect “sex” like a tribute, a right, because we are racially wronged. But that’s in the diaspora. In Africa, in A Free State (so now we come to Uganda, although the reason Mr. Naipaul came to Uganda in the 1960s was so he could write The Mimic Men), we are deeply indolent, with our bush ways and our lazy eyes. We are a backdrop to Europeans lives, and often the backdrop to breaking European marriages.

Deep into his career, Mr. Naipaul, like Ganesh Ramsumair in The Mystique Masseur, adopted the identity of an Englishman with an Oxbridge accent that replaced his Caribbean intonation. Ganesh, the shape-shifting artist, remains an enigma in Naipaul’s oeuvre. Who is he? What does he mean? What indeed do these middling characters in Naipaul mean? They people his writing entirely, the Jimmy’s of Guerrillas, the characters upon whom instances are mounted? As if of necessity, the author is decidedly nasty to these sorts. They are de riguer (a la Naipaul), angry, pretentious, dangerous, always without fail, dark-skinned. Naipaul is afraid of them. He is also violent towards them.

Is understanding these mid-level characters key to understanding the politics of Naipaul? Why is Naipaul afraid of them? One clue, but no overall explainer, is that they have a politics. They are confronting Empire. They are the reverse of the Naipaul hero, if that is not an oxymoron. They are not enthusiastic about Oxbridge accents. They are not changing names from Ganesh Ramsumair to G. Ramsay Muir (a typical Naipaul joke of the earlier books). They are changing names from James to Haji or Ngugi.

But do we have a right to be brutal in our assessment of Mr. Naipaul? He was born at a time when Empire looked like extending and consolidating, rather than crushing. How deep did the psychology of that go? For him to have written as he did, to see the world through only one measure (Britain, Europe) – a measure in which other races failed to measure up, a measure in which being African (“bow and arrow people”), Arab (“Mr. Woggy”) was failure in itself, speaks of something other than penetrative insight. To not allow for the validity of a different world is to have been immensely delimited. But might Mr. Naipaul have escaped it? Was it necessary for him to have been the writer and the man he was in order for him to see with clarity?

It would be simplistic to say that the need, indeed, the entire undertaking of having to fight for liberation, was too much for Naipaul. His position on the most important movement of the 20th century (independence from colonial rule) might be described as ambivalent, except, if you are ambivalent about freedom, then what exactly are your values?

It could be as simple as this: Mr. Naipaul was that all-too-typical, but special, victim of Empire, the favoured colonial subject. There was divide and rule – some colonised people were considered less savage than others, people who displayed almost-white qualities. These divisions marked the entire breadth of Empire, from the aristocrats of Buganda (convinced into collaboration by effusive British praise), to the Tutsi of Rwanda (whose position the Belgians tragically imperiled by calling them semi-white Africans), to the Singhala of Sri Lanka (treated more favourably than the black Tamils). In the Caribbean, the indentured Indian labourers were taken to the Atlantic, not as slaves, as the black Africans had been. It is very important to remember that. It was this thin substratum of Empire that tended to oppose liberation movements. They actively collaborated, often virulently, as in the case of Kenya, against fellow Africans, in the fight for independence.

It would be simplistic to say that the need, indeed, the entire undertaking of having to fight for liberation, was too much for Naipaul. His position on the most important movement of the 20th century (independence from colonial rule) might be described as ambivalent, except, if you are ambivalent about freedom, then what exactly are your values?

In Empire, this modicum of elevation from the bottom was very important and so when the British said you were not that dark, not that negroid, your status protected you against slavery and forced labour. This bred its own psychosis. We may want to describe Naipaul in elevated terms, but his own unease once in India (he finds the land of his forefathers too unhygienic) speaks of this. The elevated elite in Empire knew that once they accepted the bribe of racial elevation, they would become accomplices. It was hence in their interest to perpetuate colonial rule, for once it ended, their position would become terribly exposed. The liberation fighters whom Naipaul mocks were a threat against the collaborator class.

In Empire, this modicum of elevation from the bottom was very important and so when the British said you were not that dark, not that negroid, your status protected you against slavery and forced labour. This bred its own psychosis.

When the worst came, the bargain was to choose the racialist humiliation because the patronising treatment at least guaranteed some goods. Mr. Naipaul’s English reviewers perhaps understood this – a brown man acknowledging the hegemony, affirming that the Empire was appreciated by the middle races (hence at least intelligent) as civilisation. They praised his books at a time when they were fighting a losing battle against their black subjects.

You could understand the racism of Joseph Conrad. But Naipaul? The relationship of his narrators to Europeans is telling. It is always to prove how they are better than white people. There are the clueless young white people whom his narrators are proud to dominate intellectually. The white women in his books have to be degraded; the violence and contempt with which his characters treat them appears like the acting-out of suppressed rage. White people are his main audience and he must show them how he is neither Negroid nor Indian. These are the people who either granted or denied scholarships to the Eliases of Miguel Street.

It was thus easy to be bullied into calling V.S. Naipaul a brilliant writer. But you had to have occupied his very position – to have had an ambivalent position towards the colonial project – to have called him so.  What you needed was just that much politic education to see that the 20th century was changed by the men and women despised in Mr. Naipaul’s books. To understand the minds of those who imprisoned Nelson Mandela for 27 years, you have to absorb Naipaul. His was one of the attitudes that had to be defeated for people of colour to become free.

It was important for me to go through Mr. Naipaul’s books after his death. But the realisation that I was reading him the last time in this involved manner, with the heat with which I once did when the writing was not yet done, when he was still around, was hard.

Now Naipaul’s forced racism – for it feels like that – does not really feel like that. Rather, it appears to be transactional right-wingery by a certain savvy type who knew there was a cash-paying audience that loved that sound.

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A.K. Kaiza is a Ugandan writer and journalist.

Politics

Asylum Pact: Rwanda Must Do Some Political Housecleaning

Rwandans are welcoming, but the government’s priority must be to solve the internal political problems which produce refugees.

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Asylum Pact: Rwanda Must Do Some Political Housecleaning
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The governments of the United Kingdom and Rwanda have signed an agreement to move asylum seekers from the UK to Rwanda for processing. This partnership has been heavily criticized and has been referred to as unethical and inhumane. It has also been opposed by the United Nations Refugee Agency on the grounds that it is contrary to the spirit of the Refugee Convention.

Here in Rwanda, we heard the news of the partnership on the day it was signed. The subject has never been debated in the Rwandan parliament and neither had it been canvassed in the local media prior to the announcement.

According to the government’s official press release, the partnership reflects Rwanda’s commitment to protect vulnerable people around the world. It is argued that by relocating migrants to Rwanda, their dignity and rights will be respected and they will be provided with a range of opportunities, including for personal development and employment, in a country that has consistently been ranked among the safest in the world.

A considerable number of Rwandans have been refugees and therefore understand the struggle that comes with being an asylum seeker and what it means to receive help from host countries to rebuild lives. Therefore, most Rwandans are sensitive to the plight of those forced to leave their home countries and would be more than willing to make them feel welcome. However, the decision to relocate the migrants to Rwanda raises a number of questions.

The government argues that relocating migrants to Rwanda will address the inequalities in opportunity that push economic migrants to leave their homes. It is not clear how this will work considering that Rwanda is already the most unequal country in the East African region. And while it is indeed seen as among the safest countries in the world, it was however ranked among the bottom five globally in the recently released 2022 World Happiness Index. How would migrants, who may have suffered psychological trauma fare in such an environment, and in a country that is still rebuilding itself?

A considerable number of Rwandans have been refugees and therefore understand the struggle that comes with being an asylum seeker and what it means to receive help from host countries to rebuild lives.

What opportunities can Rwanda provide to the migrants? Between 2018—the year the index was first published—and 2020, Rwanda’s ranking on the Human Capital Index (HCI) has been consistently low. Published by the World Bank, HCI measures which countries are best at mobilising the economic and professional potential of their citizens. Rwanda’s score is lower than the average for sub-Saharan Africa and it is partly due to this that the government had found it difficult to attract private investment that would create significant levels of employment prior to the COVID-19 pandemic. Unemployment, particularly among the youth, has since worsened.

Despite the accolades Rwanda has received internationally for its development record, Rwanda’s economy has never been driven by a dynamic private or trade sector; it has been driven by aid. The country’s debt reached 73 per cent of GDP in 2021 while its economy has not developed the key areas needed to achieve and secure genuine social and economic transformation for its entire population. In addition to human capital development, these include social capital development, especially mutual trust among citizens considering the country’s unfortunate historical past, establishing good relations with neighbouring states, respect for human rights, and guaranteeing the accountability of public officials.

Rwanda aspires to become an upper middle-income country by 2035 and a high-income country by 2050. In 2000, the country launched a development plan that aimed to transform it into a middle-income country by 2020 on the back on a knowledge economy. That development plan, which has received financial support from various development partners including the UK which contributed over £1 billion, did not deliver the anticipated outcomes. Today the country remains stuck in the category of low-income states. Its structural constraints as a small land-locked country with few natural resources are often cited as an obstacle to development. However, this is exacerbated by current governance in Rwanda, which limits the political space, lacks separation of powers, impedes freedom of expression and represses government critics, making it even harder for Rwanda to reach the desired developmental goals.

Rwanda’s structural constraints as a small land-locked country with no natural resources are often viewed as an obstacle to achieving the anticipated development.

As a result of the foregoing, Rwanda has been producing its own share of refugees, who have sought political and economic asylum in other countries. The UK alone took in 250 Rwandese last year. There are others around the world, the majority of whom have found refuge in different countries in Africa, including countries neighbouring Rwanda. The presence of these refugees has been a source of tension in the region with Kigali accusing neighbouring states of supporting those who want to overthrow the government by force. Some Rwandans have indeed taken up armed struggle, a situation that, if not resolved, threatens long-term security in Rwanda and the Great Lakes region. In fact, the UK government’s advice on travel to Rwanda has consistently warned of the unstable security situation near the border with the Democratic Republic of Congo (DRC) and Burundi.

While Rwanda’s intention to help address the global imbalance of opportunity that fuels illegal immigration is laudable, I would recommend that charity start at home. As host of the 26th Commonwealth Heads of Government Meeting scheduled for June 2022, and Commonwealth Chair-in-Office for the next two years, the government should seize the opportunity to implement the core values and principles of the Commonwealth, particularly the promotion of democracy, the rule of law, freedom of expression, political and civil rights, and a vibrant civil society. This would enable Rwanda to address its internal social, economic and political challenges, creating a conducive environment for long-term economic development, and durable peace that will not only stop Rwanda from producing refugees but will also render the country ready and capable of economically and socially integrating refugees from less fortunate countries in the future.

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Politics

Beyond Borders: Why We Need a Truly Internationalist Climate Justice Movement

The elite’s ‘solution’ to the climate crisis is to turn the displaced into exploitable migrant labour. We need a truly internationalist alternative.

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Beyond Borders: Why We Need a Truly Internationalist Climate Justice Movement
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“We are not drowning, we are fighting” has become the rallying call for the Pacific Climate Warriors. From UN climate meetings to blockades of Australian coal ports, these young Indigenous defenders from twenty Pacific Island states are raising the alarm of global warming for low-lying atoll nations. Rejecting the narrative of victimisation – “you don’t need my pain or tears to know that we’re in a crisis,” as Samoan Brianna Fruean puts it – they are challenging the fossil fuel industry and colonial giants such as Australia, responsible for the world’s highest per-capita carbon emissions.

Around the world, climate disasters displace around 25.3 million people annually – one person every one to two seconds. In 2016, new displacements caused by climate disasters outnumbered new displacements as a result of persecution by a ratio of three to one. By 2050, an estimated 143 million people will be displaced in just three regions: Africa, South Asia, and Latin America. Some projections for global climate displacement are as high as one billion people.

Mapping who is most vulnerable to displacement reveals the fault lines between rich and poor, between the global North and South, and between whiteness and its Black, Indigenous and racialised others.

Globalised asymmetries of power create migration but constrict mobility. Displaced people – the least responsible for global warming – face militarised borders. While climate change is itself ignored by the political elite, climate migration is presented as a border security issue and the latest excuse for wealthy states to fortify their borders. In 2019, the Australian Defence Forces announced military patrols around Australia’s waters to intercept climate refugees.

The burgeoning terrain of “climate security” prioritises militarised borders, dovetailing perfectly into eco-apartheid. “Borders are the environment’s greatest ally; it is through them that we will save the planet,” declares the party of French far-Right politician Marine Le Pen. A US Pentagon-commissioned report on the security implications of climate change encapsulates the hostility to climate refugees: “Borders will be strengthened around the country to hold back unwanted starving immigrants from the Caribbean islands (an especially severe problem), Mexico, and South America.” The US has now launched Operation Vigilant Sentry off the Florida coast and created Homeland Security Task Force Southeast to enforce marine interdiction and deportation in the aftermath of disasters in the Caribbean.

Labour migration as climate mitigation

you broke the ocean in
half to be here.
only to meet nothing that wants you
– Nayyirah Waheed

Parallel to increasing border controls, temporary labour migration is increasingly touted as a climate adaptation strategy. As part of the ‘Nansen Initiative’, a multilateral, state-led project to address climate-induced displacement, the Australian government has put forward its temporary seasonal worker program as a key solution to building climate resilience in the Pacific region. The Australian statement to the Nansen Initiative Intergovernmental Global Consultation was, in fact, delivered not by the environment minister but by the Department of Immigration and Border Protection.

Beginning in April 2022, the new Pacific Australia Labour Mobility scheme will make it easier for Australian businesses to temporarily insource low-wage workers (what the scheme calls “low-skilled” and “unskilled” workers) from small Pacific island countries including Nauru, Papua New Guinea, Kiribati, Samoa, Tonga, and Tuvalu. Not coincidentally, many of these countries’ ecologies and economies have already been ravaged by Australian colonialism for over one hundred years.

It is not an anomaly that Australia is turning displaced climate refugees into a funnel of temporary labour migration. With growing ungovernable and irregular migration, including climate migration, temporary labour migration programs have become the worldwide template for “well-managed migration.” Elites present labour migration as a double win because high-income countries fill their labour shortage needs without providing job security or citizenship, while low-income countries alleviate structural impoverishment through migrants’ remittances.

Dangerous, low-wage jobs like farm, domestic, and service work that cannot be outsourced are now almost entirely insourced in this way. Insourcing and outsourcing represent two sides of the same neoliberal coin: deliberately deflated labour and political power. Not to be confused with free mobility, temporary labour migration represents an extreme neoliberal approach to the quartet of foreign, climate, immigration, and labour policy, all structured to expand networks of capital accumulation through the creation and disciplining of surplus populations.

The International Labour Organization recognises that temporary migrant workers face forced labour, low wages, poor working conditions, virtual absence of social protection, denial of freedom association and union rights, discrimination and xenophobia, as well as social exclusion. Under these state-sanctioned programs of indentureship, workers are legally tied to an employer and deportable. Temporary migrant workers are kept compliant through the threats of both termination and deportation, revealing the crucial connection between immigration status and precarious labour.

Through temporary labour migration programs, workers’ labour power is first captured by the border and this pliable labour is then exploited by the employer. Denying migrant workers permanent immigration status ensures a steady supply of cheapened labour. Borders are not intended to exclude all people, but to create conditions of ‘deportability’, which increases social and labour precarity. These workers are labelled as ‘foreign’ workers, furthering racist xenophobia against them, including by other workers. While migrant workers are temporary, temporary migration is becoming the permanent neoliberal, state-led model of migration.

Reparations include No Borders

“It’s immoral for the rich to talk about their future children and grandchildren when the children of the Global South are dying now.” – Asad Rehman

Discussions about building fairer and more sustainable political-economic systems have coalesced around a Green New Deal. Most public policy proposals for a Green New Deal in the US, Canada, UK and the EU articulate the need to simultaneously tackle economic inequality, social injustice, and the climate crisis by transforming our extractive and exploitative system towards a low-carbon, feminist, worker and community-controlled care-based society. While a Green New Deal necessarily understands the climate crisis and the crisis of capitalism as interconnected — and not a dichotomy of ‘the environment versus the economy’ — one of its main shortcomings is its bordered scope. As Harpreet Kaur Paul and Dalia Gebrial write: “the Green New Deal has largely been trapped in national imaginations.”

Any Green New Deal that is not internationalist runs the risk of perpetuating climate apartheid and imperialist domination in our warming world. Rich countries must redress the global and asymmetrical dimensions of climate debtunfair trade and financial agreements, military subjugation, vaccine apartheidlabour exploitation, and border securitisation.

It is impossible to think about borders outside the modern nation-state and its entanglements with empire, capitalism, race, caste, gender, sexuality, and ability. Borders are not even fixed lines demarcating territory. Bordering regimes are increasingly layered with drone surveillance, interception of migrant boats, and security controls far beyond states’ territorial limits. From Australia offshoring migrant detention around Oceania to Fortress Europe outsourcing surveillance and interdiction to the Sahel and Middle East, shifting cartographies demarcate our colonial present.

Perhaps most offensively, when colonial countries panic about ‘border crises’ they position themselves as victims. But the genocide, displacement, and movement of millions of people were unequally structured by colonialism for three centuries, with European settlers in the Americas and Oceania, the transatlantic slave trade from Africa, and imported indentured labourers from Asia. Empire, enslavement, and indentureship are the bedrock of global apartheid today, determining who can live where and under what conditions. Borders are structured to uphold this apartheid.

The freedom to stay and the freedom to move, which is to say no borders, is decolonial reparations and redistribution long due.

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The Murang’a Factor in the Upcoming Presidential Elections

The Murang’a people are really yet to decide who they are going to vote for as a president. If they have, they are keeping the secret to themselves. Are the Murang’a people prepping themselves this time to vote for one of their own? Can Jimi Wanjigi re-ignite the Murang’a/Matiba popular passion among the GEMA community and re-influence it to vote in a different direction?

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The Murang’a Factor in the Upcoming Presidential Elections
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In the last quarter of 2021, I visited Murang’a County twice: In September, we were in Kandiri in Kigumo constituency. We had gone for a church fundraiser and were hosted by the Anglican Church of Kenya’s (ACK), Kahariro parish, Murang’a South diocese. A month later, I was back, this time to Ihi-gaini deep in Kangema constituency for a burial.

The church function attracted politicians: it had to; they know how to sniff such occasions and if not officially invited, they gate-crash them. Church functions, just like funerals, are perfect platforms for politicians to exhibit their presumed piousness, generosity and their closeness to the respective clergy and the bereaved family.

Well, the other reason they were there, is because they had been invited by the Church leadership. During the electioneering period, the Church is not shy to exploit the politicians’ ambitions: they “blackmail” them for money, because they can mobilise ready audiences for the competing politicians. The politicians on the other hand, are very ready to part with cash. This quid pro quo arrangement is usually an unstated agreement between the Church leadership and the politicians.

The church, which was being fund raised for, being in Kigumo constituency, the area MP Ruth Wangari Mwaniki, promptly showed up. Likewise, the area Member of the County Assembly (MCA) and of course several aspirants for the MP and MCA seats, also showed up.

Church and secular politics often sit cheek by jowl and so, on this day, local politics was the order of the day. I couldn’t have speculated on which side of the political divide Murang’a people were, until the young man Zack Kinuthia Chief Administrative Secretary (CAS) for Sports, Culture and Heritage, took to the rostrum to speak.

A local boy and an Uhuru Kenyatta loyalist, he completely avoided mentioning his name and his “development track record” in central Kenya. Kinuthia has a habit of over-extolling President Uhuru’s virtues whenever and wherever he mounts any platform. By the time he was done speaking, I quickly deduced he was angling to unseat Wangari. I wasn’t wrong; five months later in February 2022, Kinuthia resigned his CAS position to vie for Kigumo on a Party of the National Unity (PNU) ticket.

He spoke briefly, feigned some meeting that was awaiting him elsewhere and left hurriedly, but not before giving his KSh50,000 donation. Apparently, I later learnt that he had been forewarned, ahead of time, that the people were not in a mood to listen to his panegyrics on President Uhuru, Jubilee Party, or anything associated to the two. Kinuthia couldn’t dare run on President Uhuru’s Jubilee Party. His patron-boss’s party is not wanted in Murang’a.

I spent the whole day in Kandiri, talking to people, young and old, men and women and by the time I was leaving, I was certain about one thing; The Murang’a folks didn’t want anything to do with President Uhuru. What I wasn’t sure of is, where their political sympathies lay.

I returned to Murang’a the following month, in the expansive Kangema – it is still huge – even after Mathioya was hived off from the larger Kangema constituency. Funerals provide a good barometer that captures peoples’ political sentiments and even though this burial was not attended by politicians – a few senior government officials were present though; political talk was very much on the peoples’ lips.

What I gathered from the crowd was that President Uhuru had destroyed their livelihood, remember many of the Nairobi city trading, hawking, big downtown real estate and restaurants are run and owned largely by Murang’a people. The famous Nyamakima trading area of downtown Nairobi has been run by Murang’a Kikuyus.

In 2018, their goods were confiscated and declared contrabrand by the government. Many of their businesses went under, this, despite the merchants not only, whole heartedly throwing their support to President Uhuru’s controversial re-election, but contributing handsomely to the presidential kitty. They couldn’t believe what was happening to them: “We voted for him to safeguard our businesses, instead, he destroyed them. So much for supporting him.”

We voted for him to safeguard our businesses, instead, he destroyed them. So much for supporting him

Last week, I attended a Murang’a County caucus group that was meeting somewhere in Gatundu, in Kiambu County. One of the clearest messages that I got from this group is that the GEMA vote in the August 9, 2022, presidential elections is certainly anti-Uhuru Kenyatta and not necessarily pro-William Ruto.

“The Murang’a people are really yet to decide, (if they have, they are keeping the secret to themselves) on who they are going to vote for as a president. And that’s why you see Uhuru is craftily courting us with all manner of promises, seductions and prophetic messages.” Two weeks ago, President Uhuru was in Murang’a attending an African Independent Pentecostal Church of Africa (AIPCA) church function in Kandara constituency.

At the church, the president yet again threatened to “tell you what’s in my heart and what I believe and why so.” These prophecy-laced threats by the President, to the GEMA nation, in which he has been threatening to show them the sign, have become the butt of crude jokes among Kikuyus.

Corollary, President Uhuru once again has plucked Polycarp Igathe away from his corporate perch as Equity Bank’s Chief Commercial Officer back to Nairobi’s tumultuous governor seat politics. The first time the bespectacled Igathe was thrown into the deep end of the Nairobi murky politics was in 2017, as Mike Sonko’s deputy governor. After six months, he threw in the towel, lamenting that Sonko couldn’t let him even breathe.

Uhuru has a tendency of (mis)using Murang’a people

“Igathe is from Wanjerere in Kigumo, Murang’a, but grew up in Ol Kalou, Nyandarua County,” one of the Mzees told me. “He’s not interested in politics; much less know how it’s played. I’ve spent time with him and confided in me as much. Uhuru has a tendency of (mis)using Murang’a people. President Uhuru wants to use Igathe to control Nairobi. The sad thing is that Igathe doesn’t have the guts to tell Uhuru the brutal fact: I’m really not interested in all these shenanigans, leave me alone. The president is hoping, once again, to hopefully placate the Murang’a people, by pretending to front Igathe. I foresee another terrible disaster ultimately befalling both Igathe and Uhuru.”

Be that as it may, what I got away with from this caucus, after an entire day’s deliberations, is that its keeping it presidential choice close to its chest. My attempts to goad some of the men and women present were fruitless.

Murang’a people like reminding everyone that it’s only they, who have yet to produce a president from the GEMA stable, despite being the wealthiest. Kiambu has produced two presidents from the same family, Nyeri one, President Mwai Kibaki, who died on April 22. The closest Murang’a came to giving the country a president was during Ken Matiba’s time in the 1990s. “But Matiba had suffered a debilitating stroke that incapacitated him,” said one of the mzees. “It was tragic, but there was nothing we could do.”

Murang’a people like reminding everyone that it’s only they, who have yet to produce a president from the GEMA stable, despite being the wealthiest

It is interesting to note that Jimi Wanjigi, the Safina party presidential flagbearer is from Murang’a County. His family hails from Wahundura, in Mathioya constituency. Him and Mwangi wa Iria, the Murang’a County governor are the other two Murang’a prominent persons who have tossed themselves into the presidential race. Wa Iria’s bid which was announced at the beginning of 2022, seems to have stagnated, while Jimi’s seems to be gathering storm.

Are the Murang’a people prepping themselves this time to vote for one of their own? Jimi’s campaign team has crafted a two-pronged strategy that it hopes will endear Kenyans to his presidency. One, a generational, paradigm shift, especially among the youth, targeting mostly post-secondary, tertiary college and university students.

“We believe this group of voters who are basically between the ages of 18–27 years and who comprise more than 65 per cent of total registered voters are the key to turning this election,” said one of his presidential campaign team members. “It matters most how you craft the political message to capture their attention.” So, branding his key message as itwika, it is meant to orchestrate a break from past electoral behaviour that is pegged on traditional ethnic voting patterns.

The other plunk of Jimi’s campaign theme is economic emancipation, quite pointedly as it talks directly to the GEMA nation, especially the Murang’a Kikuyus, who are reputed for their business acumen and entrepreneurial skills. “What Kikuyus cherish most,” said the team member “is someone who will create an enabling business environment and leave the Kikuyus to do their thing. You know, Kikuyus live off business, if you interfere with it, that’s the end of your friendship, it doesn’t matter who you are.”

Can Jimi re-ignite the Murang’a/Matiba popular passion among the GEMA community and re-influence it to vote in a different direction? As all the presidential candidates gear-up this week on who they will eventually pick as their running mates, the GEMA community once more shifts the spotlight on itself, as the most sought-after vote basket.

Both Raila Odinga and William Ruto coalitions – Azimio la Umoja-One Kenya and Kenya Kwanza Alliance – must seek to impress and woe Mt Kenya region by appointing a running mate from one of its ranks. If not, the coalitions fear losing the vote-rich area either to each other, or perhaps to a third party. Murang’a County, may as well, become the conundrum, with which the August 9, presidential race may yet to be unravelled and decided.

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