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BLACK SKINS, WHITE MASKS REVISITED: Moving From Education To Knowledge

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Education Africa

I attended a private high school, Girls’ College, in my teens. It is situated in the leafy suburb of Bulawayo, Zimbabwe. We received what was deemed “the best education”, which is to say, distinctly British. We had etiquette lessons in form one, at age thirteen, where we were taught how to talk, how to walk, how to laugh, how to eat, how to pour tea, how to sit. It was a stellar education into the ways of British bourgeois society.

We had to read the Bible during assembly. You had to practise the reading beforehand, in the presence of an English teacher, to make sure you got the pronunciation right. If you mispronounced a word during assembly, the whole room would fall apart in hushed giggles. And yet, pronunciation is a matter of one’s mother tongue, in which case, there are many ways to speak English, particularly seeing as it has become a dominant global language. And yet, because of our multiplicity, it has also come to be possessed by and thus carried by multiple dialects, cultures and ways of being.

The British Englishness we learned at school was a form of education that alienated the black pupils from themselves and fostered in the white pupils their British, albeit colonial, heritage.

During Africa Day, there were readings during assembly in Ndebele, and when the white girls mispronounced Ndebele words, the assembly would, in contrast to when the black girls read English, fall into solemn silence, and afterwards clap their hands enthusiastically for an effort well done.

We did the Cambridge IGCSE examinations for our O, AS and A levels—the crucial exams taken at age sixteen, seventeen and eighteen—and so we learned European history, that is to say, world history from the perspective of Europe. This history encapsulated the partitioning of Africa at the 1884 Berlin Conference, as well as the World Wars I and II. Everything was told from the vantage point of Europe, which, to quote Achille Mbembe in his seminal treatise Decolonising Knowledge and the Question of the Archive, tried “to portray colonialism as a normal form of social relations between human beings rather than a system of exploitation and oppression.” We studied Jayne Eyre and William Shakespeare in our English class. As the forward-looking, cosmopolitan future of tomorrow, we also studied French.

The need to study for the British Cambridge exams instead of the local Zimsec ones was necessitated by the fact that the teaching profession, along with other civil servant professions, had deteriorated along with the economic and political mayhem in Zimbabwe, starting from the early 2000s. The teachers in government schools went for months without pay, and thus went on strike frequently, or simply had to find other means to support themselves. As a result, the education system was in chaos, and students who wrote the Zimsec exams would receive results for subjects they had not taken in school, giving them ground to question the results for the subjects they had really taken and may have, according to the dubious results, failed. A private education, and doing the Cambridge IGCSE exams, became a much sought-after alternative to the local Zimsec exams, one that could guarantee not only a “stellar education”, but also increase one’s chances of gaining entry into reputable universities outside the country. The university system in Zimbabwe—once lauded as one of the best on the continent—had also deteriorated, thanks to the crises crippling the country.

I became “African” in the USA, someone from Africa, not the real Africa, if there can be said to be such an Africa, but the Africa of the Western imagination.

At the time of my high school education, from 2001 to 2007, we were going through what we believed would be a short nightmare, but which has endured for the past two or so decades. The city of Bulawayo, and the whole country, was knotted in never-ending bread, mealie-meal and fuel queues. The city was a hive of energy; we laughed at ourselves and cluck-clucked over this terrible situation, as though refusing to bow to the burden of grief and struggle, and humiliation. There was comfort to be found in this communal suffering; perhaps it took away the sting of it, a little bit.

We did not know it then, and it felt new to us and anguished us greatly, but we, once deemed the bread basket of Africa, had become yet another post-colonial cliché. Zimbabwe is currently involved in a struggle for self-realisation where its denizens refuse to accept as normal the abnormal, tragic conditions of the country, a route which has been taken by the majority of post-colonial societies. Spaces like Nigeria, for instance, where this has been going on for decades, have come to somehow find a logic within and a “normalcy” to their dysfunctionality. Perhaps Zimbabwe has a few more decades to play out its anguished, fighting spirit against the post-colonial condition. Perhaps something new, something other than what has come before, will emerge out of this struggle. Post-colonial societies are nothing if not prime sites of experimentation and struggle to bring about new forms of societal organisation. The planet is dying; capitalism has continued to wreak havoc and exploit the black and brown world; we need a new way of being.

My high school education, including the etiquette classes, felt like a performance. One that had social currency, for Girls’ College is a respected school that is successful both academically and in sports. But outside this artificial school life, I had a home to go back to, a society to traverse, friends and relatives to interact with. One was aware, at once, of inhabiting two worlds, one extremely utilitarian and divorced from one’s society, and yet possessing high currency—the high school setting and its teachings—the other filled with various strands of knowledge which one had access to and partook in but whose utility was not clear in the society. This kind of knowledge was garnered from my grandmothers, for instance, from my aunts, from my Ndebele culture, from the eclectic youth culture of our society, from the adaptation of and application on home soil of a multicultural perspective—a testament to the mobility of knowledge—and the shared hopes and dreams of nationhood (not to be confused with nationalism, which is a form of jingoism that is more divisive than it is consilient).

For me, my life at school and my life in my society demonstrated the difference between education and knowledge. Education is very much a top-down approach that is harnessed by the state to meet its functionary needs (and in many spaces in Africa not even that; the education seems not to be geared towards the needs of the state in service to its denizens, but rather the state as an arm of globalisation, through which the best knowledge and resources flow from the periphery to the centre).

Art is where living occurs; living as a wondrous site of struggle, where life bursts from the dark, wet confines of the womb into the piercing light of existence, where woman exercises that great gift endowed to her by consciousness: freedom.

Knowledge, on the other hand, is fertilised by the communal meeting of shared hopes, dreams, values, cultures, traditions and ways of being. This is what makes up a nation—a group of people who share bonds due to common values and hopes. Artists can be said to be the harbingers, agitators, keepers and illuminators of the spirit of nationhood.

The British Englishness we learned at school was a form of education that alienated the black pupils from themselves and fostered in the white pupils their British, albeit colonial, heritage. But more interesting in this meeting of various cultures, albeit not on equal footing, was the manifestation of the various cultural identities and combative histories that make up the country Zimbabwe.

In contrast, English as it is used in daily life in Zimbabwe, as one more quilt in the fabric of society, is knowledge in action. Such an English becomes, inevitably, diluted into local cultural ways of being, for though it is a form of education that was imposed from without, it becomes a form knowledge through its adaptation in society. Knowledge springs from within a society, since it is utilised within and for that society. It is an organic process that is nevertheless dynamic since it has the power to adapt new ideas for the benefit of the community—the nation—that utilises it to better realise its goals and ideas of self. This is the difference between education and knowledge.

Thus, the dilution of English becomes a joyful assault on colonial modes of being and their accompanying Macaulayan attitudes to non-European languages. Such a dilution is also a testament to our interconnectedness and the curious, inventive human spirit; the idea of exclusivity has always been a myth – all knowledge is made up of diverse strands from multiple cultures. No one civilisation has a right to or a special claim to knowledge.

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There have been times, during my time in the USA, when I have tried to replicate the intimacy of home. The person reflected back to me here is somebody I struggle to recognise. This is probably an inevitable process of being thrust into a different culture; however, because of the history of Africa as a concept and a group of people who were “owned, “created”, enslaved and appropriated by Western ideology under the banner of colonialism and slavery, the immersion as one from “Africa” into such a culture still carries the hegemonic trauma of such a history.

I became “African” in the USA, someone from Africa, not the real Africa, if there can be said to be such an Africa, but the Africa of the Western imagination, that place where, as Achille Mbembe writes in On the Post Colony,

‘the actual is no longer perceived except through the mirror of perversity that is, in truth, that of the subject uttering this discourse… Picking up rumour and gossip, amplifying them in the telling, it claims to throw light on things that haunt and obsess it, but about which, in truth, it knows absolutely nothing’ (2010: 178-179).

Random people wanted to help me, all because “I was from Africa”. My ability to speak English fascinated them, especially because I was neither a refugee nor an uneducated immigrant. People offered stories about having given relief to Africa with this or that aid organisation. It was a stark, shocking experience of the legacy of that other “Africa”, the one of the 1884 Berlin Conference, when the powerful nations of Western Europe decided to appropriate and enslave the continent and all that was in it. This legacy is inextricable from the Western lexicon; furthermore, “Africa” is what the West knows; “Africa” was once a property of the West; the West ‘knows’ Africa, and nothing made this starker than the confidence with which people would attribute to me experiences of a continent which were not my own and which I did not recognise.

This is where Art becomes important. Art is where living occurs; living as a wondrous site of struggle, where life bursts from the dark, wet confines of the womb into the piercing light of existence, where woman exercises that great gift endowed to her by consciousness: freedom. Art is the exercise and utilisation of knowledge; it is also the manufacturing of education into knowledge. For education to be useful in a society, it needs to be adapted into knowledge, especially in Africa where many of the education systems were inherited with little modification from colonial times and which thus perpetuate the current system where everything that the continent possesses is siphoned by powerful hegemonic forces towards Western spaces.

An example of the adaptation of education into knowledge and its successful utilisation in a society is the application of the dialectic method of critique by the Martinique-born philosopher Frantz Fanon, which is the style of inquiry in his seminal The Wretched of the Earth, and which he innovated from the German philosopher Hegel. The dialectic is a method of philosophical inquiry that is bent on interrogating the nature of reality with the intention of unearthing insights about the human condition, as Fanon managed to do via his interrogation of the colonial situation. Fanon also adapted Marx’s concept of the commodity fetish under capitalism to include the racial fetish under colonialism; Marx himself adapted Hegel’s dialectic method in his interrogation of the workings of capitalism and the commodity fetish. As such, what is important for the continent, particularly in this highly mobile 21st century, is the manufacture and application of knowledge. It does not matter where knowledge comes from; what is important is how it is used. When knowledge is adapted, as Fanon shows, it is able to bring enlightenment to a society about itself.

If Art is the soil where human existence in all its contradictory, impulsive, celebratory, mournful, meaningless, meaningful, meaning-making capacity sprouts, tearing through it with all the existential potential to grow into something essential, if this is what Art is, then knowledge is the fertiliser for that soil.

Art is both a safe and a vulnerable meeting space for all peoples; safe because it involves simulation, and vulnerable—and thus dangerous to the nationalist, jingoist, exclusivist and divisive propagators in our societies—because it breaks down our walls and pierces through our prejudices. This becomes ever more important for the African, who has only recently been seen to have a right to the freedom that is hers by virtue of her consciousness (but who has always had inherent possession of this consciousness and thus this freedom; to recognise something is to come into knowledge of something that has been always there). For the African, who is only in recent decades coming out of an age where she was once someone else’s property, where she was once a slave, where she was once deemed to be not a human being but a “thing: that could be appropriated and utilised like a horse and sold on the market like a mule, this Art, this creative expression of her humanity, this cry, this song, this poem, this story, this dance, this mourn, this groan, becomes ever more important.

Art is both a safe and a vulnerable meeting space for all peoples; safe because it involves simulation, and vulnerable—and thus dangerous to the nationalist, jingoist, exclusivist and divisive propagators in our societies—because it breaks down our walls and pierces through our prejudices.

It is why, in authoritarian spaces, knowledge, because of its dynamic and uncontainable nature and its inevitable fostering of the new, that is, of Art, is all the more threatening to a state, because its outcomes cannot be controlled. It is always prone to creation and experimentation; it picks up different ideas and ways of being wherever it encounters them and patches them up into something innovative, and thus may not necessarily align with the state’s objectives. Its alignment, where it thrives, is first and foremost to humanity, to living, to life, in all its spectacular multiplicity and diversity.

In Art, we see people; and in Art, we may even refuse to see them. This is why it’s such a joy to encounter Darling in NoViolet Bulawayo’s We Need New Names. Darling exists, loves, hopes, dreams and defies at the margins of society; one can almost call her subaltern, in the sense of one who cannot speak or one whose voice would not be heard otherwise. She is, to stretch the metaphor further, a subaltern who has been thrust into conversation with hegemonic spaces, or spaces of privilege, through her international mobility via We Need New Names. Her psychology is a delight to behold; to read her is to come into contact with her knowing—and not her education. For she is not educated in the conventional sense, and this is perhaps why conventional methods of trying to apprehend her find her so slippery. Through the text’s Ndebele-ised English, which is a form of translation of Darling’s Ndebele, we experience her worldview, which, in her ten-year-old rendering, is delightfully unself-conscious and unapologetic. Her narrative speaks from her and also beyond her, so that we come into contact, via the novel, with that double consciousness that is the gift and the curse of the African.

Listen. Listen; when Darling and her friends come across the woman from London who lives in the posh suburb of Budapest, what do they say?

“…you only look fifteen, like a child, Godknows says, looking at the woman now. I am expecting her to reach out and slap him on the mouth but she merely smiles like she has just not been insulted.

Thank you, I just came off the Jesus diet, she says, sounding very pleased.

I look at her like, what is there to thank?”

What we encounter here is the meeting of two cultures in conversation, on equal footing as existential modes of being in the world—for Darling has not learned to question her way of being in the world, and approaches the world confidently through her cultural lens.

Let us eavesdrop a little more on Darling; what does she do to the picture of Jesus that is hanging in the shack of Mother of Bones’ wall?

“He (Jesus) used to have blue eyes but I painted them brown like mine and everybody’s, to make him normal.”

There is something refreshing about Darling’s easy attribution of normativity to her cultural way of comprehending the world; to understand blackness and black people as “normal” is part of what the colonial project sought to destroy, and what post-colonialism has sought to reinstate, albeit at times in painfully self-conscious ways. To be educated against yourself, that is to say, to be taught ways of being that glorify whiteness while concurrently denigrating what one is, be it Ndebele or African or black, is to introduce a painful self-consciousness in the African subject. In We Need New Names, it seems as though Darling was never touched by the self-alienating effects of colonialism. Hence perhaps why she is such a (delightful) anomaly as a “post-colonial” fictional character.

And what about after the NGO trucks have come and gone, and the children have gotten their gifts from the NGO people and are running after the truck and waving goodbye, what does Darling say?

“…we take off and run after it; we have got what we wanted and we don’t care how they want us to do.” (Emphasis added.)

Any African or non-white person who has had to straddle the “formal” or reified world, which is still indelibly white, with its Macaulayan teachings and its self-glorification, and her own world, where she is in sync with her familial and cultural ways of being, is familiar with simulation, the acting that one slips into when one is in the white world—such as I used to slip into at my high school Girls’ College with its distinctly British education—and the other version of one which one slips into when one is in one’s home or cultural setting.

Thus, we can appreciate Darling’s double consciousness with regards to the NGO people, which she herself seems unconscious of, probably because she is a child and has not yet learned how to be self-conscious in the world, which is the painful condition of being a post-colonial subject in a neo-colonial globe.

And what does Darling say of home, when she is overseas in America?

“No matter how green the maize looks in America, it is not real. They call it corn here, and it comes out all wrong, like small, sweet, too soft. I don’t even bother with it anymore because eating it is a really disappointing thing, it feels like I’m just insulting my teeth.”

“In America, the fatness is not the fatness I was used to at home. Over there, the fatness was of bigness, just ordinary fatness you could understand because it meant the person ate well, fatness you could even envy. It was fatness that did not interfere with the body…But this American fatness takes it to a whole other level: the body is turned into something else.”

What is endearing about Darling’s uncanny, if a little biting, criticism is her absolute lack of infatuation with and reification of America, which is the all too common trope of the immigrant story; that is to say, Darling privileges an understanding of the world from her own cultural lens, inadvertently becoming, in the process, the “ungrateful immigrant”. Her ability to give herself and her way of being free reign in her consciousness is refreshing to behold; it’s a way of apprehending the world against which the African is educated and which, in her polemic against a hegemonic white world, she strives to attain but cannot due to the fact that she already possesses a double-consciousness. What is born from such an existential struggle is the creation of novel ways of being that cannot be anticipated, which is how all new things are born, becoming, inevitably, larger than the sum of their parts.

Darling as a consciousness, a semi-subaltern consciousness, if one may say so, is an example of the value of Art to the African. The question the post-colonial African seeks to answer is, Who am I in the World? The answer being that I am a human being. Humanity is not contingent on circumstance; its very recognition is what leads to its ability to express itself materially in the world; the inability to recognise it, and the brute force used to deny it its realisation, as was done to the African under colonialism and as is being done under neo-colonialism, does not mean it ceases to exist.

To be educated against yourself, that is to say, to be taught ways of being that glorify whiteness while concurrently denigrating what one is, be it Ndebele or African or black, is to introduce a painful self-consciousness in the African subject.

As such, Art, because it’s an expression of womankind and her dynamism and multiplicity, traffics, inevitably, in knowledge, and knowledge traffics in Art. Knowledge in and of itself is a multi-purpose tool, and who is using it and to what ends is more the point than its intended purpose; in “educating the native” so as to control colonised societies, the coloniser never dreamed that the native would one day take this education and use it against him. But she did!

Thus, the African, in answering the question, Who am I in the World?, through being, living, celebrating, crying, mourning, dying, striving, dreaming, hoping, thinking, loving, expressing is, like all humans, a trafficker in multiple knowledges, and, in claiming her place in the world, has the right to utilise all forms of knowledge towards her self-realisation. That is to say, she has access to everything that has ever been discovered and created by womankind, of whom she is not only an inheritor, but a builder and partaker.

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Ms Tshuma is a Zimbabwean writer based in the USA.

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A DARK TRUTH: The racist dynamic at the heart of Kenya’s conservation practices and policies

MORDECAI OGADA explains why black Africans are almost completely absent in the field of conservation in Kenya, which has been hijacked by whites and foreigners who pander to prejudices that have been cultivated by romantic or colonial notions about Africa and its wildlife.

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A DARK TRUTH: The racist dynamic at the heart of Kenya’s conservation practices and policies

The practice of conservation and the narrative around African wildlife is a kingdom, albeit without a single monarch. The monarchy and nobility consist of an eclectic mix of royalty, commoners, idlers, misfits, scientists, killers (who refer to themselves as “hunters”) across a very broad spectrum of backgrounds. We have youthful cowboys in their 20s, and we have octogenarians. There are also wealthy lords and scruffy backpackers. The one thread that links them is the fact that they are all white.

Their race is also what confers upon them a unity of purpose and mutual sympathy in lands where the indigenous majority are black. This kingdom is absolute and doesn’t tolerate dissent from its subjects. Those who serve the kingdom faithfully are rewarded with senior positions in the technical (not policy) arena and international awards and are showered with praise and backhanded compliments in descriptions like “being switched on”, “a good chap”, and best of all, “a reformed poacher”. This praise also manifests itself in the form of the Tusk Conservation Award, which is conferred annually by the Duke of Cambridge, HRH Prince William, on the local conservationist who best serves as an implementer or enforcer of the kingdom’s conservation goals.

Structured conservation practice in East Africa began largely when demobilised World War II soldiers started looking for a field where they could apply one of the few skills they had gained in the war (shooting) without harming people. The rise of the conservation officer or protector was actually preceded by the establishment of the first hunting reserves at the turn of the century a few decades earlier.

However, there was a new recognition that the resource was finite and needed to be preserved for the exclusive use of the colonial nobility that was necessarily defined by race; hence the need for enforcement. Exploitation of African wildlife by Western consumers began in the early 1900s with hunting safaris, which were basically tests of resilience and skill with the target of harvesting the biggest and largest number from this bounty under pretty harsh and rustic conditions. It was closely followed in the 1960s by the photographic safari and cinematography that cemented the romanticism of these adventures in the African wild. This led to a spurt in tourist interest, which no doubt pleased the foreign exchange-hungry newly independent states.

Intellectual desert

Two major pitfalls arose from the romantic age between 1950 and1970 – pitfalls that continue to determine how wildlife conservation is practised today. The first major pitfall was the illogical link and valuation of wildlife based on tourists’ appreciation and (where hunting was allowed) consumption. The second pitfall was the firm placement of black Africans as “props” who were destined never to be equal intellectual participants in the management of and discourse around African wildlife. Thus my compulsion to describe Kenya (rather harshly, in some of my readers’ estimation) as an “intellectual desert” as far as wildlife conservation is concerned.

Two major pitfalls arose from the romantic age between 1950 and1970 – pitfalls that continue to determine how wildlife conservation is practised today. The first major pitfall was the illogical link and valuation of wildlife based on tourists’ appreciation and (where hunting was allowed) consumption. The second pitfall was the firm placement of black Africans as “props” who were destined never to be equal intellectual participants in the management of and discourse around African wildlife.

Indeed, photographic and hunting safaris have since then included a very obvious but unspoken element of domination over black Africans – we can see it in the nameless black faces in white hunters’ photographs and in the postures of servile African staff attending to white tourists in the advertising brochures. Black Africans are totally absent as clients in all the media and advertising materials and campaigns. When hunting was legal in Kenya, it was normal for a photograph of a hunter with his guides, porters and gun bearer to be captioned: “Major F. Foggybottom and a fine leopard bagged in the Maasai Mara region of Kenya, September, 1936.” Fast forward 80 years or so. Black Africans are prominent in their absence from the reams and hours of literature and footage on Africa’s spectacular wildlife. The uniformity of this anomaly is startling across the board, whether one is watching the Discovery channel, BBC, or National Geographic.

With the advance of neoliberalism, market forces have become important drivers of both tacit and explicit policies all over the world. In African conservation policy and practice, the black African has become like an insidious impurity that sometimes leaks into the final product but should ideally be absent in anything considered “premium”. This is not to say that media houses and marketing firms are deliberately engaging in racial discrimination; however, they are, sadly, pandering to prejudices that have been cultivated by romantic or colonial notions about Africa and its wildlife.

The colour bar

Blatant racism becomes much more evident in the conservation field, which in Kenya is dominated by whites. From a strictly academic standpoint, the open discrimination and obvious colour bar evident in the conservation sector in Kenya is fascinating for two major reasons: one is its longevity – business, agriculture, banking, education and all other fields have changed beyond recognition in the last few decades, but conservation remains firmly in the “Victorian gamekeeper” mode, where conservation is basically about protecting wildlife from the proletariat so that the nobles can consume the same for luxury/ recreational purposes.

The second is the acceptance of this status quo by senior indigenous state officials and technical experts across the board. Wildlife conservation is the one field where highly-qualified black Africans are routinely supervised by white practitioners of far lesser technical pedigree or experience. Indeed, some of the supervisors are American or Europeans relatively new to Kenya and with very rudimentary knowledge (if any) of Kenyan wildlife and ecosystems. Examples that come to mind are the appointment of one Peter Hetz (MSc, American) as Executive Director of the Laikipia Wildlife Forum in 2011 to supervise one Mordecai Ogada (PhD, Kenyan) who was appointed as Deputy Director. The recent appointment of Mr. Jochen Zeitz to the Kenya Wildlife Service (KWS) board is another case in point. Here I have used very pointed racial references because it is quite simply a racial divide. We simply do not find non-Caucasian foreigners in wildlife leadership positions in Kenya, nor do we find Latin Americans or Asians. We also don’t find Kenyans of European descent in any of the subordinate roles.

Wildlife conservation is the one field where highly-qualified black Africans are routinely supervised by white practitioners of far lesser technical pedigree or experience. Indeed, some of the supervisors are American or Europeans relatively new to Kenya and with very rudimentary knowledge (if any) of Kenyan wildlife and ecosystems.

How, an observer might ask, is this hierarchy maintained without any disruption by the growing number of indigenous Kenyans pursuing advanced studies in the conservation field? How do the academic exertions of all these technicians fail to moisten the intellectual desert in Kenyan conservation?

One reason is because, just like water never produces vegetation on seedless ground, the intellectual barrenness of indigenous Kenyans has been built into the training facilities and curricula. It goes without saying that Kenya’s ecological diversity and abundant wildlife are key pillars in the country’s economic, social and cultural identity, but Moi University, the de facto leading local institution in this field, only offers a degree course in “wildlife management”, which basically equips local wildlife practitioners to be technicians or foot soldiers for conservation, not to be fully engaged with any of the intellectual challenges that exist in the sector. Those who are better trained and experienced in this field are a small minority who seldom find acceptance in the sector because they inherently threaten the existing hierarchy.

KWS itself has two training facilities: the Manyani field school and a well-resourced training institute in Naivasha. Manyani is a proven centre of excellence in tactical field training necessary for wildlife rangers. The Naivasha training institute, which was established in 1985 to develop the “soft skills” and policy thinking around conservation and fisheries, changed in 2009 when it began offering rudimentary naturalist and paraecologist courses more geared towards serving the tourism industry than the cause of conservation. As one would expect, the academic contribution of this institution to tourism falls so short of the standards required by Kenya’s highly developed tourism industry that in the final analysis, it is a lost investment. One of its more recent distinctions is the levels of academic performance advertised on its website as requirements for admission, which are far below what an institution training custodians of any country’s most valuable resource should be.

Closer analysis of these institutions and their low intellectual ceilings reveals a far subtler, but important, perspective on the colour bar in Kenyan conservation. The people being trained in these institutions are replacing the gun bearers and gamekeepers of feudal England and colonial Kenya.

Kenya as a nation still struggles with this colour bar and our public arena is replete with the symptoms of it. One that stands out is the dropping of charges against the late Tom Cholmondeley for the killing of Samson Ole Sisina, a KWS officer, at the scene of an industrial bushmeat harvesting and processing operation on the former’s Soysambu ranch. Those familiar with Kenyan society know that the killing of a security officer on duty is a (judicial or extrajudicial) death sentence in Kenya 99.99% of the time. The truth is that there were absolutely no mitigating circumstances here, other than the victim’s race. Barely a year later, in May 2006, Cholmondeley shot and killed Robert Njoya, a stonemason who lived in a village that borders his 50,000-acre estate, a crime for which he was jailed in 2009 following public uproar.

Closer analysis of these institutions and their low intellectual ceilings reveals a far subtler, but important, perspective on the colour bar in Kenyan conservation. The people being trained in these institutions are replacing the gun bearers and gamekeepers of feudal England and colonial Kenya.

More recently, in January 2018, there was a memorial service for the late Gilfrid Powys, a renowned rancher, conservationist, and KWS honorary warden. The service was attended by a plethora of top brass from KWS in full uniform, as well as several government leaders, as befitted his status in society. I suspect many in the congregation were taken aback when one of the eulogisers, Mr. Willy Potgieter, read a long and touching tribute where he detailed how the departed wasn’t a particularly religious man but would indulge his spirituality by hunting buffalo every Sunday morning. The discomfiture of the uniformed staff and company gathered was palpable and would have been amusing had it not been such a stark testament to the existence of conservation apartheid in our country and our society’s acceptance thereof.

Sanitised terminology

Apartheid in conservation matters. The duplicity that exists within many people and institutions purported to be dedicated to conservation may seem bizarre to those unfamiliar with the sector. Here is how it works: Basic psychological examination of wildlife hunting reveals that it is a uniquely complex aspect of human endeavour because it occurs at both ends of the spectrum of Maslow’s hierarchy of needs. Subsistence hunting is firmly at the bottom of the hierarchy as it fulfils physiological needs while sport hunting is at the top, within the realm of self-actualisation. This is illustrated by the celebrated blood sports of falconry and fox hunting pursued by royalty in the Middle East and Britain, respectively.

The highly sanitised terminology is also in striking contrast to the derogatory terms like “bushmeat poaching” used in reference to subsistence hunting. This highlights the role of the media in cultivating the racial divide because in Africa the term “poacher” or “bushmeat” is never applied to the activities or diets of people of European descent, regardless of legality.

Likewise, the term “hunter” is never applied to the activities of black people. These three degrees of separation in the hierarchy of needs are the basis of the colour bar. They are the reasons behind the flawed belief that we can allow white people to kill (not poach) wildlife and shoot black people suspected of being “poachers”. This is also the basis of the ongoing nonsensical scheme of a “task force” going around Kenya trying to gather support for proposed “consumptive use” of wildlife, an activity de facto delineated by race. It stands to even casual examination that the practice of structured legal hunting of wildlife in Kenya (and much of Africa) is an activity controlled by, and indulged in, by people of Caucasian extraction.

The highly sanitised terminology is also in striking contrast to the derogatory terms like “bushmeat poaching” used in reference to subsistence hunting. This highlights the role of the media in cultivating the racial divide because in Africa the term “poacher” or “bushmeat” is never applied to the activities or diets of people of European descent, regardless of legality.

It also goes without saying that the colour bar we live with in Kenyan conservation is an anachronism that we should have escaped from in the mid-20th century. But before we can achieve that freedom, we must squarely face up to the problem and appreciate its full extent. It is systemic.

When the board chairmanship of KWS fell vacant about four years ago, our government turned, almost reflexively, to the ageing Dr Richard Leakey, who is no longer at his physical or intellectual best, and who, in my view, is not even the best candidate for the job. The spectacular failure, frantic inactivity, and deafening silence on conservation issues that characterised Dr Leakey’s last tenure at KWS came as no surprise to those of us familiar with the man’s capabilities. The most poignant memory of this is a photo of Leakey posing with the black board members holding tusks beside him – an image that evoked memories of the “great white hunter” of yore. The photo itself was taken during the torching of 105 tonnes of ivory in 2016, a fairly logical conservation activity, but the carefully structured pose shows a board composed of people who have no knowledge or reading of the history and culture around wildlife conservation in Kenya. If they had even rudimentary knowledge of the history of conservation practice in Kenya, they would have recognised that their photo was misplaced in space and time. There is little doubt that Leakey (and possibly Brian Heath, in the back left, distancing himself from the ivory) were aware of this nuance and were the only intellectual participants in this photo – and therein lies a snapshot of our enduring tragedy.

The intellectual desert that is Kenya’s conservation sector remains as barren as ever in 2018. The sporadic and disjointed efforts to moisten it with sprinklers will all come to nought unless we concurrently plant the seeds of indigenous knowledge and expertise.

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Bobi Wine and the Politics of Revolution

ISAAC OTIDI AMUKE documents the rise of the “Ghetto President” who has become a person of particular interest to the Ugandan state. By ISAAC OTIDI AMUKE

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Bobi Wine and the Politics of Revolution

‘‘I believe in the politics of friendship. Without the politics of friendship there can be no radical movement.’’ – Srecko Horvat

‘‘…struggles, incarcerations and whistle blowing bring people together through friendship to try and do something. Will we succeed? Who knows! Who cares! What matters is the actual process of trying to do it… the chances may not be good. But we have the moral obligation to try’’

– Yanis Varoufakis

It came as a huge relief to many – especially to his wife Barbara and their four children – to learn that the highly popular Ugandan musician and MP for Kyaddondo East, Robert Kyagulanyi Ssentamu – popularly known as Bobi Wine – was still alive following his dramatic night arrest on August 13, 2018 in Arua town, Northern Uganda. The country’s political machinery – including President Yoweri Kaguta Museveni of the ruling National Resistance Movement (NRM) and Dr. Kizza Besigye Kifefe of the opposition’s Forum for Democratic Change (FDC) – had descended on Arua Municipality to drum up support for their respective candidates in a hotly contested by-election necessitated by the June 8, 2018 shooting to death of the incumbent MP, Ibrahim Abiriga, a Museveni loyalist who was killed alongside his bodyguard by hitmen riding on a motorcycle.

Kyagulanyi, who some say appears to have been flirting with the idea of establishing a people’s movement – a third force of sorts away from the Museveni-Besigye historical antagonism – arrived in Arua with clarity of purpose. Lately, he had been preaching that Uganda’s problems would not be solved through adherence to political party positions, and had been urging his supporters to think of broader formations, a proposition which sounded a little vague and amorphous.

On arriving in Arua, Kyagulanyi chose to back a different candidate from those backed by the big boys, Besigye and Museveni. Addressing a packed rally, he acknowledged that the divided opposition risked losing the seat to Museveni’s NRM, seeing that the crowded field of contestants had five individuals who passed for progressives. The way out, he suggested, was if the opposition overwhelmingly voted for the most suitable candidate out of the five. He endorsed Kassiano Wadri, a onetime MP and parliamentary whip in Besigye’s FDC, who ran as an independent. On August 15, Wadri won the seat from his prison cell.

Two notable events happened during the final round of campaigns in Arua. The first was when Kyagulanyi led a huge procession of cheering supporters – him riding atop a vehicle and urging his followers on – past a relatively well-attended Besigye rally, forcing the former army colonel to cut short his speech and wait for the noise to subside, seeing that the uninvited guests had overpowered the strength of his microphone. The whole episode had a somewhat humiliating effect on Besigye, the long-time undisputed symbol of opposition politics in Uganda. He nevertheless maintained a straight face, eventually succumbing to a group dance once the music started playing, seeing that the only way to ignore the intruders was by getting busy.

The second incident took place when President Museveni’s convoy was driving out of Arua and passed a group of supposed Kyagulanyi supporters who jeered the head of state. However, according to Museveni’s version of events, as posted on his Facebook page, his convoy was stoned, resulting in the shattering of the rear window of his official vehicle. It was this second event that resulted in Kyagulanyi’s troubles.

In a hurried tweet sent on the fateful August 13 night, Kyagulanyi released a photo of the lifeless body of his driver, Yasiin Kawuma, shot inside the MP’s vehicle. “Police has shot my driver dead thinking they’ve shot me. My hotel is cordoned of…” read part of the tweet. The message was perturbing. Kyagulanyi’s followers expected more updates from him but none came.

The following day, news broke that the MP had been arrested, alongside 33 of his colleagues on the Arua campaign trail, their whereabouts remaining a mystery. It was alleged that Kyagulanyi had been found in possession of a gun in his hotel room, and was being charged with treason before a military court. There were fears that he and his colleagues had been heavily tortured.

In a hurried tweet sent on the fateful August 13 night, Kyagulanyi released a photo of the lifeless body of his driver, Yasiin Kawuma, shot inside the MP’s vehicle. “Police has shot my driver dead thinking they’ve shot me. My hotel is cordoned of…” read part of the tweet. The message was perturbing. Kyagulanyi’s followers expected more updates from him but none came.

***

Kyagulanyi became a person of particular interest to the Ugandan state following his June 29, 2017 victory in a parliamentary by-election in Kampala. Running as an independent against Museveni’s NRM and Besigye’s FDC, the new kid on the block seemed to have brought with him the multitude of supporters accumulated through his music career, merging showbiz with the new business of commandeering an insurrection in Uganda, shifting from artist to politician and vice versa.

The Ghetto President – Kyagulanyi’s other moniker – had taken Uganda’s political establishment by storm, and possibly by surprise, some having imagined that the satirical (or not) ghetto presidency had no tangible political implication. However, the residents of Kyaddondo East – the real and proverbial ghetto Kyagulanyi governed – showed through the ballot that his “presidency” was real.

One of the early signs that Kyagulanyi would prove troublesome to the Museveni regime was his defiant and confrontational conduct during the debate to abolish the presidential age limit, a sneaky NRM-driven amendment that sought to scrap a constitutional provision barring anyone beyond 75 years of age from contesting for the country’s presidency. For the NRM, it was necessary to leave a window of possibility open for Museveni were he to entertain thoughts of participating in future elections. Kyagulanyi, as part of the opposition’s Red Beret movement, became a star attraction when violence broke out, turning parliament’s debating chamber into a boxing ring.

Photographed and filmed physically facing off with overzealous state security agents who breached parliamentary protocol and sneaked in to manhandle opposition MPs, Kyagulanyi engaged in fist fights with Museveni’s henchmen, who seemed to have marked him as a prime target. When the same series of events were repeated a second time, Kyagulanyi uprooted a microphone stand and used it as a weapon against the security men, proving that when push came to shove, he was willing to use his fists in defending the things he believed in. Museveni took note.

***

Kyagulanyi had only been an MP for a year when a new group of pundits began comparing him to the FDC’s Besigye. The young MP was holding massive rallies wherever he went in Uganda, a spectacle previously seen as a preserve of the consummate FDC leader. Suddenly, Besigye appeared to have a challenger for the opposition’s throne.

Before Arua, there had been a number of other by-elections in Jinja East, Bugiri, then Rukungiri, Besigye’s home district. In an interesting turn of events, Besigye’s FDC candidate won Jinja East, with Bugiri going to Kyagulanyi’s candidate. However, when it was Rukungiri’s turn, Besigye and Kyagulanyi combined forces and campaigned together for the victory of the FDC candidate. In his party’s acceptance speech in Rukungiri, Besigye said that the election was won not because they had the numbers but because of defiance, and thanked Kyagulanyi for his support, a clear acknowledgement that the veteran appreciated the capabilities of the rookie. It is through these successive by-elections that Kyagulanyi got an early chance to test his support outside of Kampala.

Kyagulanyi had only been an MP for a year when a new group of pundits began comparing him to the FDC’s Besigye. The young MP was holding massive rallies wherever he went in Uganda, a spectacle previously seen as a preserve of the consummate FDC leader. Suddenly, Besigye appeared to have a challenger for the opposition’s throne.

Upon Kyagulanyi’s arrest in Arua on the night of August 13, among those who demanded for his immediate release were Besigye and other leading FDC figures, including Kampala’s Mayor Erias Lukwago, who was acting as one of Kyagulanyi’s attorneys, and the former head of Uganda’s military and FDC stalwart Major General Mugisha Muntu, who stood front and centre in his defense.

Yet the Besigye-Kyagulanyi comparisons wouldn’t go away, even at this dicey time. On leaving Kampala’s Lubaga Cathedral on August 22, where prayers were being held for Kyagulanyi, a journalist asked Besigye if he might be a stumbling block to the young MP’s political project for Uganda. ‘‘People have to get this clear,’’ Besigye said. “I am not contesting for any seat and there is no leadership contest between Kyagulanyi and I.”

From the cathedral, Besigye headed for a night radio interview, where he furthered the gospel of freeing Kyagulanyi. The following morning, on August 23, Besigye took to social media to post familiar photos of police vehicles barricading the road leading to his home in Kampala’s Kasangati area in an effort to block him from standing in solidarity with Kyagulanyi, who was being presented before court. The residences of Mayor Erias Lukwago and Ingrid Turinawe, the head of the FDC’s Women’s League, were also cordoned-off. Coincidentally, a 2016 video of a defiant Turinawe confronting policemen and throwing open roadblock spikes placed outside the road to Besigye’s home had been trending.

***

In reading Ugandan journalist Daniel Kalinaki’s book Kizza Besigye and Uganda’s Unfinished Revolution, one realises that fighting Museveni is not a walk in the park. Detailing the early days of the National Resistance Army (NRA) – later NRM – bush war, Kalinaki takes one on the long journey Besigye travelled as a comrade of Museveni before the two fell out. Besigye had come to realise that Museveni had gone rogue and had started to shop around for comrades who were courageous enough to stand up to the latter’s fast growing dictatorship.

In an interesting turn of events, Besigye even asked his wife, Oxfam’s executive director, Winnie Byanyima, if she thought she could lead the onslaught. When everyone else thought they weren’t ready yet to lead the revolt, Besigye grudgingly decided to be the man of the moment, starting a journey that would take him to prison, exile and back, which cost him broken limbs and more.

There is no doubt that Kyagulanyi has become a political sensation in Uganda. It also has to be said that depending on how things go – considering factors within and outside his control – he may have a truly bright future as an important leader in the struggle for the liberation of Uganda.

However, throughout this period of his detention, and looking back at his meteoric rise as one of Uganda’s most visible opposition figures, one wonders what this moment portends for Kyagulanyi, since, as many had predicted, it was only a question of when – and not if – Museveni would strike back with the might of his state security apparatus. It is in looking at individuals like Besigye – on whose shoulders Kyagulanyi must stand, one way or another – where some answers, certainly not all, will arise. It is the likes of Besigye, who have travelled this road before and who refused to compromise, who may offer Kyagulanyi some clarity. It is through such associations that Kyagulanyi may learn how to navigate certain difficult terrains. Kalinaki’s book shows how a youthful Besigye was forced to make tough choices the moment he chose to oppose Museveni, lessons that Kyagulanyi can benefit from.

There is no doubt that Kyagulanyi has become a political sensation in Uganda. It also has to be said that depending on how things go – considering factors within and outside his control – he may have a truly bright future as an important leader in the struggle for the liberation of Uganda.

***

In “wanting to stress that we live in dangerous times in which everyone opposed to the political and financial powers might soon become targets”, a unique series of events held in July 2016 titled ‘‘First They Came for Assange’’ happened simultaneously across 14 cities, marking four years since WikiLeaks founder Julian Assange sought refuge at the Ecuadorian Embassy in London. It was during such an event in Brussels that Greece’s former Finance Minister, Yanis Varoufakis, while in conversation with the Croatian philosopher Srecko Horvat – both of whom are Assange’s close friends and regular visitors to his place of isolation – said the following:

“We talk about brave people like Julian… all those people that are putting themselves in the line of fire on behalf of that which is good and proper. But there is a lot of cowardice today, friends, ladies and gentlemen. Julian Assange has a problem with his shoulder. Do you know that it is impossible to get a shoulder specialist to come into the embassy and take a look at him? Because they fear they will lose their clientele. We have to remember that human beings are capable of the best and the worst. Our job as a movement is to cultivate the former against the latter.”

Julian Assange may or may not be some people’s ideal example of a freedom fighter, but there is no denying the fact that through his continued isolation at the Ecuadorian Embassy in London, he has become a contemporary example of how persecution can be meted out on an individual for reasons directly or indirectly linked to their revolutionary actions and beliefs.

Importantly, the words by Varoufakis underline one truism that is apparent as we witness the overwhelming outpouring of support for Kyagulanyi. With hundreds, if not thousands, using his silhouette as their profile picture on social media, we must come to the conclusion that there can be no successful revolution in these times we live in – where everyday struggles push us into little survival cocoons – without the politics of revolution embracing the politics of friendship. Even a retweet or an M-Pesa contribution can trickle into a massive pot of support that may just turn the tide.

The journey will be long and tedious – especially after Kyagulanyi’s release.

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BATTLE FOR THE PEARL: Bobi Wine, Museveni and the future of Uganda

President Museveni successfully thwarted political opposition until Bobi Wine came along and posed a formidable challenge to the ageing leader’s ambitions. By ERIASA SSERUNJOGI

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BATTLE FOR THE PEARL: Bobi Wine, Museveni and the future of Uganda

Thirty-six years ago, in 1982, the year Bobi Wine was born, Uganda’s President Yoweri Museveni was busy commanding the war that eventually led him to power. At 36, Museveni had run for president in 1980 as a rabble-rouser representing the new Uganda Patriotic Movement (UPM).

His party did not even stand an outside chance of winning the election, with Milton Obote’s Uganda People’s Congress (UPC) and Paul Ssemogerere’s Democratic Party (DP) being the hot favourites. In the end, Museveni even failed to win his own parliamentary seat. During the campaigns, he had warned that he would start a war should the election be rigged, and he did indeed start a war after UPC controversially claimed the election for itself amidst claims that DP had won.

Paulo Muwanga, who was the head of the interim Military Commission government on which Museveni served as Deputy Minister for Defence, had arrogated himself the powers that were entrusted in the Electoral Commission to announce election results, returning UPC as the winner, with Obote proceeding to form a government for the second time, having been earlier deposed by Idi Amin in 1971.

Museveni had watched the intrigue and power play and how the gun had emerged as the decisive factor in Ugandan politics since 1966. He had decided early in life that his route to power would be through the barrel of the gun. His determination to employ the gun became manifest when he launched a war against Amin’s new government in the early 1970s.

Museveni’s Fronasa fighters were part of the combined force that was backed by the Tanzanian army to flush out Amin in 1979. Also among the fighting forces was a group that was loyal to Obote. Museveni’s and Obote’s forces and other groups were looking for ways to outsmart one another as they fought the war. It was a time when Bobi Wine was not yet born.

Bobi Wine (real name Robert Kyagulanyi), who has been a Member of Parliament for just a year, has followed a different path. He is one of those Ugandans who believe that Museveni should be the last Ugandan leader to access power through the barrel of the gun. He wants future leaders to work their way into the hearts of Ugandans and convince them that they can take the country forward.

Bobi Wine first rose to popularity through music. Even though the popstar is new to Ugandan politics, he has for over a decade been disseminating political messages through his songs, in which he positions himself as a poor man’s freedom fighter.

Bobi Wine (real name Robert Kyagulanyi), who has been a Member of Parliament for just a year, has followed a different path. He is one of those Ugandans who believe that Museveni should be the last Ugandan leader to access power through the barrel of the gun.

Through his music, he has criticised the government when he felt it sold the people short; he has castigated the Kampala City authorities over throwing vendors and other poor people off the streets; and he has sought to encourage Ugandans, especially the youth, to take charge of their destiny.

“When freedom of expression becomes the target of oppression,” Bobi Wine said in one of his songs, “opposition becomes our position.” That was before he joined active politics.

When he married in 2011, he made sure that the marriage was celebrated by the Archbishop of the Catholic Church in the capital. When he was incarcerated recently, there were prayers for him at Rubaga Cathedral, the seat of the Catholic Church in Uganda. Catholics are the biggest religious grouping in the country.

Bobi Wine was born in Gomba, one of the counties of Buganda, the biggest ethnic group in Uganda. He has worked his way into the Buganda king’s heart, dubbing himself “Omubanda wa Kabaka” (the King’s Rasta man).

In Uganda’s music industry, Bobi Wine and his “Fire Base Crew” rose to the very top in their category, with Bobi Wine calling himself the “Ghetto President”, whose retinue included a “Vice President”, a cabinet and other members. He also has a security detail. His chief personal bodyguard – Eddie Sebuufu, aka Eddie Mutwe – was picked up at night by suspected military operatives on August 24, 2018.

Bobi Wine has over the past decade traversed the country where he has been performing as an artiste. Then, shortly after his election to Parliament, he travelled to many places within the country to introduce himself this time as a politician. He enjoys name recognition across the country that no Ugandan politician of his age and experience can command.

Battle for the youth

Bobi Wine plays the music that many Ugandan youth want to listen to, but he also preaches the gospel of change and prosperity in a way that is attracting crowds to him. He was born in rural central Uganda but he moved into a shanty neighbourhood of Kampala early in life, struggling through what most young people in the city experience. Although he went school up to university level, he went through all the hassles that young Ugandans go through. He speaks their language.

The Uganda Bureau of Statistics (UBOS) projects that at the mid-point of this year, Uganda had 39,041,200 people. Of these, only 648,000 people were projected to be 70-years-old or older. This means that Museveni, at 74 years of age, is among a lucky 1.7 per cent of Ugandans who are alive at the age of 70 or above. In fact, only 450,500 people, or 1.2 per cent of Ugandans, according to the UBOS projection, are as old as Museveni or older.

Reliable numbers on employment in Uganda are hard to come by but it is generally agreed that the country has one of the highest youth unemployment rates in the world. Museveni’s opponents often cite his age to make the point to the youth that their future is not safe with a 74-year-old leader who has been in power for 32 years.

The Uganda Bureau of Statistics (UBOS) projects that at the mid-point of this year, Uganda had 39,041,200 people. Of these, only 648,000 people were projected to be 70-years-old or older. This means that Museveni, at 74 years of age, is among a lucky 1.7 per cent of Ugandans who are alive at the age of 70 or above.

Museveni being Museveni – the Maradona of Uganda’s politics – has tried to tilt the debate on age to his advantage. He has, for instance, distinguished between “biological age” and “ideological age”, saying that many Ugandans are young biologically but very old ideologically. He has identified “ideological disorientation” as one of Uganda’s “strategic bottlenecks”, positioning his “ideological youth” as the solution. For one to be “ideologically young”, Museveni says, one needs to have the right ideas and mindset on how to transform society. He regards himself as a master in that. He says biological age is of no consequence in politics.

In his State of the Nation address last year, the Ugandan president said staying in power for long – and therefore being old – is a good thing because the leader gains immense experience along the way. In the wake of the recent arrest of Bobi Wine and 32 others who were charged with treason after allegations of stoning the president’s motorcade, Museveni wrote at least six messages on social media addressed to “fellow countrymen, countrywomen and bazzukulu (grandchildren)”. He now takes comfort in addressing many of his voters and opponents as grandchildren.

The choice of social media (especially Facebook and Twitter) as the preferred way of transmitting the president’s messages also raised debate. From July 1, social media users had a daily tax imposed on them because the president said people used the platforms for rumour-mongering. Many social media users have avoided the tax by installing virtual private networks (VPNs) on their handsets and so the “rumour-mongering” on social media continues. Since younger people spend a lot of time on social media, their septuagenarian president has decided to follow them there. Whenever he has addressed them as “grandchildren”, there have been hilarious responses in the comments section.

Beyond the debates, Museveni has in past election campaigns come up with a number of things to attract the youth, including recording something akin to a rap song in the lead-up the 2011 elections. But if it is about music, Museveni now faces Bobi Wine, a man less than half his age who has spent all his adult life as a popular musician.

Museveni’s government has tried one thing after another in an attempt to provide the jobs that young people badly need, with initiatives ranging from setting up a heavily financed, but highly ineffectual, youth fund in the ministry of Gender, Labour and Social Development. After the 2016 elections, in which Museveni suffered the heaviest defeat in Kampala City and its environs, he set out to dish out cash to youth groups to promote their businesses. Not much has come out of this initiative.

When he shot to power in 1986, Museveni rebuked leaders who overstayed their welcome, saying that the vice was at the root of Africa’s problems. As time went by, and with him still in power, he changed his views. He now says that he actually prefers leaders who stay in power for long periods. Museveni’s opponents latch onto such contradictions as they keep piling up.

Is it Bobi Wine’s turn?

Over the last 32 years that he has been around, Museveni has had a number of challengers and Bobi Wine is now threatening to storm the stage as the new kid on the block.

When he shot to power in 1986, Museveni rebuked leaders who overstayed their welcome, saying that the vice was at the root of Africa’s problems. As time went by, and with him still in power, he changed his views. He now says that he actually prefers leaders who stay in power for long periods.

Many of the people who were in the trenches with Museveni in the earlier years and who dreamt of picking the baton of leadership from him have dropped their ambitions because age and/or other circumstances have come into play as Museveni stayed put. Former ministers who once nursed presidential ambitions, like Bidandi Ssali, Amanya Mushega, Prof George Kanyeihamba and even the younger Mike Mukula, for instance, have since retreated to private lives. Others, like Eriya Kategaya and James Wapakhabulo, have passed on.

Of the Bush War comrades who harboured ambitions of taking over from Museveni, only four-time challenger Kizza Besigye and former army commander Mugisha Muntu remain standing, with the largely silent former prime minister Amama Mbabazi thought to be lying in wait for a possible opening.

By staying in power for so long – since January 1986 – Museveni has worn out his ambitious former comrades and perhaps even ensured that the chance to rule the country passes their generation by, a reality that has made it more likely that he will face a challenger who is younger than his own children.

But Museveni will not allow this generation of youth to win. The ruling party consistently stifles the emergence of younger leaders. In the lead-up to the 2016 election, for instance, Museveni’s National Resistance Movement party saw a rare surge in activity championed by younger people. One of Museveni’s in-laws, Odrek Rwabwogo, was among them. Rwabwogo had resorted to penning a string of articles in the partly state-owned New Vision newspaper about how the ruling party’s ideology could be sharpened to take care of the new Uganda. A number of other younger leaders within the party vied for space and expressed their visions in what was interpreted by some as a jostle for a front row seat as Museveni was expected to be standing for his last term in preparation for retirement in 2021.

Then, shortly after returning to power in 2016, Museveni engineered the removal from the Constitution the 75-year cap for presidential candidates, which would make him eligible to run again for as many times as he would be physically able to handle. This was a sure sign that Museveni was not willing to hand over power to a more youthful generation.

Repression heightens

The move to remove the age limit for presidential candidates from the Constitution inevitably invited stiff opposition from those who for decades have worked towards removing Museveni from power. In September last year, army men invaded Parliament and beat up and arrested Members of Parliament who were trying to filibuster the debate and perhaps derail the introduction of the bill to remove the age limit. Two MPs were beaten to a pulp and one of them, Betty Nambooze, has been in and out of hospitals in Kampala and India over broken or dislocated discs in her back.

This unfortunate incident, however, did not stop the State from bringing charges against her when after the shooting to death in June of an MP, Ibrahim Abiriga – who was one of the keenest supporters of the removal of age limits – Nambooze made comments on social media that the State interpreted as illegal. This week she had to report to the police over the matter, but she was informed that the officers were ready to have her charged in court, where she was delivered in an ambulance. She was carted into the courtroom on a wheelchair for the charges to be read out to her before the magistrate granted her bail. She sobbed all the way and afterwards wrote on Facebook that while in court she was “crying for my country”.

Francis Zaake, the other MP who was also was beaten, had to be taken to the US for treatment. He is now being treated again and is set to be fly out of the country due to injuries he sustained during the violence in Arua in which Bobi Wine was also attacked by soldiers of the Special Forces Command that guards the president.

Bobi Wine and 32 others have since been charged with treason but Zaake hasn’t yet – though Museveni has said in one of his statements posted on social media that Zaake escaped from police custody. When he is supposed to have escaped, Zaake was unconscious and could not move or talk. He was reportedly just dropped and dumped at the hospital by unidentified people. The head of the hospital has said that Zaake is at risk of permanent disability because of the damage he suffered to his spinal cord. The authorities say they are waiting for Zaake to recuperate so that he can face charges related to the violence in Arua.

By these callous actions, Museveni has demonstrated how ruthless he can get when his power is challenged. He has referred to the injured MPs as “indisciplined” and has not extended any sympathy towards them.

Those who have dared to challenge Museveni, especially Besigye, have been here before. The new opposition politicians currently in the line of fire, including Bobi Wine, have been served with a dose of what to expect if they push Museveni hard. The decision on how far they are willing to go is now in their court.

It seems that Museveni plans to apply to Bobi Wine the script he has used on Besigye over the past two decades. Apart from being targeted for physical assaults, Bobi Wine will be – and it is already happening – isolated from members of his inner circle, especially those who provide him with physical cover. They will be arrested, intimidated, or offered money to start businesses, a ploy to get them to abandon him. Some, like his driver Yasin Kawuma, who was buried a few weeks ago, will die.

It seems that Museveni plans to apply to Bobi Wine the script he has used on Besigye over the past two decades. Apart from being targeted for physical assaults, Bobi Wine will be – and it is already happening – isolated from members of his inner circle, especially those who provide him with physical cover.

Another thing the Museveni machine will do, and which it has done in the past, is plant fifth columnists around him – men and women who will show immense eagerness to work with Bobi Wine to remove Museveni from power but whose real assignment will be to get him to make mistakes and to spy on him.

It is also to be expected that Museveni will reach out to Bobi Wine with some kind of deal – he seems to offer all his credible opponents proposals for an amicable settlement so that they can drop their political ambitions. It is hard to say whether Museveni has already approached Bobi Wine or not, but there are rumours to that effect.

Ultimately, it will be up to Bobi Wine to decide what he wants to do going forward, but with him fighting for his life in hospital, we dare not predict the future.

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