The perpetual colonial project has miseducated us that conservation is about wildlife, while it is actually about our land, our heritage, our culture, our languages, our beliefs…it is about US.
Harambee Stars has not qualified for Africa’s premier footballing competition since 2004, when a Jacob ‘Ghost’ Mulee coached side was drawn in a tough group with Senegal, Mali and Burkina Faso. Now, fifteen years later, what are Kenya’s chances of making the knockout stages of the 2019 African Cup of Nations.
To some, Museveni is a visionary strategist who helped topple three brutal dictators, revived Uganda’s economy, fought the AIDS epidemic and played a steady-handed diplomatic role in a volatile region. But for others, Museveni is himself a brutal dictator, who deliberately provokes conflicts within Uganda and in neighboring countries, brutalizes Uganda’s political opposition and feasts on money stolen from Ugandan taxpayers, all the while beguiling naïve Western journalists and diplomats with his signature charm.
Only when politicians, eschew personality cults, and accept that the offices they occupy are not personal fiefdoms, will they allow the evolution and strengthening of democratic systems and institutions.
An Interview with Joy Mboya Joy Mboya is the Director of the GoDown Arts Centre in Nairobi—a nonprofit institution for the convergence of the arts in Nairobi and East Africa. Between 2003 and 2005, the GoDown Arts Centre hosted the Sunlight Quest for Kenya’s National Dress; an interactive process that was designed to generate concepts […]
There is no doubt that Binyavanga Wainaina forever changed the literary landscape in Kenya, opening it up to a new generation of Kenyans who are no longer afraid to experiment or innovate.
In a changing world, where conversations in the post-colonial space among Africans on the continent and people of African descent in the diaspora are gaining traction and value, difficult questions are being asked about the place and authority of the universal white gaze.
Finding Baldwin was the best thing anyone could have done for Ogutu. Reading Baldwin instantly unlocked Ogutu’s world, and from that point on, his projects either revolved around the work and person of Baldwin or the happenings around the Congress of Black Writers and Artists held in Paris in September 1956, that Ogutu gleaned from Baldwin’s works.
From the dawn of independence, the same old script of religious manipulation has thrived, writes CAREY BARAKA. One would imagine for the millennial generation, the tricks that Moi used to stay in power for twenty-four years, the same tricks that Uhuru and Ruto are using, would not work in this era. Yet, it is apparent that history keeps repeating itself and these tactics are still at play today.
Akothee does not vilify the man. Instead, she accepts that she was going through a rebellious phase in her life taking full ownership for her decisions and the consequences of her choices. Akothee got repeatedly pregnant, but she blames neither her mother-in-law nor her husband.