Shirandula gently managed to almost single-handedly give voice, representation, and nuance to the talented, pragmatic, modest, blue-collar masculine sub-archetypes that work in the shadows of capital and its structures.
Was the former child soldier and businessman-cum-philanthropist killed for harbouring political ambitions?
News reports claiming that “wet markets” in Asia are the source of the coronavirus obscure the fact that the consumption of wild animals is common in the West. How can the Western media condemn “unacceptable” animal consumption practices in the global South while maintaining studious silence on the same in the global North?
The majority of urban residents in Kenya cannot afford to go to established restaurants and eateries. To cater to their needs, food kiosks have sprouted in cities such as Nairobi. These kiosks not only serve delicious and nutritious food, they are also meeting places for the urban working class.
Being a visual medium, just as the map is, the comic book is a kind of counter-cartography that centres the people, which imperialist narratives would rather see reduced and captured in the extractive logic of mapped territories and nation-states.
On-demand e-commerce has led to the rapid expansion of food delivery platforms and companies in Kenya’s urban areas. While these companies offer choice and convenience to their customers, they exacerbate class divisions. In addition, the technology required to use these services places consumers at a risk of third parties using their personal data without their knowledge or consent.
Waiting for increasingly elusive work at stakeouts without shelter and facing police harassment is the itinerant washerwomen’s daily lot in this COVID-19 season.
Communication on the prevention and management of COVID-19 needs to borrow a leaf from the lessons learnt in dealing with HIV, eschewing fear-mongering and stigmatisation and instead focusing on the social and behaviour change that will help us to contain the spread of the coronavirus even as science seeks a remedy.
The creative economy can turn artists into significant cogs that build a nation’s resilience. Research shows that the culture and creative industry is the next frontier for growth, but there is a need for sound investment in the right legal and policy frameworks, financial and human resources, technology, and institutions.
Leila Aboulela and Marjorie Oludhe Macgoye, although from two different faith traditions, use fiction as a conduit to re-affirm these faith traditions, one Muslim, and the other Christian.
Kiswahili has the potential to forge strong trading ties between the people of eastern, central and southern Africa and to promote cultural cohesion. If widely promoted in these regions, the language can single-handedly remove the artificial barriers and boundaries imposed by imperial powers.
Prof. Paul Tiyambe Zeleza celebrates the life of his friend and mentor Thandika Mkandawire, remembering his devotion to Pan-Africanism and the diaspora, his deep sense of globalism, his lifelong and unromantic commitment to progressive causes, his generosity in mentoring younger African scholars and his unwavering faith in Africa's historic and humanistic agency and possibilities.