On-demand e-commerce has led to the rapid expansion of food delivery platforms and companies in Kenya’s urban areas. While these companies offer choice and convenience to their customers, they exacerbate class divisions. In addition, the technology required to use these services places consumers at a risk of third parties using their personal data without their knowledge or consent.
Waiting for increasingly elusive work at stakeouts without shelter and facing police harassment is the itinerant washerwomen’s daily lot in this COVID-19 season.
Communication on the prevention and management of COVID-19 needs to borrow a leaf from the lessons learnt in dealing with HIV, eschewing fear-mongering and stigmatisation and instead focusing on the social and behaviour change that will help us to contain the spread of the coronavirus even as science seeks a remedy.
The creative economy can turn artists into significant cogs that build a nation’s resilience. Research shows that the culture and creative industry is the next frontier for growth, but there is a need for sound investment in the right legal and policy frameworks, financial and human resources, technology, and institutions.
Leila Aboulela and Marjorie Oludhe Macgoye, although from two different faith traditions, use fiction as a conduit to re-affirm these faith traditions, one Muslim, and the other Christian.
Kiswahili has the potential to forge strong trading ties between the people of eastern, central and southern Africa and to promote cultural cohesion. If widely promoted in these regions, the language can single-handedly remove the artificial barriers and boundaries imposed by imperial powers.
Prof. Paul Tiyambe Zeleza celebrates the life of his friend and mentor Thandika Mkandawire, remembering his devotion to Pan-Africanism and the diaspora, his deep sense of globalism, his lifelong and unromantic commitment to progressive causes, his generosity in mentoring younger African scholars and his unwavering faith in Africa's historic and humanistic agency and possibilities.
A.K KAIZA, one of the writers who worked with the late Mohinder Dhillon on his autobiography, My Camera, My Life, recalls the special moments he shared with this remarkable cameraman.
Kenya’s hip hop scene has been nothing but a graveyard of mixtapes which, while offering a glimpse of spirit and experimentation, deny listeners the beauty of intention, coherence, and completeness. Testimony 1990 is a New Age album, warm and optimistic. It does not lament. It chronicles contemporary challenges besetting a young man in Nairobi.
African mother tongue languages are increasingly being abandoned, with sub-Saharan Africa being one of the regions with the most endangered languages. But the solution will not come from simply promulgating policy. The “African society” must hold conversations with itself and overhaul its value system, because language is culture, and culture is empty without its set of values and truths.
Stanley Gazemba sets out to unveil the myths that surround bullfighting, a sport with a huge following among the Kisa, Idakho, Isukha, Banyore and Batsotso sub-tribes of the greater Luhya community, and meets with grizzled veterans of this popular blood sport.
The fears the epidemic has stoked have far outpaced its spread, and discussion of the disease’s politics, for better or worse, often outweighs that of epidemiology. Its ripple effects are familiar to anyone in a diaspora: negotiating how much distance to put between yourself and your origin—“origin” being that which others perceive it to be, and what ills they perceive it to embody.