Even with the apparent success of the Kenya rugby team, the politics of the Kenya Rugby Union seem over and over again to be an impediment to the flourishing of the sport.
The paradigm that we inherited (and still ignorantly embrace) firmly places a black man exclusively in the position of a ranger. In this context, “ranger” describes a non-intellectual participant in conservation who enforces policies created for the benefit of other people in other places, often to the detriment of locals.
One could rightfully argue that protest music in Kenya is muted, not because artists are not producing it, but because the genre has been effectively driven underground. It’s vibrant in the digital repositories where the masses have little access.
For millennia, tea has graced the tables of the mighty and the lowly, fuelling wars, building empires, and bonding societies in a relentless quest for that ‘wondrous beverage’ packed with caffeine and theanine.
Every digital circuit in the world, has its unlikely origin very long ago in Africa, and the humble kitenge is just part of a much bigger legacy.
Ayub Ogada remained largely unrecognised and unacknowledged at home – but he will be remembered globally for being a nyatiti prophet.
In the decades since the rope trick bridge, the BBC Natural History Unit has also presented a single, unshakable view of wildlife and conservation. No one doubts that it works magnificently; it’s the corporation’s biggest money earner. It formed and still shapes the public’s view of what conservation actually means in distant continents. But, says STEPHEN CORRY, such narratives transmitted into the comfort of our living rooms are deeply counterproductive for conservation, irrespective of their undoubted beauty and the money and accolades they gather.
It is safe to say that Mtukudzi was one of a group of African musicians – alongside the likes of Masekela – who were adopted by Kenyans as one of their own, invited back time and again for representing something which was at once soothing and liberating, always reminding their audiences that Africa was still one. By ISAAC OTIDI AMUKE
Ismael Kulubi is a 66-years-old radio production guru with a scintillating voice that is still in great demand even after retirement. Advertising executives in need of an experienced voice hire him to do radio promos. By all measurable standards, Ismail has had a fulfilling career – he is a widely travelled man who has enjoyed […]
During the early 1800s, the Nuer of South Sudan began pushing out of their traditional homeland and increased their territory four-fold at the expense of their Dinka and Anuak neighbours by the late 1880s. The anthropologist Raymond Kelley described it as one of most prominent cases of tribal imperialism in the ethnographic record. According to […]
East Africa has a colourful history, particularly along the sandy beaches of the Indian Ocean coast where Swahili was born. From as far back as 2,500 years ago and as far away as China, this coastal region has been peppered by influences from a whole lot of visitors. Historically, flavour and ingredients have changed a […]
Lucy Ilado talks to Collins Odour about his art.