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BBI: Fighting Back Against Our Need to Uproot Uthamaki (White) Masculinity

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BBI would have shut down any options for Kenyans to imagine a Kenya whose imagination is not dominated by the Kenyattas, or that is not centred around the figure of the Kikuyu or white settler male.

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BBI: Fighting Back Against Our Need to Uproot Uthamaki (White) Masculinity
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It is now fairly well accepted in the public discourse outside Kikuyuland that the  alcoholism and suicide rates among Kikuyu men are related to the soul pact which the Kikuyu community has signed since 1969 to keep the Kenyattas in power. It is a phenomenon that creates a lot of bitterness in the rest of the country, especially within the communities that have most recently suffered large-scale state violence, such as that witnessed in Kibra and Kisumu in 2017 during the protests against the disputed election of Uhuru Kenyatta.

The extremely slow realisation that the Kikuyu are becoming isolated from the rest of Kenya has started to produce a literature in which the Kikuyu are portrayed as having acknowledged the mistake they made in supporting Uhuru in 2017.

This narrative, however, still contains the supremacist blind spot which Kenyans complain about. The realisation of the mistake comes not from a deep regret about the loss of non-Kikuyu life, including the fact that some Kikuyu supporters of Jubilee cheered on the police massacres that largely targeted the Luo community. Rather, the regret comes from a bad business environment, implying that if business was doing well, all things remaining constant, there would be no problem with what happened in 2017. In other words, money is more valuable than non-Kikuyu life.

As one can imagine, this hubris makes many Kenyans livid. But unfortunately, it is not enough to say that the empathy the Kikuyu are seeking is still selfish and narrow-minded. Although it is. Rather, we must analyse how this hubris became entrenched among the Kikuyu, because the mechanisms which have made the Kikuyu collectively oblivious of the national sentiment are actually contained in the BBI which was recently deemed unconstitutional by the High Court.

Embedded in BBI was the disease that has led to the collective zombification and self-decimation of Kikuyu men, and which would have spread to the rest of Kenya. Ultimately, BBI was less about institutional change and more about a change in the collective Kenyan soul. BBI did not call for change in the status quo; rather, it sought a change in our attitude towards the status quo, an attitude that has already taken Kikuyu masculinity captive.

The culture of Uthamakistan

The unstated religion in Kikuyuland is that being a Kikuyu man is the best thing since sliced bread. This religion is reaffirmed at various gatherings (weddings, funerals, church services) where men are encouraged to affirm a manhood that is modelled on the local rich man who owns land and drives around in an SUV, and ultimately on Uhuru Kenyatta himself. This model of masculinity is a Kenyanification of the colonial white settler. In fact, had it not been for technology and independence, the alpha Kikuyu male would have a horse instead of a Prado, and would have called himself Sir Charles or Prince Andrew. I’ve been told that such men do exist in the exclusive clubs formerly frequented exclusively by colonial settlers, but the only one I’ve seen is former Attorney General Charles Njonjo.

The message in Kikuyu country is that there is no other alternative to manhood. In some ceremonies I have attended, even in church, this reification of what one would call Uthamaki masculinity is presented as a cultural obligation. Kikuyu men are told that other Kenyan ethnic groups are proud of their identity, but Kikuyus are ashamed of theirs, and so joining groups like the kiama kia ma is an obligation to not just the ethnic group, but to a pan-African identity as a whole. This narrative is not only widespread, but it is also comprehensive, because it covers property, education, culture, faith, gender and anti-colonialism, making it difficult for an ordinary man without a sufficient grasp of history and political education to resist it.

Inevitably, this model of manhood excludes the majority of Kikuyu men who are without economic means and social status. So what are the options for such Kikuyu men who do not own property?

Alcohol and suicide. Alcohol to silence the voices in his head asking him to be what he cannot be, and because he can’t burn down the media houses, Jogoo House and the churches to shut those voices up. After all, the Uthamakistan message is that those institutions are “his” and if he can’t enter them, Muigai is doing so on his behalf. So he can’t fight the institutions that are “his”.

The other option is suicide in order to get out of the system altogether.

And this was the suffocation that Binyavanga Wainaina was fighting against. He was saying that the narrative of the straight pipeline which says “go to school, get a job or start a business” was “crap”. To illustrate, Binyavanga gave the example of someone with two masters’ degrees paying a 300,000 shillings bribe to get a job as a private in the Kenya Defence Forces. Throughout his life, Binyavanga called for a variety of stories and innovations to counter this single story that is strangling Kikuyu men, and ultimately all Kenyans.

This model of manhood excludes the majority of Kikuyu men who are without economic means and social status.

What Binyavanga was calling for was a fundamental reconsideration of what it meant to be human, and for an imagination of what a human Kenya would look like. The status quo responded viciously. Kwani?, the platform for his cultural action, was welcomed with hostility by the academy that called writers associated with him “literary gangsters”. In the end, Binyavanga spent his last days struggling to pick himself up as the legacy he had struggled to build began to decline.

Granted, Binyavanga had not reckoned with the ethnic dimension of what he was fighting against, and often wavered between supporting and opposing the government. But he was onto something, and the seed which he had planted needed the soil, water and sunlight of Kenya’s diversity and creativity to germinate.

And this is not to suggest that Binyavanga was the only one who had this seed. He probably got as far as he did because he was a Kikuyu man. In other areas of Kenya, such seeds never see the light. Culture and arts in Kenya have buckled under the weight of a claustrophobic public life that is hostile to any public gathering of Kenyans outside political rallies or the inevitable weddings, initiations and funerals. And BBI had proposed penetrating even those ceremonies by providing the syllabi to be used at initiations and the material to be used in marriage counselling.

And so the purpose of BBI was two-fold: to not only prevent different imaginations of what Kenya can be, of a Kenya that is not centred around the figure of the Kikuyu or white settler male who offers no innovation or social service, but to also suck in the rest of Kenya into this narrow, racist archetype of manhood. BBI sought to infiltrate faith, initiation ceremonies, schools, marriage, history and education to ensure that the seed of the propertied ruling class is planted in every mind in every corner of Kenya.

The Kenyatta head start

The tragedy of the handshake was that the supporters of the initiative thought that the handshake was an equal partnership, when it was not. The Kenyattas already dominate the cultural space and imagination of Kenya, and so the proposals in the BBI simply gave them a greater advantage than all the other Kenyan communities, ethnic or not. The Kenyatta name already brands the nation’s major conference centre, the national referral hospital, two universities, the largest international airport, a major street in the capital city and the largest public beach at the coast. The name of Uhuru Kenyatta’s mother, Mama Ngina, is now carried  on the rebuilt waterfront which her son  inaugurated on Mashujaa Day in 2019, a day which was renamed precisely for the opposite purpose, that of divorcing Kenya’s historical memory from its personification in the Kenyattas.

The Kenyattas even have the grave of their patriarch in the central business district, next to where the elected representatives make policy for the rest of Kenya. During the Uhuru presidency, laying a wreath at that grave is a protocol for foreign dignitaries visiting Kenya. Uhuru’s government also used a statue of the president’s father on Kenya’s new bank notes, circumventing the law that stipulates that a human portrait shall not be used. The cynical argument was that the image was of a statue of Jomo Kenyatta, rather than of Jomo Kenyatta himself.

The tragedy of the handshake was that the supporters of the initiative thought that the handshake was an equal partnership, when it was not.

The basic message is that Kenya’s national identity is synonymous with the Kenyattas, and is not to be shared with any heroes or historical milestones from the rest of Kenya. Other heroes can be commemorated in the 46 counties but not in Nairobi, which the BBI assigned a special status because of the foreign (read Euro-American) expatriates who live there. If Kenyans wanted to remember Mekatilili, for example, it would have to be done in Malindi and not in Nairobi.

Uhuru Kenyatta’s government has also sealed any loophole that might be present in the education sector by reducing education to vocational training for children, and by crushing the incentive to the study the arts and humanities by paying lecturers in this field less than lecturers in STEM. And if BBI were to pass, history and ethics would be dominated by the Kenyatta family, since the BBI proposed the position of an Official Historian in the Office of the President.

Basically, what BBI was doing was to shut down any options for Kenyans to imagine a Kenya whose imagination is not dominated by the Kenyattas.  And since that model of manhood embodied by Uhuru was not accessible to the overwhelming majority of Kenyan men, BBI would have meant that alcoholism and suicide would have become the means of escape from this suffocation.

Since Uhuru Kenyatta became president in 2013, the Kenyan state has been engaged in placing the Kenyatta family on the pedestal of manhood and humanity, and has been waging war against any model of manhood which does not exude the aesthetics of a propertied Kikuyu landowner. The fear of Luo men, including of Raila, is not about initiation. It is a fear of a different manhood whose identity is not attached to state power used for massive and primitive accumulation, a manhood that is different from the colonial settler manhood on which Kenya was founded.

We must all tell our stories

The state’s determination to protect this Kikuyu (white) alpha male is relentless.

That is why the so-called fight for the boy child that was started in Kikuyuland by Nderitu Njoka of Maendeleo ya Wanaume was started as a war against women, rather than as a war against the white supremacist Kenyan masculinity. The so-called oppression of men does not deal with the fact that the majority of victims of extra-judicial killings are young men, right from the slums all the way to universities.

The same model of masculinity accounts for why any man whose political thinking is different from that of the state is vilified in Kenya as being uncircumcised, womanly, gay or insane. That is if they are not expelled on a plane, beaten or shot in the streets by the police. That would answer Gathara’s pondering “why some Kenyans seem to imagine that being called either a woman or a homosexual is an insult.”

And unfortunately, the Kenyan church became coopted into this corruption of Kenyan masculinity through embracing the “family values” of the American evangelical right. The church did not recognise that even as evangelicals talk of nuclear families, they have a separate narrative of black male pathology, because white supremacy does not consider black (or African) men capable of belonging to stable families. The narrative of black male pathology is necessary to explain why black people are poor and disenfranchised. The Kikuyu elite justify Uthamakism with a similar rhetoric, arguing that poor Kikuyu men are a social problem created by empowered women or the “girl child”.

Since Uhuru Kenyatta became president in 2013, the Kenyan state has been engaged in placing the Kenyatta family on the pedestal of manhood and humanity.

The way ahead is not to decide which family is a real family. It is to send a strong message to the state that it has no business dictating what is in our bedrooms, our homes, our cultural spaces and in our education. The BBI proposed to extend the tentacles of the Kenyan state into marriages, initiation ceremonies, ethnicity, art and history, so that the Kenyan state would be re-made in the image of the Kikuyu (white) alpha male.

The solution is to tell our stories, and to fight against the state being the only decision-maker about who tells stories and what stories we tell. Even the position of prime minister proposed by the BBI was a means of alienating people from telling their stories, because it sought to prevent citizens from having a direct say in politics.

It is also important that we do not hate disenfranchised and culturally miseducated Kikuyu men so much that we fail to see that it is precisely that model of citizenship and manhood that was being prepared for all Kenyans. We need to resist the efforts of state to dictate our stories. We must fight for a Kenya that has space for all our stories, all our ceremonies, and all our histories.

And we must free our cultures and identities from the shackles of ethnicity. Since colonial rule, Kenyans have made the mistake of restricting culture to ethnicity, forgetting that culture also includes information, education, technology and art.

As Dan Ojwang explains, even Kenyan intellectuals have drowned in this medieval narrative of self-contained and rigid ethnic groups, and ironically in the name of fighting against the colonial project whose cultural model the intellectuals apply.  Yet in history, Ojwang argues, there is ample evidence of hybridity even within ethnic groups before colonial rule. By contrast, BBI stuck to the ethnic lines drawn by colonialism, confining culture to ethnicity, and then bringing all other forms of cultural production under the direct control of the state.

We must fight for a Kenya that has space for all our stories, all our ceremonies, and all our histories.

But most of all, we need a new, deep Kenyan story, such as that of freedom, of a brave and proud people who defied oppression to assert our humanity. MekatililiSyokimauPio Gama PintoDavid MunyakeiChelagat MutaiChris Msando, Onyango Oloo and Kioko Mang’eli are just a few of our heroes whose names should be on our buildings, in our awards and in our history books.

To call for a diversity of human accomplishment must not be reduced to facilitating women and non-Kikuyus to compete for the narrow definition of masculinity embodied in the colonial state and in the Kenyattas.

If that model of manhood is already proving to be deadly for the men from the president’s backyard, and for the women who innocently love them, how much more deadly would it be for the rest of Kenya?

Rest in oblivion, BBI. We rejoice at your demise.

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Wandia Njoya is a scholar, social and political commentator and blogger based in Nairobi, Kenya.

Culture

The Power of Connection Through Literature in the Era of COVID-19

Is there the political will, as there was with smallpox, to vaccinate every human against COVID-19, before it mutates into something far worse?

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Just over a year ago, in February 2020, I flew to Nairobi to award the 5th Mabati Cornell Kiswahili Prize for African Literature at a ceremony at the Intercontinental Hotel. While disembarking from the plane, every single passenger had their temperature taken with an infrared thermometer, causing a long, mildly disgruntled queue in a confined space at the arrival gate. We all knew this was because the coronavirus had started to appear outside of China, but we didn’t think there was much risk of contagion at that point. When I flew back to London a few days later, I changed planes in Paris and mingled freely with thousands of passengers from all over the world. On arrival at Heathrow, my temperature was not checked at all. In fact, it took until February 2021—a year later—before the British government restricted entry to the UK and enforced mandatory quarantine on arrival.

I had a similar experience when I flew to Lagos in 2014 for the Ake Festival while Ebola was raging in nearby West African countries; at the time, these countries were struggling to contain the deadly, appallingly contagious virus within their borders. At Murtala Mohammed International Airport in Lagos, all passengers had their temperatures checked, but on my return to London, I only saw a few posters that warned of Ebola in West Africa. Nobody checked where I had come from or whether I had been in contact with anyone who could be infected, even though there was a Liberian writer at the festival in Abeokuta and a Liberian woman being taxed for a bribe in the passport queue in front of me in Lagos. Liberia, Guinea, and Sierra Leone were the three countries affected by this outbreak, the worst in the history of Ebola.

Two weeks after I left Nairobi last year, the chair of the Kiswahili Prize, Mwalimu Abdilatif Abdalla, was told he could not leave Kenya to return home to Germany on March 26. After I left, he had stayed on to go to Mombasa and Tanzania and visit relatives in his village in Kenya. Instead, his return flight was canceled and he was confined to government accommodation for over two weeks. When I asked him on WhatsApp how he was coping, he said that after three years in solitary confinement in Kamiti Maximum Security Prison (1969–1972), he was managing very well. His sense of humor always defies belief! His friends even joked that he could write a quarantine memoir called “Sauti ya Korona” (The Voice of Corona), after Sauti ya Dhiki, his prison anthology.

By March 16, 2020, the UK was in lockdown and coronavirus had spread all over the world. I couldn’t help thinking that I had been safer in Africa—and I promptly caught the virus and lost my sense of taste and smell for 10 days. The friend I had probably caught COVID-19 from developed long COVID-19 and was ill for six months, whereas I recovered quickly. It seems this roll of the dice reaction was the same for many people: symptoms varied and doctors struggled with the scale and variety of immune responses. A year later, this coronavirus has realized the fears of a global pandemic precipitated by SARS and dreaded for Ebola; at the time of writing, the world approaches 5 million COVID-19 deaths, with 163 million recoveries among the 178 million recorded cases globally. Notably, the Kenyan death toll is currently under 4,000, and the Nigerian count just over 2,000.

In Veronique Tadjo’s book In The Company of Men (2019), first published in French in 2017, we find a timely reminder of “the destructive powers of pandemics.” The book focuses on the Ebola outbreak of 2014, which preceded the COVID-19 pandemic by six years but has been present in parts of Africa since 1976, when it was first discovered in the Democratic Republic of Congo and named after the Ebola River near which it was found. Tadjo has commented that she sees a clear link between Ebola and COVID-19, although they are very different diseases. “For me,” she writes, “the Covid-19 pandemic is a continuation, not a break. It inscribes itself in the same context of climate change and its consequences. Ebola wasn’t a one off and Covid-19 won’t be either.”

Through five sections comprising 16 different points of view, Tadjo presents the impact of the Ebola pandemic from the perspectives of different characters including trees, nurses, those infected, survivors, and the virus itself. For example, in a chapter titled “The Whispering Tree,” the narrator declares, “I am Baobab.” The choice of the baobab tree’s perspective is unique, telling of Tadjo’s concern with environmental degradation as a key factor in the development of such a deadly virus. Reviewer Simon Gikandi, a Kenyan novelist and scholar, comments that “Tadjo weaves a story that turns the 2014 Ebola epidemic in West Africa into a parable of what happens when the chain that connects human beings to nature is broken.” And this is perhaps where we have the most to learn in terms of new ways of seeing the COVID-19 pandemic. As Gikandi remarks, “In the Company of Men gives voice to the natural world and mourns the loss of the well-being that existed before the destruction of the environment and the arrival of postmodern pandemics.”

In the context of such questions, I was struck by a recent BBC documentary called Extra Life: A Short History of Living Longer, in which David Olusoga and Steven Johnson examine the history of vaccination starting with the rise and eradication of smallpox. They detail how an African man was purchased in 1706 by a Puritan congregation in Boston as a gift for their minister, Cotton Mather, and was “forced to take on a new name,” Onesimus, after a slave in the New Testament. When Mather asked whether Onesimus had ever had smallpox—rife in Africa at the time—he replied, “Yes and no,” and then described the variolation procedure he had undergone in Africa before his capture. Variolation involved cutting the arm and putting fluid from a smallpox wound onto the cut, creating resistance in the host’s bloodstream without transmitting full-blown smallpox. This practice precedes Jenner’s experiments with cowpox by 90 years and had been present elsewhere in the world since the 1500s. This is a key example of effective preventative medicine that was present in Africa before slavery. And yet, the onset of modern transatlantic slavery is when the destruction of the global environment seems to really begin.

With the export of “valuable commodities” from Africa, including human beings, there soon followed deforestation, mining, farming, and building projects that formed the foundations of colonialism, western capitalism, the industrial revolution and imperialism. The rapacious nature of this conquest, which ignored indigenous knowledge systems and ways of living in harmony with the environment, also often spread disease, occasionally leading to new discoveries in medicine (which were not acknowledged or credited at the time).

The presenters of the documentary rightly laud the eradication of smallpox in just 18 years (1967–1985) as one of the great achievements of mankind, one which epidemiologist Larry Brilliant called “the end of an unbroken chain of transmission going all the way back to Rameses V.” Prior to vaccination efforts, smallpox had been killing 2 million mostly poor people a year, and the subsequent campaign involved the cooperation of 73 countries, including Cold War enemies the US and USSR. As Lucy Mangan writes in her Guardian review, “We can be so terrible, and we can perform such wonders.” And it is these wonders that Tadjo brings to our attention by writing In The Company of Men. The containment of the Ebola virus in West Africa in 2014 is due to the combined heroic efforts of people on the ground and the local people who heeded public health messages, attended clinics, separated family members, stopped attending funerals, and got vaccinated.

Tadjo reflects in an interview that “the Ebola epidemic has a multi-layered dimension. It seemed to me that listening to various voices was the best way to get closer to a form of reality. An incredible number of people were involved in the fight against the virus and I could not bring myself to focus on one voice only.” Interesting correlations and discoveries were made by zoologists, for example who,

discovered a phenomenon that greatly increases Ebola’s catastrophic impact. When an outbreak is about to happen in a forest region, the virus will leave gruesome traces in the natural environment. It attacks antelopes, deer and rodents, but especially big apes such as chimpanzees … The remains of hundreds of animals are scattered on the ground … Whenever the villagers notice an unusual number of wild animal carcasses, they’ve learned to alert the local authorities at once, since the carcasses signify that an Ebola outbreak among humans is about to happen.

This connection to the rest of the natural world seems crucial to understanding epidemiology itself and answering the question of how these viral mutations arise (e.g., swine flu, bird flu, etc.). This is why we should be paying closer attention to the other (mass) extinctions occurring in this Anthropocene epoch.

Using the voice of the baobab is inventive and useful in establishing a timeless link to the forest and to ancestral points of view. But using the voice of a virus itself is fairly unusual in African literature. Kgebetle Moele was the first South African writer to do this, writing from the point of view of HIV in his novel The Book of the Dead (2012), which I have written about elsewhere. Moele’s HIV is a malevolent, predatory infiltrator of the human body. This infiltrator, once personified, seems to corrupt its host while replicating itself in unsafe sexual encounters, killing hundreds if not thousands of men and women in deliberate acts of aggression. The Ebola virus, on the other hand, is immediately established (in its own words) as less malignant than humans themselves; Tadjo writes of “man and his incurable, pathological destructiveness.” Humans are blamed throughout for having destroyed the environment and the natural harmonious link between man and nature. However, this is countered by the assertion of human solidarity as a powerful weapon or antidote. Early on in the book, the nurse welcomes the help of volunteers, saying, “when I see solidarity, it makes me want to work even harder.” Even the virus admits that “I understood that their true power showed itself when they presented a united front.”

Much of Tadjo’s writing, including The Shadow of Imana (2002), articulates what “cannot be written or heard.” By writing the voices of the perpetrators and victims of genocide, Tadjo enables us to reach a point of understanding—or, at the very least, consciousness—of what many consider unspeakable. The art of her storytelling lies in this ability to synthesize factual accounts and information first with the lives of real people who lived through the Rwandan genocide against the Tutsi, and now with the experiences of those who lived through the Ebola outbreak in West Africa. In the Company of Men works similarly to unveil the voices of the hidden and, most significantly, those of the dead who cannot tell their own stories. Her writing itself is an act of solidarity. If we listen, we can not only empathize—we can learn from these stories. The accounts should also act as a warning, as pandemics will continue to threaten humankind alongside climate change.

Tadjo’s book reminds me of an aspect of Colson Whitehead’s The Nikel Boys that I have admired so much—that it is so difficult for a narrator to tell a story when the protagonist is dead. Usually, the telling of the tale gives away the fact that the protagonist has survived, or at least lived long enough to narrate the story, but Whitehead twists the ending of his novel to such an extent that we do hear a tale from the grave, from an impostor. This almost reinvigorated story describes the tragic fate shared by many Nikel Boys, whose identities are now lost. This is what is important about Tadjo’s writing: by including the voices of the dead in In The Company of Men, she inscribes the lives of those whose pitiful deaths don’t make it into the real story of Ebola (except as death toll statistics).

This is what the novelist Maaza Mengiste refers to when she asks, “What do the living owe to the dead?” The sheer number of people who died in the Ebola epidemic, the COVID-19 pandemic, the HIV/AIDS pandemic: this is what causes us to lose our sense of perspective and our ability to understand the real human cost of each universe that is lost to these deadly diseases. Mengiste’s further question—“What do they owe to the earth, which both protects and punishes?”—is one we will have to keep considering while we continue to destroy our earth. Is Tadjo’s Ebola virus right? Is man’s pathological destructiveness incurable? What do we owe the earth? Is there the political will, as there was with smallpox, to vaccinate every human against COVID-19, before it mutates into something far worse?

This post is from a partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.

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Culture

Murder Inc: The Story of Rwanda’s Assassins Without Borders

Vividly sourcing her story with direct testimony from key participants, Wrong uses the story of the murder of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s assassination.

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Murder Inc: The Story of Rwanda’s Assassins Without Borders
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Do Not Disturb, the latest of Michela Wrong’s Africa-themed books, is a penetrating examination of a gruesome murder committed in a posh hotel in post-Apartheid South Africa. This country was infamous for chasing African National Congress (ANC) officials and freedom fighters, whom it labelled communists and terrorists, wherever they hid. The boer regime had a special hit squad within its intelligence and security apparatuses that had all the names of the people blacklisted for death.

Akin to Murder Inc., a New York Mafia outfit that was notorious between the 1930–40s, the South African Boer regime sent hit men to wherever the ANC cadres were domiciled and to use Mafia parlance whacked them. As fate would have it, Karegeya was ensnared by a Rwandan hit squad in the night, at Michelangelo Hotel, room 905 Sandton and strangled to death. It was 20 years after South Africa’s transition into democracy.

After the job was done, the assassins professionally hung the Do Not Disturb sign on the hotel door and then slipped out of the country. In April 2019, five years after the murder had taken place, an inquest that had been delayed for political reasons, was held in Johannesburg. It concluded that Patrick Karegeya had been killed. The South African Directorate of Prime Crime Investigations, Hawks, also concluded the ‘Karegeya job’ was ‘directly linked to the involvement of the Rwandan government’

What explained the grim determination with which Kagame suddenly set about the task of dealing with Karegeya? Michela in her book, offers a lead: ‘Patrick certainly knew where all the skeletons were buried. The years he spent working in both Ugandan and Rwanda’s intelligence services meant he was on top of the region’s every secret.’

Reading Do Not Disturb, one is thrown back into those dark days of that notorious Apartheid regime: which sometimes would leave obvious tell tales signs to warn, whomever, that we will also come for you just like we did to XYZ. In those days, the death squad was efficient and feared and had the blessing of the racist South African state rulers.

The book also talks about the attempted assassination of Karegeya’s former comrade-in-arms General Kayumba Nyamwasa, who also spectacularly fell out with Kagame, in South Africa. The timing of the attempt could not have been more critical. It came when the ANC government least needed such an incident, on June 12, 2010, the second day of the soccer World Cup fete.

‘When the General was shot, the official reaction was one of total shock and outrage’, former South Africa ambassador Thembi Majola remembers. ‘The response was: really? You want to come and do this rubbish here when the whole world is watching the World Cup?’, Do Not Disturb records.

Why is General Kayumba so feared by Kagame, his former boss? Do Not Disturb provides an answer: ‘The General clicks with ordinary soldiers, who instinctively trust him. He always has.’ The book further states: ‘However drippingly contemptuous Kagame may sound in public – and the state controlled Rwandan media’s obsession with the general’s activities is a give way – he fears no one as he fears General Kayumba.’

Summoned to appear before a ‘disciplinary committee’ comprising top military, police, intelligence officers and RPF party honchos, he was grilled on his presumed insubordination: ‘Since you left, some people in the armed forces here always remained loyal to you. The newspapers write positive things about you all the time and criticise government, while you never deny it.’

Through the unravelling of the grisly murder of former Rwanda’s spy-in-chief Patrick Karegeya, the book offers the reader a kaleidoscope of a Mafia-like Murder Inc. hit squad that will go to any length to execute their mission, once the spotlight is shone on you. Once one-time Kagame’s bosom buddy, a kind of a special whisperer to the president’s ear, Karegeya spectacularly fell from favour, the spotlight would be turned on him.

Why is General Kayumba so feared by Kagame, his former boss? Do Not Disturb provides an answer: ‘The General clicks with ordinary soldiers, who instinctively trust him.

After finishing serving an 18-month jail sentence in one of Kigali’s notorious prisons in November 2007, the 48-year-old spy who had just come in from the cold and who loved Rwanda, although he had largely grown up in Uganda, seemed unbowed. But one of his military intelligence friends had the head and sense of forewarning his beleaguered friend: ‘Listen, Rwanda’s not for you now, please skip it and head for the mountains – and quick.’ Karegeya heeded his colleague’s advice and headed for Kampala. But, not sooner had he landed in Kampala he was already travelling to Nairobi.

Yet, there was no respite for the man who once called the shots in the Rwanda’s ruling party RPF’s intelligence service. Karegeya would later tell the author, ‘I’d been warned that Kagame knew I was in Kenya and I was asked to leave for my own safety.’ It was an advice he did well to obey – but only just. Nine years ago, before Karegeya landed in Nairobi, the city had been the scene of a grisly murder of a former senior Rwandan cabinet minister, who had also fallen out with the all-powerful Kagame, who was, for all practical purposes, the de facto Rwanda President. It was therefore an ominous warning.

On May 16, 1998, on a hot and sunny Saturday, at about 5.00pm, Seth Sendashonga was being chauffeured by Bosco Kulyubukeye in his wife’s UN number-plated Toyota SUV, UNEP 108K, on Forest Road, today Prof Wangari Maathai Road. As Seth sat in front with the driver, a vehicle suddenly sped in front of their car, just at the junction of the Limuru and Forest Road and three men jumped out, firing at the duo. Seth died on the spot, as he logged a bullet in his head and Kulyubukeye died on his way to Aga Khan Hospital, a private hospital that is located up on Limuru Road, less than 500m from where the assassination took place.

Seth’s luck had incidentally run out. This was not the first attempt on his life. Two years before, on February 26, 1996, there was an apparent attempt to kill him in broad day light. Contacted by a family member who told him he had some juicy, confidential document that he wanted to pass onto to him, Seth agreed to meet the contact at Nairobi West shopping centre, off Langata Road, and five kilometres from the central business district. Seth came along with his nephew.

But Seth quickly sensed a trap and immediately asked for the document. It was not forthcoming. So, he turned to his car and that is when he saw the waiting two men standing next to his vehicle. The young men must have fumbled because, instead of immediately getting on with their mission, they asked Seth in Kinyarwanda if they could get a lift. Seth, instead, gave them some money; 70 Kenyan Shilling, but as he reached for his car keys, the two gunmen pulled out their guns and fired five bullets at Seth and his nephew. Seth ducked in a split of a second by falling to the ground crawling behind his car. The bullet, which had been intended for his head, caught his shoulder. His nephew, though was critically injured.

As he recuperated in hospital, Seth said he had identified one of his killers: Francis Mugabo, an attaché at the Rwandese embassy in Nairobi. Arrested by the Kenyan police, the Kagame regime refused to waiver his diplomatic credentials, as requested by Daniel arap Moi’s then government, so that he could face prosecution in court.

Two weeks after his assassination, on 3 May, a quiet Sunday afternoon, Seth had met Yoweri Museveni’s step-brother and his consigliere, Salim Saleh, in a secret rendezvous in Nairobi. Apart from being Museveni’s eminence grise, he was also the acting Minister of Defence. The meeting had been arranged by French historian Gerard Prunier. Prunier, an Africanist and a Great Lakes and Horn of Africa specialist was Seth’s friend and had been meeting him in Nairobi prior to his demise. Suffice it to say, this was not the first time Salim was seeking out Seth: On December 21, 1995, Salim has spoken to Seth over the phone and agreed to arrange a meeting.

‘Why kill Sendashionga? Why was that necessary?’

In Do Not Disturb Michela Wrong narrates a conversation between Karegeya and an East African businessman in a Nairobi five-star hotel that took place in 2003. The conversation centres around Seth Sendashonga: ‘Why kill Sendashonga?’, the businessman asked. ‘Here was this Hutu leader, a credible moderate, an important symbol of ethnic reconciliation, a man of principle – and you murdered him. Why was that necessary?’

Why was that necessary? According to Prunier in his book: From Genocide to Continental War, ‘what made Seth a dangerous man (was) because he embodied a recourse, an alternative to the parallel logics of madness that were developing and feeding each other in Rwanda.’

Michela has written a scintillating account of a murder most foul. The book cannot be described as ‘unputdownable’ – as is wont with ground-breaking books – because you must, now and then, put it down to soak in the horrendous facts. If journalists write some of the best everlasting books to be remembered for years to come – it is because Michela has exemplified the art: the book is both well-sourced and well-narrated. The language is crisp and unpretentious, the leg-work is indomitable.

Famously known as the author of, In the Footsteps of Mr Kurtz, the racy account of Mobutu’s Zaire, Michela’s name will flash across many Kenyans’ memory as the writer of, It’s Our Turn To Eat, a book about John Githongo’s government corruption exposure, as the Permanent Secretary of Governance and Ethics in Mwai Kibaki’s government. It’s Our Turn to Eat, was read like Pambana or December 12 Movement – underground and resistance pamphlets written in the 1970s and 1980s, by Kenyan dissidents that were digested like contraband, away from the prying big eyes of the state’s aficionados.

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Our Words Must Count

Kenyan public discourse restricts our words to their literal meaning in order to prevent us from confronting the social situation to which the words are pointing.

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Our Words Must Count
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On July 9 this year, Kenyan filmmaker Silas Miami posted a tweet asking Kenyans to share their most unbelievable experience in boarding school. Expecting replies about quirks and naughty incidents, Miami was in for a surprise. The stories that emerged from the replies were simply horrifying. They were stories of abuse and extreme violence, including broken limbs and rape, meted out on children.

That the graphic stories of violence against children in schools did not trend is indicative of how easily Kenyans accept torture in the name of education. The worship of the colonial school system is so entrenched, that stories of violence do not attract much public attention except in extreme cases. Even when these stories make the news, the government rushes to stabilize the system by pouring water on the stories. An infamous example was the reaction to news reports about bullying at the prestigious Alliance High School. Fred Matiang’i, the then Cabinet Secretary for Education, promptly visited the school and promised that the government would help the school maintain its reputation as “prestigious, comfortable and nice.”

Kenya has caught the world’s attention with two landmark court rulings, namely, the Maraga ruling that nullified the presidential election in 2017, and the 2021 ruling that declared the Building Bridges Initiative unconstitutional. Activists, lawyers and public voices will laud the armed resistance against colonial rule, and will rail against abuse of power by the political class today, but when it comes to the colonial school system, there is no public uproar, even against openly racist education policies.

How is this contradiction possible?

I suggest here that the silence and complacency in the face of the torture of Kenyan children is maintained by the idolization of the colonial school system. Kenyans so worship the school system, to the extent that they are willing to accept the abuse of children. This idolization is a form of what Lewis Gordon calls “theodicy”, where the people whose experiences contradict a system’s claims to perfection are branded as a problem people. In the Kenyan case, the brutality against children is often blamed on the children themselves, which allows Kenyan adults to avoid the reality that the real problem is the school system. Ultimately, Kenyan society does not consider the abuse or injury of its children compelling enough to overhaul our idea of education.

This idolatry is maintained by a series of agenda setting and speech practices which ensures that the school system is never fundamentally questioned. I argue here that in Kenya, it is difficult to discuss the problems with our schooling system, especially the violence against children and students, because of a sophisticated system of rhetorical practices maintained by the media and the educated elite. Through the regular Kenyan fallacies such as ridiculing questions to absurdity, demanding solutions with impossible guarantees of success, and accusing questioners of generalization, the Kenyan public rhetorical practices block the mere conversation on the dysfunction of our school system.

The violence of language

These conversational roadblocks to the violence of our school system are tied to one larger and unspoken reality. As a hierarchical society built on the unacknowledged colonial foundation of apartheid, the Kenyan hegemony has developed a sophisticated public rhetoric that banishes regular Kenyan citizens without institutional positions from social relevance. In other words, ordinary Kenyans are banished from participating in public life through speech by ensuring that their words do not become socially relevant.

Two important concepts help us grasp this reality. One is the idea of “speech acts”, which was famously developed by JL Austin, among others. “Speech acts” refers to the fact that words have an impact on reality. For example, thanking someone carries out the act of expressing gratitude. Similarly, the verbal commands of a person in power cause certain actions to be taken.

Ordinary Kenyans are banished from participating in public life through speech by ensuring that their words do not become socially relevant.

When a citizen publicly comments on a social issue, the citizen is carrying out at least two speech acts. One is the affirmation of the self as a social being by transcending one’s own words, and the other is participation in democracy. When, for example, a Kenyan citizen writes or speaks about public spending, they are affirming that they can affect and are affected by public spending.

​It is therefore through conversation that the people seek solidarity with others in the pursuit of a larger truth beyond themselves. However, through the cultural institutions of the church, the schooling system and the media, the Kenyan hegemony sustains a discursive machinery for denying Kenyans a social voice. This machine imposes all sorts of prohibitions on conversations, with the net effect of reducing people’s words to their connotation and denying the social impact of their speech. This text, which I wrote on Facebook and which benefitted from input from fellow Kenyans, summarizes the way this system works:

When we use metaphors, that’s doublespeak

When we give our opinions, it’s too late – decisions have already been made 

When we make evaluations, we are told not to judge

When we question, we are ungrateful

When we lament, we’re not providing solutions

When we provide solutions, the solutions are dismissed as unworkable

When we refer to society or trends, we’re generalizing and blaming individuals

When we generalize, we have no facts and evidence

When we provide context, we’re denying personal (or parental) responsibility

When we express frustration, we’re attacking people personally

When we disagree, there is a conflict and we should seek resolution

When we maintain our position, we’re arrogant and we’re silencing others

When we say “sisi”, we’re told to speak for ourselves 

The only time we’re worth listening to is when we repeat what others think

But how can we know what others think, if they won’t say it, since they’re locked in the same game?

What then shall we talk about in this Kenya?

These discursive strategies drown conversations in discussions of style and attitude, and deny people’s ability to transcend their own words and propel a larger conversation beyond the literal meaning of what they individually say. Our words hit walls and are prevented from causing action, essentially locking us in a linguistic prison and denying us access to society. The implied goal of this unofficial, yet widespread censorship is to keep the colonial school system stable and free from disruption, no matter how deeply the system hurts our children.

This reality leads me to the second concept, which was developed by Keguro Macharia: that of political vernaculars. As Macharia explains, political vernaculars are conversations that function like weasel words; they give us the impression that we are discussing politics when, in fact, they block us from discussing politics. They give us the impression that we are creating community when, in fact, they are atomizing us. Political vernaculars determine what can be said and what cannot be said, and most of all, they prohibit us from imagining a world beyond the problem being discussed.

“But how can we know what others think, if they won’t say it, since they’re locked in the same game?”

In Kenya, therefore, education functions as a political vernacular that prevents us from making a discussion of the dysfunction and violence of our school system politically relevant. Like the violence of all other state institutions, the violence of the school system is relegated to what Keguro calls “the whispers [which] we might catch.” And so, Silas Miami would inspire Kenyans to speak the truth of the violence we mete out against children, but those stories ended there. We were unable to imagine an education system other than the one we already have.

Why are Kenyans this protective of such a violent school system, that they have extended this protection to language?

Kenyans – especially the educated – believe the following:

  1. Violence in schools is solely responsible for the opportunities that educated Kenyans have. It is not uncommon to hear educated Kenyans attribute their post-school success to the beatings they endured in school, completely oblivious, or in denial, of the social advantages they may have enjoyed, or their individual or social contribution to their achievements.
  2. Traumatic injuries are harmless because they are not physically visible. A common phrase that Kenyans use to dismiss the impact of violence on the psyche is to say “tulitokea tu sawa” (we turned out ok). Yet the levels of domestic and intimate violence, the eruption of violence every five years in Kenya, indicate that we are a deeply traumatized people.
  3. Institutions are fundamentally good, and when they harm people, it is the people and not the institutions that should change. We have essentially fetishized schools, and have become more committed to protecting schools than to protecting children and their education. This fetishization comes from our extremely hierarchical society, in which schooling is the only state-sanctioned avenue of social advancement available to the majority of Kenyans. Although this avenue is open to only 3 per cent of the population, Kenyans are insulated from doubting the system by the abusive practice of examinations and the equation of academic qualifications to “merit”.

These beliefs block Kenyan citizens from connecting the dots between the individual, the social and the political. The result is the disempowering of Kenyans, because these beliefs individualize institutional and social problems and make individuals – especially the voiceless like our children – carry the weight of social contradictions through violence.

As such, Kenyans are discursively blocked from connecting school violence to the larger social violence. The violence wipes out our memory of the role which individual effort and social opportunities played in our education outcomes. The absence of a social language with which to discuss the violence silences the words of young Kenyans decrying their pain at the hands of the school system. And when our young people feel that their words mean nothing, they have no choice but to resort to physical violence.

Our words must count

The urgent task facing Kenyans is to open the discursive space in which conversations and critiques of the school system are possible. When we refuse to critically evaluate our school system, we make violence inevitable. But to have that conversation, we must be willing to conceptually suspend the school system and consider it independent of its survival.

Kenyan adults are therefore confronted with this fundamentally moral question: Do our children’s lives matter? What kind of society do we have to be, so that the rape and torture of our children becomes so unfathomable that we are willing to shut down the entire school system, dismantle the Ministry of Education, replace our society’s imperial philosophy of hierarchy, to stop the violence?

Yet the levels of domestic and intimate violence, the eruption of violence every five years in Kenya, indicate that we are a deeply traumatized people.

When I say that these are moral questions, I am not simplistically referring to the literal shutting down of schools. I am asking about commitment, about what we are willing to give up as a country for the sake of our children. The question is not what commitment looks like in practice, but how much we are willing to give up for our children’s welfare. When I suggest that the violence against children should be significant enough to shut down schools, the focus has shifted from this commitment to the efficacy of closing schools, which is an indicator of our instinct to protect the schools rather than to protect the children. ​That reaction points to the manner in which Kenyan public discourse restricts our words to their literal meaning, in order to prevent us from confronting the social situation to which the words are pointing.

The immediate problem is not what will stop the violence in our schools; it is the absurdity that stories of children being brutalized and killed in school have not been enough to horrify Kenyans to call for drastic action in the school system. However, we cannot mobilize action to stop the violence without a public rhetoric that renders the brutality suffered by our children unfathomable, unacceptable and abominable. Keguro suggests that such a rhetoric requires a political vernacular of love and freedom. Love inspires us to think of freedom from our current imprisonment in the state schooling system, and of an education that goes beyond the school to nurturing the humanity and freedom of our children. Love would inspire us to imagine a country where knowledge acquired from apprenticeship, work and culture is legitimized, and where people acquire social status from work and accomplishment outside employment by institutions. Love would empower us to be creative in terms of how we educate the next generation in a system free of the violence of the current one.

So the question is, do we love our children enough to imagine such a kind of education?

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