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Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

By Sanya Osha

Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

Panashe Chigumadzi’s long, digressive article, “Black Skins White Masks Revisited: Why I am No Longer Talking to Nigerians about Race”, on the necessity of Nigerians to engage with the question of race is purposely provocative. It also serves to mislead and misinform. For someone who obviously considers herself eminently qualified to speak in defense of “a radical anti-racist politics”, it would be appropriate to dwell a bit on what precisely are her credentials.

Admittedly, she has confessed to being schooled in white establishments virtually from kindergarten until her current base at Harvard University. In the essay where she makes this confession (“Of Coconuts, Consciousness and Cecil John Rhodes: Disillusionment and Disavowals of the Rainbow Nation”) she also admits to being a “coconut” (black on the outside, white on the inside, the perennial Fanonian quandary), what conscious African-Americans would call a “coon”, or in earlier times, an “Uncle Tom”. And so on the basis of this “impressive” set of accomplishments, she feels, still under the age of thirty, qualified to challenge a nation of almost 200 million souls to engage with the problem of race in globally explicit ways.

Her other accomplishments include her role at the height of the #FeesMustFall campaign when she was invited to Rhodes University, South Africa, to launch her novel, Sweet Medicine, in 2016. There had been a schism within the black students’ movement between purveyors of radical black thought and “integrationists” of the coconut stripe. White liberals were in full support of the integrationists who had been indoctrinated to misread and misapply the radical teachings of theorists such as Frantz Fanon and Steve Biko. Chigumadzi had appeared on the platform of the integrationists, obviously at her “coconutic” best.

It really does take some nerve to castigate an entire nation with such incredible blitheness and glibness. It is even more difficult to assimilate when one reviews her “lofty” credentials. Her “coon” education obviously did not prepare her to appreciate the canonical import of works such as Chinua Achebe’s majestic Things Fall Apart whose setting is in faraway Nigeria, and not nearby within the southern tip of Africa, as she points out in her characteristically digressive essay, “Rights of Conquest, Rights of Desire”, which casually glosses over perhaps the most powerful as well as the most insightful exploration of the colonial encounter in all of literature. Instead she smuggles unwanted black bodies in the midst of racist white angst as if that in itself constitutes a gesture of racial reconciliation. And just like a true coconut, she had to find a place for the swart gevaar (the black threat) by means of the most remarkable kind of Conradian literary inversion.

It really does take some nerve to castigate an entire nation with such incredible blitheness and glibness.

Wole Soyinka, the icon of African literary creativity and redoubtable social activism, is briskly dismissed in the following manner; “Soyinka […] had been so unimpressed and impatient with the Negritude movement spearheaded by the Francophone writers of African descent”. To bolster her point, she cites the now tired and lame quip, “A tiger does not proclaim its tigritude.”

After the usual interminable digressions, she makes a case for “redeeming Nigerian Tigritude” by concluding that Nigerians lack the qualities of empathy and humility to truly become the giants of Africa. You really must possess considerable reserves of patience to isolate her central arguments, namely, Soyinka’s, and by extension, all Nigerians’, appalling unfamiliarity with global race dynamics. Ultimately, this debilitating unawareness precludes Nigerians from being suitable to be at the forefront of African political struggles.

Curiously, she lists the impressive achievements of Nigeria in combating apartheid in South Africa through the national levies it imposed on school children, the numerous diplomatic initiatives it launched or participated in, the net donation of 61 billion dollars to the anti-apartheid struggle, and yet she cannot seem to think this is a most empathetic contribution.

Again, strangely, she fails to reflect on the scourge of Afrophobia plaguing South Africa, in which the business enterprises and bodies of foreign nationals – particularly, Somalis, Ethiopians, Pakistanis, Zimbabaweans and Nigerians – are razed almost weekly in exuberant public bouts of xenophobic rage. Of course, it is almost impossible to forge any kind of alliance or solidarity amid such constant orgies of rage, violence and destruction aimed at hapless foreigners. Rather than expect more empathy from Nigerians, it would be more logical to expect more gratitude from the proponents and culprits of Afrophobia.

Let us examine the myth that Nigerians have not been able to formulate the kind of emancipatory race politics Chigumadzi approves. Here, Soyinka immediately comes to mind. When he was eighteen years of age at the then University College Ibadan, Soyinka formed the first campus confraternity along with the likes of renowned Cambridge trained physicist, Muyiwa Awe and others, such as the broadcaster, Ralph Okpara. Their confraternity was established to serve as a bulwark against undue colonial indoctrination on their white-dominated campus. So rather than uncritically accepting the acquiescence and complicities of the coconut, there was already an awareness to question and resist racial oppression and injustice even before he had attained full maturity.

Curiously, she lists the impressive achievements of Nigeria in combating apartheid in South Africa through the national levies it imposed on school children, the numerous diplomatic initiatives it launched or participated in, the net donation of 61 billion dollars to the anti-apartheid struggle, and yet she cannot seem to think this is a most empathetic contribution.

Eventually, Soyinka attended Leeds University to complete his undergraduate course but whilst abroad, he was thinking of returning home once his studies were over. For further personal studies, he sought to recuperate orders of knowledge that had been demonised, suppressed and erased by the agents and machinations of colonialism. It was not long before he adopted Ogun, the Yoruba deity of war, iron and justice, as his special guardian spirit contrary to the Western education he had received and the Christian background of the home in which his parents had raised him.

Soyinka’s inquiry into his beloved ancient Yoruba cosmogony led him to forge lifelong links with other Yoruba-affiliated descendants of the African diaspora based in Brazil, Cuba, Trinidad and Tobago, other places in the Caribbean and of course, the United States. Undoubtedly, when he visited those countries, he never failed to promote the tigritude of his Yoruba ancestry and cosmogony. Such was the case when he met Henry Louis Gates Jr., the founder and director of the African and African American Studies Center at Harvard where Chigumadzi is currently a PhD student.

At Cambridge, Gates, in various instances, admits that Soyinka had led him on a continuing journey to discover the truths about Africa that had been occluded by racist prevarication and indoctrination. Indeed since then, they have continued to enjoy close and productive collaborations in developing and strengthening the discipline of Africana studies. Gates would also go on to popularise the figure of Esu, the Yoruba deity of the crossroads, wit and intelligence, in his landmark work, The Signifying Monkey (1988). In this work, Gates explores the various appropriations and survivals of Esu within the context of African American culture and literature.

Soyinka’s transcontinental exertions did not end here. He has undertaken missions at his own personal expense to attempt to retrieve invaluable artworks looted from Africa by European colonialists. He was immensely active during FESTAC 1977, the global black festival that brought together artists and intellectuals of all persuasions to Lagos to celebrate and promote black cultures the world over. Indeed his efforts and initiatives at seeking and cementing Africana ethics and poetics of solidarity are too numerous to mention and cannot be over-emphasised. In a context when the notion of black excellence is increasingly becoming trite and perhaps meaningless, he remains a lodestar upon which we can begin a proper conversation.

Fela Anikulapo-Kuti is another exemplary figure who contributed enormously to black pride, agency and resurgence in incomparable ways. Incidentally, Anikulapo-Kuti and Soyinka are cousins and so it isn’t a surprise that they share and practise similar kinds of global black solidarity. Anikulapo-Kuti’s radicalism made him adversaries amongst the elite political classes in his native Nigeria and Ghana after he was hounded out of his country on account of his vociferous activism and oppositional poetics.

Due to his uncompromising radicalism, doors closed on Anikulapo-Kuti everywhere; the foreign-owned record companies at home and abroad shunned him, and the international music industry cartels made it difficult for him to have significant breakthroughs. Radio stations wouldn’t feature his compositions because he would not sing three-minute hits as opposed to the half-hour long tunes of great complexity and ingenuity he favoured.

When established record labels refused to release and market his music, he set up his own channels and platforms. His compositions, in the global era of disco, vacuous entertainment and feel-good funk seemed out of time by virtue of his trenchant ideological vision, his strident critiques of racism, imperialism, colonialism, neocolonialism and international finance capitalism that impoverished and immiserated more or less all of Africa and much of what was then called the Third World.

During his lifetime, all the wealth Anikulapo-Kuti made was showered on the ill, needy and homeless, and when he passed away in 1997, he had almost nothing to his name, except perhaps, the ever-green radiance and energy of his astonishing compositions.

His work was not confined to the west coast of Africa and its multiple diasporas. When Hugh Masekela visited Lagos in the early 1970s seeking fresh sources of inspiration, Anikulapo-Kuti hooked him up with the inimitable Ghanaian back-up combo that propelled him to greater musical horizons. Miriam Makeba, Stevie Wonder, Kiki Gyan, Lester Bowie, Gilberto Gil, Sandra Izidore, Roy Ayers and Randy Weston, at various times, sought his unparalleled musical artistry and guidance in advancing their own projects. And just like his cousin Soyinka, Anikulapo-Kuti vigorously re-established connections that existed in Africa before the advent of colonialism.

After having studied European classical music and compositional techniques in London during the 1950s, he returned to Nigeria to study the indigenous methods of his ancestral forebears, paying particular attention to the spiritual aspects and trance forms.

Anikulapo-Kuti had every opportunity to be a certified coconut. His mother, Olufunmilayo, is widely regarded as Nigeria’s first modern feminist who visited the socialist countries of Eastern Europe and China on questions of mutual interest. She was also a friend and collaborator of the great exemplar of Pan-Africanist epistemology and praxis, Kwame Nkrumah, when he was the President of Ghana.

Anikulapo-Kuti could have led a comfortably sequestrated existence filled with the cheap glories of being a coconut but he chose to align himself with the lowly lot of economic and political outcasts, cultural renegades and oppositional figures of all stripes who naturally irritated the custodians of worldly power. But like a true Pan-Africanist fighter, he elected to remain a thorn in the flesh of decadent and corpulent power until his inevitably tragic end. He excoriated figures, such as P.W. Botha, the Prime Minister of apartheid South Africa, Margaret Thatcher of Great Britain, Ronald Reagan of the United States, and not least of all, Muhammadu Buhari of Nigeria.

Perhaps employing the Pan-Africanist visions of Soyinka and Anikulapo-Kuti, it would be most appropriate to complexify the very notion of “the Nigerian”. Many Nigerians in their reflective moments know that it is an unfortunate and almost unbearable fabrication of the self-serving colonial enterprise. It is, in other words, a geographical entity of tragicomic proportions that was meant to frustrate and undermine its hapless inhabitants.

True, the inhabitants of Nigeria had always interacted in the precolonial days, but the modalities of interaction had been independent of arbitrary colonial interference. On the other hand, the new modalities of co-existence and co-operation had been funneled through the misshapen and counter-productive channels of colonialism. Those channels were not intended for sociopolitical success of postcolonial Nigerians, as they weren’t for most of the colonised world.

Anikulapo-Kuti could have led a comfortably sequestrated existence filled with the cheap glories of being a coconut but he chose to align himself with the lowly lot of economic and political outcasts, cultural renegades and oppositional figures of all stripes who naturally irritated the custodians of worldly power.

And so the geographical entities of postcoloniality always pose questions regarding their ultimate viability as largely baseless colonial constructs. However, Chigumadzi is unable to see the incongruity and innate discomfort in saying as a Zimbabwean-born South African (or whatever identity she chooses to adopt), I am able to castigate Nigerians for their perceived lack of empathy and ethics of solidarity. Colonial African geographical constructs were basically not designed for that purpose.

Soyinka has variously denounced this untenable situation with harsh words for the Organisation of African Unity (OAU, the precursor to the present African Union [AU]), which uncritically sanctioned this gross and violent colonial misadventure that should be considered as yet another deleterious scheme to violate and undermine African communities. This is why Nigerians and Ghanaians, for instance, can needlessly squabble over seemingly meaningless and counterproductive trivia without seeing that they had once enjoyed more humane and beneficial relations in abundance before the unwholesome truncation of colonialism. Chigumadzi’s rant is merely an extension of this ahistorical postcolonial mindset, or is it myopia, namely, the inability to interrogate, negate and (re)negotiate colonial African geographical constructs as eternal givens.

If this radical questioning remains always ignored and is not approached with a healthy dose of scepticism, preposterous political scenarios and vast genocidal scenes of utter disarray come to mind that are likely to abound only because we have accepted to be the slavish “coconuts” of unsustainable postcolonial geographical dispensations.

The uncritical subscription to a colonialist project of identification in the wake of the devastation of colonialism that differentiates Zimbabweans, South Africans, Kenyans, Ghanaians or Nigerians as bearers of immutable forms of identity and subsequently pits them constantly against each other, undoubtedly bodes ill for any conception of mutuality, or indeed, solidarity.

But even if we were to subscribe to the colonial geographical markers of identity as Chigumadzi does, Nigerians have been in the forefront of practising Egyptian theorist Samir Amin’s concept of “delinking”. Employing this concept, Amin argues for the decoupling of peripheralised African economies from the invariably inequitable global monetary system that enforces a centre/periphery dichotomy that reduces Africans to suppliers of primary products while the West plays the dominant role of manufacturers as well as incubators of technological innovation and advancement.

Rather than mentioning counter-paradigmatic Nigerian social scientists, such as Ola Oni, Sam Aluko, Adebayo Adedeji, Claude Ake, Bade Onimode, Omafume Onoge , Adebayo Olukoshi and a plethora of others who have offered the most devastating critiques of the Bretton-Woods institutional order that all but crippled the growth of African educational establishments beginning in the 1970s through the toxic mantra of profits-before-people, deregulation and privatisation, Chigumadzi instead chooses to linger on the forgettable work of Chika Onyeani, a reactionary self-nullifying anti-black character, and a darling of the white liberal press in South Africa, who simply does not register in the ever-vibrant discourse of Nigerian socio-economic theory.

If Chigumadzi is really concerned about pursuing a politics of global black emancipation – as she might perhaps imagine herself to be – she ought to be critiquing the bastions of white supremacy that have provided her the leeway from which to cast aspersions on Nigerians. Attacking Nigerians is indeed diversionary as she ought to embark on a quest for reparations for the descendants of the transatlantic slave trade, as the late Nigerian politician, business and philanthropist Moshood K.O. Abiola had with uncommon vigour, commitment and immense sacrifice before his death in 1998.

If Chigumadzi is really concerned about pursuing a politics of global black emancipation – as she might perhaps imagine herself to be – she ought to be critiquing the bastions of white supremacy that have provided her the leeway from which to cast aspersions on Nigerians.

For Chigumadzi to claim Nigerians are unaware of the problem of race is tantamount to ascribing to them an ignorance of a slave trade that wreaked extreme devastation on their territories, and across the entire West African region along with the lands of Angola and the Congo. Ancestral blood from those various territories, in spite of all protestations to the contrary, was largely responsible for creating the wealth of Europe and the Americas as we know them today. An appropriate global politics of black emancipation and inclusivity would need to calibrate these historical realities rather than being cocooned within the safe enclaves of racist power and privilege and then finding easy discursive targets amongst millions of toiling black folk.


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Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

By Sanya Osha

Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

Since the eras of Edward Blyden, W.E.B. Dubois, Chancellor Williams, George Padmore, Marcus Garvey and Kwame Nkrumah, the idea of Pan-Africanism has exercised the minds of blacks seeking to hurl off the yoke of racism and oppression. Each major advocate of the Pan-Africanist creed ended up inflecting it with different personal significations but its over-riding goal of black emancipation and unity remains intact.

Some, like Blyden, advocated a form of classism that demarcated continental Africans from diasporan blacks, with the former relegated to a lower socio-political status on account of their “lack” of modern skills and also their relative unfamiliarity with the Christian faith.

Times have since changed.

Arguably, Pan-Africanism could only have emerged beyond the shores of Africa. The continent’s riotous diversity, comparatively as dense as its famous jungles, aided the divide-and-conquer tactics of its numerous enemies. The multitudinous nature of its languages, historical traditions, customs and ethnicities meant that Africa never learnt to speak with “one voice” as it had historically spoken with cacophonies of voices. Its diversity in all things was simply astounding.

However, blacks in the diaspora – under the shared horror of slavery and plantation cruelty – were forced to unite through the creolised languages and cultures they had to develop. In essence, their shared experiences thrust them together rather than divided them. The abjection of their lives in which they were losing their original languages, cultures and spiritualities pointed in only one direction: the white oppressor. Out of those unimaginable depths of misery, their primal cries of agony struck a chord of unity. Expediency must have dictated that their collective pain could only be assuaged through the forging of unified black bonds.

Psychic freedom

Sometimes the notion of freedom within the definition of Pan-Africanism acquires metaphoric connations; freedom is not merely the release from forms of physical bondage; it can also attain subtler and deeper levels, including psychic freedom; a connection with, and an unrestrained exploration of the fact of blackness, which ultimately ends in the acquisition of more potent spiritual meaning.

The slave ship, rather than being merely a vessel of physical bondage, becomes a pilgrimage into the meaning of blackness, the eternal struggle for its recovery amid elemental oppression in which a hard-won strain of blackness is received as a prize of victory that comes at enormous cost, and which subsequently serves as a beacon for all those seeking freedom in whatever form.

Sometimes the notion of freedom within the definition of Pan-Africanism acquires metaphoric connations; freedom is not merely the release from forms of physical bondage; it can also attain subtler and deeper levels, including psychic freedom…

In this historical and precise moment, Pan-Africanism finds its essence, which it can only retain momentarily, for it must delve below to rescue numerous victims of oppression, thrusting and thirsting for the purity of its strength most often without relief. And when it descends from its enormous spiritual height, when it sheds ineffable spiritual sustenance for realpolitik, it also finds itself needy without its former spiritual glory. It must contend with the practicalities of gaining electoral votes, problems of inadequate and poor housing, chronic poverty and unemployment, teenage pregnancy and single-headed households, widespread alcohol and drug abuse; problems with severe cancerous impact on black communities.

The crisis within Pan-Africanism

Pan-Africanism needs to learn to deal with these myriad problems in order to acquire more power, the sort of power that divests it of its strain of purity and which also denudes of it of evocative power. Indeed the power of Pan-Africanism is largely evocative, which brings us to a problem within Pan-Africanism.

The problem stems from Pan-Africanism’s indecision to transit from its pure strain to its abstract identity. Undoubtedly, from the perspective of realpolitik, both the pure strain and the abstract identity are not of much practical utility. Pan-Africanism had been compelled to be an ideology as well as a religion at the same time, which led to its crisis.

In Africa and in the diaspora, slavery and colonialism left in their wake utter wreckage and chaos. The effort to re-build chaotic black communities all around the world entailed more than just the slogan of Pan-Africanism. It was akin to thrusting one’s head into a tunnel in order to cope with a multitude of practicalities. It meant, in many instances, a disavowal of the global in favour of the local, a severance from the beatitudes of the spirit for the urgent demands of the body, a re-configuration of the contest between ideological imperative and metaphysical comfort.

At the end of the day, Pan-Africanism had to recede to make way for shoring up shattered black communities; it entailed a retreat into the soul-crushing labours of the local.

And necessarily, the retreat into the local meant a diminution of the Pan-African appeal. By orientation, Pan-Africanism is global; it had sought to end the oppression of blacks in the world wherever it existed, and so it had to over-reach itself in order to gain a desirable degree of ideological purity.

But this over-reaching tendency has had some disastrous consequences in the field of politics. Kwame Nkrumah of Ghana, a noted apostle of Pan-Africanism, is often criticised by Ghanaians for not paying enough attention to them. A common assumption is that there were more Nkrumahists who were non-Ghanaians than Ghanaians themselves. Arguably, the Ghanaian leader struggled to no avail to strike the appropriate balance between the local and the Pan-African.

More recently, Thabo Mbeki of South Africa has labelled himself a scion of the African Renaissance and has sought, amid great difficulties, to realise the Pan-African dream in a territory tragically rife with Afrophobia. Afrophobia (fear of other Africans) is on the rise in South Africa as the country battles chronic crime, massive unemployment and its economic “junk” status. In such a context of political and economic meltdown, Pan-Africanism would obviously be a hard sell.

At a crucial political moment, Nkrumahists were probably better off being Ghanaian citizens than were non-Ghanaians in order to perform the gruelling local work of clawing inch by inch towards the Pan-African apex. Similarly, Mbeki’s political routing at Polokwane in 2007 spelled a major setback for the Pan-African initiative in South Africa. Within the ruling African National Congress (ANC), Mbeki’s supporters were muscled out of political reckoning and hounded into submission or institutional exile. And so there was virtually no base upon which to build from the bottom up, hence the frequent violent outbreaks of Afrophobia and other officially sanctioned forms of social exclusion.

Among the generation of the so-called South African “born-frees” (born post-1994), a disconcerting form of political parochialism has taken root, encouraged by older political opportunists. Often downplayed is the fact that the anti-apartheid movement had to acquire a global appeal fostered by a robust Pan-Africanism to be truly effective. In moments of insane xenophobic rage, this history suddenly vanishes as if the South African liberation effort had occurred in total isolation from the rest of the world.

There have been innumerable international conferences organised around a basic Pan-African intent or initiative where most of the delegates appeared to be grasping at vague, illusionary cosmic straws. But the real task lies in re-modelling local institutions, politics and aspirations to align more directly with the Pan-African dream.

Among the generation of the so-called South African “born-frees” (born post-1994), a disconcerting form of political parochialism has taken root, encouraged by older political opportunists. Often downplayed is the fact that the anti-apartheid movement had to acquire a global appeal fostered by a robust Pan-Africanism to be truly effective.

There always seems to be a discernible disconnect between dream and reality and these international platforms seemed to be opportunities to indulge in the lambent mirage of the unattainable before we returned to the grim and drab realities of our everyday lives. In chasing after the dream, we get to experience the fleeting joys and headiness of spirituality and ideology all at once.

It appears Pan-Africanism would have loved to work like Zionism, which has a politically, linguisitically, culturally and spiritually unified Israel as its home base. On the other hand, blacks, dispersed as much as ever all around the world, can only claim an Africa splintered as ever by several languages, cultures, faiths, politics, ideologies and (neo)colonialisms, as a possible homeland and even more problematically, an imaginary homeland of the mind.

Embracing our ethnic others

Yet, we cannot afford to succumb to the myopia the situation encourages. The Pan-African dream is a necessary dream and not a costly one. Any appreciable knowledge of African and black diasporic history would immediately reveal this fact.

It is necessary to saddle ourselves with the labours of the local; ensuring that our communities are safe and functional, our schools and health systems work, and that our homesteads are havens of care, decency and productivity. All of this involves unquestionably hard, grinding work. But as we build according to the dictates of the local, we must also ensure that our communities provide comfort and opportunities for our ethnic “others” and black brethren from elsewhere.

The inability to recognise, empathise with, and accept our ethnic others invariably leads to the Hutu-Tutsi genocidal context of 1994 or more recently, Darfur in the 21st century.

And so the conceptual challenge is to locate the cosmopolitan potential deep within the labours of the local. The Indian community activist working assiduously in the traditional Indian settlement of Chatsworth in Durban, South Africa, might be consciously or inadvertently pursuing the Pan-African dream when she embraces racial and ethnic others in the bid to strengthen her community for the good of all.

Wole Soyinka, the Nigerian author and polymath of Yoruba culture never fails to affirm the almost boundless territorial expanse of humanity even as he energetically explores the uniqueness of the Yoruba, his ethnic group. The Yoruba – like the other great West African nationalities, such as the Ibo, Fulani, Asante, Fon, Hausa, Malinke, Wolof, Mende, among others – had been dispersed globally via the transatlantic slave trade. So their descendants can be found in Haiti, Dominican Republic, Cuba, Jamaica, Honduras, Colombia, Trinidad and Tabago, Barbados, Brazil and the United States, amongst other countries. During the course of this global dispersal, they bore with them knowledge of their spiritualities and cultures, a considerable part of which continues to thrive until today.

Due to this kind of history, Pan-Africanism ought to be viable and necessary, but the pursuit of the Pan-African dream must be done in conjunction with the labours of the local; that is, building each little community piece by piece until it links up with the next, and the next, always bearing in mind the links between the local and the global, and that in attending to the tortuous demands of the local, the Pan-African dream will only become possible through the empathetic embrace of our ethnic others.

Perhaps the much-trumpeted Southern African humanistic concept of ubuntu has a lot to offer by way of explanation here. Pan-Africanism has always been over-burdened by the imperative of a strategic vision, or the propulsive romanticism of its dream, or else, the purity of its spiritual antecedents. All of these combined largely account for its abstract identity, which is not always what is required to build communities from the bottom. Only when it attains a balance between tactical drudgery and strategic ambition can it acquire renewed significance.

Due to this kind of history, Pan-Africanism ought to be viable and necessary, but the pursuit of the Pan-African dream must be done in conjunction with the labours of the local; that is, building each little community piece by piece until it links up with the next, and the next, always bearing in mind the links between the local and the global…

It is likely that once this balance is struck, life would probably be lived without the sloganeering, braggadocio and the perhaps understandably excessive spiritualism of Pan-Africanism. Perhaps it would then be possible to attain a state of Pan-Africanist nirvana without the rabid ideologisation of Pan-Africanism.


Published by the good folks at The Elephant.

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Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

By Sanya Osha

Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

In conceptual terms, decolonisation is very important to previously colonised peoples because they seek to establish a fresh historical continuum, thereby fostering a sense of collective dignity, restoring forms of blemished consciousness and then equipping themselves with the necessary tools to face the future with renewed vigour.

Kwasi Wiredu, a Ghanaian philosopher, is an important voice in the discussions on decolonisation in Africa. The tenor of Wiredu’s project of conceptual decolonisation is by and large pragmatic – he interrogates the divide between tradition and modernity in African contexts.

Colonialism, in spite of its various modernist aspirations, was often pursued with incredible degrees of violence largely inflicted upon the colonised. Therefore, decolonisation had to incorporate a therapeutic component in healing broken selves and indeed broader forms of consciousness.

Kwasi Wiredu, a Ghanaian philosopher, is an important voice in the discussions on decolonisation in Africa. The tenor of Wiredu’s project of conceptual decolonisation is by and large pragmatic – he interrogates the divide between tradition and modernity in African contexts. Here, this pragmatism comes to the fore. Wiredu does not unduly romanticise the supposed beauty of ancient African cultures and traditions; instead he is selective in accepting parts of them that he finds useful and repudiating others that impede Africa’s development. For instance, Wiredu is not uncritical of aspects of Akan traditional culture that he deems to be counter-productive, nor is he eulogistic in relation to unhelpful or unnecessary Western methods. What he attempts, instead, is a sort of cultural synthesis between Euromodernity and a traditional African culture. This conceptual approach has been very influential in most of Anglophone Africa, particularly in West Africa and East Africa.

Undoubtedly, his significance has been restricted to largely philosophical and academic circles. This development is somewhat curious. It appears that philosophy is, in many cases as well as regions, quite distant from everyday concerns. Philosophy is a significantly metaphilosophical discipline that reflects reality from a safe Platonic contemplative distance. The Athenian origins of Western philosophy obviously do not address the urgencies of African existential dilemmas and this is probably one of the reasons that African philosophy sometimes appears not to be in the forefront of the social processes of decolonisation in Africa.

African philosophy, as such, seems removed from the hotbed of decolonisation even when Wiredu’s project of conceptual decolonisation provides an undoubtedly important approach to the topic. For philosophy to obtain relevance to the practices of everyday life in Africa, it has to be embedded in and defined by everyday struggles and experiences. However, not all philosophical trends in Africa are seemingly removed from everyday realities. For instance, the Southern African concept of ubuntu is constantly bandied about in the public realm as opposed to being limited to the discourses circulating only within ivory towers.

Afrocentricity

Afrocentricity is another African(ist) orientation in philosophy that seeks to embed itself within everyday African consciousness in a more or less direct way. Wiredu has not engaged with this trend in African contemporary thought and practice. As such there has been a – for want of a better term – schism between academic philosophy and non-academic intellectual practice, a trend that mirrors what exists in black America where academic luminaries based within the academy are hardly known outside it whilst Afrocentric thinkers become, in the eyes of the public, learned folk heroes precisely because they engage constantly with their communities on a wide range of burning issues. Thought, as it were, has to be imbued with a measure of social activism and transformational potential otherwise the divide between the ivory tower and the community remains unmediated.

Wiredu’s entire corpus unearths, albeit unwittingly, the distance between Western philosophical traditions and African systems of thought. And this distance can be quite enormous depending on the historical approach one adopts.

Wiredu is aware of the other traditions of African contemporary thought that seek to bridge the divide between academic philosophy and folk thought, as exemplified by the contributions of Kwame Nkrumah, Julius Nyerere and Leopold Sedar Senghor, who were termed philosopher-kings by the Anglophone school of African philosophy. All the aforementioned African freedom fighters-turned-political leaders combined the conceptual and practical aspects of decolonisation under one overarching imperative to forge an existential vision for the decolonised African.

Wiredu’s entire corpus unearths, albeit unwittingly, the distance between Western philosophical traditions and African systems of thought. And this distance can be quite enormous depending on the historical approach one adopts. Afrocentricity encourages a robust engagement with the African historical past in order to discover the true meaning of philosophy, which in Afrocentric terms can only be located in ancient Egypt. Such an Afrocentric conception of philosophy exceeds the ordinary boundaries of Western philosophy. Wiredu’s understanding of philosophy is clearly not Afrocentric in the usual sense of the term but in spite of its Western analytic framework it attempts a recuperation of the African subject as a central object of discourse. Here, the African subject suddenly finds him/herself within a Western – and often alien – canon of rationality. The mere incongruity of this presence disrupts the “normal” dynamic of analytic philosophy and then announces the frightening possibility for a multiculturalism that is fundamentally alien within that philosophic equation.

These layers of disruption within a supposedly “pure” canon of Western philosophy is what Wiredu accomplishes with his work. By daring to introduce an African presence into a lily-white canon, a discomfort arises, one that preempts other conceptual possibilities that ultimately question the meaning and limits of philosophy. The African subject thus finds him/herself entrapped within a Western philosophical vocabulary that necessarily constrains his/her discursive agency, notwithstanding the realities of being ensconced within an ostensibly African voice, in this case, Wiredu’s own voice.

One is compelled to return to the immense possibilities of Afrocentricity, which seeks to recover the purity of the African voice. Wiredu’s work, which represents the introduction of an African voice into a Western philosophical canon, in this sense, constitutes a conceptual revolt. Afrocentricity, on the other hand, promises a total revolution, a liberation from the traumas and limitations of conceptual schizophrenia, whereby an African subject is forever reduced to agonising over the discomfort and ambiguities of a superimposed philosophical lexicon.

Afrocentricity is all about a complete ethical and conceptual transformation, with the African subject being the nucleus of such a transformation. In this way, the transformation exceeds being merely a disruption; it is essentially an alteration of consciousness and cosmology, and the recovery of a pure – or lost – conceptual voice.

By interrogating the overarching tradition/modernity dialectic, Wiredu has announced cultural synthesis as a pragmatic approach. But it seems the benefits of this conceptual approach would have been better realised in the fields of cultural studies, and other related discourses. African philosophy seems to have lost a considerable amount of momentum. Even though the African presence constitutes a disruption within the Western philosophical canon in the manner in which Wiredu announces it, this disruption, as pointed out earlier, does not entail a complete transformation of the philosophical tradition that hosts it.

Afrocentricity is all about a complete ethical and conceptual transformation, with the African subject being the nucleus of such a transformation. In this way, the transformation exceeds being merely a disruption; it is essentially an alteration of consciousness and cosmology, and the recovery of a pure – or lost – conceptual voice.

These remarks about the outcome of Wiredu’s work are based on observations that stem from “post-colonial” African life. Such a context is never predictable as the nightmares and astonishing potentials being witnessed in contemporary Africa must be far removed from the dreams the likes of Nkrumah, Senghor, Nyerere and Ngugi wa Thiongo had for the continent.

In the African continent, as states fail constantly, ethnic strife erupts and millions are displaced through wars, migrations, disease and famine. Thus an all-too-familiar picture of the beleaguered continent is further lodged in our minds, one that panders to convenient and uncritical stereotype. But within this seemingly unsalvageable scenario we see instances of astounding resilience, colour, strength and creativity, such that outstrip our conceptual vocabularies. Cultural synthesis as understood by normal philosophical diction does not quite capture the forms of life in constant transition that the inhabitants of Africa battle with daily.

These supposed random and chaotic fragments of African existence are paradoxically a liberation of the African voice, a dervish of presence which colonialism had done everything to deny, suppress and ultimately, destroy. Such a presence constitutes a grave existential antithesis to philosophical equilibrium, and therefore, decorum. In reality it ought to be more than just a disruption in order to realise its true potential; it had to be, in an Afrocentric sense, a complete transformation of concept and consciousness in a manner that repudiates all existing philosophical discourses, except those discovered (and recovered) through a largely Afrocentric project.

An African cosmology

In identifying frames of reference that suit the decolonised African subject, discourses, such as cultural or ethnic and race studies, appear to be better positioned than philosophy. One of the reasons for philosophy’s limitations is its innate reluctance to question and undermine the basis of its attitudes in relation to the African subject. In other words, the African subject is compelled, with little or no voice, to find its locus of muteness within an invariably Western philosophical canon. Within this philosophical straight jacket, its potential for manouverability is significantly curtailed. If indeed it is able to acquire a voice, it is one that is mangled, lacking in confidence and ultimately unrepresentative and self-defeating.

But all around us within the continent, there are cacophonies of voices, unruly regimes of representation, disclosure and iconicity, clashing, jarring, refusing to be curtailed and silenced, bursting forth in variegated hues and displays until the senses experience multiple stages of sensory overload. It becomes evident that we have no vocabulary to describe this state of affairs that constantly threaten to overwhelm our abilities to cope with, classify and assess phenomena. Instead of philosophy and normal theoretical language, we find succour in constant eruptions of music, dance, and the ever-revolving institutions of the “palaver” and in other forms of conviviality that may emerge suddenly and then disappear only to reappear is somewhat altered conditions in ever-mobile cyclicity, and shifting bases of transformation.

In these constantly moving and evolving forms are to be found our rough and ready conceptual implements that would make academic philosophers wince, recoil and depart for more stable social conditions where they are able to find comfort in jaded vocabularies.

It is tempting to state that philosophy loses its powers in Africa unless it resorts to the language of pathology, that is, at least, a certain understanding of philosophy, which paradoxically, Wiredu is able to employ in his project of conceptual decolonisation. However, what I have pointed out are the limitations of acquiring and maintaining a liberated voice within that fraught conceptual milieu. At best, that constrained voice constitutes a disruption within “normal” universal philosophical momentum. But essentially, what we require more than ever is a complete transformation of the conceptual apparatus so that we are able to embrace more fully our essential realities rather than being alienated and stymied by them at a fundamental conceptual level.

The disruption caused by Wiredu’s insertion of an African presence in philosophy foreshadows a crucial logical progression, one that demands that philosophy must turn against itself in order to be representative of an African cosmology. There has got to be a more inspiring way to capture myriad sounds, languages, voices, dialects and tropical colours that characterise African existence. Instead, under the structures of analytical philosophy (and other similar traditions), what we see is a retreat by philosophy from this reality. By doing so, it disqualifies itself as a medium of expression for non-Western experiences and instead launches an offensive by labeling everything African as barbaric, or at best, unformed, non-descript and unnameable. Being a philosopher of the proper sense of word, Wiredu obviously despaired of the possibility in effecting a negation of philosophy. What isn’t clear is whether he read philosophy’s limitations in the manner described in this brief article. But even if he senses its fundamental limitations, he never quite attempts to transcend them in a radical manner.

Afrocentricity, on the other hand, attempts a total re-fabrication of the entire conceptual apparatus dealing with the African subject as an experiential and philosophical being. This wide-ranging operation works at many levels in the following ways: a re-consideration of the question of African historiography; a re-evaluation of the place of the African subject in history; a thorough-going re-positioning and realignment of the discipline of philosophy incorporating its pre-Athenian locus and orientation in order to transcend the bounds of philosophy itself in its contemporary form.

Essentially, this kind of operation constitutes a considerable advancement on Wiredu’s project of conceptual decolonisation. In this manner, the haunting occasioned by deep loss, collective psychic disequilibrium and severance, and a psychological misalignment with a superimposed cultural order are downplayed for more vigorous engagement with the internal momentum of pre-colonial African history. The point, is, how do we deal with traumas of loss without the usual recourse to collective amnesia? Afrocentricity suggests that this is wholly possible. Wiredu’s project of conceptual decolonisation appears to be lacking the psychological resources to cope with the traumas of loss and the unremitting despair caused by the diminution or even erasure of identity, and so in establishing a conversation between tradition and modernity, the African subject still has to avail him/herself of lush means to deal with chronic agonies of cultural disconnect that are in turn provided by Afrocentricity and its multi-pronged approaches to cultural reconstruction on a massive scale.


Published by the good folks at The Elephant.

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Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

By Sanya Osha

Rant of a Coconut: What Chigumadzi Doesn’t Get about Nigerians

The experience of slavery, which is directly linked to the European imperial project and colonisation, did not only entail a forceful subjugation of African bodies but also involved a despotic transformation of African cognitive systems and mentalities. In this sense, Africans often underwent a painful existential and epistemic severance from African systems of knowledge and an imposition of alien patterns and structures of knowledge that were often derogatory and dismissive of their histories, experiences and achievements.

Kwasi Wiredu, the Ghanaian philosopher, is probably the most influential Anglophone thinker in Africa. His impressive intellectual stature stems from his seminal work on what he terms “conceptual decolonisation”, which is concerned with the systematic subversion of Western concepts, ideas and structures of knowledge embedded in the modern African episteme that either have little utility value for the continent or have been detrimental to African growth and advancement.

Accordingly, after the successful overthrow of political colonisation, an elaborate re-connection with African modes of knowledge (sometimes in the uncouth politics of ethnic authenticity) was necessary to undertake the ongoing task of decolonisation. Along with this definite conceptual maneuver, there was also the challenge of modernity with which to contend. In most cases, African traditions of authority and leadership were severely affected when not drastically transformed or even destroyed by the colonial encounter and it became necessary to adopt Western modes of governance that were not always palatable to African requirements and specificities. At the level of governance, this has created enormous problems and challenges in African societies.

Indeed, there have been noteworthy attempts in Africa to surmount the varied challenges posed by the colonial encounter and legacy. Some of these attempts have been largely intellectual while others stem from the innate resilience of peoples of African descent to establish links with their past.

Kwasi Wiredu, the Ghanaian philosopher, is probably the most influential Anglophone thinker in Africa. His impressive intellectual stature stems from his seminal work on what he terms “conceptual decolonisation”, which is concerned with the systematic subversion of Western concepts, ideas and structures of knowledge embedded in the modern African episteme that either have little utility value for the continent or have been detrimental to African growth and advancement. In pursuing this particular epistemological project, Wiredu’s scope and terms of reference are quite specific. His Akan ethnic background provides the epistemic and linguistic canvas upon which he embarks to explore the establishing of a feasible synthesis between African and Western cultures in a bid to hoist Africans out of the existential and epistemic dilemmas caused by the colonial encounter.

Wiredu’s project of conceptual decolonisation is elaborated in two major books: Philosophy and an African Culture and Cultural Universals and Particulars: An African Perspective. At first glance, it would appear that Wiredu’s project is purely philosophical as he focuses on well-known philosophical concepts such as “truth”, “mind”, “language”, “ethics” and “religion”. However, the significance of his approach immediately assumes deeper value when faced with the challenge of re-building African societies and epistemic frameworks in the wake of the colonial intervention.

In order to successfully embark on conceptual decolonisation, as prescribed by Wiredu, at least three kinds of competencies are needed. First, a knowledge of Western cultures and languages, together with their disruptive effect on subject cultures. Second, a keen familiarity with indigenous cultures and languages prior to their infiltration by Western traditions. Third, the possession of the conceptual nimbleness and aptitude needed to confront the often obfuscating colonial legacy.

By establishing this blueprint, Wiredu has opened up a channel not only to interrogate the lingering effects of the colonial encounter but also one by which a diverse range of modern projects can be undertaken. In conceptual terms, his project is historical, philosophical and metaphilosophical, and regenerative and this is why it can be applied to a seemingly infinite array of African contexts.

E. B. Dubois referred to the issue of cultural bifocality as “double consciousness”, which was experienced by peoples of African descent in the New World who were attempting to navigate the realities of blackness alongside the alienating conditions of their foreign cultural and sociopolitical milieu.

Unlike many radical nativists who prefer to see nothing of value in the colonial encounter and Western cultures generally, Wiredu’s contribution involves a dispassionate assessment of the current existential situation in Africa and a solemn contemplation of the conceptual options available to the decolonising as well as the modernising consciousness. He thus poses the dual fundamental question: What can we recuperate from our past while keeping what is useful in the present? In this manner, the survival of the African subject becomes paramount, which from this perspective is largely existential. But the apparent simplicity of the framing of this question obviously carries considerable philosophical value and utility. As we can see, Wiredu’s project of conceptual decolonisation contains both intellectual and existential dimensions that are often interchangeable and are mostly vital for the African subject’s negotiation of the often perplexing intricacies of hybridised forms of modernity.

Cultural bifocality

E. B. Dubois referred to the issue of cultural bifocality as “double consciousness”, which was experienced by peoples of African descent in the New World who were attempting to navigate the realities of blackness alongside the alienating conditions of their foreign cultural and sociopolitical milieu. The traumas of racism, marginalisation and social exclusion placed blacks in the New World in a neither-here-nor-there existential context that created deep divisions within their consciousness. The notion of double consciousness can thus become an overarching strategy of survival that enabled the oppressed black subject to speak and act with an aptly considered ambivalence that minimised the threat posed by the white oppressor. Here in the New World, the threat was immediate, external and real and hence required prompt and concrete reaction in the epochs of slavery and racial segregation that followed it.

Rather than the racial oppressor seeing a dangerously enraged slave, he perceives a smiling, amiable clown (caricatured in many Hollywood movies). The oppressor’s complacency is then transformed into a weapon for liberation. The concept of double consciousness is, therefore, also a weapon of the weak and victimised in that it can successfully employ concealment as subterfuge and as a springboard for transformative action.

However, the fundamental violence of racial oppression is accompanied by an even more subtle kind of self-inflicted infringement. In this instance, the oppressor does not have to act upon the victim directly. Instead, the victim takes it upon him/herself to cause damage upon him/herself by employing the lens of whiteness. In a manner akin to the Fanonian “black skin, white mask” syndrome, the black subject peers into a mirror and wishes s/he were white; s/he repudiates him/herself in order to become something other or different from what s/he truly is; s/he willingly becomes the antithesis of him/herself under the vaguely looming or even absent gaze of his/her racial oppressor and plunges him/herself into a whirlpool of self-denial that causes a concatenation of syndromes for which s/he has no cure. The concept of identity becomes doubly loaded, elusive and problematic. As a result, it also becomes a tool for political opportunism and misleading cultural abbreviations.

Memory and language

Memory and orality (or what some have gone on to term orature) became sources of self-preservation and re-invention in the face of the radical discontinuity that essentially constitutes the experience of slavery and cultural severance. The oppressed black subject preserves something of his/her past and relives its allegory, myth and history as a bulwark against an unbearable present that seeks to re-mould him/her anew out of the scalding ashes of oppression.

The entire notion of double consciousness is constitutive of the condition of secretive affirmation and deceptive negation; a philosophical as well as existential doublespeak that defines an entire approach to the question of immediate and long-term survival. Rather than the racial oppressor seeing a dangerously enraged slave, he perceives a smiling, amiable clown (caricatured in many Hollywood movies). The oppressor’s complacency is then transformed into a weapon for liberation. The concept of double consciousness is, therefore, also a weapon of the weak and victimised in that it can successfully employ concealment as subterfuge and as a springboard for transformative action. It serves as a camouflage for the victim, a veneer through which effective subversion becomes possible in opposition to the oppressor’s hubris.

The complexity of speech and thought, over and above the colonial encounter, is very much evident in traditional African thought. Marcel Griaule, an ethnologist, studied the Dogon of Mali for several years in an attempt to understand a very elaborate cosmological and metaphysical system. He became more or less the pupil of Ogotommeli, a renowned Dogon priest and hunter. For thirty-three days, Ogotommeli expounded on the myths, history and culture of the Dogon by employing a language that was by turns “elaborate, symbolic, and eloquent”. Griaule had to study the culture for sixteen years before he could gain some understanding of it. What he eventually learnt was that are four stages to knowledge: the word at face value; the word off to the side; the word from behind; and the clear word. There are eight levels of the clear word the knowledge of which was reserved for only the most accomplished and gifted priests.

Molefi Keke Asante points out the correlation between Africans in the United States and those on the ancestral continent: “African American thought, as expressed in religion and myth, may be seen as an extension of the African foundations.” There are numerous instances attesting to the resilience of African cultures, beliefs and worldviews in spite of often-violent colonial intrusions and disruptive waves of transition. Indeed, strong pockets of Africanity exist in the New World that continue to nourish and inspire peoples of African descent far from the original homeland.

The impact of these surviving traces of Africanity cannot be taken for granted as they are important in shaping the dynamics of identity formation and affirming the location of both the individual and collective selves in milieus that are often profoundly hostile and alienating to black history and experience. It is indeed necessary to examine some manifestations of African cultures in the New World together with their ensuing impact in that context.

Memory was particularly important for the preservation of African religious beliefs and systems in the New World. It served in establishing a chain of continuity between the Old and New Worlds that still persists in the contemporary age. This development is most discernible in the manner Yoruba culture and traditions have gained a foothold in the Americas.

Undoubtedly, the tactics and strategies of the victim were numerous in pursuing the desperate task of self-preservation. Memory, mimesis, ambivalence and the employment of the feint to mask real intent were all useful in maintaining the integrity and continuing survival of the victim and within the canon of postcolonial theory, they are recognised for their strategic usefulness and emancipatory potential.

Indigenous forms of spirituality

 Memory was particularly important for the preservation of African religious beliefs and systems in the New World. It served in establishing a chain of continuity between the Old and New Worlds that still persists in the contemporary age. This development is most discernible in the manner Yoruba culture and traditions have gained a foothold in the Americas. (Originally, Yorubaness was associated with ancient Yoruba towns such as Oyo, Ire and Ife.)

The Atlantic slave trade became a vehicle – however disruptive and traumatic – through which Yoruba religious practices became widespread in cities such as Miami and Louisiana in the United States and Havana in Cuba, as well as in Brazil, Colombia, Puerto Rico, Dominica and Argentina. In those cities and countries, Yoruba gods, such as Sango, Ogun, Osun and Yemoja, have become popular deities enshrined in local cosmology.

Apart from having a purely religious significance, the transposition of Yoruba religion and mythology in the new climes of the Americas was crucial to the organisation of secular resistance to racial oppression and denigration. In this way, the politics of identity and nationalist ideology crystallised and formed the basis through which the consciousness of black resistance became credible and recognisable.

It is important to note that the indigenous African forms of spirituality that were transposed into the New World were bearers of historically rich modes of life; they were repositories of a broad range of culture incorporating geomancy, ancestor worship, practices of healing, music, dance, shamanism and sacrifice. Accordingly, they prepared the individual and the community for most of life’s challenges. Therefore, Africans who found themselves relocated in the New World through the slave trade, re-fashioned their religions, as for instance, the Candomble denomination in Brazil and Santeria in Cuba, which are direct offshoots of indigenous Yoruba religion. Similarly, the voodoo (vodun) cult, which was originally practised in Benin (formerly Dahomey) and Togo by the Fon- and Ewe-speaking peoples of Ghana, made its way to Haiti where it continues to thrive.

As such, African religious and philosophical traditions have survived the onslaught of slavery, colonialism and modernity and found ways to remain relevant and vital to both Africans and peoples of African descent in the diaspora. Through the resources of memory and orality, the dynamics of identity formation and preservation have in turn tremendously influenced the modes of black cultural existence anywhere they are to be found. 


Published by the good folks at The Elephant.

The Elephant is a platform for engaging citizens to reflect, re-member and re-envision their society by interrogating the past, the present, to fashion a future.

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